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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C7DD0 it is the complementary color #B3822F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C7DD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C7DD0 shade: #517DCB, #628FDE, #73A1F1, #84B3FF and #95C5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C7DD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C7DD0 shade: #4C7DD0, #3B6BBD, #2A59AA, #194797 and #083584

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C7DD0 shade: #4D7ECF, #4D5ACF, #634DCF, #864DCF and #A94DCF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C7DD0 shade: #4D7ECF, #4D5ACF and #4D4DCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C7DD0 shade matches the following richer shades: #4D7ECF, #3B79E2 and #2974F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C7DD0 shade: #4D7ECF, #5F82BD, #7287AB, #848C99 and #969087

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C7DD0 shade: #4DC5CF, #4DA2CF, #4D7FCF, #4D5CCF and #614DCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C7DD0 shade: #2A56A0, #3367C1, #4D7ECF, #6E95D8 and #8EADE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C7DD0 shade: #4C7DD0, #B84DCF and #B3CF4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C7DD0 shade: #4C7DD0, #CF4D7F and #7FCF4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C7DD0 shade: #4C7DD0, #B84DCF, #CF9D4D and #65CF4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C7DD0 shade: #4C7DD0, #CF4DC0, #CF9D4D and #4DCF5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 40 / 0 / 18

HEX #4C7DD0

RGB 76 125 208

HSL 217.73, 0.58%, 0.56%

LAB 52.68, 9.54, -47.83

 

Complementary color

CMYK 0 / 27 / 74 / 30

HEX #B3822F

RGB 179 130 47

HSL 37.73, 0.58%, 0.44%

LAB 57.8, 10.92, 50.17

 

CMYK 60 / 38 / 0 / 20

HEX #517DCB

RGB 81 125 203

HSL 218.36, 0.54%, 0.56%

LAB 52.65, 8.77, -45.03

 

CMYK 56 / 36 / 0 / 13

HEX #628FDE

RGB 98 143 222

HSL 218.23, 0.65%, 0.63%

LAB 59.45, 7.66, -44.91

 

CMYK 52 / 33 / 0 / 5

HEX #73A1F1

RGB 115 161 241

HSL 218.1, 0.82%, 0.7%

LAB 66.12, 6.74, -44.83

 

CMYK 48 / 30 / 0 / 0

HEX #84B3FF

RGB 132 179 255

HSL 217.07, 1%, 0.76%

LAB 72.47, 4.52, -42.43

 

CMYK 42 / 23 / 0 / 0

HEX #95C5FF

RGB 149 197 255

HSL 212.83, 1%, 0.79%

LAB 78.19, -1.28, -33.47

 

CMYK 63 / 40 / 0 / 18

HEX #4C7DD0

RGB 76 125 208

HSL 217.73, 0.58%, 0.56%

LAB 52.68, 9.54, -47.83

 

CMYK 69 / 43 / 0 / 26

HEX #3B6BBD

RGB 59 107 189

HSL 217.85, 0.52%, 0.49%

LAB 45.8, 11.12, -47.97

 

CMYK 75 / 48 / 0 / 33

HEX #2A59AA

RGB 42 89 170

HSL 217.97, 0.6%, 0.42%

LAB 38.79, 13.13, -48.1

 

CMYK 83 / 53 / 0 / 41

HEX #194797

RGB 25 71 151

HSL 218.1, 0.72%, 0.35%

LAB 31.69, 15.74, -48.19

 

CMYK 94 / 60 / 0 / 48

HEX #083584

RGB 8 53 132

HSL 218.23, 0.89%, 0.27%

LAB 24.52, 19.16, -48.13

 

CMYK 63 / 39 / 0 / 19

HEX #4D7ECF

RGB 77 126 207

HSL 217.38, 0.58%, 0.56%

LAB 52.95, 8.77, -46.83

 

CMYK 63 / 57 / 0 / 19

HEX #4D5ACF

RGB 77 90 207

HSL 234, 0.58%, 0.56%

LAB 43.35, 31.19, -62.24

 

CMYK 52 / 63 / 0 / 19

HEX #634DCF

RGB 99 77 207

HSL 250.15, 0.58%, 0.56%

LAB 41.95, 42.9, -64.45

 

CMYK 35 / 63 / 0 / 19

HEX #864DCF

RGB 134 77 207

HSL 266.31, 0.58%, 0.56%

LAB 45.47, 49.96, -58.58

 

CMYK 18 / 63 / 0 / 19

HEX #A94DCF

RGB 169 77 207

HSL 282.46, 0.58%, 0.56%

LAB 49.8, 57.88, -51.4

 

CMYK 63 / 39 / 0 / 19

HEX #4D7ECF

RGB 77 126 207

HSL 217.38, 0.58%, 0.56%

LAB 52.95, 8.77, -46.83

 

CMYK 63 / 57 / 0 / 19

HEX #4D5ACF

RGB 77 90 207

HSL 234, 0.58%, 0.56%

LAB 43.35, 31.19, -62.24

 

CMYK 63 / 63 / 0 / 19

HEX #4D4DCF

RGB 77 77 207

HSL 240, 0.58%, 0.56%

LAB 40.23, 39.21, -67.32

 

CMYK 63 / 39 / 0 / 19

HEX #4D7ECF

RGB 77 126 207

HSL 217.38, 0.58%, 0.56%

LAB 52.95, 8.77, -46.83

 

CMYK 74 / 46 / 0 / 11

HEX #3B79E2

RGB 59 121 226

HSL 217.72, 0.74%, 0.56%

LAB 51.95, 15.83, -59.21

 

CMYK 83 / 52 / 0 / 4

HEX #2974F4

RGB 41 116 244

HSL 217.83, 0.9%, 0.56%

LAB 51.26, 23.86, -70.41

 

CMYK 63 / 39 / 0 / 19

HEX #4D7ECF

RGB 77 126 207

HSL 217.38, 0.58%, 0.56%

LAB 52.95, 8.77, -46.83

 

CMYK 50 / 31 / 0 / 26

HEX #5F82BD

RGB 95 130 189

HSL 217.66, 0.42%, 0.56%

LAB 54.1, 4.3, -34.71

 

CMYK 33 / 21 / 0 / 33

HEX #7287AB

RGB 114 135 171

HSL 217.89, 0.25%, 0.56%

LAB 55.93, 1.31, -21.47

 

CMYK 14 / 8 / 0 / 40

HEX #848C99

RGB 132 140 153

HSL 217.14, 0.09%, 0.56%

LAB 58, -0.14, -7.9

 

CMYK 0 / 4 / 10 / 41

HEX #969087

RGB 150 144 135

HSL 36, 0.07%, 0.56%

LAB 60.05, 0.57, 5.56

 

CMYK 63 / 5 / 0 / 19

HEX #4DC5CF

RGB 77 197 207

HSL 184.62, 0.58%, 0.56%

LAB 73.56, -30.07, -14.95

 

CMYK 63 / 22 / 0 / 19

HEX #4DA2CF

RGB 77 162 207

HSL 200.77, 0.58%, 0.56%

LAB 63.28, -12.05, -30.63

 

CMYK 63 / 39 / 0 / 19

HEX #4D7FCF

RGB 77 127 207

HSL 216.92, 0.58%, 0.56%

LAB 53.23, 8.16, -46.38

 

CMYK 63 / 56 / 0 / 19

HEX #4D5CCF

RGB 77 92 207

HSL 233.08, 0.58%, 0.56%

LAB 43.85, 29.94, -61.43

 

CMYK 53 / 63 / 0 / 19

HEX #614DCF

RGB 97 77 207

HSL 249.23, 0.58%, 0.56%

LAB 41.77, 42.54, -64.74

 

CMYK 74 / 46 / 0 / 37

HEX #2A56A0

RGB 42 86 160

HSL 217.63, 0.58%, 0.4%

LAB 37.27, 11.26, -44.59

 

CMYK 74 / 47 / 0 / 24

HEX #3367C1

RGB 51 103 193

HSL 218.03, 0.58%, 0.48%

LAB 44.6, 13.97, -52.22

 

CMYK 63 / 39 / 0 / 19

HEX #4D7ECF

RGB 77 126 207

HSL 217.38, 0.58%, 0.56%

LAB 52.95, 8.77, -46.83

 

CMYK 49 / 31 / 0 / 15

HEX #6E95D8

RGB 110 149 216

HSL 217.92, 0.58%, 0.64%

LAB 61.45, 4.96, -38.37

 

CMYK 37 / 23 / 0 / 12

HEX #8EADE1

RGB 142 173 225

HSL 217.59, 0.58%, 0.72%

LAB 70.23, 2.05, -29.57

 

CMYK 63 / 40 / 0 / 18

HEX #4C7DD0

RGB 76 125 208

HSL 217.73, 0.58%, 0.56%

LAB 52.68, 9.54, -47.83

 

CMYK 11 / 63 / 0 / 19

HEX #B84DCF

RGB 184 77 207

HSL 289.38, 0.58%, 0.56%

LAB 51.84, 61.41, -48.01

 

CMYK 14 / 0 / 63 / 19

HEX #B3CF4D

RGB 179 207 77

HSL 72.92, 0.58%, 0.56%

LAB 78.89, -27.46, 59.49

 

CMYK 63 / 40 / 0 / 18

HEX #4C7DD0

RGB 76 125 208

HSL 217.73, 0.58%, 0.56%

LAB 52.68, 9.54, -47.83

 

CMYK 0 / 63 / 39 / 19

HEX #CF4D7F

RGB 207 77 127

HSL 336.92, 0.58%, 0.56%

LAB 51.96, 55.7, -0.66

 

CMYK 39 / 0 / 63 / 19

HEX #7FCF4D

RGB 127 207 77

HSL 96.92, 0.58%, 0.56%

LAB 75.87, -46.69, 55.33

 

CMYK 63 / 40 / 0 / 18

HEX #4C7DD0

RGB 76 125 208

HSL 217.73, 0.58%, 0.56%

LAB 52.68, 9.54, -47.83

 

CMYK 11 / 63 / 0 / 19

HEX #B84DCF

RGB 184 77 207

HSL 289.38, 0.58%, 0.56%

LAB 51.84, 61.41, -48.01

 

CMYK 0 / 24 / 63 / 19

HEX #CF9D4D

RGB 207 157 77

HSL 36.92, 0.58%, 0.56%

LAB 67.96, 10.07, 48.13

 

CMYK 51 / 0 / 63 / 19

HEX #65CF4D

RGB 101 207 77

HSL 108.92, 0.58%, 0.56%

LAB 74.78, -54.61, 53.82

 

CMYK 63 / 40 / 0 / 18

HEX #4C7DD0

RGB 76 125 208

HSL 217.73, 0.58%, 0.56%

LAB 52.68, 9.54, -47.83

 

CMYK 0 / 63 / 7 / 19

HEX #CF4DC0

RGB 207 77 192

HSL 306.92, 0.58%, 0.56%

LAB 54.43, 64.46, -35.1

 

CMYK 0 / 24 / 63 / 19

HEX #CF9D4D

RGB 207 157 77

HSL 36.92, 0.58%, 0.56%

LAB 67.96, 10.07, 48.13

 

CMYK 63 / 0 / 56 / 19

HEX #4DCF5C

RGB 77 207 92

HSL 126.92, 0.58%, 0.56%

LAB 74.17, -58.77, 46.21

 

Description

Color code: HEX #4C7DD0 | qconv.com Color code: HEX #4C7DD0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 125 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 125 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 40 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 40% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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