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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D5A79 it is the complementary color #B2A586. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D5A79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D5A79 shade: #525A74, #636C87, #747E9A, #8590AD and #96A2C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D5A79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D5A79 shade: #4D5A79, #3C4866, #2B3653, #1A2440 and #09122D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D5A79 shade: #4D5A79, #4D4E79, #584D79, #644D79 and #6F4D79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D5A79 shade: #4D5A79, #4D4E79 and #4D4D79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D5A79 shade matches the following richer shades: #4D5A79, #3D5389, #2D4D99, #1D46A9 and #0D40B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D5A79 shade: #4D5A79, #5D6169, #6D6759, #7D6E49 and #8D7438

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D5A79 shade: #4D7279, #4D6679, #4D5A79, #4D4F79 and #574D79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D5A79 shade: #2D3446, #3D4760, #4D5A79, #5D6D92 and #7382A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D5A79 shade: #4D5A79, #744D79 and #6C794D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D5A79 shade: #4D5A79, #794D5A and #5A794D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D5A79 shade: #4D5A79, #744D79, #796C4D and #51794D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D5A79 shade: #4D5A79, #794D70, #796C4D and #4D7956

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 26 / 0 / 53

HEX #4D5A79

RGB 77 90 121

HSL 222.27, 0.22%, 0.39%

LAB 38.32, 3.2, -19.14

 

Complementary color

CMYK 0 / 7 / 25 / 30

HEX #B2A586

RGB 178 165 134

HSL 42.27, 0.22%, 0.61%

LAB 68.09, -0.3, 17.8

 

CMYK 29 / 22 / 0 / 55

HEX #525A74

RGB 82 90 116

HSL 225.88, 0.17%, 0.39%

LAB 38.49, 3.4, -15.77

 

CMYK 27 / 20 / 0 / 47

HEX #636C87

RGB 99 108 135

HSL 225, 0.15%, 0.46%

LAB 45.81, 3.07, -16

 

CMYK 25 / 18 / 0 / 40

HEX #747E9A

RGB 116 126 154

HSL 224.21, 0.16%, 0.53%

LAB 52.91, 2.79, -16.25

 

CMYK 23 / 17 / 0 / 32

HEX #8590AD

RGB 133 144 173

HSL 223.5, 0.2%, 0.6%

LAB 59.84, 2.54, -16.53

 

CMYK 22 / 16 / 0 / 25

HEX #96A2C0

RGB 150 162 192

HSL 222.86, 0.25%, 0.67%

LAB 66.62, 2.31, -16.83

 

CMYK 36 / 26 / 0 / 53

HEX #4D5A79

RGB 77 90 121

HSL 222.27, 0.22%, 0.39%

LAB 38.32, 3.2, -19.14

 

CMYK 41 / 29 / 0 / 60

HEX #3C4866

RGB 60 72 102

HSL 222.86, 0.26%, 0.32%

LAB 30.77, 3.7, -19.06

 

CMYK 48 / 35 / 0 / 67

HEX #2B3653

RGB 43 54 83

HSL 223.5, 0.32%, 0.25%

LAB 22.92, 4.36, -19.07

 

CMYK 59 / 44 / 0 / 75

HEX #1A2440

RGB 26 36 64

HSL 224.21, 0.42%, 0.18%

LAB 14.69, 5.35, -19.2

 

CMYK 80 / 60 / 0 / 82

HEX #09122D

RGB 9 18 45

HSL 225, 0.67%, 0.11%

LAB 6.14, 6.4, -19.2

 

CMYK 36 / 26 / 0 / 53

HEX #4D5A79

RGB 77 90 121

HSL 222.27, 0.22%, 0.39%

LAB 38.32, 3.2, -19.14

 

CMYK 36 / 36 / 0 / 53

HEX #4D4E79

RGB 77 78 121

HSL 238.64, 0.22%, 0.39%

LAB 34.82, 10.84, -24.59

 

CMYK 27 / 36 / 0 / 53

HEX #584D79

RGB 88 77 121

HSL 255, 0.22%, 0.39%

LAB 35.52, 14.97, -23.41

 

CMYK 17 / 36 / 0 / 53

HEX #644D79

RGB 100 77 121

HSL 271.36, 0.22%, 0.39%

LAB 36.74, 18.97, -21.43

 

CMYK 8 / 36 / 0 / 53

HEX #6F4D79

RGB 111 77 121

HSL 286.36, 0.22%, 0.39%

LAB 37.96, 22.75, -19.43

 

CMYK 36 / 26 / 0 / 53

HEX #4D5A79

RGB 77 90 121

HSL 222.27, 0.22%, 0.39%

LAB 38.32, 3.2, -19.14

 

CMYK 36 / 36 / 0 / 53

HEX #4D4E79

RGB 77 78 121

HSL 238.64, 0.22%, 0.39%

LAB 34.82, 10.84, -24.59

 

CMYK 36 / 36 / 0 / 53

HEX #4D4D79

RGB 77 77 121

HSL 240, 0.22%, 0.39%

LAB 34.53, 11.48, -25.03

 

CMYK 36 / 26 / 0 / 53

HEX #4D5A79

RGB 77 90 121

HSL 222.27, 0.22%, 0.39%

LAB 38.32, 3.2, -19.14

 

CMYK 55 / 39 / 0 / 46

HEX #3D5389

RGB 61 83 137

HSL 222.63, 0.38%, 0.39%

LAB 35.95, 8.37, -32.73

 

CMYK 71 / 50 / 0 / 40

HEX #2D4D99

RGB 45 77 153

HSL 222.22, 0.55%, 0.39%

LAB 34.33, 15.01, -45.11

 

CMYK 83 / 59 / 0 / 34

HEX #1D46A9

RGB 29 70 169

HSL 222.43, 0.71%, 0.39%

LAB 32.93, 24.01, -57.02

 

CMYK 93 / 65 / 0 / 27

HEX #0D40B9

RGB 13 64 185

HSL 222.21, 0.87%, 0.39%

LAB 32.38, 33.31, -67.45

 

CMYK 36 / 26 / 0 / 53

HEX #4D5A79

RGB 77 90 121

HSL 222.27, 0.22%, 0.39%

LAB 38.32, 3.2, -19.14

 

CMYK 11 / 8 / 0 / 59

HEX #5D6169

RGB 93 97 105

HSL 220, 0.06%, 0.39%

LAB 41.05, 0.23, -5.07

 

CMYK 0 / 6 / 18 / 57

HEX #6D6759

RGB 109 103 89

HSL 42, 0.1%, 0.39%

LAB 43.76, -0.24, 8.75

 

CMYK 0 / 12 / 42 / 51

HEX #7D6E49

RGB 125 110 73

HSL 42.69, 0.26%, 0.39%

LAB 46.97, 0.21, 22.79

 

CMYK 0 / 18 / 60 / 45

HEX #8D7438

RGB 141 116 56

HSL 42.35, 0.43%, 0.39%

LAB 50.02, 2.24, 36.26

 

CMYK 36 / 6 / 0 / 53

HEX #4D7279

RGB 77 114 121

HSL 189.55, 0.22%, 0.39%

LAB 45.62, -11.16, -8.05

 

CMYK 36 / 16 / 0 / 53

HEX #4D6679

RGB 77 102 121

HSL 205.91, 0.22%, 0.39%

LAB 41.94, -4.15, -13.61

 

CMYK 36 / 26 / 0 / 53

HEX #4D5A79

RGB 77 90 121

HSL 222.27, 0.22%, 0.39%

LAB 38.32, 3.2, -19.14

 

CMYK 36 / 35 / 0 / 53

HEX #4D4F79

RGB 77 79 121

HSL 237.27, 0.22%, 0.39%

LAB 35.1, 10.19, -24.14

 

CMYK 28 / 36 / 0 / 53

HEX #574D79

RGB 87 77 121

HSL 253.64, 0.22%, 0.39%

LAB 35.43, 14.65, -23.57

 

CMYK 36 / 26 / 0 / 73

HEX #2D3446

RGB 45 52 70

HSL 223.2, 0.22%, 0.23%

LAB 21.78, 2.13, -12.13

 

CMYK 36 / 26 / 0 / 62

HEX #3D4760

RGB 61 71 96

HSL 222.86, 0.22%, 0.31%

LAB 30.26, 2.83, -16.02

 

CMYK 36 / 26 / 0 / 53

HEX #4D5A79

RGB 77 90 121

HSL 222.27, 0.22%, 0.39%

LAB 38.32, 3.2, -19.14

 

CMYK 36 / 25 / 0 / 43

HEX #5D6D92

RGB 93 109 146

HSL 221.89, 0.22%, 0.47%

LAB 46.1, 3.57, -22.14

 

CMYK 30 / 21 / 0 / 35

HEX #7382A5

RGB 115 130 165

HSL 222, 0.22%, 0.55%

LAB 54.37, 2.94, -20.41

 

CMYK 36 / 26 / 0 / 53

HEX #4D5A79

RGB 77 90 121

HSL 222.27, 0.22%, 0.39%

LAB 38.32, 3.2, -19.14

 

CMYK 4 / 36 / 0 / 53

HEX #744D79

RGB 116 77 121

HSL 293.18, 0.22%, 0.39%

LAB 38.55, 24.49, -18.47

 

CMYK 11 / 0 / 36 / 53

HEX #6C794D

RGB 108 121 77

HSL 77.73, 0.22%, 0.39%

LAB 48.76, -12.82, 22.57

 

CMYK 36 / 26 / 0 / 53

HEX #4D5A79

RGB 77 90 121

HSL 222.27, 0.22%, 0.39%

LAB 38.32, 3.2, -19.14

 

CMYK 0 / 36 / 26 / 53

HEX #794D5A

RGB 121 77 90

HSL 342.27, 0.22%, 0.39%

LAB 38.04, 20.55, 0.11

 

CMYK 26 / 0 / 36 / 53

HEX #5A794D

RGB 90 121 77

HSL 102.27, 0.22%, 0.39%

LAB 47.47, -20.05, 20.64

 

CMYK 36 / 26 / 0 / 53

HEX #4D5A79

RGB 77 90 121

HSL 222.27, 0.22%, 0.39%

LAB 38.32, 3.2, -19.14

 

CMYK 4 / 36 / 0 / 53

HEX #744D79

RGB 116 77 121

HSL 293.18, 0.22%, 0.39%

LAB 38.55, 24.49, -18.47

 

CMYK 0 / 11 / 36 / 53

HEX #796C4D

RGB 121 108 77

HSL 42.27, 0.22%, 0.39%

LAB 46.08, 0.13, 19.23

 

CMYK 33 / 0 / 36 / 53

HEX #51794D

RGB 81 121 77

HSL 114.55, 0.22%, 0.39%

LAB 46.92, -23.41, 19.81

 

CMYK 36 / 26 / 0 / 53

HEX #4D5A79

RGB 77 90 121

HSL 222.27, 0.22%, 0.39%

LAB 38.32, 3.2, -19.14

 

CMYK 0 / 36 / 7 / 53

HEX #794D70

RGB 121 77 112

HSL 312.27, 0.22%, 0.39%

LAB 38.8, 24.44, -12.48

 

CMYK 0 / 11 / 36 / 53

HEX #796C4D

RGB 121 108 77

HSL 42.27, 0.22%, 0.39%

LAB 46.08, 0.13, 19.23

 

CMYK 36 / 0 / 29 / 53

HEX #4D7956

RGB 77 121 86

HSL 132.27, 0.22%, 0.39%

LAB 46.88, -23.16, 14.51

 

Description

Color code: HEX #4D5A79 | qconv.com Color code: HEX #4D5A79 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 90 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 90 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 26 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 26% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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