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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D346E it is the complementary color #B2CB91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D346E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D346E shade: #523469, #63467C, #74588F, #856AA2 and #967CB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D346E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D346E shade: #4D346E, #3C225B, #2B1048, #1A0035 and #090022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D346E shade: #4D346E, #5D346E, #6D346E, #6E3460 and #6E3451

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D346E shade: #4D346E, #3D346E and #34346E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D346E shade matches the following richer shades: #4D346E, #4B277C, #491989 and #480C96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D346E shade: #4D346E, #4F4161, #514E54, #535B47 and #54693A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D346E shade: #343B6E, #3D346E, #4C346E, #5C346E and #6C346E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D346E shade: #261936, #392752, #4D346E, #61418B and #744EA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D346E shade: #4D346E, #6E344A and #346E35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D346E shade: #4D346E, #6E4C34 and #346E4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D346E shade: #4D346E, #6E344A, #566E34 and #346E58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D346E shade: #4D346E, #6E3439, #566E34 and #346E6A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 53 / 0 / 57

HEX #4D346E

RGB 77 52 110

HSL 265.86, 0.36%, 0.32%

LAB 27.18, 24.47, -29.69

 

Complementary color

CMYK 12 / 0 / 29 / 20

HEX #B2CB91

RGB 178 203 145

HSL 85.86, 0.36%, 0.68%

LAB 78.59, -18.52, 26.23

 

CMYK 22 / 50 / 0 / 59

HEX #523469

RGB 82 52 105

HSL 273.96, 0.34%, 0.31%

LAB 27.49, 24.67, -25.96

 

CMYK 20 / 44 / 0 / 51

HEX #63467C

RGB 99 70 124

HSL 272.22, 0.28%, 0.38%

LAB 34.98, 23.73, -26.04

 

CMYK 19 / 38 / 0 / 44

HEX #74588F

RGB 116 88 143

HSL 270.55, 0.24%, 0.45%

LAB 42.27, 22.88, -26.12

 

CMYK 18 / 35 / 0 / 36

HEX #856AA2

RGB 133 106 162

HSL 268.93, 0.23%, 0.53%

LAB 49.38, 22.13, -26.23

 

CMYK 17 / 31 / 0 / 29

HEX #967CB5

RGB 150 124 181

HSL 267.37, 0.28%, 0.6%

LAB 56.32, 21.45, -26.36

 

CMYK 30 / 53 / 0 / 57

HEX #4D346E

RGB 77 52 110

HSL 265.86, 0.36%, 0.32%

LAB 27.18, 24.47, -29.69

 

CMYK 34 / 63 / 0 / 64

HEX #3C225B

RGB 60 34 91

HSL 267.37, 0.46%, 0.25%

LAB 19.47, 25.58, -29.73

 

CMYK 40 / 78 / 0 / 72

HEX #2B1048

RGB 43 16 72

HSL 268.93, 0.64%, 0.17%

LAB 11.63, 26.57, -29.58

 

CMYK 51 / 100 / 0 / 79

HEX #1A0035

RGB 26 0 53

HSL 269.43, 1%, 0.1%

LAB 4.31, 24.49, -27.99

 

CMYK 74 / 100 / 0 / 87

HEX #090022

RGB 9 0 34

HSL 255.88, 1%, 0.07%

LAB 1.57, 9.68, -17.93

 

CMYK 30 / 53 / 0 / 57

HEX #4D346E

RGB 77 52 110

HSL 265.86, 0.36%, 0.32%

LAB 27.18, 24.47, -29.69

 

CMYK 15 / 53 / 0 / 57

HEX #5D346E

RGB 93 52 110

HSL 282.41, 0.36%, 0.32%

LAB 29.18, 29.34, -26.4

 

CMYK 1 / 53 / 0 / 57

HEX #6D346E

RGB 109 52 110

HSL 298.97, 0.36%, 0.32%

LAB 31.42, 34.35, -22.72

 

CMYK 0 / 53 / 13 / 57

HEX #6E3460

RGB 110 52 96

HSL 314.48, 0.36%, 0.32%

LAB 30.92, 32, -14.54

 

CMYK 0 / 53 / 26 / 57

HEX #6E3451

RGB 110 52 81

HSL 330, 0.36%, 0.32%

LAB 30.32, 29.47, -5.73

 

CMYK 30 / 53 / 0 / 57

HEX #4D346E

RGB 77 52 110

HSL 265.86, 0.36%, 0.32%

LAB 27.18, 24.47, -29.69

 

CMYK 45 / 53 / 0 / 57

HEX #3D346E

RGB 61 52 110

HSL 249.31, 0.36%, 0.32%

LAB 25.48, 19.91, -32.5

 

CMYK 53 / 53 / 0 / 57

HEX #34346E

RGB 52 52 110

HSL 240, 0.36%, 0.32%

LAB 24.68, 17.58, -33.84

 

CMYK 30 / 53 / 0 / 57

HEX #4D346E

RGB 77 52 110

HSL 265.86, 0.36%, 0.32%

LAB 27.18, 24.47, -29.69

 

CMYK 40 / 69 / 0 / 51

HEX #4B277C

RGB 75 39 124

HSL 265.41, 0.52%, 0.32%

LAB 24.96, 35.65, -42.18

 

CMYK 47 / 82 / 0 / 46

HEX #491989

RGB 73 25 137

HSL 265.71, 0.69%, 0.32%

LAB 23.4, 45.69, -52.92

 

CMYK 52 / 92 / 0 / 41

HEX #480C96

RGB 72 12 150

HSL 266.09, 0.85%, 0.32%

LAB 23.14, 53.18, -61.42

 

CMYK 30 / 53 / 0 / 57

HEX #4D346E

RGB 77 52 110

HSL 265.86, 0.36%, 0.32%

LAB 27.18, 24.47, -29.69

 

CMYK 19 / 33 / 0 / 62

HEX #4F4161

RGB 79 65 97

HSL 266.25, 0.2%, 0.32%

LAB 30.17, 13.25, -16.66

 

CMYK 4 / 7 / 0 / 67

HEX #514E54

RGB 81 78 84

HSL 270, 0.04%, 0.32%

LAB 33.64, 2.54, -3.09

 

CMYK 9 / 0 / 22 / 64

HEX #535B47

RGB 83 91 71

HSL 84, 0.12%, 0.32%

LAB 37.44, -7.22, 10.5

 

CMYK 20 / 0 / 45 / 59

HEX #54693A

RGB 84 105 58

HSL 86.81, 0.29%, 0.32%

LAB 41.68, -16.81, 23.86

 

CMYK 53 / 46 / 0 / 57

HEX #343B6E

RGB 52 59 110

HSL 232.76, 0.36%, 0.32%

LAB 26.69, 12.79, -30.62

 

CMYK 45 / 53 / 0 / 57

HEX #3D346E

RGB 61 52 110

HSL 249.31, 0.36%, 0.32%

LAB 25.48, 19.91, -32.5

 

CMYK 31 / 53 / 0 / 57

HEX #4C346E

RGB 76 52 110

HSL 264.83, 0.36%, 0.32%

LAB 27.07, 24.17, -29.88

 

CMYK 16 / 53 / 0 / 57

HEX #5C346E

RGB 92 52 110

HSL 281.38, 0.36%, 0.32%

LAB 29.05, 29.03, -26.62

 

CMYK 2 / 53 / 0 / 57

HEX #6C346E

RGB 108 52 110

HSL 297.93, 0.36%, 0.32%

LAB 31.28, 34.03, -22.96

 

CMYK 30 / 54 / 0 / 79

HEX #261936

RGB 38 25 54

HSL 266.9, 0.37%, 0.15%

LAB 11.78, 13.84, -16.65

 

CMYK 30 / 52 / 0 / 68

HEX #392752

RGB 57 39 82

HSL 265.12, 0.36%, 0.24%

LAB 19.76, 18.84, -23.28

 

CMYK 30 / 53 / 0 / 57

HEX #4D346E

RGB 77 52 110

HSL 265.86, 0.36%, 0.32%

LAB 27.18, 24.47, -29.69

 

CMYK 30 / 53 / 0 / 45

HEX #61418B

RGB 97 65 139

HSL 265.95, 0.36%, 0.4%

LAB 34.37, 30.06, -36.28

 

CMYK 31 / 53 / 0 / 35

HEX #744EA7

RGB 116 78 167

HSL 265.62, 0.36%, 0.48%

LAB 41.14, 34.88, -42.26

 

CMYK 30 / 53 / 0 / 57

HEX #4D346E

RGB 77 52 110

HSL 265.86, 0.36%, 0.32%

LAB 27.18, 24.47, -29.69

 

CMYK 0 / 53 / 33 / 57

HEX #6E344A

RGB 110 52 74

HSL 337.24, 0.36%, 0.32%

LAB 30.07, 28.41, -1.51

 

CMYK 53 / 0 / 52 / 57

HEX #346E35

RGB 52 110 53

HSL 121.03, 0.36%, 0.32%

LAB 41.44, -31.83, 25.96

 

CMYK 30 / 53 / 0 / 57

HEX #4D346E

RGB 77 52 110

HSL 265.86, 0.36%, 0.32%

LAB 27.18, 24.47, -29.69

 

CMYK 0 / 31 / 53 / 57

HEX #6E4C34

RGB 110 76 52

HSL 24.83, 0.36%, 0.32%

LAB 35.46, 11.31, 19.96

 

CMYK 53 / 0 / 31 / 57

HEX #346E4C

RGB 52 110 76

HSL 144.83, 0.36%, 0.32%

LAB 41.85, -27.56, 13.29

 

CMYK 30 / 53 / 0 / 57

HEX #4D346E

RGB 77 52 110

HSL 265.86, 0.36%, 0.32%

LAB 27.18, 24.47, -29.69

 

CMYK 0 / 53 / 33 / 57

HEX #6E344A

RGB 110 52 74

HSL 337.24, 0.36%, 0.32%

LAB 30.07, 28.41, -1.51

 

CMYK 22 / 0 / 53 / 57

HEX #566E34

RGB 86 110 52

HSL 84.83, 0.36%, 0.32%

LAB 43.33, -19.42, 29.25

 

CMYK 53 / 0 / 20 / 57

HEX #346E58

RGB 52 110 88

HSL 157.24, 0.36%, 0.32%

LAB 42.13, -24.78, 6.52

 

CMYK 30 / 53 / 0 / 57

HEX #4D346E

RGB 77 52 110

HSL 265.86, 0.36%, 0.32%

LAB 27.18, 24.47, -29.69

 

CMYK 0 / 53 / 48 / 57

HEX #6E3439

RGB 110 52 57

HSL 354.83, 0.36%, 0.32%

LAB 29.58, 26.23, 8.93

 

CMYK 22 / 0 / 53 / 57

HEX #566E34

RGB 86 110 52

HSL 84.83, 0.36%, 0.32%

LAB 43.33, -19.42, 29.25

 

CMYK 53 / 0 / 4 / 57

HEX #346E6A

RGB 52 110 106

HSL 175.86, 0.36%, 0.32%

LAB 42.65, -19.98, -3.59

 

Description

Color code: HEX #4D346E | qconv.com Color code: HEX #4D346E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 52 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 52 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 53 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 53% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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