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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D337E it is the complementary color #B2CC81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D337E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D337E shade: #523379, #63458C, #74579F, #8569B2 and #967BC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D337E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D337E shade: #4D337E, #3C216B, #2B0F58, #1A0045 and #090032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D337E shade: #4D337E, #61337E, #76337E, #7E3373 and #7E335E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D337E shade: #4D337E, #39337E and #33337E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D337E shade matches the following richer shades: #4D337E, #49258D, #44169B and #4008AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D337E shade: #4D337E, #524270, #565061, #5B5F53 and #5F6D44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D337E shade: #33427E, #38337E, #4C337E, #60337E and #74337E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D337E shade: #291B44, #3B2761, #4D337E, #5F3F9C and #724EB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D337E shade: #4D337E, #7E3356 and #387E33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D337E shade: #4D337E, #7E4C33 and #337E4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D337E shade: #4D337E, #7E3356, #657E33 and #337E5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D337E shade: #4D337E, #7E3340, #657E33 and #337E72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 60 / 0 / 51

HEX #4D337E

RGB 77 51 126

HSL 260.8, 0.42%, 0.35%

LAB 27.98, 29.63, -38.55

 

Complementary color

CMYK 13 / 0 / 37 / 20

HEX #B2CC81

RGB 178 204 129

HSL 80.8, 0.42%, 0.65%

LAB 78.6, -21.21, 34.54

 

CMYK 32 / 58 / 0 / 53

HEX #523379

RGB 82 51 121

HSL 266.57, 0.41%, 0.34%

LAB 28.23, 29.53, -34.98

 

CMYK 29 / 51 / 0 / 45

HEX #63458C

RGB 99 69 140

HSL 265.35, 0.34%, 0.41%

LAB 35.6, 28.47, -34.92

 

CMYK 27 / 45 / 0 / 38

HEX #74579F

RGB 116 87 159

HSL 264.17, 0.29%, 0.48%

LAB 42.81, 27.48, -34.85

 

CMYK 25 / 41 / 0 / 30

HEX #8569B2

RGB 133 105 178

HSL 263.01, 0.32%, 0.55%

LAB 49.86, 26.6, -34.81

 

CMYK 24 / 38 / 0 / 23

HEX #967BC5

RGB 150 123 197

HSL 261.89, 0.39%, 0.63%

LAB 56.76, 25.81, -34.81

 

CMYK 39 / 60 / 0 / 51

HEX #4D337E

RGB 77 51 126

HSL 260.8, 0.42%, 0.35%

LAB 27.98, 29.63, -38.55

 

CMYK 44 / 69 / 0 / 58

HEX #3C216B

RGB 60 33 107

HSL 261.89, 0.53%, 0.27%

LAB 20.48, 30.87, -38.63

 

CMYK 51 / 83 / 0 / 65

HEX #2B0F58

RGB 43 15 88

HSL 263.01, 0.71%, 0.2%

LAB 12.98, 31.82, -38.36

 

CMYK 62 / 100 / 0 / 73

HEX #1A0045

RGB 26 0 69

HSL 262.61, 1%, 0.14%

LAB 5.86, 31.18, -37.02

 

CMYK 82 / 100 / 0 / 80

HEX #090032

RGB 9 0 50

HSL 250.8, 1%, 0.1%

LAB 2.6, 16.97, -28.58

 

CMYK 39 / 60 / 0 / 51

HEX #4D337E

RGB 77 51 126

HSL 260.8, 0.42%, 0.35%

LAB 27.98, 29.63, -38.55

 

CMYK 23 / 60 / 0 / 51

HEX #61337E

RGB 97 51 126

HSL 276.8, 0.42%, 0.35%

LAB 30.44, 34.93, -34.48

 

CMYK 6 / 60 / 0 / 51

HEX #76337E

RGB 118 51 126

HSL 293.6, 0.42%, 0.35%

LAB 33.4, 40.78, -29.59

 

CMYK 0 / 60 / 9 / 51

HEX #7E3373

RGB 126 51 115

HSL 308.8, 0.42%, 0.35%

LAB 34.07, 41.03, -21.57

 

CMYK 0 / 60 / 25 / 51

HEX #7E335E

RGB 126 51 94

HSL 325.6, 0.42%, 0.35%

LAB 33.16, 37.59, -9.61

 

CMYK 39 / 60 / 0 / 51

HEX #4D337E

RGB 77 51 126

HSL 260.8, 0.42%, 0.35%

LAB 27.98, 29.63, -38.55

 

CMYK 55 / 60 / 0 / 51

HEX #39337E

RGB 57 51 126

HSL 244.8, 0.42%, 0.35%

LAB 25.99, 24.9, -41.86

 

CMYK 60 / 60 / 0 / 51

HEX #33337E

RGB 51 51 126

HSL 240, 0.42%, 0.35%

LAB 25.5, 23.65, -42.69

 

CMYK 39 / 60 / 0 / 51

HEX #4D337E

RGB 77 51 126

HSL 260.8, 0.42%, 0.35%

LAB 27.98, 29.63, -38.55

 

CMYK 48 / 74 / 0 / 45

HEX #49258D

RGB 73 37 141

HSL 260.77, 0.58%, 0.35%

LAB 25.75, 41.12, -51.56

 

CMYK 56 / 86 / 0 / 39

HEX #44169B

RGB 68 22 155

HSL 260.75, 0.75%, 0.35%

LAB 24.22, 50.98, -62.73

 

CMYK 62 / 95 / 0 / 33

HEX #4008AA

RGB 64 8 170

HSL 260.74, 0.91%, 0.35%

LAB 24.21, 58.36, -71.89

 

CMYK 39 / 60 / 0 / 51

HEX #4D337E

RGB 77 51 126

HSL 260.8, 0.42%, 0.35%

LAB 27.98, 29.63, -38.55

 

CMYK 27 / 41 / 0 / 56

HEX #524270

RGB 82 66 112

HSL 260.87, 0.26%, 0.35%

LAB 31.49, 17.61, -24.13

 

CMYK 11 / 18 / 0 / 62

HEX #565061

RGB 86 80 97

HSL 261.18, 0.1%, 0.35%

LAB 35.16, 6.22, -8.99

 

CMYK 4 / 0 / 13 / 63

HEX #5B5F53

RGB 91 95 83

HSL 80, 0.07%, 0.35%

LAB 39.64, -4.02, 6.33

 

CMYK 13 / 0 / 38 / 57

HEX #5F6D44

RGB 95 109 68

HSL 80.49, 0.23%, 0.35%

LAB 43.93, -12.95, 21.2

 

CMYK 60 / 48 / 0 / 51

HEX #33427E

RGB 51 66 126

HSL 228, 0.42%, 0.35%

LAB 29.68, 13.48, -35.95

 

CMYK 56 / 60 / 0 / 51

HEX #38337E

RGB 56 51 126

HSL 244, 0.42%, 0.35%

LAB 25.91, 24.68, -42.01

 

CMYK 40 / 60 / 0 / 51

HEX #4C337E

RGB 76 51 126

HSL 260, 0.42%, 0.35%

LAB 27.87, 29.37, -38.73

 

CMYK 24 / 60 / 0 / 51

HEX #60337E

RGB 96 51 126

HSL 276, 0.42%, 0.35%

LAB 30.31, 34.66, -34.7

 

CMYK 8 / 60 / 0 / 51

HEX #74337E

RGB 116 51 126

HSL 292, 0.42%, 0.35%

LAB 33.11, 40.22, -30.08

 

CMYK 40 / 60 / 0 / 73

HEX #291B44

RGB 41 27 68

HSL 260.49, 0.43%, 0.19%

LAB 13.67, 17.79, -23.53

 

CMYK 39 / 60 / 0 / 62

HEX #3B2761

RGB 59 39 97

HSL 260.69, 0.43%, 0.27%

LAB 21, 23.89, -31.27

 

CMYK 39 / 60 / 0 / 51

HEX #4D337E

RGB 77 51 126

HSL 260.8, 0.42%, 0.35%

LAB 27.98, 29.63, -38.55

 

CMYK 39 / 60 / 0 / 39

HEX #5F3F9C

RGB 95 63 156

HSL 260.65, 0.42%, 0.43%

LAB 34.78, 35.38, -45.99

 

CMYK 37 / 57 / 0 / 29

HEX #724EB6

RGB 114 78 182

HSL 260.77, 0.42%, 0.51%

LAB 41.85, 38.35, -50

 

CMYK 39 / 60 / 0 / 51

HEX #4D337E

RGB 77 51 126

HSL 260.8, 0.42%, 0.35%

LAB 27.98, 29.63, -38.55

 

CMYK 0 / 60 / 32 / 51

HEX #7E3356

RGB 126 51 86

HSL 332, 0.42%, 0.35%

LAB 32.87, 36.44, -4.9

 

CMYK 56 / 0 / 60 / 51

HEX #387E33

RGB 56 126 51

HSL 116, 0.42%, 0.35%

LAB 46.98, -37.88, 33.72

 

CMYK 39 / 60 / 0 / 51

HEX #4D337E

RGB 77 51 126

HSL 260.8, 0.42%, 0.35%

LAB 27.98, 29.63, -38.55

 

CMYK 0 / 40 / 60 / 51

HEX #7E4C33

RGB 126 76 51

HSL 20, 0.42%, 0.35%

LAB 37.56, 18.47, 23.66

 

CMYK 60 / 0 / 40 / 51

HEX #337E4C

RGB 51 126 76

HSL 140, 0.42%, 0.35%

LAB 47.17, -35.21, 20.45

 

CMYK 39 / 60 / 0 / 51

HEX #4D337E

RGB 77 51 126

HSL 260.8, 0.42%, 0.35%

LAB 27.98, 29.63, -38.55

 

CMYK 0 / 60 / 32 / 51

HEX #7E3356

RGB 126 51 86

HSL 332, 0.42%, 0.35%

LAB 32.87, 36.44, -4.9

 

CMYK 20 / 0 / 60 / 51

HEX #657E33

RGB 101 126 51

HSL 80, 0.42%, 0.35%

LAB 49.41, -21.54, 37.16

 

CMYK 60 / 0 / 28 / 51

HEX #337E5B

RGB 51 126 91

HSL 152, 0.42%, 0.35%

LAB 47.47, -32.04, 12.24

 

CMYK 39 / 60 / 0 / 51

HEX #4D337E

RGB 77 51 126

HSL 260.8, 0.42%, 0.35%

LAB 27.98, 29.63, -38.55

 

CMYK 0 / 60 / 49 / 51

HEX #7E3340

RGB 126 51 64

HSL 349.6, 0.42%, 0.35%

LAB 32.2, 33.78, 8.41

 

CMYK 20 / 0 / 60 / 51

HEX #657E33

RGB 101 126 51

HSL 80, 0.42%, 0.35%

LAB 49.41, -21.54, 37.16

 

CMYK 60 / 0 / 10 / 51

HEX #337E72

RGB 51 126 114

HSL 170.4, 0.42%, 0.35%

LAB 48.06, -26.24, -0.42

 

Description

Color code: HEX #4D337E | qconv.com Color code: HEX #4D337E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 51 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 51 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 60 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 60% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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