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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D4576 it is the complementary color #B2BA89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D4576. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D4576 shade: #524571, #635784, #746997, #857BAA and #968DBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D4576. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D4576 shade: #4D4576, #3C3363, #2B2150, #1A0F3D and #09002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D4576 shade: #4D4576, #5B4576, #684576, #754576 and #76456B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D4576 shade: #4D4576 and #454576

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D4576 shade matches the following richer shades: #4D4576, #433686, #392795, #2E18A4 and #2408B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D4576 shade: #4D4576, #585567, #626458, #6C7349 and #768239

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D4576 shade: #455876, #454B76, #4D4576, #5A4576 and #674576

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D4576 shade: #2B2742, #3C365C, #4D4576, #5E5590 and #7268A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D4576 shade: #4D4576, #764565 and #527645

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D4576 shade: #4D4576, #764D45 and #45764D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D4576 shade: #4D4576, #764565, #6F7645 and #457656

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D4576 shade: #4D4576, #764556, #6F7645 and #457665

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 42 / 0 / 54

HEX #4D4576

RGB 77 69 118

HSL 249.8, 0.26%, 0.37%

LAB 32.13, 15.78, -26.93

 

Complementary color

CMYK 4 / 0 / 26 / 27

HEX #B2BA89

RGB 178 186 137

HSL 69.8, 0.26%, 0.63%

LAB 73.8, -11.01, 23.98

 

CMYK 27 / 39 / 0 / 56

HEX #524571

RGB 82 69 113

HSL 257.73, 0.24%, 0.36%

LAB 32.35, 15.95, -23.41

 

CMYK 25 / 34 / 0 / 48

HEX #635784

RGB 99 87 132

HSL 256, 0.21%, 0.43%

LAB 39.81, 15.2, -23.42

 

CMYK 23 / 30 / 0 / 41

HEX #746997

RGB 116 105 151

HSL 254.35, 0.18%, 0.5%

LAB 47.04, 14.55, -23.5

 

CMYK 22 / 28 / 0 / 33

HEX #857BAA

RGB 133 123 170

HSL 252.77, 0.22%, 0.57%

LAB 54.09, 13.99, -23.61

 

CMYK 21 / 25 / 0 / 26

HEX #968DBD

RGB 150 141 189

HSL 251.25, 0.27%, 0.65%

LAB 60.96, 13.49, -23.77

 

CMYK 35 / 42 / 0 / 54

HEX #4D4576

RGB 77 69 118

HSL 249.8, 0.26%, 0.37%

LAB 32.13, 15.78, -26.93

 

CMYK 39 / 48 / 0 / 61

HEX #3C3363

RGB 60 51 99

HSL 251.25, 0.32%, 0.29%

LAB 24.42, 16.81, -27.11

 

CMYK 46 / 59 / 0 / 69

HEX #2B2150

RGB 43 33 80

HSL 252.77, 0.42%, 0.22%

LAB 16.41, 18.12, -27.38

 

CMYK 57 / 75 / 0 / 76

HEX #1A0F3D

RGB 26 15 61

HSL 254.35, 0.61%, 0.15%

LAB 8.11, 19.76, -27.64

 

CMYK 79 / 100 / 0 / 84

HEX #09002A

RGB 9 0 42

HSL 252.86, 1%, 0.08%

LAB 2.03, 12.96, -23.43

 

CMYK 35 / 42 / 0 / 54

HEX #4D4576

RGB 77 69 118

HSL 249.8, 0.26%, 0.37%

LAB 32.13, 15.78, -26.93

 

CMYK 23 / 42 / 0 / 54

HEX #5B4576

RGB 91 69 118

HSL 266.94, 0.26%, 0.37%

LAB 33.54, 20.23, -24.62

 

CMYK 12 / 42 / 0 / 54

HEX #684576

RGB 104 69 118

HSL 282.86, 0.26%, 0.37%

LAB 35.02, 24.55, -22.2

 

CMYK 1 / 42 / 0 / 54

HEX #754576

RGB 117 69 118

HSL 298.78, 0.26%, 0.37%

LAB 36.64, 28.94, -19.55

 

CMYK 0 / 42 / 9 / 54

HEX #76456B

RGB 118 69 107

HSL 313.47, 0.26%, 0.37%

LAB 36.31, 27.12, -13.18

 

CMYK 35 / 42 / 0 / 54

HEX #4D4576

RGB 77 69 118

HSL 249.8, 0.26%, 0.37%

LAB 32.13, 15.78, -26.93

 

CMYK 42 / 42 / 0 / 54

HEX #454576

RGB 69 69 118

HSL 240, 0.26%, 0.37%

LAB 31.42, 13.39, -28.1

 

CMYK 35 / 42 / 0 / 54

HEX #4D4576

RGB 77 69 118

HSL 249.8, 0.26%, 0.37%

LAB 32.13, 15.78, -26.93

 

CMYK 50 / 60 / 0 / 47

HEX #433686

RGB 67 54 134

HSL 249.75, 0.43%, 0.37%

LAB 28.26, 27.79, -43.17

 

CMYK 62 / 74 / 0 / 42

HEX #392795

RGB 57 39 149

HSL 249.82, 0.59%, 0.37%

LAB 25.23, 39.91, -57.42

 

CMYK 72 / 85 / 0 / 36

HEX #2E18A4

RGB 46 24 164

HSL 249.43, 0.74%, 0.37%

LAB 23.39, 50.75, -69.68

 

CMYK 80 / 96 / 0 / 30

HEX #2408B3

RGB 36 8 179

HSL 249.82, 0.91%, 0.37%

LAB 23.01, 59.33, -79.37

 

CMYK 35 / 42 / 0 / 54

HEX #4D4576

RGB 77 69 118

HSL 249.8, 0.26%, 0.37%

LAB 32.13, 15.78, -26.93

 

CMYK 15 / 17 / 0 / 60

HEX #585567

RGB 88 85 103

HSL 250, 0.1%, 0.37%

LAB 37.02, 5.28, -9.91

 

CMYK 2 / 0 / 12 / 61

HEX #626458

RGB 98 100 88

HSL 70, 0.06%, 0.37%

LAB 41.87, -3.18, 6.54

 

CMYK 6 / 0 / 37 / 55

HEX #6C7349

RGB 108 115 73

HSL 70, 0.22%, 0.37%

LAB 46.88, -10.06, 22.39

 

CMYK 9 / 0 / 56 / 49

HEX #768239

RGB 118 130 57

HSL 69.86, 0.39%, 0.37%

LAB 51.96, -15.77, 37.44

 

CMYK 42 / 25 / 0 / 54

HEX #455876

RGB 69 88 118

HSL 216.73, 0.26%, 0.37%

LAB 37.03, 1.12, -19.34

 

CMYK 42 / 36 / 0 / 54

HEX #454B76

RGB 69 75 118

HSL 232.65, 0.26%, 0.37%

LAB 33.15, 9.45, -25.38

 

CMYK 35 / 42 / 0 / 54

HEX #4D4576

RGB 77 69 118

HSL 249.8, 0.26%, 0.37%

LAB 32.13, 15.78, -26.93

 

CMYK 24 / 42 / 0 / 54

HEX #5A4576

RGB 90 69 118

HSL 265.71, 0.26%, 0.37%

LAB 33.43, 19.91, -24.8

 

CMYK 13 / 42 / 0 / 54

HEX #674576

RGB 103 69 118

HSL 281.63, 0.26%, 0.37%

LAB 34.9, 24.21, -22.4

 

CMYK 35 / 41 / 0 / 74

HEX #2B2742

RGB 43 39 66

HSL 248.89, 0.26%, 0.21%

LAB 17.26, 9.28, -16.43

 

CMYK 35 / 41 / 0 / 64

HEX #3C365C

RGB 60 54 92

HSL 249.47, 0.26%, 0.29%

LAB 24.86, 12.63, -21.84

 

CMYK 35 / 42 / 0 / 54

HEX #4D4576

RGB 77 69 118

HSL 249.8, 0.26%, 0.37%

LAB 32.13, 15.78, -26.93

 

CMYK 35 / 41 / 0 / 44

HEX #5E5590

RGB 94 85 144

HSL 249.15, 0.26%, 0.45%

LAB 39.4, 18.17, -31.38

 

CMYK 31 / 37 / 0 / 35

HEX #7268A6

RGB 114 104 166

HSL 249.68, 0.26%, 0.53%

LAB 47.28, 18.44, -31.99

 

CMYK 35 / 42 / 0 / 54

HEX #4D4576

RGB 77 69 118

HSL 249.8, 0.26%, 0.37%

LAB 32.13, 15.78, -26.93

 

CMYK 0 / 42 / 14 / 54

HEX #764565

RGB 118 69 101

HSL 320.82, 0.26%, 0.37%

LAB 36.08, 26.01, -9.77

 

CMYK 31 / 0 / 42 / 54

HEX #527645

RGB 82 118 69

HSL 104.08, 0.26%, 0.37%

LAB 45.88, -22.82, 23

 

CMYK 35 / 42 / 0 / 54

HEX #4D4576

RGB 77 69 118

HSL 249.8, 0.26%, 0.37%

LAB 32.13, 15.78, -26.93

 

CMYK 0 / 35 / 42 / 54

HEX #764D45

RGB 118 77 69

HSL 9.8, 0.26%, 0.37%

LAB 37.09, 16.27, 11.84

 

CMYK 42 / 0 / 35 / 54

HEX #45764D

RGB 69 118 77

HSL 129.8, 0.26%, 0.37%

LAB 45.3, -26.06, 17.52

 

CMYK 35 / 42 / 0 / 54

HEX #4D4576

RGB 77 69 118

HSL 249.8, 0.26%, 0.37%

LAB 32.13, 15.78, -26.93

 

CMYK 0 / 42 / 14 / 54

HEX #764565

RGB 118 69 101

HSL 320.82, 0.26%, 0.37%

LAB 36.08, 26.01, -9.77

 

CMYK 6 / 0 / 42 / 54

HEX #6F7645

RGB 111 118 69

HSL 68.57, 0.26%, 0.37%

LAB 47.96, -10.97, 26.09

 

CMYK 42 / 0 / 27 / 54

HEX #457656

RGB 69 118 86

HSL 140.82, 0.26%, 0.37%

LAB 45.49, -24.27, 12.53

 

CMYK 35 / 42 / 0 / 54

HEX #4D4576

RGB 77 69 118

HSL 249.8, 0.26%, 0.37%

LAB 32.13, 15.78, -26.93

 

CMYK 0 / 42 / 27 / 54

HEX #764556

RGB 118 69 86

HSL 339.18, 0.26%, 0.37%

LAB 35.56, 23.48, -1.06

 

CMYK 6 / 0 / 42 / 54

HEX #6F7645

RGB 111 118 69

HSL 68.57, 0.26%, 0.37%

LAB 47.96, -10.97, 26.09

 

CMYK 42 / 0 / 14 / 54

HEX #457665

RGB 69 118 101

HSL 159.18, 0.26%, 0.37%

LAB 45.85, -20.89, 4.18

 

Description

Color code: HEX #4D4576 | qconv.com Color code: HEX #4D4576 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 69 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 69 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 42 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 42% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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