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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C686F it is the complementary color #B39790. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C686F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C686F shade: #51686A, #627A7D, #738C90, #849EA3 and #95B0B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C686F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C686F shade: #4C686F, #3B565C, #2A4449, #193236 and #082023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C686F shade: #4C6970, #4C5F70, #4C5570, #4C4C70 and #564C70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C686F shade: #4C6970, #4C5F70, #4C5570 and #4C4C70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C686F shade matches the following richer shades: #4C6970, #3D727F, #2D7B8E, #1E849E and #0F8DAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C686F shade: #4C6970, #5B5F61, #6A5651, #7A4D42 and #894433

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C686F shade: #4C7064, #4C706D, #4C6970, #4C5F70 and #4C5570

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C686F shade: #2B3B3F, #3B5257, #4C6970, #5D8088 and #70959E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C686F shade: #4C686F, #5A4C70 and #70694C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C686F shade: #4C686F, #704C69 and #69704C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C686F shade: #4C686F, #5A4C70, #70534C and #61704C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C686F shade: #4C686F, #654C70, #70534C and #57704C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 6 / 0 / 56

HEX #4C686F

RGB 76 104 111

HSL 192, 0.19%, 0.37%

LAB 42.13, -8.39, -7.25

 

Complementary color

CMYK 0 / 16 / 20 / 30

HEX #B39790

RGB 179 151 144

HSL 12, 0.19%, 0.63%

LAB 64.75, 9.27, 7.55

 

CMYK 24 / 2 / 0 / 58

HEX #51686A

RGB 81 104 106

HSL 184.8, 0.13%, 0.37%

LAB 42.29, -8.01, -3.94

 

CMYK 22 / 2 / 0 / 51

HEX #627A7D

RGB 98 122 125

HSL 186.67, 0.12%, 0.44%

LAB 49.49, -7.96, -4.53

 

CMYK 20 / 3 / 0 / 44

HEX #738C90

RGB 115 140 144

HSL 188.28, 0.12%, 0.51%

LAB 56.5, -7.93, -5.09

 

CMYK 19 / 3 / 0 / 36

HEX #849EA3

RGB 132 158 163

HSL 189.68, 0.14%, 0.58%

LAB 63.35, -7.92, -5.64

 

CMYK 18 / 3 / 0 / 29

HEX #95B0B6

RGB 149 176 182

HSL 190.91, 0.18%, 0.65%

LAB 70.05, -7.92, -6.17

 

CMYK 32 / 6 / 0 / 56

HEX #4C686F

RGB 76 104 111

HSL 192, 0.19%, 0.37%

LAB 42.13, -8.39, -7.25

 

CMYK 36 / 7 / 0 / 64

HEX #3B565C

RGB 59 86 92

HSL 190.91, 0.22%, 0.3%

LAB 34.72, -8.4, -6.73

 

CMYK 42 / 7 / 0 / 71

HEX #2A4449

RGB 42 68 73

HSL 189.68, 0.27%, 0.23%

LAB 27.04, -8.4, -6.17

 

CMYK 54 / 7 / 0 / 79

HEX #193236

RGB 25 50 54

HSL 188.28, 0.37%, 0.15%

LAB 19.03, -8.34, -5.56

 

CMYK 77 / 9 / 0 / 86

HEX #082023

RGB 8 32 35

HSL 186.67, 0.63%, 0.08%

LAB 10.6, -8.1, -4.84

 

CMYK 32 / 6 / 0 / 56

HEX #4C6970

RGB 76 105 112

HSL 191.67, 0.19%, 0.37%

LAB 42.47, -8.7, -7.35

 

CMYK 32 / 15 / 0 / 56

HEX #4C5F70

RGB 76 95 112

HSL 208.33, 0.19%, 0.37%

LAB 39.4, -2.75, -11.98

 

CMYK 32 / 24 / 0 / 56

HEX #4C5570

RGB 76 85 112

HSL 225, 0.19%, 0.37%

LAB 36.37, 3.44, -16.59

 

CMYK 32 / 32 / 0 / 56

HEX #4C4C70

RGB 76 76 112

HSL 240, 0.19%, 0.37%

LAB 33.72, 9.19, -20.69

 

CMYK 23 / 32 / 0 / 56

HEX #564C70

RGB 86 76 112

HSL 256.67, 0.19%, 0.37%

LAB 34.63, 12.53, -19.2

 

CMYK 32 / 6 / 0 / 56

HEX #4C6970

RGB 76 105 112

HSL 191.67, 0.19%, 0.37%

LAB 42.47, -8.7, -7.35

 

CMYK 32 / 15 / 0 / 56

HEX #4C5F70

RGB 76 95 112

HSL 208.33, 0.19%, 0.37%

LAB 39.4, -2.75, -11.98

 

CMYK 32 / 24 / 0 / 56

HEX #4C5570

RGB 76 85 112

HSL 225, 0.19%, 0.37%

LAB 36.37, 3.44, -16.59

 

CMYK 32 / 32 / 0 / 56

HEX #4C4C70

RGB 76 76 112

HSL 240, 0.19%, 0.37%

LAB 33.72, 9.19, -20.69

 

CMYK 32 / 6 / 0 / 56

HEX #4C6970

RGB 76 105 112

HSL 191.67, 0.19%, 0.37%

LAB 42.47, -8.7, -7.35

 

CMYK 52 / 10 / 0 / 50

HEX #3D727F

RGB 61 114 127

HSL 191.82, 0.35%, 0.37%

LAB 45.02, -13.8, -12.62

 

CMYK 68 / 13 / 0 / 44

HEX #2D7B8E

RGB 45 123 142

HSL 191.75, 0.52%, 0.37%

LAB 47.85, -17.29, -17.28

 

CMYK 81 / 16 / 0 / 38

HEX #1E849E

RGB 30 132 158

HSL 192.19, 0.68%, 0.37%

LAB 50.98, -18.74, -21.89

 

CMYK 91 / 18 / 0 / 32

HEX #0F8DAD

RGB 15 141 173

HSL 192.15, 0.84%, 0.37%

LAB 54.21, -19.44, -25.58

 

CMYK 32 / 6 / 0 / 56

HEX #4C6970

RGB 76 105 112

HSL 191.67, 0.19%, 0.37%

LAB 42.47, -8.7, -7.35

 

CMYK 6 / 2 / 0 / 62

HEX #5B5F61

RGB 91 95 97

HSL 200, 0.03%, 0.37%

LAB 40.03, -1.13, -1.69

 

CMYK 0 / 19 / 24 / 58

HEX #6A5651

RGB 106 86 81

HSL 12, 0.13%, 0.37%

LAB 38.4, 7.37, 6

 

CMYK 0 / 37 / 46 / 52

HEX #7A4D42

RGB 122 77 66

HSL 11.79, 0.3%, 0.37%

LAB 37.55, 17.64, 14.41

 

CMYK 0 / 50 / 63 / 46

HEX #894433

RGB 137 68 51

HSL 11.86, 0.46%, 0.37%

LAB 37.28, 27.82, 23.66

 

CMYK 32 / 0 / 11 / 56

HEX #4C7064

RGB 76 112 100

HSL 160, 0.19%, 0.37%

LAB 44.3, -15.69, 2.58

 

CMYK 32 / 0 / 3 / 56

HEX #4C706D

RGB 76 112 109

HSL 175, 0.19%, 0.37%

LAB 44.56, -13.48, -2.44

 

CMYK 32 / 6 / 0 / 56

HEX #4C6970

RGB 76 105 112

HSL 191.67, 0.19%, 0.37%

LAB 42.47, -8.7, -7.35

 

CMYK 32 / 15 / 0 / 56

HEX #4C5F70

RGB 76 95 112

HSL 208.33, 0.19%, 0.37%

LAB 39.4, -2.75, -11.98

 

CMYK 32 / 24 / 0 / 56

HEX #4C5570

RGB 76 85 112

HSL 225, 0.19%, 0.37%

LAB 36.37, 3.44, -16.59

 

CMYK 32 / 6 / 0 / 75

HEX #2B3B3F

RGB 43 59 63

HSL 192, 0.19%, 0.21%

LAB 23.67, -5.33, -4.59

 

CMYK 32 / 6 / 0 / 66

HEX #3B5257

RGB 59 82 87

HSL 190.71, 0.19%, 0.29%

LAB 33.25, -7.38, -5.77

 

CMYK 32 / 6 / 0 / 56

HEX #4C6970

RGB 76 105 112

HSL 191.67, 0.19%, 0.37%

LAB 42.47, -8.7, -7.35

 

CMYK 32 / 6 / 0 / 47

HEX #5D8088

RGB 93 128 136

HSL 191.16, 0.19%, 0.45%

LAB 51.32, -10.24, -8.31

 

CMYK 29 / 6 / 0 / 38

HEX #70959E

RGB 112 149 158

HSL 191.74, 0.19%, 0.53%

LAB 59.35, -10.52, -8.88

 

CMYK 32 / 6 / 0 / 56

HEX #4C686F

RGB 76 104 111

HSL 192, 0.19%, 0.37%

LAB 42.13, -8.39, -7.25

 

CMYK 20 / 32 / 0 / 56

HEX #5A4C70

RGB 90 76 112

HSL 263.33, 0.19%, 0.37%

LAB 35.03, 13.91, -18.56

 

CMYK 0 / 6 / 32 / 56

HEX #70694C

RGB 112 105 76

HSL 48.33, 0.19%, 0.37%

LAB 44.33, -2.19, 17.34

 

CMYK 32 / 6 / 0 / 56

HEX #4C686F

RGB 76 104 111

HSL 192, 0.19%, 0.37%

LAB 42.13, -8.39, -7.25

 

CMYK 0 / 32 / 6 / 56

HEX #704C69

RGB 112 76 105

HSL 311.67, 0.19%, 0.37%

LAB 37.18, 20.34, -10.69

 

CMYK 6 / 0 / 32 / 56

HEX #69704C

RGB 105 112 76

HSL 71.67, 0.19%, 0.37%

LAB 45.79, -9.22, 19.18

 

CMYK 32 / 6 / 0 / 56

HEX #4C686F

RGB 76 104 111

HSL 192, 0.19%, 0.37%

LAB 42.13, -8.39, -7.25

 

CMYK 20 / 32 / 0 / 56

HEX #5A4C70

RGB 90 76 112

HSL 263.33, 0.19%, 0.37%

LAB 35.03, 13.91, -18.56

 

CMYK 0 / 26 / 32 / 56

HEX #70534C

RGB 112 83 76

HSL 11.67, 0.19%, 0.37%

LAB 38.12, 10.99, 8.8

 

CMYK 13 / 0 / 32 / 56

HEX #61704C

RGB 97 112 76

HSL 85, 0.19%, 0.37%

LAB 45.15, -12.56, 18.21

 

CMYK 32 / 6 / 0 / 56

HEX #4C686F

RGB 76 104 111

HSL 192, 0.19%, 0.37%

LAB 42.13, -8.39, -7.25

 

CMYK 10 / 32 / 0 / 56

HEX #654C70

RGB 101 76 112

HSL 281.67, 0.19%, 0.37%

LAB 36.19, 17.8, -16.68

 

CMYK 0 / 26 / 32 / 56

HEX #70534C

RGB 112 83 76

HSL 11.67, 0.19%, 0.37%

LAB 38.12, 10.99, 8.8

 

CMYK 22 / 0 / 32 / 56

HEX #57704C

RGB 87 112 76

HSL 101.67, 0.19%, 0.37%

LAB 44.43, -16.59, 17.11

 

Description

Color code: HEX #4C686F | qconv.com Color code: HEX #4C686F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 104 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 104 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 6 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 6% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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