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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C5033 it is the complementary color #B3AFCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C5033. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C5033 shade: #51502E, #626241, #737454, #848667 and #95987A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C5033. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C5033 shade: #4C5033, #3B3E20, #2A2C0D, #191A00 and #080800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C5033 shade: #4C5033, #504D33, #504533, #503D33 and #503533

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C5033 shade: #4C5033, #445033, #3D5033, #355033 and #33503A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C5033 shade matches the following richer shades: #4C5033, #545B28, #5C661E, #647113 and #6B7B08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C5033 shade: #4C5033, #45463E, #3D3B49, #353053 and #2D255E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C5033 shade: #504533, #504C33, #4C5033, #455033 and #3D5033

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C5033 shade: #1D1E13, #343723, #4C5033, #646A43 and #7C8353

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C5033 shade: #4C5033, #33503D and #493350

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C5033 shade: #4C5033, #334C50 and #50334C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C5033 shade: #4C5033, #33503D, #373350 and #503347

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C5033 shade: #4C5033, #335046, #373350 and #50333E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 36 / 69

HEX #4C5033

RGB 76 80 51

HSL 68.28, 0.22%, 0.26%

LAB 32.95, -7.07, 16.59

 

Complementary color

CMYK 12 / 14 / 0 / 20

HEX #B3AFCC

RGB 179 175 204

HSL 248.28, 0.22%, 0.74%

LAB 72.63, 7.15, -14.18

 

CMYK 0 / 1 / 43 / 68

HEX #51502E

RGB 81 80 46

HSL 58.29, 0.28%, 0.25%

LAB 33.32, -5.46, 20.18

 

CMYK 0 / 0 / 34 / 62

HEX #626241

RGB 98 98 65

HSL 60, 0.2%, 0.32%

LAB 40.76, -5.81, 18.84

 

CMYK 1 / 0 / 28 / 55

HEX #737454

RGB 115 116 84

HSL 61.88, 0.16%, 0.39%

LAB 47.98, -6.06, 17.61

 

CMYK 1 / 0 / 23 / 47

HEX #848667

RGB 132 134 103

HSL 63.87, 0.13%, 0.46%

LAB 55.01, -6.26, 16.49

 

CMYK 2 / 0 / 20 / 40

HEX #95987A

RGB 149 152 122

HSL 66, 0.13%, 0.54%

LAB 61.87, -6.42, 15.46

 

CMYK 5 / 0 / 36 / 69

HEX #4C5033

RGB 76 80 51

HSL 68.28, 0.22%, 0.26%

LAB 32.95, -7.07, 16.59

 

CMYK 5 / 0 / 48 / 76

HEX #3B3E20

RGB 59 62 32

HSL 66, 0.32%, 0.18%

LAB 25.2, -6.8, 17.98

 

CMYK 5 / 0 / 70 / 83

HEX #2A2C0D

RGB 42 44 13

HSL 63.87, 0.54%, 0.11%

LAB 17.1, -6.29, 19.07

 

CMYK 4 / 0 / 100 / 90

HEX #191A00

RGB 25 26 0

HSL 62.31, 1%, 0.05%

LAB 8.53, -5.21, 12.67

 

CMYK 0 / 0 / 100 / 97

HEX #080800

RGB 8 8 0

HSL 60, 1%, 0.02%

LAB 2.04, -1.11, 3.03

 

CMYK 5 / 0 / 36 / 69

HEX #4C5033

RGB 76 80 51

HSL 68.28, 0.22%, 0.26%

LAB 32.95, -7.07, 16.59

 

CMYK 0 / 4 / 36 / 69

HEX #504D33

RGB 80 77 51

HSL 53.79, 0.22%, 0.26%

LAB 32.37, -3.42, 15.9

 

CMYK 0 / 14 / 36 / 69

HEX #504533

RGB 80 69 51

HSL 37.24, 0.22%, 0.26%

LAB 29.91, 1.56, 12.62

 

CMYK 0 / 24 / 36 / 69

HEX #503D33

RGB 80 61 51

HSL 20.69, 0.22%, 0.26%

LAB 27.52, 6.66, 9.35

 

CMYK 0 / 34 / 36 / 69

HEX #503533

RGB 80 53 51

HSL 4.14, 0.22%, 0.26%

LAB 25.23, 11.83, 6.16

 

CMYK 5 / 0 / 36 / 69

HEX #4C5033

RGB 76 80 51

HSL 68.28, 0.22%, 0.26%

LAB 32.95, -7.07, 16.59

 

CMYK 15 / 0 / 36 / 69

HEX #445033

RGB 68 80 51

HSL 84.83, 0.22%, 0.26%

LAB 32.27, -10.65, 15.57

 

CMYK 24 / 0 / 36 / 69

HEX #3D5033

RGB 61 80 51

HSL 99.31, 0.22%, 0.26%

LAB 31.73, -13.65, 14.76

 

CMYK 34 / 0 / 36 / 69

HEX #355033

RGB 53 80 51

HSL 115.86, 0.22%, 0.26%

LAB 31.19, -16.89, 13.94

 

CMYK 36 / 0 / 28 / 69

HEX #33503A

RGB 51 80 58

HSL 134.48, 0.22%, 0.26%

LAB 31.22, -16.23, 9.6

 

CMYK 5 / 0 / 36 / 69

HEX #4C5033

RGB 76 80 51

HSL 68.28, 0.22%, 0.26%

LAB 32.95, -7.07, 16.59

 

CMYK 8 / 0 / 56 / 64

HEX #545B28

RGB 84 91 40

HSL 68.24, 0.39%, 0.26%

LAB 36.97, -11.21, 28.13

 

CMYK 10 / 0 / 71 / 60

HEX #5C661E

RGB 92 102 30

HSL 68.33, 0.55%, 0.26%

LAB 41.01, -14.52, 37.73

 

CMYK 12 / 0 / 83 / 56

HEX #647113

RGB 100 113 19

HSL 68.3, 0.71%, 0.26%

LAB 45.03, -17.38, 45.97

 

CMYK 13 / 0 / 93 / 52

HEX #6B7B08

RGB 107 123 8

HSL 68.35, 0.88%, 0.26%

LAB 48.65, -19.79, 51.9

 

CMYK 5 / 0 / 36 / 69

HEX #4C5033

RGB 76 80 51

HSL 68.28, 0.22%, 0.26%

LAB 32.95, -7.07, 16.59

 

CMYK 1 / 0 / 11 / 73

HEX #45463E

RGB 69 70 62

HSL 67.5, 0.06%, 0.26%

LAB 29.4, -2.11, 4.68

 

CMYK 16 / 19 / 0 / 71

HEX #3D3B49

RGB 61 59 73

HSL 248.57, 0.11%, 0.26%

LAB 25.57, 4.24, -8.24

 

CMYK 36 / 42 / 0 / 67

HEX #353053

RGB 53 48 83

HSL 248.57, 0.27%, 0.26%

LAB 21.93, 11.68, -20.56

 

CMYK 52 / 61 / 0 / 63

HEX #2D255E

RGB 45 37 94

HSL 248.42, 0.44%, 0.26%

LAB 18.75, 20.63, -32.97

 

CMYK 0 / 14 / 36 / 69

HEX #504533

RGB 80 69 51

HSL 37.24, 0.22%, 0.26%

LAB 29.91, 1.56, 12.62

 

CMYK 0 / 5 / 36 / 69

HEX #504C33

RGB 80 76 51

HSL 51.72, 0.22%, 0.26%

LAB 32.06, -2.8, 15.49

 

CMYK 5 / 0 / 36 / 69

HEX #4C5033

RGB 76 80 51

HSL 68.28, 0.22%, 0.26%

LAB 32.95, -7.07, 16.59

 

CMYK 14 / 0 / 36 / 69

HEX #455033

RGB 69 80 51

HSL 82.76, 0.22%, 0.26%

LAB 32.35, -10.21, 15.69

 

CMYK 24 / 0 / 36 / 69

HEX #3D5033

RGB 61 80 51

HSL 99.31, 0.22%, 0.26%

LAB 31.73, -13.65, 14.76

 

CMYK 3 / 0 / 37 / 88

HEX #1D1E13

RGB 29 30 19

HSL 65.45, 0.22%, 0.1%

LAB 10.83, -2.93, 7.26

 

CMYK 5 / 0 / 36 / 78

HEX #343723

RGB 52 55 35

HSL 69, 0.22%, 0.18%

LAB 22.24, -5.34, 12.14

 

CMYK 5 / 0 / 36 / 69

HEX #4C5033

RGB 76 80 51

HSL 68.28, 0.22%, 0.26%

LAB 32.95, -7.07, 16.59

 

CMYK 6 / 0 / 37 / 58

HEX #646A43

RGB 100 106 67

HSL 69.23, 0.23%, 0.34%

LAB 43.39, -9.26, 21.16

 

CMYK 5 / 0 / 37 / 49

HEX #7C8353

RGB 124 131 83

HSL 68.75, 0.22%, 0.42%

LAB 53.1, -10.79, 25.11

 

CMYK 5 / 0 / 36 / 69

HEX #4C5033

RGB 76 80 51

HSL 68.28, 0.22%, 0.26%

LAB 32.95, -7.07, 16.59

 

CMYK 36 / 0 / 24 / 69

HEX #33503D

RGB 51 80 61

HSL 140.69, 0.22%, 0.26%

LAB 31.3, -15.57, 7.81

 

CMYK 9 / 36 / 0 / 69

HEX #493350

RGB 73 51 80

HSL 285.52, 0.22%, 0.26%

LAB 24.84, 15.95, -13.87

 

CMYK 5 / 0 / 36 / 69

HEX #4C5033

RGB 76 80 51

HSL 68.28, 0.22%, 0.26%

LAB 32.95, -7.07, 16.59

 

CMYK 36 / 5 / 0 / 69

HEX #334C50

RGB 51 76 80

HSL 188.28, 0.22%, 0.26%

LAB 30.53, -8.35, -5.43

 

CMYK 0 / 36 / 5 / 69

HEX #50334C

RGB 80 51 76

HSL 308.28, 0.22%, 0.26%

LAB 25.55, 17.72, -10.05

 

CMYK 5 / 0 / 36 / 69

HEX #4C5033

RGB 76 80 51

HSL 68.28, 0.22%, 0.26%

LAB 32.95, -7.07, 16.59

 

CMYK 36 / 0 / 24 / 69

HEX #33503D

RGB 51 80 61

HSL 140.69, 0.22%, 0.26%

LAB 31.3, -15.57, 7.81

 

CMYK 31 / 36 / 0 / 69

HEX #373350

RGB 55 51 80

HSL 248.28, 0.22%, 0.26%

LAB 22.86, 9.38, -17.09

 

CMYK 0 / 36 / 11 / 69

HEX #503347

RGB 80 51 71

HSL 318.62, 0.22%, 0.26%

LAB 25.35, 16.69, -7.03

 

CMYK 5 / 0 / 36 / 69

HEX #4C5033

RGB 76 80 51

HSL 68.28, 0.22%, 0.26%

LAB 32.95, -7.07, 16.59

 

CMYK 36 / 0 / 13 / 69

HEX #335046

RGB 51 80 70

HSL 159.31, 0.22%, 0.26%

LAB 31.54, -13.42, 2.45

 

CMYK 31 / 36 / 0 / 69

HEX #373350

RGB 55 51 80

HSL 248.28, 0.22%, 0.26%

LAB 22.86, 9.38, -17.09

 

CMYK 0 / 36 / 23 / 69

HEX #50333E

RGB 80 51 62

HSL 337.24, 0.22%, 0.26%

LAB 25.02, 14.96, -1.51

 

Description

Color code: HEX #4C5033 | qconv.com Color code: HEX #4C5033 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 80 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 80 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 36 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 36% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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