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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C4D61 it is the complementary color #B3B29E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C4D61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C4D61 shade: #514D5C, #625F6F, #737182, #848395 and #9595A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C4D61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C4D61 shade: #4C4D61, #3B3B4E, #2A293B, #191728 and #080515

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C4D61 shade: #4C4D61, #504C61, #564C61, #5C4C61 and #614C60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C4D61 shade: #4C4D61 and #4C4C61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C4D61 shade matches the following richer shades: #4C4D61, #3E406F, #30337D, #22278B and #141A99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C4D61 shade: #4C4D61, #5A5953, #686645, #767337 and #848028

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C4D61 shade: #4C5861, #4C5261, #4C4D61, #504C61 and #564C61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C4D61 shade: #272832, #3A3A49, #4C4D61, #5E5F78 and #70728F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C4D61 shade: #4C4D61, #614C5D and #55614C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C4D61 shade: #4C4D61, #614C4D and #4D614C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C4D61 shade: #4C4D61, #614C5D, #61604C and #4C614F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C4D61 shade: #4C4D61, #614C57, #61604C and #4C6155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 21 / 0 / 62

HEX #4C4D61

RGB 76 77 97

HSL 237.14, 0.12%, 0.34%

LAB 33.37, 4.42, -11.79

 

Complementary color

CMYK 0 / 1 / 12 / 30

HEX #B3B29E

RGB 179 178 158

HSL 57.14, 0.12%, 0.66%

LAB 72.16, -3.17, 10.35

 

CMYK 12 / 16 / 0 / 64

HEX #514D5C

RGB 81 77 92

HSL 256, 0.09%, 0.33%

LAB 33.63, 5.03, -8.19

 

CMYK 12 / 14 / 0 / 56

HEX #625F6F

RGB 98 95 111

HSL 251.25, 0.08%, 0.4%

LAB 41.1, 4.69, -8.62

 

CMYK 12 / 13 / 0 / 49

HEX #737182

RGB 115 113 130

HSL 247.06, 0.07%, 0.48%

LAB 48.34, 4.39, -9.06

 

CMYK 11 / 12 / 0 / 42

HEX #848395

RGB 132 131 149

HSL 243.33, 0.08%, 0.55%

LAB 55.39, 4.13, -9.5

 

CMYK 11 / 11 / 0 / 34

HEX #9595A8

RGB 149 149 168

HSL 240, 0.1%, 0.62%

LAB 62.26, 3.88, -9.93

 

CMYK 22 / 21 / 0 / 62

HEX #4C4D61

RGB 76 77 97

HSL 237.14, 0.12%, 0.34%

LAB 33.37, 4.42, -11.79

 

CMYK 24 / 24 / 0 / 69

HEX #3B3B4E

RGB 59 59 78

HSL 240, 0.14%, 0.27%

LAB 25.59, 4.82, -11.53

 

CMYK 29 / 31 / 0 / 77

HEX #2A293B

RGB 42 41 59

HSL 243.33, 0.18%, 0.2%

LAB 17.43, 5.33, -11.33

 

CMYK 38 / 43 / 0 / 84

HEX #191728

RGB 25 23 40

HSL 247.06, 0.27%, 0.12%

LAB 8.76, 6.03, -11.26

 

CMYK 62 / 76 / 0 / 92

HEX #080515

RGB 8 5 21

HSL 251.25, 0.62%, 0.05%

LAB 1.94, 3.53, -7.18

 

CMYK 22 / 21 / 0 / 62

HEX #4C4D61

RGB 76 77 97

HSL 237.14, 0.12%, 0.34%

LAB 33.37, 4.42, -11.79

 

CMYK 18 / 22 / 0 / 62

HEX #504C61

RGB 80 76 97

HSL 251.43, 0.12%, 0.34%

LAB 33.43, 6.52, -11.66

 

CMYK 11 / 22 / 0 / 62

HEX #564C61

RGB 86 76 97

HSL 268.57, 0.12%, 0.34%

LAB 34, 8.76, -10.74

 

CMYK 5 / 22 / 0 / 62

HEX #5C4C61

RGB 92 76 97

HSL 285.71, 0.12%, 0.34%

LAB 34.61, 11.04, -9.75

 

CMYK 0 / 22 / 1 / 62

HEX #614C60

RGB 97 76 96

HSL 302.86, 0.12%, 0.34%

LAB 35.11, 12.75, -8.32

 

CMYK 22 / 21 / 0 / 62

HEX #4C4D61

RGB 76 77 97

HSL 237.14, 0.12%, 0.34%

LAB 33.37, 4.42, -11.79

 

CMYK 22 / 22 / 0 / 62

HEX #4C4C61

RGB 76 76 97

HSL 240, 0.12%, 0.34%

LAB 33.07, 5.06, -12.25

 

CMYK 22 / 21 / 0 / 62

HEX #4C4D61

RGB 76 77 97

HSL 237.14, 0.12%, 0.34%

LAB 33.37, 4.42, -11.79

 

CMYK 44 / 42 / 0 / 56

HEX #3E406F

RGB 62 64 111

HSL 237.55, 0.28%, 0.34%

LAB 29, 12.46, -27.54

 

CMYK 62 / 59 / 0 / 51

HEX #30337D

RGB 48 51 125

HSL 237.66, 0.45%, 0.34%

LAB 25.19, 22.7, -42.57

 

CMYK 76 / 72 / 0 / 45

HEX #22278B

RGB 34 39 139

HSL 237.14, 0.61%, 0.34%

LAB 22.5, 33.65, -55.79

 

CMYK 87 / 83 / 0 / 40

HEX #141A99

RGB 20 26 153

HSL 237.29, 0.77%, 0.34%

LAB 20.78, 44.96, -67.33

 

CMYK 22 / 21 / 0 / 62

HEX #4C4D61

RGB 76 77 97

HSL 237.14, 0.12%, 0.34%

LAB 33.37, 4.42, -11.79

 

CMYK 0 / 1 / 8 / 65

HEX #5A5953

RGB 90 89 83

HSL 51.43, 0.04%, 0.34%

LAB 37.74, -0.82, 3.61

 

CMYK 0 / 2 / 34 / 59

HEX #686645

RGB 104 102 69

HSL 56.57, 0.2%, 0.34%

LAB 42.58, -4.93, 18.98

 

CMYK 0 / 3 / 53 / 54

HEX #767337

RGB 118 115 55

HSL 57.14, 0.36%, 0.34%

LAB 47.48, -7.74, 33.24

 

CMYK 0 / 3 / 70 / 48

HEX #848028

RGB 132 128 40

HSL 57.39, 0.53%, 0.34%

LAB 52.39, -9.72, 46.13

 

CMYK 22 / 9 / 0 / 62

HEX #4C5861

RGB 76 88 97

HSL 205.71, 0.12%, 0.34%

LAB 36.7, -2.46, -6.76

 

CMYK 22 / 15 / 0 / 62

HEX #4C5261

RGB 76 82 97

HSL 222.86, 0.12%, 0.34%

LAB 34.87, 1.26, -9.51

 

CMYK 22 / 21 / 0 / 62

HEX #4C4D61

RGB 76 77 97

HSL 237.14, 0.12%, 0.34%

LAB 33.37, 4.42, -11.79

 

CMYK 18 / 22 / 0 / 62

HEX #504C61

RGB 80 76 97

HSL 251.43, 0.12%, 0.34%

LAB 33.43, 6.52, -11.66

 

CMYK 11 / 22 / 0 / 62

HEX #564C61

RGB 86 76 97

HSL 268.57, 0.12%, 0.34%

LAB 34, 8.76, -10.74

 

CMYK 22 / 20 / 0 / 80

HEX #272832

RGB 39 40 50

HSL 234.55, 0.12%, 0.17%

LAB 16.4, 2.21, -6.64

 

CMYK 21 / 21 / 0 / 71

HEX #3A3A49

RGB 58 58 73

HSL 240, 0.11%, 0.26%

LAB 24.97, 3.75, -9.17

 

CMYK 22 / 21 / 0 / 62

HEX #4C4D61

RGB 76 77 97

HSL 237.14, 0.12%, 0.34%

LAB 33.37, 4.42, -11.79

 

CMYK 22 / 21 / 0 / 53

HEX #5E5F78

RGB 94 95 120

HSL 237.69, 0.12%, 0.42%

LAB 41.09, 5.44, -14.17

 

CMYK 22 / 20 / 0 / 44

HEX #70728F

RGB 112 114 143

HSL 236.13, 0.12%, 0.5%

LAB 48.84, 5.83, -16.04

 

CMYK 22 / 21 / 0 / 62

HEX #4C4D61

RGB 76 77 97

HSL 237.14, 0.12%, 0.34%

LAB 33.37, 4.42, -11.79

 

CMYK 0 / 22 / 4 / 62

HEX #614C5D

RGB 97 76 93

HSL 311.43, 0.12%, 0.34%

LAB 35, 12.11, -6.59

 

CMYK 12 / 0 / 22 / 62

HEX #55614C

RGB 85 97 76

HSL 94.29, 0.12%, 0.34%

LAB 39.58, -8.98, 10.46

 

CMYK 22 / 21 / 0 / 62

HEX #4C4D61

RGB 76 77 97

HSL 237.14, 0.12%, 0.34%

LAB 33.37, 4.42, -11.79

 

CMYK 0 / 22 / 21 / 62

HEX #614C4D

RGB 97 76 77

HSL 357.14, 0.12%, 0.34%

LAB 34.49, 9.03, 2.78

 

CMYK 21 / 0 / 22 / 62

HEX #4D614C

RGB 77 97 76

HSL 117.14, 0.12%, 0.34%

LAB 38.98, -12.18, 9.53

 

CMYK 22 / 21 / 0 / 62

HEX #4C4D61

RGB 76 77 97

HSL 237.14, 0.12%, 0.34%

LAB 33.37, 4.42, -11.79

 

CMYK 0 / 22 / 4 / 62

HEX #614C5D

RGB 97 76 93

HSL 311.43, 0.12%, 0.34%

LAB 35, 12.11, -6.59

 

CMYK 0 / 1 / 22 / 62

HEX #61604C

RGB 97 96 76

HSL 57.14, 0.12%, 0.34%

LAB 40.29, -3.37, 11.6

 

CMYK 22 / 0 / 19 / 62

HEX #4C614F

RGB 76 97 79

HSL 128.57, 0.12%, 0.34%

LAB 38.99, -11.96, 7.69

 

CMYK 22 / 21 / 0 / 62

HEX #4C4D61

RGB 76 77 97

HSL 237.14, 0.12%, 0.34%

LAB 33.37, 4.42, -11.79

 

CMYK 0 / 22 / 10 / 62

HEX #614C57

RGB 97 76 87

HSL 328.57, 0.12%, 0.34%

LAB 34.8, 10.9, -3.1

 

CMYK 0 / 1 / 22 / 62

HEX #61604C

RGB 97 96 76

HSL 57.14, 0.12%, 0.34%

LAB 40.29, -3.37, 11.6

 

CMYK 22 / 0 / 12 / 62

HEX #4C6155

RGB 76 97 85

HSL 145.71, 0.12%, 0.34%

LAB 39.14, -10.68, 4.24

 

Description

Color code: HEX #4C4D61 | qconv.com Color code: HEX #4C4D61 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 77 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 77 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 21 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 21% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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