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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D402D it is the complementary color #B2BFD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D402D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D402D shade: #524028, #63523B, #74644E, #857661 and #968874

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D402D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D402D shade: #4D402D, #3C2E1A, #2B1C07, #1A0A00 and #090000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D402D shade: #4D402D, #4D372D, #4D2F2D and #4D2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D402D shade: #4D402D, #4D482D, #484D2D, #404D2D and #374D2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D402D shade matches the following richer shades: #4D402D, #574223, #604319, #6A450F and #744705

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D402D shade: #4D402D, #433E37, #393C41, #2F3A4A and #253854

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D402D shade: #4D2E2D, #4D372D, #4D3F2D, #4D482D and #494D2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D402D shade: #19140E, #332A1E, #4D402D, #67553C and #816B4B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D402D shade: #4D402D, #344D2D and #332D4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D402D shade: #4D402D, #2D4D3F and #3F2D4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D402D shade: #4D402D, #344D2D, #2D3A4D and #462D4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D402D shade: #4D402D, #2D4D2F, #2D3A4D and #4D2D4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 42 / 70

HEX #4D402D

RGB 77 64 45

HSL 35.63, 0.26%, 0.24%

LAB 27.94, 2.45, 13.72

 

Complementary color

CMYK 15 / 9 / 0 / 18

HEX #B2BFD2

RGB 178 191 210

HSL 215.63, 0.26%, 0.76%

LAB 76.91, -0.58, -11.04

 

CMYK 0 / 22 / 51 / 68

HEX #524028

RGB 82 64 40

HSL 34.29, 0.34%, 0.24%

LAB 28.42, 4.22, 17.61

 

CMYK 0 / 17 / 40 / 61

HEX #63523B

RGB 99 82 59

HSL 34.5, 0.25%, 0.31%

LAB 35.99, 3.4, 16.14

 

CMYK 0 / 14 / 33 / 55

HEX #74644E

RGB 116 100 78

HSL 34.74, 0.2%, 0.38%

LAB 43.33, 2.78, 14.85

 

CMYK 0 / 11 / 27 / 48

HEX #857661

RGB 133 118 97

HSL 35, 0.16%, 0.45%

LAB 50.46, 2.3, 13.7

 

CMYK 0 / 9 / 23 / 41

HEX #968874

RGB 150 136 116

HSL 35.29, 0.14%, 0.52%

LAB 57.42, 1.9, 12.66

 

CMYK 0 / 17 / 42 / 70

HEX #4D402D

RGB 77 64 45

HSL 35.63, 0.26%, 0.24%

LAB 27.94, 2.45, 13.72

 

CMYK 0 / 23 / 57 / 76

HEX #3C2E1A

RGB 60 46 26

HSL 35.29, 0.4%, 0.17%

LAB 20, 3.31, 15.27

 

CMYK 0 / 35 / 84 / 83

HEX #2B1C07

RGB 43 28 7

HSL 35, 0.72%, 0.1%

LAB 11.69, 4.67, 14.61

 

CMYK 0 / 62 / 100 / 90

HEX #1A0A00

RGB 26 10 0

HSL 23.08, 1%, 0.05%

LAB 3.94, 4.89, 6

 

CMYK 0 / 100 / 100 / 96

HEX #090000

RGB 9 0 0

HSL 0, 1%, 0.02%

LAB 0.52, 2.35, 0.83

 

CMYK 0 / 17 / 42 / 70

HEX #4D402D

RGB 77 64 45

HSL 35.63, 0.26%, 0.24%

LAB 27.94, 2.45, 13.72

 

CMYK 0 / 29 / 42 / 70

HEX #4D372D

RGB 77 55 45

HSL 18.75, 0.26%, 0.24%

LAB 25.26, 8.26, 10.11

 

CMYK 0 / 39 / 42 / 70

HEX #4D2F2D

RGB 77 47 45

HSL 3.75, 0.26%, 0.24%

LAB 23, 13.46, 6.99

 

CMYK 0 / 42 / 42 / 70

HEX #4D2D2D

RGB 77 45 45

HSL 0, 0.26%, 0.24%

LAB 22.46, 14.75, 6.24

 

CMYK 0 / 17 / 42 / 70

HEX #4D402D

RGB 77 64 45

HSL 35.63, 0.26%, 0.24%

LAB 27.94, 2.45, 13.72

 

CMYK 0 / 6 / 42 / 70

HEX #4D482D

RGB 77 72 45

HSL 50.63, 0.26%, 0.24%

LAB 30.4, -2.59, 16.97

 

CMYK 6 / 0 / 42 / 70

HEX #484D2D

RGB 72 77 45

HSL 69.38, 0.26%, 0.24%

LAB 31.52, -7.98, 18.32

 

CMYK 17 / 0 / 42 / 70

HEX #404D2D

RGB 64 77 45

HSL 84.38, 0.26%, 0.24%

LAB 30.85, -11.61, 17.32

 

CMYK 29 / 0 / 42 / 70

HEX #374D2D

RGB 55 77 45

HSL 101.25, 0.26%, 0.24%

LAB 30.18, -15.49, 16.32

 

CMYK 0 / 17 / 42 / 70

HEX #4D402D

RGB 77 64 45

HSL 35.63, 0.26%, 0.24%

LAB 27.94, 2.45, 13.72

 

CMYK 0 / 24 / 60 / 66

HEX #574223

RGB 87 66 35

HSL 35.77, 0.43%, 0.24%

LAB 29.52, 4.86, 22.17

 

CMYK 0 / 30 / 74 / 62

HEX #604319

RGB 96 67 25

HSL 35.49, 0.59%, 0.24%

LAB 30.81, 7.88, 29.58

 

CMYK 0 / 35 / 86 / 58

HEX #6A450F

RGB 106 69 15

HSL 35.6, 0.75%, 0.24%

LAB 32.6, 11.07, 36.48

 

CMYK 0 / 39 / 96 / 55

HEX #744705

RGB 116 71 5

HSL 35.68, 0.92%, 0.24%

LAB 34.46, 14.41, 42.09

 

CMYK 0 / 17 / 42 / 70

HEX #4D402D

RGB 77 64 45

HSL 35.63, 0.26%, 0.24%

LAB 27.94, 2.45, 13.72

 

CMYK 0 / 7 / 18 / 74

HEX #433E37

RGB 67 62 55

HSL 35, 0.1%, 0.24%

LAB 26.49, 0.73, 5.08

 

CMYK 12 / 8 / 0 / 75

HEX #393C41

RGB 57 60 65

HSL 217.5, 0.07%, 0.24%

LAB 25.21, -0.05, -3.51

 

CMYK 36 / 22 / 0 / 71

HEX #2F3A4A

RGB 47 58 74

HSL 215.56, 0.22%, 0.24%

LAB 24.08, 0.01, -11.28

 

CMYK 56 / 33 / 0 / 67

HEX #253854

RGB 37 56 84

HSL 215.74, 0.39%, 0.24%

LAB 23.21, 1.62, -19.31

 

CMYK 0 / 40 / 42 / 70

HEX #4D2E2D

RGB 77 46 45

HSL 1.87, 0.26%, 0.24%

LAB 22.73, 14.1, 6.61

 

CMYK 0 / 29 / 42 / 70

HEX #4D372D

RGB 77 55 45

HSL 18.75, 0.26%, 0.24%

LAB 25.26, 8.26, 10.11

 

CMYK 0 / 18 / 42 / 70

HEX #4D3F2D

RGB 77 63 45

HSL 33.75, 0.26%, 0.24%

LAB 27.63, 3.09, 13.32

 

CMYK 0 / 6 / 42 / 70

HEX #4D482D

RGB 77 72 45

HSL 50.63, 0.26%, 0.24%

LAB 30.4, -2.59, 16.97

 

CMYK 5 / 0 / 42 / 70

HEX #494D2D

RGB 73 77 45

HSL 67.5, 0.26%, 0.24%

LAB 31.61, -7.52, 18.45

 

CMYK 0 / 20 / 44 / 90

HEX #19140E

RGB 25 20 14

HSL 32.73, 0.28%, 0.08%

LAB 6.67, 1.16, 4.07

 

CMYK 0 / 18 / 41 / 80

HEX #332A1E

RGB 51 42 30

HSL 34.29, 0.26%, 0.16%

LAB 17.71, 1.96, 9.4

 

CMYK 0 / 17 / 42 / 70

HEX #4D402D

RGB 77 64 45

HSL 35.63, 0.26%, 0.24%

LAB 27.94, 2.45, 13.72

 

CMYK 0 / 17 / 42 / 60

HEX #67553C

RGB 103 85 60

HSL 34.88, 0.26%, 0.32%

LAB 37.31, 3.53, 17.36

 

CMYK 0 / 17 / 42 / 49

HEX #816B4B

RGB 129 107 75

HSL 35.56, 0.26%, 0.4%

LAB 46.57, 3.97, 21.19

 

CMYK 0 / 17 / 42 / 70

HEX #4D402D

RGB 77 64 45

HSL 35.63, 0.26%, 0.24%

LAB 27.94, 2.45, 13.72

 

CMYK 32 / 0 / 42 / 70

HEX #344D2D

RGB 52 77 45

HSL 106.88, 0.26%, 0.24%

LAB 29.98, -16.72, 16.02

 

CMYK 34 / 42 / 0 / 70

HEX #332D4D

RGB 51 45 77

HSL 251.25, 0.26%, 0.24%

LAB 20.5, 11.24, -18.79

 

CMYK 0 / 17 / 42 / 70

HEX #4D402D

RGB 77 64 45

HSL 35.63, 0.26%, 0.24%

LAB 27.94, 2.45, 13.72

 

CMYK 42 / 0 / 18 / 70

HEX #2D4D3F

RGB 45 77 63

HSL 153.75, 0.26%, 0.24%

LAB 29.97, -15.51, 4.62

 

CMYK 18 / 42 / 0 / 70

HEX #3F2D4D

RGB 63 45 77

HSL 273.75, 0.26%, 0.24%

LAB 21.83, 15.47, -16.62

 

CMYK 0 / 17 / 42 / 70

HEX #4D402D

RGB 77 64 45

HSL 35.63, 0.26%, 0.24%

LAB 27.94, 2.45, 13.72

 

CMYK 32 / 0 / 42 / 70

HEX #344D2D

RGB 52 77 45

HSL 106.88, 0.26%, 0.24%

LAB 29.98, -16.72, 16.02

 

CMYK 42 / 25 / 0 / 70

HEX #2D3A4D

RGB 45 58 77

HSL 215.63, 0.26%, 0.24%

LAB 24.06, 0.28, -13.3

 

CMYK 9 / 42 / 0 / 70

HEX #462D4D

RGB 70 45 77

HSL 286.88, 0.26%, 0.24%

LAB 22.7, 18.03, -15.2

 

CMYK 0 / 17 / 42 / 70

HEX #4D402D

RGB 77 64 45

HSL 35.63, 0.26%, 0.24%

LAB 27.94, 2.45, 13.72

 

CMYK 42 / 0 / 39 / 70

HEX #2D4D2F

RGB 45 77 47

HSL 123.75, 0.26%, 0.24%

LAB 29.59, -19.05, 14.19

 

CMYK 42 / 25 / 0 / 70

HEX #2D3A4D

RGB 45 58 77

HSL 215.63, 0.26%, 0.24%

LAB 24.06, 0.28, -13.3

 

CMYK 0 / 42 / 4 / 70

HEX #4D2D4A

RGB 77 45 74

HSL 305.63, 0.26%, 0.24%

LAB 23.5, 19.97, -11.88

 

Description

Color code: HEX #4D402D | qconv.com Color code: HEX #4D402D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 64 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 64 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 42 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 42% 70% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - Varusteleka - Armeij...
Link: http://www.varusteleka.fi

34% - Alfred Stricker - Ho...
Link: http://alfred-stricker.ch

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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