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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C99C0 it is the complementary color #B3663F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C99C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C99C0 shade: #5199BB, #62ABCE, #73BDE1, #84CFF4 and #95E1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C99C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C99C0 shade: #4C99C0, #3B87AD, #2A759A, #196387 and #085174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C99C0 shade: #4D9AC0, #4D7AC0, #4D5BC0, #5E4DC0 and #7D4DC0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C99C0 shade: #4D9AC0, #4D7AC0, #4D5BC0 and #4D4DC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C99C0 shade matches the following richer shades: #4D9AC0, #3AA0D4, #26A6E7 and #13ADFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C99C0 shade: #4D9AC0, #6193AD, #748D99, #878686 and #9B8073

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C99C0 shade: #4DC0A9, #4DB9C0, #4D9AC0, #4D7BC0 and #4D5CC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C99C0 shade: #306C8A, #3B84A9, #4D9AC0, #6CABCB and #8ABCD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C99C0 shade: #4C99C0, #8A4DC0 and #C0B94D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C99C0 shade: #4C99C0, #C04D9A and #9AC04D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C99C0 shade: #4C99C0, #8A4DC0, #C0734D and #83C04D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C99C0 shade: #4C99C0, #AD4DC0, #C0734D and #60C04D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 20 / 0 / 25

HEX #4C99C0

RGB 76 153 192

HSL 200.17, 0.48%, 0.53%

LAB 60, -12.06, -27.31

 

Complementary color

CMYK 0 / 43 / 65 / 30

HEX #B3663F

RGB 179 102 63

HSL 20.17, 0.48%, 0.47%

LAB 51.2, 27.4, 35.07

 

CMYK 57 / 18 / 0 / 27

HEX #5199BB

RGB 81 153 187

HSL 199.25, 0.44%, 0.53%

LAB 60, -12.62, -24.49

 

CMYK 52 / 17 / 0 / 19

HEX #62ABCE

RGB 98 171 206

HSL 199.44, 0.52%, 0.6%

LAB 66.66, -13.07, -24.81

 

CMYK 49 / 16 / 0 / 12

HEX #73BDE1

RGB 115 189 225

HSL 199.64, 0.65%, 0.67%

LAB 73.2, -13.41, -25.13

 

CMYK 46 / 15 / 0 / 4

HEX #84CFF4

RGB 132 207 244

HSL 199.82, 0.84%, 0.74%

LAB 79.65, -13.67, -25.44

 

CMYK 42 / 12 / 0 / 0

HEX #95E1FF

RGB 149 225 255

HSL 196.98, 1%, 0.79%

LAB 85.74, -15.96, -21.94

 

CMYK 60 / 20 / 0 / 25

HEX #4C99C0

RGB 76 153 192

HSL 200.17, 0.48%, 0.53%

LAB 60, -12.06, -27.31

 

CMYK 66 / 22 / 0 / 32

HEX #3B87AD

RGB 59 135 173

HSL 200, 0.49%, 0.45%

LAB 53.25, -11.3, -26.99

 

CMYK 73 / 24 / 0 / 40

HEX #2A759A

RGB 42 117 154

HSL 199.82, 0.57%, 0.38%

LAB 46.38, -10.27, -26.64

 

CMYK 81 / 27 / 0 / 47

HEX #196387

RGB 25 99 135

HSL 199.64, 0.69%, 0.31%

LAB 39.38, -8.82, -26.23

 

CMYK 93 / 30 / 0 / 55

HEX #085174

RGB 8 81 116

HSL 199.44, 0.87%, 0.24%

LAB 32.25, -6.76, -25.72

 

CMYK 60 / 20 / 0 / 25

HEX #4D9AC0

RGB 77 154 192

HSL 199.83, 0.48%, 0.53%

LAB 60.33, -12.42, -26.8

 

CMYK 60 / 36 / 0 / 25

HEX #4D7AC0

RGB 77 122 192

HSL 216.52, 0.48%, 0.53%

LAB 51.04, 6.11, -41.31

 

CMYK 60 / 53 / 0 / 25

HEX #4D5BC0

RGB 77 91 192

HSL 232.7, 0.48%, 0.53%

LAB 42.56, 25.47, -54.85

 

CMYK 51 / 60 / 0 / 25

HEX #5E4DC0

RGB 94 77 192

HSL 248.87, 0.48%, 0.53%

LAB 40.4, 37.42, -58.29

 

CMYK 35 / 60 / 0 / 25

HEX #7D4DC0

RGB 125 77 192

HSL 265.04, 0.48%, 0.53%

LAB 43.47, 44.14, -53.18

 

CMYK 60 / 20 / 0 / 25

HEX #4D9AC0

RGB 77 154 192

HSL 199.83, 0.48%, 0.53%

LAB 60.33, -12.42, -26.8

 

CMYK 60 / 36 / 0 / 25

HEX #4D7AC0

RGB 77 122 192

HSL 216.52, 0.48%, 0.53%

LAB 51.04, 6.11, -41.31

 

CMYK 60 / 53 / 0 / 25

HEX #4D5BC0

RGB 77 91 192

HSL 232.7, 0.48%, 0.53%

LAB 42.56, 25.47, -54.85

 

CMYK 60 / 60 / 0 / 25

HEX #4D4DC0

RGB 77 77 192

HSL 240, 0.48%, 0.53%

LAB 39.06, 34.26, -60.53

 

CMYK 60 / 20 / 0 / 25

HEX #4D9AC0

RGB 77 154 192

HSL 199.83, 0.48%, 0.53%

LAB 60.33, -12.42, -26.8

 

CMYK 73 / 25 / 0 / 17

HEX #3AA0D4

RGB 58 160 212

HSL 200.26, 0.64%, 0.53%

LAB 62.33, -12.24, -34.93

 

CMYK 84 / 28 / 0 / 9

HEX #26A6E7

RGB 38 166 231

HSL 200.21, 0.8%, 0.53%

LAB 64.53, -11.04, -42.03

 

CMYK 92 / 31 / 0 / 2

HEX #13ADFA

RGB 19 173 250

HSL 200, 0.96%, 0.53%

LAB 67.22, -9.2, -48.2

 

CMYK 60 / 20 / 0 / 25

HEX #4D9AC0

RGB 77 154 192

HSL 199.83, 0.48%, 0.53%

LAB 60.33, -12.42, -26.8

 

CMYK 44 / 15 / 0 / 32

HEX #6193AD

RGB 97 147 173

HSL 200.53, 0.32%, 0.53%

LAB 58.44, -9.7, -18.88

 

CMYK 24 / 8 / 0 / 40

HEX #748D99

RGB 116 141 153

HSL 199.46, 0.15%, 0.53%

LAB 57.14, -6.04, -9.31

 

CMYK 0 / 1 / 1 / 47

HEX #878686

RGB 135 134 134

HSL 0, 0%, 0.53%

LAB 56.01, 0.37, 0.12

 

CMYK 0 / 17 / 26 / 39

HEX #9B8073

RGB 155 128 115

HSL 19.5, 0.17%, 0.53%

LAB 55.73, 8.29, 10.94

 

CMYK 60 / 0 / 12 / 25

HEX #4DC0A9

RGB 77 192 169

HSL 168, 0.48%, 0.53%

LAB 70.97, -37.98, 1.93

 

CMYK 60 / 4 / 0 / 25

HEX #4DB9C0

RGB 77 185 192

HSL 183.65, 0.48%, 0.53%

LAB 69.53, -28.51, -12.81

 

CMYK 60 / 20 / 0 / 25

HEX #4D9AC0

RGB 77 154 192

HSL 199.83, 0.48%, 0.53%

LAB 60.33, -12.42, -26.8

 

CMYK 60 / 36 / 0 / 25

HEX #4D7BC0

RGB 77 123 192

HSL 216, 0.48%, 0.53%

LAB 51.32, 5.5, -40.86

 

CMYK 60 / 52 / 0 / 25

HEX #4D5CC0

RGB 77 92 192

HSL 232.17, 0.48%, 0.53%

LAB 42.82, 24.84, -54.44

 

CMYK 65 / 22 / 0 / 46

HEX #306C8A

RGB 48 108 138

HSL 200, 0.48%, 0.36%

LAB 43.05, -9.6, -22.28

 

CMYK 65 / 22 / 0 / 34

HEX #3B84A9

RGB 59 132 169

HSL 200.18, 0.48%, 0.45%

LAB 52.17, -10.94, -26.35

 

CMYK 60 / 20 / 0 / 25

HEX #4D9AC0

RGB 77 154 192

HSL 199.83, 0.48%, 0.53%

LAB 60.33, -12.42, -26.8

 

CMYK 47 / 16 / 0 / 20

HEX #6CABCB

RGB 108 171 203

HSL 200.21, 0.48%, 0.61%

LAB 67, -11.63, -22.59

 

CMYK 36 / 12 / 0 / 16

HEX #8ABCD6

RGB 138 188 214

HSL 200.53, 0.48%, 0.69%

LAB 73.69, -10.03, -18.3

 

CMYK 60 / 20 / 0 / 25

HEX #4C99C0

RGB 76 153 192

HSL 200.17, 0.48%, 0.53%

LAB 60, -12.06, -27.31

 

CMYK 28 / 60 / 0 / 25

HEX #8A4DC0

RGB 138 77 192

HSL 271.83, 0.48%, 0.53%

LAB 44.97, 47.21, -50.69

 

CMYK 0 / 4 / 60 / 25

HEX #C0B94D

RGB 192 185 77

HSL 56.35, 0.48%, 0.53%

LAB 73.83, -11.18, 54.29

 

CMYK 60 / 20 / 0 / 25

HEX #4C99C0

RGB 76 153 192

HSL 200.17, 0.48%, 0.53%

LAB 60, -12.06, -27.31

 

CMYK 0 / 60 / 20 / 25

HEX #C04D9A

RGB 192 77 154

HSL 319.83, 0.48%, 0.53%

LAB 50.51, 54.61, -19.15

 

CMYK 20 / 0 / 60 / 25

HEX #9AC04D

RGB 154 192 77

HSL 79.83, 0.48%, 0.53%

LAB 72.96, -30.21, 52.53

 

CMYK 60 / 20 / 0 / 25

HEX #4C99C0

RGB 76 153 192

HSL 200.17, 0.48%, 0.53%

LAB 60, -12.06, -27.31

 

CMYK 28 / 60 / 0 / 25

HEX #8A4DC0

RGB 138 77 192

HSL 271.83, 0.48%, 0.53%

LAB 44.97, 47.21, -50.69

 

CMYK 0 / 40 / 60 / 25

HEX #C0734D

RGB 192 115 77

HSL 19.83, 0.48%, 0.53%

LAB 56.09, 26.67, 33.72

 

CMYK 32 / 0 / 60 / 25

HEX #83C04D

RGB 131 192 77

HSL 91.83, 0.48%, 0.53%

LAB 71.6, -38.85, 50.63

 

CMYK 60 / 20 / 0 / 25

HEX #4C99C0

RGB 76 153 192

HSL 200.17, 0.48%, 0.53%

LAB 60, -12.06, -27.31

 

CMYK 10 / 60 / 0 / 25

HEX #AD4DC0

RGB 173 77 192

HSL 290.09, 0.48%, 0.53%

LAB 49.49, 55.86, -43.2

 

CMYK 0 / 40 / 60 / 25

HEX #C0734D

RGB 192 115 77

HSL 19.83, 0.48%, 0.53%

LAB 56.09, 26.67, 33.72

 

CMYK 50 / 0 / 60 / 25

HEX #60C04D

RGB 96 192 77

HSL 110.09, 0.48%, 0.53%

LAB 69.98, -50.19, 48.36

 

Description

Color code: HEX #4C99C0 | qconv.com Color code: HEX #4C99C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 153 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 153 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 20 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 20% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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