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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C972C it is the complementary color #B368D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C972C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C972C shade: #519727, #62A93A, #73BB4D, #84CD60 and #95DF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C972C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C972C shade: #4C972C, #3B8519, #2A7306, #196100 and #084F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C972C shade: #4B962B, #68962B, #84962B, #968A2B and #966D2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C972C shade: #4B962B, #2E962B, #2B9645, #2B9661 and #2B967E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C972C shade matches the following richer shades: #4B962B, #45A51B and #3EB50C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C972C shade: #4B962B, #51863B, #58764A, #5E675A and #64576A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C972C shade: #84962B, #68962B, #4B962B, #2F962B and #2B9644

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C972C shade: #2B5619, #3B7622, #4B962B, #5BB634 and #70CA49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C972C shade: #4C972C, #2B968B and #962B76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C972C shade: #4C972C, #2B4B96 and #962B4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C972C shade: #4C972C, #2B968B, #762B96 and #962B36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C972C shade: #4C972C, #2B8096, #762B96 and #96402B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 71 / 41

HEX #4C972C

RGB 76 151 44

HSL 102.06, 0.55%, 0.38%

LAB 55.94, -42.91, 47

 

Complementary color

CMYK 15 / 51 / 0 / 17

HEX #B368D3

RGB 179 104 211

HSL 282.06, 0.55%, 0.62%

LAB 56.28, 47.87, -43.3

 

CMYK 46 / 0 / 74 / 41

HEX #519727

RGB 81 151 39

HSL 97.5, 0.59%, 0.37%

LAB 56.12, -41.69, 49.19

 

CMYK 42 / 0 / 66 / 34

HEX #62A93A

RGB 98 169 58

HSL 98.38, 0.49%, 0.45%

LAB 62.74, -42.06, 48.68

 

CMYK 39 / 0 / 59 / 27

HEX #73BB4D

RGB 115 187 77

HSL 99.27, 0.45%, 0.52%

LAB 69.27, -42.22, 47.76

 

CMYK 36 / 0 / 53 / 20

HEX #84CD60

RGB 132 205 96

HSL 100.18, 0.52%, 0.59%

LAB 75.71, -42.25, 46.67

 

CMYK 33 / 0 / 48 / 13

HEX #95DF73

RGB 149 223 115

HSL 101.11, 0.63%, 0.66%

LAB 82.06, -42.19, 45.51

 

CMYK 50 / 0 / 71 / 41

HEX #4C972C

RGB 76 151 44

HSL 102.06, 0.55%, 0.38%

LAB 55.94, -42.91, 47

 

CMYK 56 / 0 / 81 / 48

HEX #3B8519

RGB 59 133 25

HSL 101.11, 0.68%, 0.31%

LAB 49.22, -42.24, 47.07

 

CMYK 63 / 0 / 95 / 55

HEX #2A7306

RGB 42 115 6

HSL 100.18, 0.9%, 0.24%

LAB 42.41, -41.01, 45.73

 

CMYK 74 / 0 / 100 / 62

HEX #196100

RGB 25 97 0

HSL 104.54, 1%, 0.19%

LAB 35.51, -38.82, 41.47

 

CMYK 90 / 0 / 100 / 69

HEX #084F00

RGB 8 79 0

HSL 113.92, 1%, 0.15%

LAB 28.49, -35.62, 35.73

 

CMYK 50 / 0 / 71 / 41

HEX #4B962B

RGB 75 150 43

HSL 102.06, 0.55%, 0.38%

LAB 55.57, -42.89, 47

 

CMYK 31 / 0 / 71 / 41

HEX #68962B

RGB 104 150 43

HSL 85.79, 0.55%, 0.38%

LAB 57.01, -32.69, 48.94

 

CMYK 12 / 0 / 71 / 41

HEX #84962B

RGB 132 150 43

HSL 70.09, 0.55%, 0.38%

LAB 58.87, -21.15, 51.43

 

CMYK 0 / 8 / 71 / 41

HEX #968A2B

RGB 150 138 43

HSL 53.27, 0.55%, 0.38%

LAB 56.91, -6.82, 49.97

 

CMYK 0 / 27 / 71 / 41

HEX #966D2B

RGB 150 109 43

HSL 37.01, 0.55%, 0.38%

LAB 49, 9.49, 41.88

 

CMYK 50 / 0 / 71 / 41

HEX #4B962B

RGB 75 150 43

HSL 102.06, 0.55%, 0.38%

LAB 55.57, -42.89, 47

 

CMYK 69 / 0 / 71 / 41

HEX #2E962B

RGB 46 150 43

HSL 118.32, 0.55%, 0.38%

LAB 54.62, -50.36, 45.73

 

CMYK 71 / 0 / 54 / 41

HEX #2B9645

RGB 43 150 69

HSL 134.58, 0.55%, 0.38%

LAB 54.82, -47.8, 33.9

 

CMYK 71 / 0 / 35 / 41

HEX #2B9661

RGB 43 150 97

HSL 150.28, 0.55%, 0.38%

LAB 55.27, -42.75, 19.48

 

CMYK 71 / 0 / 16 / 41

HEX #2B967E

RGB 43 150 126

HSL 166.54, 0.55%, 0.38%

LAB 55.92, -35.84, 4.01

 

CMYK 50 / 0 / 71 / 41

HEX #4B962B

RGB 75 150 43

HSL 102.06, 0.55%, 0.38%

LAB 55.57, -42.89, 47

 

CMYK 58 / 0 / 84 / 35

HEX #45A51B

RGB 69 165 27

HSL 101.74, 0.72%, 0.38%

LAB 60.12, -51.4, 56.68

 

CMYK 66 / 0 / 93 / 29

HEX #3EB50C

RGB 62 181 12

HSL 102.25, 0.88%, 0.38%

LAB 65.04, -59.15, 63.83

 

CMYK 50 / 0 / 71 / 41

HEX #4B962B

RGB 75 150 43

HSL 102.06, 0.55%, 0.38%

LAB 55.57, -42.89, 47

 

CMYK 40 / 0 / 56 / 47

HEX #51863B

RGB 81 134 59

HSL 102.4, 0.39%, 0.38%

LAB 50.82, -32.35, 34.49

 

CMYK 25 / 0 / 37 / 54

HEX #58764A

RGB 88 118 74

HSL 100.91, 0.23%, 0.38%

LAB 46.35, -19.73, 20.84

 

CMYK 9 / 0 / 13 / 60

HEX #5E675A

RGB 94 103 90

HSL 101.54, 0.07%, 0.38%

LAB 42.49, -6.16, 6.16

 

CMYK 6 / 18 / 0 / 58

HEX #64576A

RGB 100 87 106

HSL 281.05, 0.1%, 0.38%

LAB 38.84, 9.22, -8.93

 

CMYK 12 / 0 / 71 / 41

HEX #84962B

RGB 132 150 43

HSL 70.09, 0.55%, 0.38%

LAB 58.87, -21.15, 51.43

 

CMYK 31 / 0 / 71 / 41

HEX #68962B

RGB 104 150 43

HSL 85.79, 0.55%, 0.38%

LAB 57.01, -32.69, 48.94

 

CMYK 50 / 0 / 71 / 41

HEX #4B962B

RGB 75 150 43

HSL 102.06, 0.55%, 0.38%

LAB 55.57, -42.89, 47

 

CMYK 69 / 0 / 71 / 41

HEX #2F962B

RGB 47 150 43

HSL 117.76, 0.55%, 0.38%

LAB 54.65, -50.15, 45.76

 

CMYK 71 / 0 / 55 / 41

HEX #2B9644

RGB 43 150 68

HSL 134.02, 0.55%, 0.38%

LAB 54.81, -47.95, 34.39

 

CMYK 50 / 0 / 71 / 66

HEX #2B5619

RGB 43 86 25

HSL 102.3, 0.55%, 0.22%

LAB 32.35, -27.51, 29.89

 

CMYK 50 / 0 / 71 / 54

HEX #3B7622

RGB 59 118 34

HSL 102.14, 0.55%, 0.3%

LAB 44.24, -35.42, 38.7

 

CMYK 50 / 0 / 71 / 41

HEX #4B962B

RGB 75 150 43

HSL 102.06, 0.55%, 0.38%

LAB 55.57, -42.89, 47

 

CMYK 50 / 0 / 71 / 29

HEX #5BB634

RGB 91 182 52

HSL 102, 0.56%, 0.46%

LAB 66.46, -50.04, 54.92

 

CMYK 45 / 0 / 64 / 21

HEX #70CA49

RGB 112 202 73

HSL 101.86, 0.55%, 0.54%

LAB 73.65, -49.81, 54.39

 

CMYK 50 / 0 / 71 / 41

HEX #4C972C

RGB 76 151 44

HSL 102.06, 0.55%, 0.38%

LAB 55.94, -42.91, 47

 

CMYK 71 / 0 / 7 / 41

HEX #2B968B

RGB 43 150 139

HSL 173.83, 0.55%, 0.38%

LAB 56.28, -32.27, -2.9

 

CMYK 0 / 71 / 21 / 41

HEX #962B76

RGB 150 43 118

HSL 317.94, 0.55%, 0.38%

LAB 36.97, 51.81, -18.64

 

CMYK 50 / 0 / 71 / 41

HEX #4C972C

RGB 76 151 44

HSL 102.06, 0.55%, 0.38%

LAB 55.94, -42.91, 47

 

CMYK 71 / 50 / 0 / 41

HEX #2B4B96

RGB 43 75 150

HSL 222.06, 0.55%, 0.38%

LAB 33.45, 14.89, -44.7

 

CMYK 0 / 71 / 50 / 41

HEX #962B4B

RGB 150 43 75

HSL 342.06, 0.55%, 0.38%

LAB 35.44, 46.74, 6.47

 

CMYK 50 / 0 / 71 / 41

HEX #4C972C

RGB 76 151 44

HSL 102.06, 0.55%, 0.38%

LAB 55.94, -42.91, 47

 

CMYK 71 / 0 / 7 / 41

HEX #2B968B

RGB 43 150 139

HSL 173.83, 0.55%, 0.38%

LAB 56.28, -32.27, -2.9

 

CMYK 21 / 71 / 0 / 41

HEX #762B96

RGB 118 43 150

HSL 282.06, 0.55%, 0.38%

LAB 33.52, 49.59, -44.21

 

CMYK 0 / 71 / 64 / 41

HEX #962B36

RGB 150 43 54

HSL 353.83, 0.55%, 0.38%

LAB 34.96, 45.08, 19.32

 

CMYK 50 / 0 / 71 / 41

HEX #4C972C

RGB 76 151 44

HSL 102.06, 0.55%, 0.38%

LAB 55.94, -42.91, 47

 

CMYK 71 / 15 / 0 / 41

HEX #2B8096

RGB 43 128 150

HSL 192.34, 0.55%, 0.38%

LAB 49.68, -17.68, -19.18

 

CMYK 21 / 71 / 0 / 41

HEX #762B96

RGB 118 43 150

HSL 282.06, 0.55%, 0.38%

LAB 33.52, 49.59, -44.21

 

CMYK 0 / 57 / 71 / 41

HEX #96402B

RGB 150 64 43

HSL 11.78, 0.55%, 0.38%

LAB 38.42, 34.71, 30.26

 

Description

Color code: HEX #4C972C | qconv.com Color code: HEX #4C972C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 151 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 151 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 71 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 71% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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