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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D1374 it is the complementary color #B2EC8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D1374. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D1374 shade: #52136F, #632582, #743795, #8549A8 and #965BBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D1374. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D1374 shade: #4D1374, #3C0161, #2B004E, #1A003B and #090028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D1374 shade: #4B1272, #651272, #721264, #72124B and #721231

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D1374 shade: #4B1272, #311272, #181272 and #121272

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D1374 shade matches the following richer shades: #4B1272 and #4D077C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D1374 shade: #4B1272, #491D67, #47285C, #453251 and #433D47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D1374 shade: #171272, #301272, #4A1272, #631272 and #721266

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D1374 shade: #1C072B, #340C4E, #4B1272, #631895 and #7A1EB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D1374 shade: #4D1374, #721227 and #127224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D1374 shade: #4D1374, #724A12 and #12724A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D1374 shade: #4D1374, #721227, #3A7212 and #12725D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D1374 shade: #4D1374, #721A12, #3A7212 and #126A72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 84 / 0 / 55

HEX #4D1374

RGB 77 19 116

HSL 275.88, 0.72%, 0.26%

LAB 21.22, 43.45, -43.14

 

Complementary color

CMYK 25 / 0 / 41 / 7

HEX #B2EC8B

RGB 178 236 139

HSL 95.88, 0.72%, 0.74%

LAB 87.64, -35.14, 41.17

 

CMYK 26 / 83 / 0 / 56

HEX #52136F

RGB 82 19 111

HSL 281.09, 0.71%, 0.25%

LAB 21.61, 43.23, -39.25

 

CMYK 24 / 72 / 0 / 49

HEX #632582

RGB 99 37 130

HSL 280, 0.56%, 0.33%

LAB 28.35, 43.6, -40.33

 

CMYK 22 / 63 / 0 / 42

HEX #743795

RGB 116 55 149

HSL 278.94, 0.46%, 0.4%

LAB 35.23, 43.19, -40.88

 

CMYK 21 / 57 / 0 / 34

HEX #8549A8

RGB 133 73 168

HSL 277.89, 0.39%, 0.47%

LAB 42.12, 42.46, -41.17

 

CMYK 20 / 51 / 0 / 27

HEX #965BBB

RGB 150 91 187

HSL 276.88, 0.41%, 0.55%

LAB 48.95, 41.63, -41.35

 

CMYK 34 / 84 / 0 / 55

HEX #4D1374

RGB 77 19 116

HSL 275.88, 0.72%, 0.26%

LAB 21.22, 43.45, -43.14

 

CMYK 38 / 99 / 0 / 62

HEX #3C0161

RGB 60 1 97

HSL 276.88, 0.98%, 0.19%

LAB 14.65, 42.25, -41.56

 

CMYK 45 / 100 / 0 / 69

HEX #2B004E

RGB 43 0 78

HSL 273.08, 1%, 0.15%

LAB 9.51, 36.14, -37.22

 

CMYK 56 / 100 / 0 / 77

HEX #1A003B

RGB 26 0 59

HSL 266.44, 1%, 0.12%

LAB 4.84, 27.11, -31.53

 

CMYK 78 / 100 / 0 / 84

HEX #090028

RGB 9 0 40

HSL 253.5, 1%, 0.08%

LAB 1.91, 12.08, -22.09

 

CMYK 34 / 84 / 0 / 55

HEX #4B1272

RGB 75 18 114

HSL 275.63, 0.73%, 0.26%

LAB 20.61, 42.99, -42.86

 

CMYK 11 / 84 / 0 / 55

HEX #651272

RGB 101 18 114

HSL 291.88, 0.73%, 0.26%

LAB 25, 47.94, -35.55

 

CMYK 0 / 84 / 12 / 55

HEX #721264

RGB 114 18 100

HSL 308.75, 0.73%, 0.26%

LAB 26.53, 48.34, -23.89

 

CMYK 0 / 84 / 34 / 55

HEX #72124B

RGB 114 18 75

HSL 324.38, 0.73%, 0.26%

LAB 25.31, 44.86, -9.21

 

CMYK 0 / 84 / 57 / 55

HEX #721231

RGB 114 18 49

HSL 340.63, 0.73%, 0.26%

LAB 24.42, 42.2, 7.24

 

CMYK 34 / 84 / 0 / 55

HEX #4B1272

RGB 75 18 114

HSL 275.63, 0.73%, 0.26%

LAB 20.61, 42.99, -42.86

 

CMYK 57 / 84 / 0 / 55

HEX #311272

RGB 49 18 114

HSL 259.38, 0.73%, 0.26%

LAB 16.99, 38.95, -48.93

 

CMYK 79 / 84 / 0 / 55

HEX #181272

RGB 24 18 114

HSL 243.75, 0.73%, 0.26%

LAB 14.63, 36.34, -52.91

 

CMYK 84 / 84 / 0 / 55

HEX #121272

RGB 18 18 114

HSL 240, 0.73%, 0.26%

LAB 14.27, 35.94, -53.53

 

CMYK 34 / 84 / 0 / 55

HEX #4B1272

RGB 75 18 114

HSL 275.63, 0.73%, 0.26%

LAB 20.61, 42.99, -42.86

 

CMYK 38 / 94 / 0 / 51

HEX #4D077C

RGB 77 7 124

HSL 275.9, 0.89%, 0.26%

LAB 20.77, 48.82, -49

 

CMYK 34 / 84 / 0 / 55

HEX #4B1272

RGB 75 18 114

HSL 275.63, 0.73%, 0.26%

LAB 20.61, 42.99, -42.86

 

CMYK 29 / 72 / 0 / 60

HEX #491D67

RGB 73 29 103

HSL 275.68, 0.56%, 0.26%

LAB 21.11, 35, -34.92

 

CMYK 23 / 57 / 0 / 64

HEX #47285C

RGB 71 40 92

HSL 275.77, 0.39%, 0.26%

LAB 22.41, 25.34, -25.63

 

CMYK 15 / 38 / 0 / 68

HEX #453251

RGB 69 50 81

HSL 276.77, 0.24%, 0.26%

LAB 24.13, 15.37, -15.67

 

CMYK 6 / 14 / 0 / 72

HEX #433D47

RGB 67 61 71

HSL 276, 0.08%, 0.26%

LAB 26.69, 4.82, -5.17

 

CMYK 80 / 84 / 0 / 55

HEX #171272

RGB 23 18 114

HSL 243.13, 0.73%, 0.26%

LAB 14.57, 36.27, -53.02

 

CMYK 58 / 84 / 0 / 55

HEX #301272

RGB 48 18 114

HSL 258.75, 0.73%, 0.26%

LAB 16.87, 38.82, -49.13

 

CMYK 35 / 84 / 0 / 55

HEX #4A1272

RGB 74 18 114

HSL 275, 0.73%, 0.26%

LAB 20.45, 42.81, -43.12

 

CMYK 13 / 84 / 0 / 55

HEX #631272

RGB 99 18 114

HSL 290.63, 0.73%, 0.26%

LAB 24.64, 47.54, -36.14

 

CMYK 0 / 84 / 11 / 55

HEX #721266

RGB 114 18 102

HSL 307.5, 0.73%, 0.26%

LAB 26.65, 48.66, -25.02

 

CMYK 35 / 84 / 0 / 83

HEX #1C072B

RGB 28 7 43

HSL 275, 0.72%, 0.1%

LAB 5.18, 17.94, -19.12

 

CMYK 33 / 85 / 0 / 69

HEX #340C4E

RGB 52 12 78

HSL 276.36, 0.73%, 0.18%

LAB 12.88, 32.17, -31.65

 

CMYK 34 / 84 / 0 / 55

HEX #4B1272

RGB 75 18 114

HSL 275.63, 0.73%, 0.26%

LAB 20.61, 42.99, -42.86

 

CMYK 34 / 84 / 0 / 42

HEX #631895

RGB 99 24 149

HSL 276, 0.72%, 0.34%

LAB 28.05, 53.03, -52.61

 

CMYK 34 / 84 / 0 / 27

HEX #7A1EB9

RGB 122 30 185

HSL 275.61, 0.72%, 0.42%

LAB 35.14, 62.64, -62.59

 

CMYK 34 / 84 / 0 / 55

HEX #4D1374

RGB 77 19 116

HSL 275.88, 0.72%, 0.26%

LAB 21.22, 43.45, -43.14

 

CMYK 0 / 84 / 66 / 55

HEX #721227

RGB 114 18 39

HSL 346.88, 0.73%, 0.26%

LAB 24.18, 41.47, 13.79

 

CMYK 84 / 0 / 68 / 55

HEX #127224

RGB 18 114 36

HSL 131.25, 0.73%, 0.26%

LAB 41.67, -43.24, 34.69

 

CMYK 34 / 84 / 0 / 55

HEX #4D1374

RGB 77 19 116

HSL 275.88, 0.72%, 0.26%

LAB 21.22, 43.45, -43.14

 

CMYK 0 / 35 / 84 / 55

HEX #724A12

RGB 114 74 18

HSL 35, 0.73%, 0.26%

LAB 35.04, 12.02, 37.86

 

CMYK 84 / 0 / 35 / 55

HEX #12724A

RGB 18 114 74

HSL 155, 0.73%, 0.26%

LAB 42.24, -36.56, 14.85

 

CMYK 34 / 84 / 0 / 55

HEX #4D1374

RGB 77 19 116

HSL 275.88, 0.72%, 0.26%

LAB 21.22, 43.45, -43.14

 

CMYK 0 / 84 / 66 / 55

HEX #721227

RGB 114 18 39

HSL 346.88, 0.73%, 0.26%

LAB 24.18, 41.47, 13.79

 

CMYK 49 / 0 / 84 / 55

HEX #3A7212

RGB 58 114 18

HSL 95, 0.73%, 0.26%

LAB 42.73, -35.2, 43.21

 

CMYK 84 / 0 / 18 / 55

HEX #12725D

RGB 18 114 93

HSL 166.88, 0.73%, 0.26%

LAB 42.69, -31.67, 4.2

 

CMYK 34 / 84 / 0 / 55

HEX #4D1374

RGB 77 19 116

HSL 275.88, 0.72%, 0.26%

LAB 21.22, 43.45, -43.14

 

CMYK 0 / 77 / 84 / 55

HEX #721A12

RGB 114 26 18

HSL 5, 0.73%, 0.26%

LAB 24.83, 37.7, 28.19

 

CMYK 49 / 0 / 84 / 55

HEX #3A7212

RGB 58 114 18

HSL 95, 0.73%, 0.26%

LAB 42.73, -35.2, 43.21

 

CMYK 84 / 7 / 0 / 55

HEX #126A72

RGB 18 106 114

HSL 185, 0.73%, 0.26%

LAB 40.66, -21.14, -11.52

 

Description

Color code: HEX #4D1374 | qconv.com Color code: HEX #4D1374 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 19 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 19 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 84 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 84% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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