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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D304F it is the complementary color #B2CFB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D304F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D304F shade: #52304A, #63425D, #745470, #856683 and #967896

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D304F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D304F shade: #4D304F, #3C1E3C, #2B0C29, #1A0016 and #090003

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D304F shade: #4D304F, #4F3048, #4F3040, #4F3038 and #4F3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D304F shade: #4D304F, #44304F, #3C304F, #34304F and #30304F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D304F shade matches the following richer shades: #4D304F, #562659, #5F1B63, #68116D and #710778

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D304F shade: #4D304F, #443A44, #3B453A, #324F30 and #295925

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D304F shade: #3C304F, #44304F, #4D304F, #4F3048 and #4F3040

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D304F shade: #1B111B, #342035, #4D304F, #664068 and #7E4F82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D304F shade: #4D304F, #4F3430 and #304F40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D304F shade: #4D304F, #4F4D30 and #304F4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D304F shade: #4D304F, #4F3430, #324F30 and #304A4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D304F shade: #4D304F, #4F3D30, #324F30 and #30414F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 39 / 0 / 69

HEX #4D304F

RGB 77 48 79

HSL 296.13, 0.24%, 0.25%

LAB 24.5, 19.16, -13.68

 

Complementary color

CMYK 14 / 0 / 15 / 19

HEX #B2CFB0

RGB 178 207 176

HSL 116.13, 0.24%, 0.75%

LAB 80.31, -15.54, 12.2

 

CMYK 0 / 41 / 10 / 68

HEX #52304A

RGB 82 48 74

HSL 314.12, 0.26%, 0.25%

LAB 24.96, 19.99, -9.59

 

CMYK 0 / 33 / 6 / 61

HEX #63425D

RGB 99 66 93

HSL 310.91, 0.2%, 0.32%

LAB 32.57, 19.14, -10.24

 

CMYK 0 / 28 / 3 / 55

HEX #745470

RGB 116 84 112

HSL 307.5, 0.16%, 0.39%

LAB 39.95, 18.38, -10.79

 

CMYK 0 / 23 / 2 / 48

HEX #856683

RGB 133 102 131

HSL 303.87, 0.13%, 0.46%

LAB 47.14, 17.71, -11.29

 

CMYK 0 / 20 / 0 / 41

HEX #967896

RGB 150 120 150

HSL 300, 0.13%, 0.53%

LAB 54.15, 17.12, -11.76

 

CMYK 3 / 39 / 0 / 69

HEX #4D304F

RGB 77 48 79

HSL 296.13, 0.24%, 0.25%

LAB 24.5, 19.16, -13.68

 

CMYK 0 / 50 / 0 / 76

HEX #3C1E3C

RGB 60 30 60

HSL 300, 0.33%, 0.18%

LAB 16.58, 20.06, -13.17

 

CMYK 0 / 72 / 5 / 83

HEX #2B0C29

RGB 43 12 41

HSL 303.87, 0.56%, 0.11%

LAB 8.45, 20.79, -12.3

 

CMYK 0 / 100 / 15 / 90

HEX #1A0016

RGB 26 0 22

HSL 309.23, 1%, 0.05%

LAB 2.51, 12.58, -6.87

 

CMYK 0 / 100 / 67 / 96

HEX #090003

RGB 9 0 3

HSL 340, 1%, 0.02%

LAB 0.58, 2.77, -0.31

 

CMYK 3 / 39 / 0 / 69

HEX #4D304F

RGB 77 48 79

HSL 296.13, 0.24%, 0.25%

LAB 24.5, 19.16, -13.68

 

CMYK 0 / 39 / 9 / 69

HEX #4F3048

RGB 79 48 72

HSL 313.55, 0.24%, 0.25%

LAB 24.46, 18.41, -9.05

 

CMYK 0 / 39 / 19 / 69

HEX #4F3040

RGB 79 48 64

HSL 329.03, 0.24%, 0.25%

LAB 24.15, 16.84, -4.15

 

CMYK 0 / 39 / 29 / 69

HEX #4F3038

RGB 79 48 56

HSL 344.52, 0.24%, 0.25%

LAB 23.87, 15.42, 0.84

 

CMYK 0 / 39 / 39 / 69

HEX #4F3030

RGB 79 48 48

HSL 0, 0.24%, 0.25%

LAB 23.64, 14.16, 5.9

 

CMYK 3 / 39 / 0 / 69

HEX #4D304F

RGB 77 48 79

HSL 296.13, 0.24%, 0.25%

LAB 24.5, 19.16, -13.68

 

CMYK 14 / 39 / 0 / 69

HEX #44304F

RGB 68 48 79

HSL 278.71, 0.24%, 0.25%

LAB 23.36, 15.81, -15.53

 

CMYK 24 / 39 / 0 / 69

HEX #3C304F

RGB 60 48 79

HSL 263.23, 0.24%, 0.25%

LAB 22.44, 12.91, -17.04

 

CMYK 34 / 39 / 0 / 69

HEX #34304F

RGB 52 48 79

HSL 247.74, 0.24%, 0.25%

LAB 21.61, 10.11, -18.4

 

CMYK 39 / 39 / 0 / 69

HEX #30304F

RGB 48 48 79

HSL 240, 0.24%, 0.25%

LAB 21.23, 8.77, -19.01

 

CMYK 3 / 39 / 0 / 69

HEX #4D304F

RGB 77 48 79

HSL 296.13, 0.24%, 0.25%

LAB 24.5, 19.16, -13.68

 

CMYK 3 / 57 / 0 / 65

HEX #562659

RGB 86 38 89

HSL 296.47, 0.4%, 0.25%

LAB 23.95, 30.5, -21.07

 

CMYK 4 / 73 / 0 / 61

HEX #5F1B63

RGB 95 27 99

HSL 296.67, 0.57%, 0.25%

LAB 24.06, 40.49, -27.39

 

CMYK 5 / 84 / 0 / 57

HEX #68116D

RGB 104 17 109

HSL 296.74, 0.73%, 0.25%

LAB 25.1, 47.92, -32.13

 

CMYK 6 / 94 / 0 / 53

HEX #710778

RGB 113 7 120

HSL 296.28, 0.89%, 0.25%

LAB 26.79, 53.76, -36.39

 

CMYK 3 / 39 / 0 / 69

HEX #4D304F

RGB 77 48 79

HSL 296.13, 0.24%, 0.25%

LAB 24.5, 19.16, -13.68

 

CMYK 0 / 15 / 0 / 73

HEX #443A44

RGB 68 58 68

HSL 300, 0.08%, 0.25%

LAB 25.78, 6.51, -4.54

 

CMYK 14 / 0 / 16 / 73

HEX #3B453A

RGB 59 69 58

HSL 114.55, 0.09%, 0.25%

LAB 28.09, -6.59, 5.29

 

CMYK 37 / 0 / 39 / 69

HEX #324F30

RGB 50 79 48

HSL 116.13, 0.24%, 0.25%

LAB 30.6, -18.06, 14.97

 

CMYK 54 / 0 / 58 / 65

HEX #295925

RGB 41 89 37

HSL 115.38, 0.41%, 0.25%

LAB 33.46, -28.09, 24.92

 

CMYK 24 / 39 / 0 / 69

HEX #3C304F

RGB 60 48 79

HSL 263.23, 0.24%, 0.25%

LAB 22.44, 12.91, -17.04

 

CMYK 14 / 39 / 0 / 69

HEX #44304F

RGB 68 48 79

HSL 278.71, 0.24%, 0.25%

LAB 23.36, 15.81, -15.53

 

CMYK 3 / 39 / 0 / 69

HEX #4D304F

RGB 77 48 79

HSL 296.13, 0.24%, 0.25%

LAB 24.5, 19.16, -13.68

 

CMYK 0 / 39 / 9 / 69

HEX #4F3048

RGB 79 48 72

HSL 313.55, 0.24%, 0.25%

LAB 24.46, 18.41, -9.05

 

CMYK 0 / 39 / 19 / 69

HEX #4F3040

RGB 79 48 64

HSL 329.03, 0.24%, 0.25%

LAB 24.15, 16.84, -4.15

 

CMYK 0 / 37 / 0 / 89

HEX #1B111B

RGB 27 17 27

HSL 300, 0.23%, 0.09%

LAB 6.44, 7.07, -4.93

 

CMYK 2 / 40 / 0 / 79

HEX #342035

RGB 52 32 53

HSL 297.14, 0.25%, 0.17%

LAB 15.59, 14, -9.85

 

CMYK 3 / 39 / 0 / 69

HEX #4D304F

RGB 77 48 79

HSL 296.13, 0.24%, 0.25%

LAB 24.5, 19.16, -13.68

 

CMYK 2 / 38 / 0 / 59

HEX #664068

RGB 102 64 104

HSL 297, 0.24%, 0.33%

LAB 32.9, 23.78, -16.7

 

CMYK 3 / 39 / 0 / 49

HEX #7E4F82

RGB 126 79 130

HSL 295.29, 0.24%, 0.41%

LAB 40.64, 28.63, -20.68

 

CMYK 3 / 39 / 0 / 69

HEX #4D304F

RGB 77 48 79

HSL 296.13, 0.24%, 0.25%

LAB 24.5, 19.16, -13.68

 

CMYK 0 / 34 / 39 / 69

HEX #4F3430

RGB 79 52 48

HSL 7.74, 0.24%, 0.25%

LAB 24.74, 11.57, 7.45

 

CMYK 39 / 0 / 19 / 69

HEX #304F40

RGB 48 79 64

HSL 150.97, 0.24%, 0.25%

LAB 30.86, -15.37, 5.27

 

CMYK 3 / 39 / 0 / 69

HEX #4D304F

RGB 77 48 79

HSL 296.13, 0.24%, 0.25%

LAB 24.5, 19.16, -13.68

 

CMYK 0 / 3 / 39 / 69

HEX #4F4D30

RGB 79 77 48

HSL 56.13, 0.24%, 0.25%

LAB 32.22, -4.31, 17.52

 

CMYK 39 / 0 / 3 / 69

HEX #304F4D

RGB 48 79 77

HSL 176.13, 0.24%, 0.25%

LAB 31.25, -11.97, -2.46

 

CMYK 3 / 39 / 0 / 69

HEX #4D304F

RGB 77 48 79

HSL 296.13, 0.24%, 0.25%

LAB 24.5, 19.16, -13.68

 

CMYK 0 / 34 / 39 / 69

HEX #4F3430

RGB 79 52 48

HSL 7.74, 0.24%, 0.25%

LAB 24.74, 11.57, 7.45

 

CMYK 37 / 0 / 39 / 69

HEX #324F30

RGB 50 79 48

HSL 116.13, 0.24%, 0.25%

LAB 30.6, -18.06, 14.97

 

CMYK 39 / 6 / 0 / 69

HEX #304A4F

RGB 48 74 79

HSL 189.68, 0.24%, 0.25%

LAB 29.64, -8.39, -6.13

 

CMYK 3 / 39 / 0 / 69

HEX #4D304F

RGB 77 48 79

HSL 296.13, 0.24%, 0.25%

LAB 24.5, 19.16, -13.68

 

CMYK 0 / 23 / 39 / 69

HEX #4F3D30

RGB 79 61 48

HSL 25.16, 0.24%, 0.25%

LAB 27.33, 5.75, 11.02

 

CMYK 37 / 0 / 39 / 69

HEX #324F30

RGB 50 79 48

HSL 116.13, 0.24%, 0.25%

LAB 30.6, -18.06, 14.97

 

CMYK 39 / 18 / 0 / 69

HEX #30414F

RGB 48 65 79

HSL 207.1, 0.24%, 0.25%

LAB 26.66, -2.72, -10.63

 

Description

Color code: HEX #4D304F | qconv.com Color code: HEX #4D304F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 48 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 48 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 39 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 39% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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