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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C89B6 it is the complementary color #B37649. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C89B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C89B6 shade: #5189B1, #629BC4, #73ADD7, #84BFEA and #95D1FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C89B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C89B6 shade: #4C89B6, #3B77A3, #2A6590, #19537D and #08416A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C89B6 shade: #4D89B6, #4D6DB6, #4D51B6, #664DB6 and #824DB6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C89B6 shade: #4D89B6, #4D6DB6, #4D51B6 and #4D4DB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C89B6 shade matches the following richer shades: #4D89B6, #398DCA, #2590DE and #1093F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C89B6 shade: #4D89B6, #6186A2, #76838E, #8A8079 and #9E7D65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C89B6 shade: #4DB6AA, #4DA6B6, #4D8AB6, #4D6EB6 and #4D52B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C89B6 shade: #335E7E, #3F749B, #4D89B6, #6A9DC2 and #88B0CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C89B6 shade: #4C89B6, #8E4DB6 and #B4B64D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C89B6 shade: #4C89B6, #B64D8A and #8AB64D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C89B6 shade: #4C89B6, #8E4DB6, #B6794D and #75B64D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C89B6 shade: #4C89B6, #AD4DB6, #B6794D and #56B64D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 25 / 0 / 29

HEX #4C89B6

RGB 76 137 182

HSL 205.47, 0.42%, 0.51%

LAB 54.87, -6.26, -29.58

 

Complementary color

CMYK 0 / 34 / 59 / 30

HEX #B37649

RGB 179 118 73

HSL 25.47, 0.42%, 0.49%

LAB 55.09, 19.26, 34.3

 

CMYK 54 / 23 / 0 / 31

HEX #5189B1

RGB 81 137 177

HSL 205, 0.38%, 0.51%

LAB 54.88, -6.77, -26.69

 

CMYK 50 / 21 / 0 / 23

HEX #629BC4

RGB 98 155 196

HSL 205.1, 0.45%, 0.58%

LAB 61.68, -7.26, -26.9

 

CMYK 47 / 20 / 0 / 16

HEX #73ADD7

RGB 115 173 215

HSL 205.2, 0.56%, 0.65%

LAB 68.34, -7.64, -27.12

 

CMYK 44 / 18 / 0 / 8

HEX #84BFEA

RGB 132 191 234

HSL 205.29, 0.71%, 0.72%

LAB 74.89, -7.95, -27.34

 

CMYK 41 / 17 / 0 / 1

HEX #95D1FD

RGB 149 209 253

HSL 205.38, 0.96%, 0.79%

LAB 81.34, -8.21, -27.58

 

CMYK 58 / 25 / 0 / 29

HEX #4C89B6

RGB 76 137 182

HSL 205.47, 0.42%, 0.51%

LAB 54.87, -6.26, -29.58

 

CMYK 64 / 27 / 0 / 36

HEX #3B77A3

RGB 59 119 163

HSL 205.38, 0.47%, 0.44%

LAB 47.97, -5.45, -29.4

 

CMYK 71 / 30 / 0 / 44

HEX #2A6590

RGB 42 101 144

HSL 205.29, 0.55%, 0.36%

LAB 40.92, -4.34, -29.21

 

CMYK 80 / 34 / 0 / 51

HEX #19537D

RGB 25 83 125

HSL 205.2, 0.67%, 0.29%

LAB 33.72, -2.79, -28.99

 

CMYK 92 / 39 / 0 / 58

HEX #08416A

RGB 8 65 106

HSL 205.1, 0.86%, 0.22%

LAB 26.37, -0.52, -28.69

 

CMYK 58 / 25 / 0 / 29

HEX #4D89B6

RGB 77 137 182

HSL 205.71, 0.42%, 0.51%

LAB 54.91, -6.06, -29.51

 

CMYK 58 / 40 / 0 / 29

HEX #4D6DB6

RGB 77 109 182

HSL 221.71, 0.42%, 0.51%

LAB 46.83, 10.73, -42.2

 

CMYK 58 / 55 / 0 / 29

HEX #4D51B6

RGB 77 81 182

HSL 237.71, 0.42%, 0.51%

LAB 39.31, 28.43, -54.26

 

CMYK 44 / 58 / 0 / 29

HEX #664DB6

RGB 102 77 182

HSL 254.29, 0.42%, 0.51%

LAB 40.43, 36.14, -52.35

 

CMYK 29 / 58 / 0 / 29

HEX #824DB6

RGB 130 77 182

HSL 270.29, 0.42%, 0.51%

LAB 43.41, 42.83, -47.41

 

CMYK 58 / 25 / 0 / 29

HEX #4D89B6

RGB 77 137 182

HSL 205.71, 0.42%, 0.51%

LAB 54.91, -6.06, -29.51

 

CMYK 58 / 40 / 0 / 29

HEX #4D6DB6

RGB 77 109 182

HSL 221.71, 0.42%, 0.51%

LAB 46.83, 10.73, -42.2

 

CMYK 58 / 55 / 0 / 29

HEX #4D51B6

RGB 77 81 182

HSL 237.71, 0.42%, 0.51%

LAB 39.31, 28.43, -54.26

 

CMYK 58 / 58 / 0 / 29

HEX #4D4DB6

RGB 77 77 182

HSL 240, 0.42%, 0.51%

LAB 38.31, 30.95, -55.88

 

CMYK 58 / 25 / 0 / 29

HEX #4D89B6

RGB 77 137 182

HSL 205.71, 0.42%, 0.51%

LAB 54.91, -6.06, -29.51

 

CMYK 72 / 30 / 0 / 21

HEX #398DCA

RGB 57 141 202

HSL 205.24, 0.58%, 0.51%

LAB 56.27, -5.11, -38.81

 

CMYK 83 / 35 / 0 / 13

HEX #2590DE

RGB 37 144 222

HSL 205.3, 0.74%, 0.51%

LAB 57.67, -1.85, -47.86

 

CMYK 93 / 40 / 0 / 5

HEX #1093F3

RGB 16 147 243

HSL 205.37, 0.9%, 0.51%

LAB 59.39, 3.03, -56.8

 

CMYK 58 / 25 / 0 / 29

HEX #4D89B6

RGB 77 137 182

HSL 205.71, 0.42%, 0.51%

LAB 54.91, -6.06, -29.51

 

CMYK 40 / 17 / 0 / 36

HEX #6186A2

RGB 97 134 162

HSL 205.85, 0.26%, 0.51%

LAB 54.24, -5.48, -18.98

 

CMYK 17 / 8 / 0 / 44

HEX #76838E

RGB 118 131 142

HSL 207.5, 0.1%, 0.51%

LAB 54.07, -2.3, -7.53

 

CMYK 0 / 7 / 12 / 46

HEX #8A8079

RGB 138 128 121

HSL 24.71, 0.07%, 0.51%

LAB 54.26, 2.51, 5.15

 

CMYK 0 / 21 / 36 / 38

HEX #9E7D65

RGB 158 125 101

HSL 25.26, 0.23%, 0.51%

LAB 54.94, 9.28, 17.95

 

CMYK 58 / 0 / 7 / 29

HEX #4DB6AA

RGB 77 182 170

HSL 173.14, 0.42%, 0.51%

LAB 67.97, -33.09, -3

 

CMYK 58 / 9 / 0 / 29

HEX #4DA6B6

RGB 77 166 182

HSL 189.14, 0.42%, 0.51%

LAB 63.53, -21.85, -16.3

 

CMYK 58 / 24 / 0 / 29

HEX #4D8AB6

RGB 77 138 182

HSL 205.14, 0.42%, 0.51%

LAB 55.21, -6.63, -29.06

 

CMYK 58 / 40 / 0 / 29

HEX #4D6EB6

RGB 77 110 182

HSL 221.14, 0.42%, 0.51%

LAB 47.11, 10.11, -41.76

 

CMYK 58 / 55 / 0 / 29

HEX #4D52B6

RGB 77 82 182

HSL 237.14, 0.42%, 0.51%

LAB 39.56, 27.8, -53.85

 

CMYK 60 / 25 / 0 / 51

HEX #335E7E

RGB 51 94 126

HSL 205.6, 0.42%, 0.35%

LAB 38.23, -4.71, -22.48

 

CMYK 59 / 25 / 0 / 39

HEX #3F749B

RGB 63 116 155

HSL 205.43, 0.42%, 0.43%

LAB 46.86, -5.57, -26.41

 

CMYK 58 / 25 / 0 / 29

HEX #4D89B6

RGB 77 137 182

HSL 205.71, 0.42%, 0.51%

LAB 54.91, -6.06, -29.51

 

CMYK 45 / 19 / 0 / 24

HEX #6A9DC2

RGB 106 157 194

HSL 205.23, 0.42%, 0.59%

LAB 62.57, -7.01, -24.37

 

CMYK 34 / 15 / 0 / 19

HEX #88B0CE

RGB 136 176 206

HSL 205.71, 0.42%, 0.67%

LAB 69.99, -6.18, -19.54

 

CMYK 58 / 25 / 0 / 29

HEX #4C89B6

RGB 76 137 182

HSL 205.47, 0.42%, 0.51%

LAB 54.87, -6.26, -29.58

 

CMYK 22 / 58 / 0 / 29

HEX #8E4DB6

RGB 142 77 182

HSL 277.14, 0.42%, 0.51%

LAB 44.85, 45.87, -45.01

 

CMYK 1 / 0 / 58 / 29

HEX #B4B64D

RGB 180 182 77

HSL 61.14, 0.42%, 0.51%

LAB 72.02, -14.69, 52.01

 

CMYK 58 / 25 / 0 / 29

HEX #4C89B6

RGB 76 137 182

HSL 205.47, 0.42%, 0.51%

LAB 54.87, -6.26, -29.58

 

CMYK 0 / 58 / 24 / 29

HEX #B64D8A

RGB 182 77 138

HSL 325.14, 0.42%, 0.51%

LAB 48.37, 49.32, -13.01

 

CMYK 24 / 0 / 58 / 29

HEX #8AB64D

RGB 138 182 77

HSL 85.14, 0.42%, 0.51%

LAB 69.04, -31.68, 47.83

 

CMYK 58 / 25 / 0 / 29

HEX #4C89B6

RGB 76 137 182

HSL 205.47, 0.42%, 0.51%

LAB 54.87, -6.26, -29.58

 

CMYK 22 / 58 / 0 / 29

HEX #8E4DB6

RGB 142 77 182

HSL 277.14, 0.42%, 0.51%

LAB 44.85, 45.87, -45.01

 

CMYK 0 / 34 / 58 / 29

HEX #B6794D

RGB 182 121 77

HSL 25.14, 0.42%, 0.51%

LAB 56.24, 19.18, 33.62

 

CMYK 36 / 0 / 58 / 29

HEX #75B64D

RGB 117 182 77

HSL 97.14, 0.42%, 0.51%

LAB 67.85, -39.36, 46.16

 

CMYK 58 / 25 / 0 / 29

HEX #4C89B6

RGB 76 137 182

HSL 205.47, 0.42%, 0.51%

LAB 54.87, -6.26, -29.58

 

CMYK 5 / 58 / 0 / 29

HEX #AD4DB6

RGB 173 77 182

HSL 294.86, 0.42%, 0.51%

LAB 48.97, 53.96, -38.22

 

CMYK 0 / 34 / 58 / 29

HEX #B6794D

RGB 182 121 77

HSL 25.14, 0.42%, 0.51%

LAB 56.24, 19.18, 33.62

 

CMYK 53 / 0 / 58 / 29

HEX #56B64D

RGB 86 182 77

HSL 114.86, 0.42%, 0.51%

LAB 66.5, -49.04, 44.24

 

Description

Color code: HEX #4C89B6 | qconv.com Color code: HEX #4C89B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 137 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 137 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 25 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 25% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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