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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C9B0C it is the complementary color #B364F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C9B0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C9B0C shade: #519B07, #62AD1A, #73BF2D, #84D140 and #95E353

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C9B0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C9B0C shade: #4C9B0C, #3B8900, #2A7700, #196500 and #085300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C9B0C shade: #4C9C0B, #739C0B, #9A9C0B, #9C770B and #9C500B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C9B0C shade: #4C9C0B, #259C0B, #0B9C19, #0B9C40 and #0B9C67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C9B0C shade matches the following richer shades: #4C9C0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C9B0C shade: #4C9C0B, #4D8E19, #4F8127, #507334 and #526642

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C9B0C shade: #9A9C0B, #739C0B, #4C9C0B, #269C0B and #0B9C17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C9B0C shade: #274F06, #397608, #4C9C0B, #5FC20E and #72E911

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C9B0C shade: #4C9B0C, #0B9C78 and #9C0B86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C9B0C shade: #4C9B0C, #0B4C9C and #9C0B4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C9B0C shade: #4C9B0C, #0B9C78, #5B0B9C and #9C0B2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C9B0C shade: #4C9B0C, #0B959C, #5B0B9C and #9C130B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 92 / 39

HEX #4C9B0C

RGB 76 155 12

HSL 93.15, 0.86%, 0.33%

LAB 57.08, -46.2, 57.39

 

Complementary color

CMYK 26 / 59 / 0 / 5

HEX #B364F3

RGB 179 100 243

HSL 273.15, 0.86%, 0.67%

LAB 57.24, 56.89, -59.72

 

CMYK 48 / 0 / 95 / 39

HEX #519B07

RGB 81 155 7

HSL 90, 0.91%, 0.32%

LAB 57.28, -44.73, 58.4

 

CMYK 43 / 0 / 85 / 32

HEX #62AD1A

RGB 98 173 26

HSL 90.61, 0.74%, 0.39%

LAB 63.8, -45.75, 60.65

 

CMYK 40 / 0 / 76 / 25

HEX #73BF2D

RGB 115 191 45

HSL 91.23, 0.62%, 0.46%

LAB 70.24, -46.44, 61.46

 

CMYK 37 / 0 / 69 / 18

HEX #84D140

RGB 132 209 64

HSL 91.86, 0.61%, 0.54%

LAB 76.6, -46.88, 61.39

 

CMYK 34 / 0 / 63 / 11

HEX #95E353

RGB 149 227 83

HSL 92.5, 0.72%, 0.61%

LAB 82.89, -47.15, 60.82

 

CMYK 51 / 0 / 92 / 39

HEX #4C9B0C

RGB 76 155 12

HSL 93.15, 0.86%, 0.33%

LAB 57.08, -46.2, 57.39

 

CMYK 57 / 0 / 100 / 46

HEX #3B8900

RGB 59 137 0

HSL 94.16, 1%, 0.27%

LAB 50.48, -44.74, 53.77

 

CMYK 65 / 0 / 100 / 53

HEX #2A7700

RGB 42 119 0

HSL 98.82, 1%, 0.23%

LAB 43.78, -42.72, 48.24

 

CMYK 75 / 0 / 100 / 60

HEX #196500

RGB 25 101 0

HSL 105.15, 1%, 0.2%

LAB 36.96, -40.23, 42.62

 

CMYK 90 / 0 / 100 / 67

HEX #085300

RGB 8 83 0

HSL 114.22, 1%, 0.16%

LAB 30.01, -36.96, 36.94

 

CMYK 51 / 0 / 93 / 39

HEX #4C9C0B

RGB 76 156 11

HSL 93.1, 0.87%, 0.33%

LAB 57.4, -46.62, 57.82

 

CMYK 26 / 0 / 93 / 39

HEX #739C0B

RGB 115 156 11

HSL 76.97, 0.87%, 0.33%

LAB 59.38, -32.48, 60.26

 

CMYK 1 / 0 / 93 / 39

HEX #9A9C0B

RGB 154 156 11

HSL 60.83, 0.87%, 0.33%

LAB 62.23, -15.66, 63.72

 

CMYK 0 / 24 / 93 / 39

HEX #9C770B

RGB 156 119 11

HSL 44.69, 0.87%, 0.33%

LAB 52.16, 5.42, 56.06

 

CMYK 0 / 49 / 93 / 39

HEX #9C500B

RGB 156 80 11

HSL 28.55, 0.87%, 0.33%

LAB 42.51, 27.53, 48.85

 

CMYK 51 / 0 / 93 / 39

HEX #4C9C0B

RGB 76 156 11

HSL 93.1, 0.87%, 0.33%

LAB 57.4, -46.62, 57.82

 

CMYK 76 / 0 / 93 / 39

HEX #259C0B

RGB 37 156 11

HSL 109.24, 0.87%, 0.33%

LAB 56.28, -55.86, 56.43

 

CMYK 93 / 0 / 84 / 39

HEX #0B9C19

RGB 11 156 25

HSL 125.79, 0.87%, 0.33%

LAB 56.01, -58.14, 53.04

 

CMYK 93 / 0 / 59 / 39

HEX #0B9C40

RGB 11 156 64

HSL 141.93, 0.87%, 0.33%

LAB 56.31, -54.37, 38.06

 

CMYK 93 / 0 / 34 / 39

HEX #0B9C67

RGB 11 156 103

HSL 158.07, 0.87%, 0.33%

LAB 56.91, -47.24, 18.3

 

CMYK 51 / 0 / 93 / 39

HEX #4C9C0B

RGB 76 156 11

HSL 93.1, 0.87%, 0.33%

LAB 57.4, -46.62, 57.82

 

CMYK 51 / 0 / 93 / 39

HEX #4C9C0B

RGB 76 156 11

HSL 93.1, 0.87%, 0.33%

LAB 57.4, -46.62, 57.82

 

CMYK 46 / 0 / 82 / 44

HEX #4D8E19

RGB 77 142 25

HSL 93.33, 0.7%, 0.33%

LAB 52.94, -40.15, 50.8

 

CMYK 39 / 0 / 70 / 49

HEX #4F8127

RGB 79 129 39

HSL 93.33, 0.54%, 0.33%

LAB 48.9, -32.85, 41.75

 

CMYK 30 / 0 / 55 / 55

HEX #507334

RGB 80 115 52

HSL 93.33, 0.38%, 0.33%

LAB 44.54, -24.44, 30.62

 

CMYK 20 / 0 / 35 / 60

HEX #526642

RGB 82 102 66

HSL 93.33, 0.21%, 0.33%

LAB 40.72, -14.79, 17.96

 

CMYK 1 / 0 / 93 / 39

HEX #9A9C0B

RGB 154 156 11

HSL 60.83, 0.87%, 0.33%

LAB 62.23, -15.66, 63.72

 

CMYK 26 / 0 / 93 / 39

HEX #739C0B

RGB 115 156 11

HSL 76.97, 0.87%, 0.33%

LAB 59.38, -32.48, 60.26

 

CMYK 51 / 0 / 93 / 39

HEX #4C9C0B

RGB 76 156 11

HSL 93.1, 0.87%, 0.33%

LAB 57.4, -46.62, 57.82

 

CMYK 76 / 0 / 93 / 39

HEX #269C0B

RGB 38 156 11

HSL 108.83, 0.87%, 0.33%

LAB 56.3, -55.7, 56.45

 

CMYK 93 / 0 / 85 / 39

HEX #0B9C17

RGB 11 156 23

HSL 124.97, 0.87%, 0.33%

LAB 56, -58.25, 53.56

 

CMYK 51 / 0 / 92 / 69

HEX #274F06

RGB 39 79 6

HSL 92.88, 0.86%, 0.17%

LAB 29.5, -27.21, 34.65

 

CMYK 52 / 0 / 93 / 54

HEX #397608

RGB 57 118 8

HSL 93.27, 0.87%, 0.25%

LAB 44.01, -37.64, 46.85

 

CMYK 51 / 0 / 93 / 39

HEX #4C9C0B

RGB 76 156 11

HSL 93.1, 0.87%, 0.33%

LAB 57.4, -46.62, 57.82

 

CMYK 51 / 0 / 93 / 24

HEX #5FC20E

RGB 95 194 14

HSL 93, 0.87%, 0.41%

LAB 70.21, -55.17, 68.26

 

CMYK 51 / 0 / 93 / 9

HEX #72E911

RGB 114 233 17

HSL 93.06, 0.86%, 0.49%

LAB 82.86, -63.75, 78.52

 

CMYK 51 / 0 / 92 / 39

HEX #4C9B0C

RGB 76 155 12

HSL 93.15, 0.86%, 0.33%

LAB 57.08, -46.2, 57.39

 

CMYK 93 / 0 / 23 / 39

HEX #0B9C78

RGB 11 156 120

HSL 165.1, 0.87%, 0.33%

LAB 57.27, -43.15, 9.29

 

CMYK 0 / 93 / 14 / 39

HEX #9C0B86

RGB 156 11 134

HSL 309.1, 0.87%, 0.33%

LAB 36.04, 63.53, -29.97

 

CMYK 51 / 0 / 92 / 39

HEX #4C9B0C

RGB 76 155 12

HSL 93.15, 0.86%, 0.33%

LAB 57.08, -46.2, 57.39

 

CMYK 93 / 51 / 0 / 39

HEX #0B4C9C

RGB 11 76 156

HSL 213.1, 0.87%, 0.33%

LAB 33.22, 13.37, -48.75

 

CMYK 0 / 93 / 51 / 39

HEX #9C0B4C

RGB 156 11 76

HSL 333.1, 0.87%, 0.33%

LAB 33.62, 57.11, 3.39

 

CMYK 51 / 0 / 92 / 39

HEX #4C9B0C

RGB 76 155 12

HSL 93.15, 0.86%, 0.33%

LAB 57.08, -46.2, 57.39

 

CMYK 93 / 0 / 23 / 39

HEX #0B9C78

RGB 11 156 120

HSL 165.1, 0.87%, 0.33%

LAB 57.27, -43.15, 9.29

 

CMYK 42 / 93 / 0 / 39

HEX #5B0B9C

RGB 91 11 156

HSL 273.1, 0.87%, 0.33%

LAB 26.34, 56.9, -59.75

 

CMYK 0 / 93 / 70 / 39

HEX #9C0B2F

RGB 156 11 47

HSL 345.1, 0.87%, 0.33%

LAB 32.95, 55.22, 21.51

 

CMYK 51 / 0 / 92 / 39

HEX #4C9B0C

RGB 76 155 12

HSL 93.15, 0.86%, 0.33%

LAB 57.08, -46.2, 57.39

 

CMYK 93 / 4 / 0 / 39

HEX #0B959C

RGB 11 149 156

HSL 182.9, 0.87%, 0.33%

LAB 56.05, -29.49, -13.02

 

CMYK 42 / 93 / 0 / 39

HEX #5B0B9C

RGB 91 11 156

HSL 273.1, 0.87%, 0.33%

LAB 26.34, 56.9, -59.75

 

CMYK 0 / 88 / 93 / 39

HEX #9C130B

RGB 156 19 11

HSL 3.31, 0.87%, 0.33%

LAB 33.04, 52.68, 42.16

 

Description

Color code: HEX #4C9B0C | qconv.com Color code: HEX #4C9B0C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 155 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 155 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 92 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 92% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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