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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D215E it is the complementary color #B2DEA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D215E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D215E shade: #522159, #63336C, #74457F, #855792 and #9669A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D215E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D215E shade: #4D215E, #3C0F4B, #2B0038, #1A0025 and #090012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D215E shade: #4D215E, #5D215E, #5E214E, #5E213D and #5E212D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D215E shade: #4D215E, #3C215E, #2C215E and #21215E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D215E shade matches the following richer shades: #4D215E, #511668, #560C72 and #5A027D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D215E shade: #4D215E, #482B54, #443549, #3F403F and #3B4A35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D215E shade: #2C215E, #3C215E, #4D215E, #5D215E and #5E214F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D215E shade: #1B0B21, #34163F, #4D215E, #662B7C and #7F369B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D215E shade: #4D215E, #5E2126 and #215E34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D215E shade: #4D215E, #5E4D21 and #215E4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D215E shade: #4D215E, #5E2126, #325E21 and #215E59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D215E shade: #4D215E, #5E2E21, #325E21 and #21515E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 65 / 0 / 63

HEX #4D215E

RGB 77 33 94

HSL 283.28, 0.48%, 0.25%

LAB 21.85, 31.7, -27.79

 

Complementary color

CMYK 20 / 0 / 27 / 13

HEX #B2DEA1

RGB 178 222 161

HSL 103.28, 0.48%, 0.75%

LAB 84.11, -25.44, 25.37

 

CMYK 8 / 63 / 0 / 65

HEX #522159

RGB 82 33 89

HSL 292.5, 0.46%, 0.24%

LAB 22.31, 32.01, -23.69

 

CMYK 8 / 53 / 0 / 58

HEX #63336C

RGB 99 51 108

HSL 290.53, 0.36%, 0.31%

LAB 29.67, 31.34, -24.3

 

CMYK 9 / 46 / 0 / 50

HEX #74457F

RGB 116 69 127

HSL 288.62, 0.3%, 0.38%

LAB 36.93, 30.52, -24.69

 

CMYK 9 / 40 / 0 / 43

HEX #855792

RGB 133 87 146

HSL 286.78, 0.25%, 0.46%

LAB 44.06, 29.69, -25

 

CMYK 9 / 36 / 0 / 35

HEX #9669A5

RGB 150 105 165

HSL 285, 0.25%, 0.53%

LAB 51.04, 28.9, -25.27

 

CMYK 18 / 65 / 0 / 63

HEX #4D215E

RGB 77 33 94

HSL 283.28, 0.48%, 0.25%

LAB 21.85, 31.7, -27.79

 

CMYK 20 / 80 / 0 / 71

HEX #3C0F4B

RGB 60 15 75

HSL 285, 0.67%, 0.18%

LAB 14.46, 31.9, -26.96

 

CMYK 23 / 100 / 0 / 78

HEX #2B0038

RGB 43 0 56

HSL 286.07, 1%, 0.11%

LAB 7.22, 30.94, -25.36

 

CMYK 30 / 100 / 0 / 85

HEX #1A0025

RGB 26 0 37

HSL 282.16, 1%, 0.07%

LAB 3.19, 17.38, -17.66

 

CMYK 50 / 100 / 0 / 93

HEX #090012

RGB 9 0 18

HSL 270, 1%, 0.04%

LAB 0.92, 5.13, -6.71

 

CMYK 18 / 65 / 0 / 63

HEX #4D215E

RGB 77 33 94

HSL 283.28, 0.48%, 0.25%

LAB 21.85, 31.7, -27.79

 

CMYK 1 / 65 / 0 / 63

HEX #5D215E

RGB 93 33 94

HSL 299.02, 0.48%, 0.25%

LAB 24.4, 36.24, -23.59

 

CMYK 0 / 65 / 17 / 63

HEX #5E214E

RGB 94 33 78

HSL 315.74, 0.48%, 0.25%

LAB 23.73, 33.59, -13.99

 

CMYK 0 / 65 / 35 / 63

HEX #5E213D

RGB 94 33 61

HSL 332.46, 0.48%, 0.25%

LAB 23.01, 30.95, -3.55

 

CMYK 0 / 65 / 52 / 63

HEX #5E212D

RGB 94 33 45

HSL 348.2, 0.48%, 0.25%

LAB 22.5, 28.99, 6.71

 

CMYK 18 / 65 / 0 / 63

HEX #4D215E

RGB 77 33 94

HSL 283.28, 0.48%, 0.25%

LAB 21.85, 31.7, -27.79

 

CMYK 36 / 65 / 0 / 63

HEX #3C215E

RGB 60 33 94

HSL 266.56, 0.48%, 0.25%

LAB 19.46, 27.06, -31.75

 

CMYK 53 / 65 / 0 / 63

HEX #2C215E

RGB 44 33 94

HSL 250.82, 0.48%, 0.25%

LAB 17.61, 23.11, -34.84

 

CMYK 65 / 65 / 0 / 63

HEX #21215E

RGB 33 33 94

HSL 240, 0.48%, 0.25%

LAB 16.6, 20.8, -36.52

 

CMYK 18 / 65 / 0 / 63

HEX #4D215E

RGB 77 33 94

HSL 283.28, 0.48%, 0.25%

LAB 21.85, 31.7, -27.79

 

CMYK 22 / 79 / 0 / 59

HEX #511668

RGB 81 22 104

HSL 283.17, 0.65%, 0.25%

LAB 21.29, 40.3, -35.22

 

CMYK 25 / 89 / 0 / 55

HEX #560C72

RGB 86 12 114

HSL 283.53, 0.81%, 0.25%

LAB 21.79, 46.78, -40.87

 

CMYK 28 / 98 / 0 / 51

HEX #5A027D

RGB 90 2 125

HSL 282.93, 0.97%, 0.25%

LAB 22.65, 51.99, -46.48

 

CMYK 18 / 65 / 0 / 63

HEX #4D215E

RGB 77 33 94

HSL 283.28, 0.48%, 0.25%

LAB 21.85, 31.7, -27.79

 

CMYK 14 / 49 / 0 / 67

HEX #482B54

RGB 72 43 84

HSL 282.44, 0.32%, 0.25%

LAB 22.81, 21.75, -19.68

 

CMYK 7 / 27 / 0 / 71

HEX #443549

RGB 68 53 73

HSL 285, 0.16%, 0.25%

LAB 24.5, 11, -9.79

 

CMYK 2 / 0 / 2 / 75

HEX #3F403F

RGB 63 64 63

HSL 120, 0.01%, 0.25%

LAB 26.97, -0.64, 0.46

 

CMYK 20 / 0 / 28 / 71

HEX #3B4A35

RGB 59 74 53

HSL 102.86, 0.17%, 0.25%

LAB 29.62, -10.63, 10.64

 

CMYK 53 / 65 / 0 / 63

HEX #2C215E

RGB 44 33 94

HSL 250.82, 0.48%, 0.25%

LAB 17.61, 23.11, -34.84

 

CMYK 36 / 65 / 0 / 63

HEX #3C215E

RGB 60 33 94

HSL 266.56, 0.48%, 0.25%

LAB 19.46, 27.06, -31.75

 

CMYK 18 / 65 / 0 / 63

HEX #4D215E

RGB 77 33 94

HSL 283.28, 0.48%, 0.25%

LAB 21.85, 31.7, -27.79

 

CMYK 1 / 65 / 0 / 63

HEX #5D215E

RGB 93 33 94

HSL 299.02, 0.48%, 0.25%

LAB 24.4, 36.24, -23.59

 

CMYK 0 / 65 / 16 / 63

HEX #5E214F

RGB 94 33 79

HSL 314.75, 0.48%, 0.25%

LAB 23.78, 33.76, -14.59

 

CMYK 18 / 67 / 0 / 87

HEX #1B0B21

RGB 27 11 33

HSL 283.64, 0.5%, 0.09%

LAB 5.26, 12, -11.36

 

CMYK 17 / 65 / 0 / 75

HEX #34163F

RGB 52 22 63

HSL 283.9, 0.48%, 0.17%

LAB 13.61, 23.04, -20.03

 

CMYK 18 / 65 / 0 / 63

HEX #4D215E

RGB 77 33 94

HSL 283.28, 0.48%, 0.25%

LAB 21.85, 31.7, -27.79

 

CMYK 18 / 65 / 0 / 51

HEX #662B7C

RGB 102 43 124

HSL 283.7, 0.49%, 0.33%

LAB 29.43, 40.07, -34.79

 

CMYK 18 / 65 / 0 / 39

HEX #7F369B

RGB 127 54 155

HSL 283.37, 0.48%, 0.41%

LAB 36.96, 47.73, -41.67

 

CMYK 18 / 65 / 0 / 63

HEX #4D215E

RGB 77 33 94

HSL 283.28, 0.48%, 0.25%

LAB 21.85, 31.7, -27.79

 

CMYK 0 / 65 / 60 / 63

HEX #5E2126

RGB 94 33 38

HSL 355.08, 0.48%, 0.25%

LAB 22.33, 28.3, 11.29

 

CMYK 65 / 0 / 45 / 63

HEX #215E34

RGB 33 94 52

HSL 138.69, 0.48%, 0.25%

LAB 35.16, -30.08, 18.4

 

CMYK 18 / 65 / 0 / 63

HEX #4D215E

RGB 77 33 94

HSL 283.28, 0.48%, 0.25%

LAB 21.85, 31.7, -27.79

 

CMYK 0 / 18 / 65 / 63

HEX #5E4D21

RGB 94 77 33

HSL 43.28, 0.48%, 0.25%

LAB 33.56, 1.27, 28.25

 

CMYK 65 / 0 / 18 / 63

HEX #215E4D

RGB 33 94 77

HSL 163.28, 0.48%, 0.25%

LAB 35.72, -24.19, 3.98

 

CMYK 18 / 65 / 0 / 63

HEX #4D215E

RGB 77 33 94

HSL 283.28, 0.48%, 0.25%

LAB 21.85, 31.7, -27.79

 

CMYK 0 / 65 / 60 / 63

HEX #5E2126

RGB 94 33 38

HSL 355.08, 0.48%, 0.25%

LAB 22.33, 28.3, 11.29

 

CMYK 47 / 0 / 65 / 63

HEX #325E21

RGB 50 94 33

HSL 103.28, 0.48%, 0.25%

LAB 35.58, -27.87, 29.61

 

CMYK 65 / 0 / 5 / 63

HEX #215E59

RGB 33 94 89

HSL 175.08, 0.48%, 0.25%

LAB 36.08, -20.72, -2.95

 

CMYK 18 / 65 / 0 / 63

HEX #4D215E

RGB 77 33 94

HSL 283.28, 0.48%, 0.25%

LAB 21.85, 31.7, -27.79

 

CMYK 0 / 51 / 65 / 63

HEX #5E2E21

RGB 94 46 33

HSL 12.79, 0.48%, 0.25%

LAB 25.09, 20.51, 18.18

 

CMYK 47 / 0 / 65 / 63

HEX #325E21

RGB 50 94 33

HSL 103.28, 0.48%, 0.25%

LAB 35.58, -27.87, 29.61

 

CMYK 65 / 14 / 0 / 63

HEX #21515E

RGB 33 81 94

HSL 192.79, 0.48%, 0.25%

LAB 31.84, -11.78, -12.46

 

Description

Color code: HEX #4D215E | qconv.com Color code: HEX #4D215E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 33 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 33 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 65 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 65% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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