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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D36A4 it is the complementary color #B2C95B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D36A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D36A4 shade: #52369F, #6348B2, #745AC5, #856CD8 and #967EEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D36A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D36A4 shade: #4D36A4, #3C2491, #2B127E, #1A006B and #090058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D36A4 shade: #4D36A4, #6B36A4, #8836A4, #A436A2 and #A43684

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D36A4 shade: #4D36A4 and #3636A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D36A4 shade matches the following richer shades: #4D36A4, #4325B6, #3913C7 and #2E01D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D36A4 shade: #4D36A4, #584892, #625A80, #6C6C6F and #777D5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D36A4 shade: #365BA4, #363EA4, #4C36A4, #6936A4 and #8736A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D36A4 shade: #302266, #3F2C85, #4D36A4, #5E43C0 and #7862CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D36A4 shade: #4D36A4, #A43678 and #4CA436

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D36A4 shade: #4D36A4, #A44C36 and #36A44C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D36A4 shade: #4D36A4, #A43678, #8EA436 and #36A462

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D36A4 shade: #4D36A4, #A43657, #8EA436 and #36A483

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 67 / 0 / 36

HEX #4D36A4

RGB 77 54 164

HSL 252.55, 0.5%, 0.43%

LAB 31.57, 39.21, -56.11

 

Complementary color

CMYK 11 / 0 / 55 / 21

HEX #B2C95B

RGB 178 201 91

HSL 72.55, 0.5%, 0.57%

LAB 77.28, -23.85, 51.54

 

CMYK 48 / 66 / 0 / 38

HEX #52369F

RGB 82 54 159

HSL 256, 0.49%, 0.42%

LAB 31.66, 38.65, -52.92

 

CMYK 44 / 60 / 0 / 30

HEX #6348B2

RGB 99 72 178

HSL 255.28, 0.42%, 0.49%

LAB 38.73, 37.27, -52.75

 

CMYK 41 / 54 / 0 / 23

HEX #745AC5

RGB 116 90 197

HSL 254.58, 0.48%, 0.56%

LAB 45.71, 35.97, -52.52

 

CMYK 38 / 50 / 0 / 15

HEX #856CD8

RGB 133 108 216

HSL 253.89, 0.58%, 0.64%

LAB 52.59, 34.79, -52.29

 

CMYK 36 / 46 / 0 / 8

HEX #967EEB

RGB 150 126 235

HSL 253.21, 0.73%, 0.71%

LAB 59.35, 33.73, -52.08

 

CMYK 53 / 67 / 0 / 36

HEX #4D36A4

RGB 77 54 164

HSL 252.55, 0.5%, 0.43%

LAB 31.57, 39.21, -56.11

 

CMYK 59 / 75 / 0 / 43

HEX #3C2491

RGB 60 36 145

HSL 253.21, 0.6%, 0.35%

LAB 24.53, 40.74, -56.09

 

CMYK 66 / 86 / 0 / 51

HEX #2B127E

RGB 43 18 126

HSL 253.89, 0.75%, 0.28%

LAB 17.7, 41.81, -55.49

 

CMYK 76 / 100 / 0 / 58

HEX #1A006B

RGB 26 0 107

HSL 254.58, 1%, 0.21%

LAB 11.14, 42.41, -54.13

 

CMYK 90 / 100 / 0 / 65

HEX #090058

RGB 9 0 88

HSL 246.14, 1%, 0.17%

LAB 6.89, 36.42, -48.55

 

CMYK 53 / 67 / 0 / 36

HEX #4D36A4

RGB 77 54 164

HSL 252.55, 0.5%, 0.43%

LAB 31.57, 39.21, -56.11

 

CMYK 35 / 67 / 0 / 36

HEX #6B36A4

RGB 107 54 164

HSL 268.91, 0.5%, 0.43%

LAB 34.89, 45.22, -50.56

 

CMYK 17 / 67 / 0 / 36

HEX #8836A4

RGB 136 54 164

HSL 284.73, 0.5%, 0.43%

LAB 38.82, 51.77, -44.04

 

CMYK 0 / 67 / 1 / 36

HEX #A436A2

RGB 164 54 162

HSL 301.09, 0.5%, 0.43%

LAB 42.97, 58.06, -35.97

 

CMYK 0 / 67 / 20 / 36

HEX #A43684

RGB 164 54 132

HSL 317.45, 0.5%, 0.43%

LAB 41.53, 53.32, -20.08

 

CMYK 53 / 67 / 0 / 36

HEX #4D36A4

RGB 77 54 164

HSL 252.55, 0.5%, 0.43%

LAB 31.57, 39.21, -56.11

 

CMYK 67 / 67 / 0 / 36

HEX #3636A4

RGB 54 54 164

HSL 240, 0.5%, 0.43%

LAB 29.67, 35.52, -59.29

 

CMYK 53 / 67 / 0 / 36

HEX #4D36A4

RGB 77 54 164

HSL 252.55, 0.5%, 0.43%

LAB 31.57, 39.21, -56.11

 

CMYK 63 / 80 / 0 / 29

HEX #4325B6

RGB 67 37 182

HSL 252.41, 0.66%, 0.43%

LAB 29.14, 52.14, -70.91

 

CMYK 71 / 90 / 0 / 22

HEX #3913C7

RGB 57 19 199

HSL 252.67, 0.83%, 0.43%

LAB 28, 62.74, -82.87

 

CMYK 79 / 100 / 0 / 15

HEX #2E01D9

RGB 46 1 217

HSL 252.5, 0.99%, 0.43%

LAB 28.41, 70.48, -92.7

 

CMYK 53 / 67 / 0 / 36

HEX #4D36A4

RGB 77 54 164

HSL 252.55, 0.5%, 0.43%

LAB 31.57, 39.21, -56.11

 

CMYK 40 / 51 / 0 / 43

HEX #584892

RGB 88 72 146

HSL 252.97, 0.34%, 0.43%

LAB 35.57, 25.25, -38.7

 

CMYK 23 / 30 / 0 / 50

HEX #625A80

RGB 98 90 128

HSL 252.63, 0.17%, 0.43%

LAB 40.36, 11.96, -20.14

 

CMYK 3 / 3 / 0 / 56

HEX #6C6C6F

RGB 108 108 111

HSL 240, 0.01%, 0.43%

LAB 45.72, 0.63, -1.68

 

CMYK 5 / 0 / 26 / 51

HEX #777D5D

RGB 119 125 93

HSL 71.25, 0.15%, 0.43%

LAB 51.13, -8.09, 16.74

 

CMYK 67 / 45 / 0 / 36

HEX #365BA4

RGB 54 91 164

HSL 219.82, 0.5%, 0.43%

LAB 39.49, 11.39, -43.39

 

CMYK 67 / 62 / 0 / 36

HEX #363EA4

RGB 54 62 164

HSL 235.64, 0.5%, 0.43%

LAB 31.6, 30.43, -56.14

 

CMYK 54 / 67 / 0 / 36

HEX #4C36A4

RGB 76 54 164

HSL 252, 0.5%, 0.43%

LAB 31.47, 39.03, -56.27

 

CMYK 36 / 67 / 0 / 36

HEX #6936A4

RGB 105 54 164

HSL 267.82, 0.5%, 0.43%

LAB 34.64, 44.79, -50.98

 

CMYK 18 / 67 / 0 / 36

HEX #8736A4

RGB 135 54 164

HSL 284.18, 0.5%, 0.43%

LAB 38.67, 51.54, -44.28

 

CMYK 53 / 67 / 0 / 60

HEX #302266

RGB 48 34 102

HSL 252.35, 0.5%, 0.27%

LAB 18.94, 26.03, -37.94

 

CMYK 53 / 67 / 0 / 48

HEX #3F2C85

RGB 63 44 133

HSL 252.81, 0.5%, 0.35%

LAB 25.42, 32.88, -47.17

 

CMYK 53 / 67 / 0 / 36

HEX #4D36A4

RGB 77 54 164

HSL 252.55, 0.5%, 0.43%

LAB 31.57, 39.21, -56.11

 

CMYK 51 / 65 / 0 / 25

HEX #5E43C0

RGB 94 67 192

HSL 252.96, 0.5%, 0.51%

LAB 38.2, 43.25, -61.86

 

CMYK 41 / 51 / 0 / 21

HEX #7862CA

RGB 120 98 202

HSL 252.69, 0.5%, 0.59%

LAB 48.25, 33.61, -51.31

 

CMYK 53 / 67 / 0 / 36

HEX #4D36A4

RGB 77 54 164

HSL 252.55, 0.5%, 0.43%

LAB 31.57, 39.21, -56.11

 

CMYK 0 / 67 / 27 / 36

HEX #A43678

RGB 164 54 120

HSL 324, 0.5%, 0.43%

LAB 41.04, 51.65, -13.44

 

CMYK 54 / 0 / 67 / 36

HEX #4CA436

RGB 76 164 54

HSL 108, 0.5%, 0.43%

LAB 60.21, -47.2, 47.38

 

CMYK 53 / 67 / 0 / 36

HEX #4D36A4

RGB 77 54 164

HSL 252.55, 0.5%, 0.43%

LAB 31.57, 39.21, -56.11

 

CMYK 0 / 54 / 67 / 36

HEX #A44C36

RGB 164 76 54

HSL 12, 0.5%, 0.43%

LAB 43.25, 34.68, 30.14

 

CMYK 67 / 0 / 54 / 36

HEX #36A44C

RGB 54 164 76

HSL 132, 0.5%, 0.43%

LAB 59.76, -49.89, 36.45

 

CMYK 53 / 67 / 0 / 36

HEX #4D36A4

RGB 77 54 164

HSL 252.55, 0.5%, 0.43%

LAB 31.57, 39.21, -56.11

 

CMYK 0 / 67 / 27 / 36

HEX #A43678

RGB 164 54 120

HSL 324, 0.5%, 0.43%

LAB 41.04, 51.65, -13.44

 

CMYK 13 / 0 / 67 / 36

HEX #8EA436

RGB 142 164 54

HSL 72, 0.5%, 0.43%

LAB 63.81, -23.24, 52.28

 

CMYK 67 / 0 / 40 / 36

HEX #36A462

RGB 54 164 98

HSL 144, 0.5%, 0.43%

LAB 60.08, -46.23, 25.41

 

CMYK 53 / 67 / 0 / 36

HEX #4D36A4

RGB 77 54 164

HSL 252.55, 0.5%, 0.43%

LAB 31.57, 39.21, -56.11

 

CMYK 0 / 67 / 47 / 36

HEX #A43657

RGB 164 54 87

HSL 342, 0.5%, 0.43%

LAB 39.95, 47.83, 5.58

 

CMYK 13 / 0 / 67 / 36

HEX #8EA436

RGB 142 164 54

HSL 72, 0.5%, 0.43%

LAB 63.81, -23.24, 52.28

 

CMYK 67 / 0 / 20 / 36

HEX #36A483

RGB 54 164 131

HSL 162, 0.5%, 0.43%

LAB 60.76, -39.05, 8.15

 

Description

Color code: HEX #4D36A4 | qconv.com Color code: HEX #4D36A4 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 54 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 54 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 67 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 67% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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