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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C8E78 it is the complementary color #B37187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C8E78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C8E78 shade: #518E73, #62A086, #73B299, #84C4AC and #95D6BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C8E78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C8E78 shade: #4C8E78, #3B7C65, #2A6A52, #19583F and #08462C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C8E78 shade: #4C8E78, #4C8E66, #4C8E55, #568E4C and #678E4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C8E78 shade: #4C8E78, #4C8E8A, #4C808E, #4C6F8E and #4C5D8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C8E78 shade matches the following richer shades: #4C8E78, #3BA07E, #29B284, #17C38A and #05D590

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C8E78 shade: #4C8E78, #5E7C72, #706B6C, #815966 and #934760

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C8E78 shade: #4C8E55, #4C8E67, #4C8E78, #4C8E8A and #4C818E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C8E78 shade: #2F584B, #3E7361, #4C8E78, #5CA78E and #77B6A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C8E78 shade: #4C8E78, #4C558E and #8E5E4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C8E78 shade: #4C8E78, #784C8E and #8E784C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C8E78 shade: #4C8E78, #4C558E, #8E4C62 and #8E854C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C8E78 shade: #4C8E78, #574C8E, #8E4C62 and #838E4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 15 / 44

HEX #4C8E78

RGB 76 142 120

HSL 160, 0.3%, 0.43%

LAB 54.28, -26.6, 5.22

 

Complementary color

CMYK 0 / 37 / 25 / 30

HEX #B37187

RGB 179 113 135

HSL 340, 0.3%, 0.57%

LAB 55.22, 29.12, -1.08

 

CMYK 43 / 0 / 19 / 44

HEX #518E73

RGB 81 142 115

HSL 153.44, 0.27%, 0.44%

LAB 54.38, -26.36, 8.27

 

CMYK 39 / 0 / 16 / 37

HEX #62A086

RGB 98 160 134

HSL 154.84, 0.25%, 0.51%

LAB 61.19, -26.11, 7.29

 

CMYK 35 / 0 / 14 / 30

HEX #73B299

RGB 115 178 153

HSL 156.19, 0.29%, 0.57%

LAB 67.86, -25.88, 6.4

 

CMYK 33 / 0 / 12 / 23

HEX #84C4AC

RGB 132 196 172

HSL 157.5, 0.35%, 0.64%

LAB 74.42, -25.65, 5.57

 

CMYK 30 / 0 / 11 / 16

HEX #95D6BF

RGB 149 214 191

HSL 158.77, 0.44%, 0.71%

LAB 80.87, -25.44, 4.79

 

CMYK 46 / 0 / 15 / 44

HEX #4C8E78

RGB 76 142 120

HSL 160, 0.3%, 0.43%

LAB 54.28, -26.6, 5.22

 

CMYK 52 / 0 / 19 / 51

HEX #3B7C65

RGB 59 124 101

HSL 158.77, 0.36%, 0.36%

LAB 47.35, -26.75, 6.25

 

CMYK 60 / 0 / 23 / 58

HEX #2A6A52

RGB 42 106 82

HSL 157.5, 0.43%, 0.29%

LAB 40.26, -26.8, 7.43

 

CMYK 72 / 0 / 28 / 65

HEX #19583F

RGB 25 88 63

HSL 156.19, 0.56%, 0.22%

LAB 33.02, -26.62, 8.8

 

CMYK 89 / 0 / 37 / 73

HEX #08462C

RGB 8 70 44

HSL 154.84, 0.79%, 0.15%

LAB 25.6, -25.93, 10.47

 

CMYK 46 / 0 / 15 / 44

HEX #4C8E78

RGB 76 142 120

HSL 160, 0.3%, 0.43%

LAB 54.28, -26.6, 5.22

 

CMYK 46 / 0 / 28 / 44

HEX #4C8E66

RGB 76 142 102

HSL 143.64, 0.3%, 0.43%

LAB 53.86, -30.6, 14.92

 

CMYK 46 / 0 / 40 / 44

HEX #4C8E55

RGB 76 142 85

HSL 128.18, 0.3%, 0.43%

LAB 53.53, -33.83, 24

 

CMYK 39 / 0 / 46 / 44

HEX #568E4C

RGB 86 142 76

HSL 110.91, 0.3%, 0.43%

LAB 53.86, -32.05, 29.4

 

CMYK 27 / 0 / 46 / 44

HEX #678E4C

RGB 103 142 76

HSL 95.45, 0.3%, 0.43%

LAB 54.82, -25.92, 30.8

 

CMYK 46 / 0 / 15 / 44

HEX #4C8E78

RGB 76 142 120

HSL 160, 0.3%, 0.43%

LAB 54.28, -26.6, 5.22

 

CMYK 46 / 0 / 3 / 44

HEX #4C8E8A

RGB 76 142 138

HSL 176.36, 0.3%, 0.43%

LAB 54.78, -22.05, -4.42

 

CMYK 46 / 10 / 0 / 44

HEX #4C808E

RGB 76 128 142

HSL 192.73, 0.3%, 0.43%

LAB 50.6, -13.43, -12.99

 

CMYK 46 / 22 / 0 / 44

HEX #4C6F8E

RGB 76 111 142

HSL 208.18, 0.3%, 0.43%

LAB 45.44, -3.64, -20.87

 

CMYK 46 / 35 / 0 / 44

HEX #4C5D8E

RGB 76 93 142

HSL 224.55, 0.3%, 0.43%

LAB 40.11, 7.41, -29.15

 

CMYK 46 / 0 / 15 / 44

HEX #4C8E78

RGB 76 142 120

HSL 160, 0.3%, 0.43%

LAB 54.28, -26.6, 5.22

 

CMYK 63 / 0 / 21 / 37

HEX #3BA07E

RGB 59 160 126

HSL 159.8, 0.46%, 0.43%

LAB 59.51, -37.58, 9.19

 

CMYK 77 / 0 / 26 / 30

HEX #29B284

RGB 41 178 132

HSL 159.85, 0.63%, 0.43%

LAB 64.95, -46.63, 13.48

 

CMYK 88 / 0 / 29 / 24

HEX #17C38A

RGB 23 195 138

HSL 160.12, 0.79%, 0.43%

LAB 70.21, -53.57, 17.52

 

CMYK 98 / 0 / 32 / 16

HEX #05D590

RGB 5 213 144

HSL 160.1, 0.95%, 0.43%

LAB 75.84, -59.7, 22.08

 

CMYK 46 / 0 / 15 / 44

HEX #4C8E78

RGB 76 142 120

HSL 160, 0.3%, 0.43%

LAB 54.28, -26.6, 5.22

 

CMYK 24 / 0 / 8 / 51

HEX #5E7C72

RGB 94 124 114

HSL 160, 0.14%, 0.43%

LAB 49.51, -13, 1.95

 

CMYK 0 / 4 / 4 / 56

HEX #706B6C

RGB 112 107 108

HSL 348, 0.02%, 0.43%

LAB 45.69, 2.14, 0.13

 

CMYK 0 / 31 / 21 / 49

HEX #815966

RGB 129 89 102

HSL 340.5, 0.18%, 0.43%

LAB 42.42, 18.55, -0.81

 

CMYK 0 / 52 / 35 / 42

HEX #934760

RGB 147 71 96

HSL 340.26, 0.35%, 0.43%

LAB 40.5, 34.82, 0.38

 

CMYK 46 / 0 / 40 / 44

HEX #4C8E55

RGB 76 142 85

HSL 128.18, 0.3%, 0.43%

LAB 53.53, -33.83, 24

 

CMYK 46 / 0 / 27 / 44

HEX #4C8E67

RGB 76 142 103

HSL 144.55, 0.3%, 0.43%

LAB 53.88, -30.4, 14.38

 

CMYK 46 / 0 / 15 / 44

HEX #4C8E78

RGB 76 142 120

HSL 160, 0.3%, 0.43%

LAB 54.28, -26.6, 5.22

 

CMYK 46 / 0 / 3 / 44

HEX #4C8E8A

RGB 76 142 138

HSL 176.36, 0.3%, 0.43%

LAB 54.78, -22.05, -4.42

 

CMYK 46 / 9 / 0 / 44

HEX #4C818E

RGB 76 129 142

HSL 191.82, 0.3%, 0.43%

LAB 50.91, -13.98, -12.53

 

CMYK 47 / 0 / 15 / 65

HEX #2F584B

RGB 47 88 75

HSL 160.98, 0.3%, 0.26%

LAB 34.17, -17.93, 3.07

 

CMYK 46 / 0 / 16 / 55

HEX #3E7361

RGB 62 115 97

HSL 159.62, 0.3%, 0.35%

LAB 44.45, -22.35, 4.49

 

CMYK 46 / 0 / 15 / 44

HEX #4C8E78

RGB 76 142 120

HSL 160, 0.3%, 0.43%

LAB 54.28, -26.6, 5.22

 

CMYK 45 / 0 / 15 / 35

HEX #5CA78E

RGB 92 167 142

HSL 160, 0.3%, 0.51%

LAB 63.23, -29.42, 5.71

 

CMYK 35 / 0 / 12 / 29

HEX #77B6A1

RGB 119 182 161

HSL 160, 0.3%, 0.59%

LAB 69.43, -24.94, 4.29

 

CMYK 46 / 0 / 15 / 44

HEX #4C8E78

RGB 76 142 120

HSL 160, 0.3%, 0.43%

LAB 54.28, -26.6, 5.22

 

CMYK 46 / 40 / 0 / 44

HEX #4C558E

RGB 76 85 142

HSL 231.82, 0.3%, 0.43%

LAB 37.82, 12.51, -32.76

 

CMYK 0 / 34 / 46 / 44

HEX #8E5E4C

RGB 142 94 76

HSL 16.36, 0.3%, 0.43%

LAB 44.63, 17.38, 18.31

 

CMYK 46 / 0 / 15 / 44

HEX #4C8E78

RGB 76 142 120

HSL 160, 0.3%, 0.43%

LAB 54.28, -26.6, 5.22

 

CMYK 15 / 46 / 0 / 44

HEX #784C8E

RGB 120 76 142

HSL 280, 0.3%, 0.43%

LAB 39.77, 31.07, -29.39

 

CMYK 0 / 15 / 46 / 44

HEX #8E784C

RGB 142 120 76

HSL 40, 0.3%, 0.43%

LAB 51.5, 2.3, 27.27

 

CMYK 46 / 0 / 15 / 44

HEX #4C8E78

RGB 76 142 120

HSL 160, 0.3%, 0.43%

LAB 54.28, -26.6, 5.22

 

CMYK 46 / 40 / 0 / 44

HEX #4C558E

RGB 76 85 142

HSL 231.82, 0.3%, 0.43%

LAB 37.82, 12.51, -32.76

 

CMYK 0 / 46 / 31 / 44

HEX #8E4C62

RGB 142 76 98

HSL 340, 0.3%, 0.43%

LAB 40.9, 30.5, -0.36

 

CMYK 0 / 6 / 46 / 44

HEX #8E854C

RGB 142 133 76

HSL 51.82, 0.3%, 0.43%

LAB 55.12, -5.02, 31.83

 

CMYK 46 / 0 / 15 / 44

HEX #4C8E78

RGB 76 142 120

HSL 160, 0.3%, 0.43%

LAB 54.28, -26.6, 5.22

 

CMYK 39 / 46 / 0 / 44

HEX #574C8E

RGB 87 76 142

HSL 250, 0.3%, 0.43%

LAB 36.27, 21.27, -35.15

 

CMYK 0 / 46 / 31 / 44

HEX #8E4C62

RGB 142 76 98

HSL 340, 0.3%, 0.43%

LAB 40.9, 30.5, -0.36

 

CMYK 8 / 0 / 46 / 44

HEX #838E4C

RGB 131 142 76

HSL 70, 0.3%, 0.43%

LAB 56.78, -14.63, 33.67

 

Description

Color code: HEX #4C8E78 | qconv.com Color code: HEX #4C8E78 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 142 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 142 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 15 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 15% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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