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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C70C1 it is the complementary color #B38F3E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C70C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C70C1 shade: #5170BC, #6282CF, #7394E2, #84A6F5 and #95B8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C70C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C70C1 shade: #4C70C1, #3B5EAE, #2A4C9B, #193A88 and #082875

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C70C1 shade: #4C70C1, #4C50C1, #674CC1, #874CC1 and #A64CC1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C70C1 shade: #4C70C1, #4C50C1 and #4C4CC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C70C1 shade matches the following richer shades: #4C70C1, #3969D5, #2561E8 and #125AFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C70C1 shade: #4C70C1, #5F78AE, #737F9B, #868687 and #998E74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C70C1 shade: #4CB0C1, #4C90C1, #4C71C1, #4C52C1 and #654CC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C70C1 shade: #2F4C8B, #3A5CAA, #4C70C1, #6B89CC and #89A1D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C70C1 shade: #4C70C1, #B44CC1 and #A0C14C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C70C1 shade: #4C70C1, #C14C71 and #71C14C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C70C1 shade: #4C70C1, #B44CC1, #C19C4C and #5AC14C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C70C1 shade: #4C70C1, #C14CAC, #C19C4C and #4CC161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 42 / 0 / 24

HEX #4C70C1

RGB 76 112 193

HSL 221.54, 0.49%, 0.53%

LAB 48.23, 12.4, -46.35

 

Complementary color

CMYK 0 / 20 / 65 / 30

HEX #B38F3E

RGB 179 143 62

HSL 41.54, 0.49%, 0.47%

LAB 61.29, 4.56, 47.04

 

CMYK 57 / 40 / 0 / 26

HEX #5170BC

RGB 81 112 188

HSL 222.62, 0.44%, 0.53%

LAB 48.22, 11.72, -43.46

 

CMYK 53 / 37 / 0 / 19

HEX #6282CF

RGB 98 130 207

HSL 222.39, 0.53%, 0.6%

LAB 55.14, 10.62, -43.29

 

CMYK 49 / 35 / 0 / 11

HEX #7394E2

RGB 115 148 226

HSL 222.16, 0.66%, 0.67%

LAB 61.93, 9.72, -43.17

 

CMYK 46 / 32 / 0 / 4

HEX #84A6F5

RGB 132 166 245

HSL 221.95, 0.85%, 0.74%

LAB 68.58, 8.96, -43.09

 

CMYK 42 / 28 / 0 / 0

HEX #95B8FF

RGB 149 184 255

HSL 220.19, 1%, 0.79%

LAB 74.76, 5.83, -38.8

 

CMYK 61 / 42 / 0 / 24

HEX #4C70C1

RGB 76 112 193

HSL 221.54, 0.49%, 0.53%

LAB 48.23, 12.4, -46.35

 

CMYK 66 / 46 / 0 / 32

HEX #3B5EAE

RGB 59 94 174

HSL 221.74, 0.49%, 0.46%

LAB 41.2, 13.97, -46.56

 

CMYK 73 / 51 / 0 / 39

HEX #2A4C9B

RGB 42 76 155

HSL 221.95, 0.57%, 0.39%

LAB 34.04, 15.99, -46.78

 

CMYK 82 / 57 / 0 / 47

HEX #193A88

RGB 25 58 136

HSL 222.16, 0.69%, 0.32%

LAB 26.76, 18.64, -46.95

 

CMYK 93 / 66 / 0 / 54

HEX #082875

RGB 8 40 117

HSL 222.39, 0.87%, 0.25%

LAB 19.45, 22.13, -46.93

 

CMYK 61 / 42 / 0 / 24

HEX #4C70C1

RGB 76 112 193

HSL 221.54, 0.49%, 0.53%

LAB 48.23, 12.4, -46.35

 

CMYK 61 / 59 / 0 / 24

HEX #4C50C1

RGB 76 80 193

HSL 237.95, 0.49%, 0.53%

LAB 39.79, 32.55, -59.93

 

CMYK 47 / 61 / 0 / 24

HEX #674CC1

RGB 103 76 193

HSL 253.85, 0.49%, 0.53%

LAB 41.06, 40.13, -57.76

 

CMYK 30 / 61 / 0 / 24

HEX #874CC1

RGB 135 76 193

HSL 270.26, 0.49%, 0.53%

LAB 44.48, 47.26, -52.08

 

CMYK 14 / 61 / 0 / 24

HEX #A64CC1

RGB 166 76 193

HSL 286.15, 0.49%, 0.53%

LAB 48.42, 54.77, -45.55

 

CMYK 61 / 42 / 0 / 24

HEX #4C70C1

RGB 76 112 193

HSL 221.54, 0.49%, 0.53%

LAB 48.23, 12.4, -46.35

 

CMYK 61 / 59 / 0 / 24

HEX #4C50C1

RGB 76 80 193

HSL 237.95, 0.49%, 0.53%

LAB 39.79, 32.55, -59.93

 

CMYK 61 / 61 / 0 / 24

HEX #4C4CC1

RGB 76 76 193

HSL 240, 0.49%, 0.53%

LAB 38.82, 35.04, -61.5

 

CMYK 61 / 42 / 0 / 24

HEX #4C70C1

RGB 76 112 193

HSL 221.54, 0.49%, 0.53%

LAB 48.23, 12.4, -46.35

 

CMYK 73 / 51 / 0 / 16

HEX #3969D5

RGB 57 105 213

HSL 221.54, 0.65%, 0.53%

LAB 46.68, 20.89, -60.34

 

CMYK 84 / 58 / 0 / 9

HEX #2561E8

RGB 37 97 232

HSL 221.54, 0.81%, 0.53%

LAB 45.32, 31.12, -73.36

 

CMYK 93 / 64 / 0 / 1

HEX #125AFC

RGB 18 90 252

HSL 221.54, 0.98%, 0.53%

LAB 44.9, 42.05, -85.28

 

CMYK 61 / 42 / 0 / 24

HEX #4C70C1

RGB 76 112 193

HSL 221.54, 0.49%, 0.53%

LAB 48.23, 12.4, -46.35

 

CMYK 45 / 31 / 0 / 32

HEX #5F78AE

RGB 95 120 174

HSL 221.01, 0.33%, 0.53%

LAB 50.6, 5.69, -31.56

 

CMYK 26 / 18 / 0 / 39

HEX #737F9B

RGB 115 127 155

HSL 222, 0.17%, 0.53%

LAB 53.16, 2.13, -16.47

 

CMYK 1 / 1 / 0 / 47

HEX #868687

RGB 134 134 135

HSL 240, 0%, 0.53%

LAB 55.96, 0.2, -0.54

 

CMYK 0 / 7 / 24 / 40

HEX #998E74

RGB 153 142 116

HSL 42.16, 0.15%, 0.53%

LAB 59.32, -0.25, 15.35

 

CMYK 61 / 9 / 0 / 24

HEX #4CB0C1

RGB 76 176 193

HSL 188.72, 0.49%, 0.53%

LAB 66.85, -23.91, -17.39

 

CMYK 61 / 25 / 0 / 24

HEX #4C90C1

RGB 76 144 193

HSL 205.13, 0.49%, 0.53%

LAB 57.4, -6.71, -31.91

 

CMYK 61 / 41 / 0 / 24

HEX #4C71C1

RGB 76 113 193

HSL 221.03, 0.49%, 0.53%

LAB 48.51, 11.78, -45.9

 

CMYK 61 / 58 / 0 / 24

HEX #4C52C1

RGB 76 82 193

HSL 236.92, 0.49%, 0.53%

LAB 40.28, 31.3, -59.13

 

CMYK 48 / 61 / 0 / 24

HEX #654CC1

RGB 101 76 193

HSL 252.82, 0.49%, 0.53%

LAB 40.87, 39.72, -58.07

 

CMYK 66 / 45 / 0 / 45

HEX #2F4C8B

RGB 47 76 139

HSL 221.09, 0.49%, 0.36%

LAB 33.22, 10.73, -38.35

 

CMYK 66 / 46 / 0 / 33

HEX #3A5CAA

RGB 58 92 170

HSL 221.79, 0.49%, 0.45%

LAB 40.34, 13.64, -45.58

 

CMYK 61 / 42 / 0 / 24

HEX #4C70C1

RGB 76 112 193

HSL 221.54, 0.49%, 0.53%

LAB 48.23, 12.4, -46.35

 

CMYK 48 / 33 / 0 / 20

HEX #6B89CC

RGB 107 137 204

HSL 221.44, 0.49%, 0.61%

LAB 57.44, 7.64, -37.95

 

CMYK 36 / 25 / 0 / 16

HEX #89A1D6

RGB 137 161 214

HSL 221.3, 0.48%, 0.69%

LAB 66.26, 4.48, -29.66

 

CMYK 61 / 42 / 0 / 24

HEX #4C70C1

RGB 76 112 193

HSL 221.54, 0.49%, 0.53%

LAB 48.23, 12.4, -46.35

 

CMYK 7 / 61 / 0 / 24

HEX #B44CC1

RGB 180 76 193

HSL 293.33, 0.49%, 0.53%

LAB 50.36, 58.26, -42.35

 

CMYK 17 / 0 / 61 / 24

HEX #A0C14C

RGB 160 193 76

HSL 76.92, 0.49%, 0.53%

LAB 73.63, -28.41, 53.82

 

CMYK 61 / 42 / 0 / 24

HEX #4C70C1

RGB 76 112 193

HSL 221.54, 0.49%, 0.53%

LAB 48.23, 12.4, -46.35

 

CMYK 0 / 61 / 41 / 24

HEX #C14C71

RGB 193 76 113

HSL 341.03, 0.49%, 0.53%

LAB 49.13, 50.2, 3.37

 

CMYK 41 / 0 / 61 / 24

HEX #71C14C

RGB 113 193 76

HSL 101.03, 0.49%, 0.53%

LAB 70.99, -45.52, 50.14

 

CMYK 61 / 42 / 0 / 24

HEX #4C70C1

RGB 76 112 193

HSL 221.54, 0.49%, 0.53%

LAB 48.23, 12.4, -46.35

 

CMYK 7 / 61 / 0 / 24

HEX #B44CC1

RGB 180 76 193

HSL 293.33, 0.49%, 0.53%

LAB 50.36, 58.26, -42.35

 

CMYK 0 / 19 / 61 / 24

HEX #C19C4C

RGB 193 156 76

HSL 41.03, 0.49%, 0.53%

LAB 66.24, 4.53, 46.28

 

CMYK 53 / 0 / 61 / 24

HEX #5AC14C

RGB 90 193 76

HSL 112.82, 0.49%, 0.53%

LAB 70.06, -52.35, 48.84

 

CMYK 61 / 42 / 0 / 24

HEX #4C70C1

RGB 76 112 193

HSL 221.54, 0.49%, 0.53%

LAB 48.23, 12.4, -46.35

 

CMYK 0 / 61 / 11 / 24

HEX #C14CAC

RGB 193 76 172

HSL 310.77, 0.49%, 0.53%

LAB 51.25, 58.05, -28.6

 

CMYK 0 / 19 / 61 / 24

HEX #C19C4C

RGB 193 156 76

HSL 41.03, 0.49%, 0.53%

LAB 66.24, 4.53, 46.28

 

CMYK 61 / 0 / 50 / 24

HEX #4CC161

RGB 76 193 97

HSL 130.77, 0.49%, 0.53%

LAB 69.85, -53.11, 38.54

 

Description

Color code: HEX #4C70C1 | qconv.com Color code: HEX #4C70C1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 112 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 112 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 42 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 42% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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