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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D6693 it is the complementary color #B2996C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D6693. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D6693 shade: #52668E, #6378A1, #748AB4, #859CC7 and #96AEDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D6693. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D6693 shade: #4D6693, #3C5480, #2B426D, #1A305A and #091E47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D6693 shade: #4D6692, #4D5392, #5A4D92, #6C4D92 and #7F4D92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D6693 shade: #4D6692, #4D5392 and #4D4D92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D6693 shade matches the following richer shades: #4D6692, #3B61A5, #295BB7, #1656C9 and #0451DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D6693 shade: #4D6692, #5F6B80, #71706E, #83755C and #967B4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D6693 shade: #4D8C92, #4D7992, #4D6692, #4D5492 and #594D92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D6693 shade: #30405C, #3F5377, #4D6692, #5E7AAA and #7990B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D6693 shade: #4D6693, #874D92 and #82924D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D6693 shade: #4D6693, #924D66 and #66924D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D6693 shade: #4D6693, #874D92, #92794D and #59924D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D6693 shade: #4D6693, #924D89, #92794D and #4D9256

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 31 / 0 / 42

HEX #4D6693

RGB 77 102 147

HSL 218.57, 0.31%, 0.44%

LAB 43.04, 3.63, -27.56

 

Complementary color

CMYK 0 / 14 / 39 / 30

HEX #B2996C

RGB 178 153 108

HSL 38.57, 0.31%, 0.56%

LAB 64.43, 2.82, 27.08

 

CMYK 42 / 28 / 0 / 44

HEX #52668E

RGB 82 102 142

HSL 220, 0.27%, 0.44%

LAB 43.14, 3.46, -24.4

 

CMYK 39 / 25 / 0 / 37

HEX #6378A1

RGB 99 120 161

HSL 219.68, 0.25%, 0.51%

LAB 50.29, 2.98, -24.46

 

CMYK 36 / 23 / 0 / 29

HEX #748AB4

RGB 116 138 180

HSL 219.38, 0.3%, 0.58%

LAB 57.26, 2.58, -24.58

 

CMYK 33 / 22 / 0 / 22

HEX #859CC7

RGB 133 156 199

HSL 219.09, 0.37%, 0.65%

LAB 64.07, 2.24, -24.73

 

CMYK 31 / 20 / 0 / 15

HEX #96AEDA

RGB 150 174 218

HSL 218.82, 0.48%, 0.72%

LAB 70.75, 1.94, -24.9

 

CMYK 48 / 31 / 0 / 42

HEX #4D6693

RGB 77 102 147

HSL 218.57, 0.31%, 0.44%

LAB 43.04, 3.63, -27.56

 

CMYK 53 / 34 / 0 / 50

HEX #3C5480

RGB 60 84 128

HSL 218.82, 0.36%, 0.37%

LAB 35.71, 4.4, -27.59

 

CMYK 61 / 39 / 0 / 57

HEX #2B426D

RGB 43 66 109

HSL 219.09, 0.43%, 0.3%

LAB 28.15, 5.46, -27.7

 

CMYK 71 / 47 / 0 / 65

HEX #1A305A

RGB 26 48 90

HSL 219.38, 0.55%, 0.23%

LAB 20.33, 6.99, -27.87

 

CMYK 87 / 58 / 0 / 72

HEX #091E47

RGB 9 30 71

HSL 219.68, 0.78%, 0.16%

LAB 12.23, 9.44, -28.06

 

CMYK 47 / 30 / 0 / 43

HEX #4D6692

RGB 77 102 146

HSL 218.26, 0.31%, 0.44%

LAB 43, 3.32, -27.03

 

CMYK 47 / 43 / 0 / 43

HEX #4D5392

RGB 77 83 146

HSL 234.78, 0.31%, 0.44%

LAB 37.55, 15.33, -35.6

 

CMYK 38 / 47 / 0 / 43

HEX #5A4D92

RGB 90 77 146

HSL 251.3, 0.31%, 0.44%

LAB 37.03, 22.64, -36.35

 

CMYK 26 / 47 / 0 / 43

HEX #6C4D92

RGB 108 77 146

HSL 266.96, 0.31%, 0.44%

LAB 38.85, 27.81, -33.36

 

CMYK 13 / 47 / 0 / 43

HEX #7F4D92

RGB 127 77 146

HSL 283.48, 0.31%, 0.44%

LAB 41.05, 33.55, -29.75

 

CMYK 47 / 30 / 0 / 43

HEX #4D6692

RGB 77 102 146

HSL 218.26, 0.31%, 0.44%

LAB 43, 3.32, -27.03

 

CMYK 47 / 43 / 0 / 43

HEX #4D5392

RGB 77 83 146

HSL 234.78, 0.31%, 0.44%

LAB 37.55, 15.33, -35.6

 

CMYK 47 / 47 / 0 / 43

HEX #4D4D92

RGB 77 77 146

HSL 240, 0.31%, 0.44%

LAB 35.91, 19.2, -38.21

 

CMYK 47 / 30 / 0 / 43

HEX #4D6692

RGB 77 102 146

HSL 218.26, 0.31%, 0.44%

LAB 43, 3.32, -27.03

 

CMYK 64 / 41 / 0 / 35

HEX #3B61A5

RGB 59 97 165

HSL 218.49, 0.47%, 0.44%

LAB 41.53, 8.8, -40.73

 

CMYK 78 / 50 / 0 / 28

HEX #295BB7

RGB 41 91 183

HSL 218.87, 0.63%, 0.44%

LAB 40.2, 16.7, -53.5

 

CMYK 89 / 57 / 0 / 21

HEX #1656C9

RGB 22 86 201

HSL 218.55, 0.8%, 0.44%

LAB 39.65, 25.43, -64.9

 

CMYK 98 / 63 / 0 / 14

HEX #0451DB

RGB 4 81 219

HSL 218.51, 0.96%, 0.44%

LAB 39.62, 35.04, -75.32

 

CMYK 47 / 30 / 0 / 43

HEX #4D6692

RGB 77 102 146

HSL 218.26, 0.31%, 0.44%

LAB 43, 3.32, -27.03

 

CMYK 26 / 16 / 0 / 50

HEX #5F6B80

RGB 95 107 128

HSL 218.18, 0.15%, 0.44%

LAB 44.95, 0.54, -13.14

 

CMYK 0 / 1 / 3 / 56

HEX #71706E

RGB 113 112 110

HSL 40, 0.01%, 0.44%

LAB 47.27, -0.01, 1.24

 

CMYK 0 / 11 / 30 / 49

HEX #83755C

RGB 131 117 92

HSL 38.46, 0.17%, 0.44%

LAB 49.88, 1.3, 15.79

 

CMYK 0 / 18 / 51 / 41

HEX #967B4A

RGB 150 123 74

HSL 38.68, 0.34%, 0.44%

LAB 53.11, 3.9, 30.57

 

CMYK 47 / 4 / 0 / 43

HEX #4D8C92

RGB 77 140 146

HSL 185.22, 0.31%, 0.44%

LAB 54.46, -18.57, -9.51

 

CMYK 47 / 17 / 0 / 43

HEX #4D7992

RGB 77 121 146

HSL 201.74, 0.31%, 0.44%

LAB 48.67, -8.03, -18.27

 

CMYK 47 / 30 / 0 / 43

HEX #4D6692

RGB 77 102 146

HSL 218.26, 0.31%, 0.44%

LAB 43, 3.32, -27.03

 

CMYK 47 / 42 / 0 / 43

HEX #4D5492

RGB 77 84 146

HSL 233.91, 0.31%, 0.44%

LAB 37.83, 14.69, -35.16

 

CMYK 39 / 47 / 0 / 43

HEX #594D92

RGB 89 77 146

HSL 250.43, 0.31%, 0.44%

LAB 36.94, 22.37, -36.5

 

CMYK 48 / 30 / 0 / 64

HEX #30405C

RGB 48 64 92

HSL 218.18, 0.31%, 0.27%

LAB 26.93, 2.12, -18.68

 

CMYK 47 / 30 / 0 / 53

HEX #3F5377

RGB 63 83 119

HSL 218.57, 0.31%, 0.36%

LAB 35.15, 2.87, -22.9

 

CMYK 47 / 30 / 0 / 43

HEX #4D6692

RGB 77 102 146

HSL 218.26, 0.31%, 0.44%

LAB 43, 3.32, -27.03

 

CMYK 45 / 28 / 0 / 33

HEX #5E7AAA

RGB 94 122 170

HSL 217.89, 0.31%, 0.52%

LAB 50.92, 3.03, -28.74

 

CMYK 34 / 22 / 0 / 28

HEX #7990B8

RGB 121 144 184

HSL 218.1, 0.31%, 0.6%

LAB 59.41, 1.65, -23.51

 

CMYK 48 / 31 / 0 / 42

HEX #4D6693

RGB 77 102 147

HSL 218.57, 0.31%, 0.44%

LAB 43.04, 3.63, -27.56

 

CMYK 8 / 47 / 0 / 43

HEX #874D92

RGB 135 77 146

HSL 290.43, 0.31%, 0.44%

LAB 42.05, 36.02, -28.1

 

CMYK 11 / 0 / 47 / 43

HEX #82924D

RGB 130 146 77

HSL 73.91, 0.31%, 0.44%

LAB 57.88, -17.04, 34.49

 

CMYK 48 / 31 / 0 / 42

HEX #4D6693

RGB 77 102 147

HSL 218.57, 0.31%, 0.44%

LAB 43.04, 3.63, -27.56

 

CMYK 0 / 47 / 30 / 43

HEX #924D66

RGB 146 77 102

HSL 338.26, 0.31%, 0.44%

LAB 41.81, 32.01, -1.44

 

CMYK 30 / 0 / 47 / 43

HEX #66924D

RGB 102 146 77

HSL 98.26, 0.31%, 0.44%

LAB 56.01, -28.12, 31.75

 

CMYK 48 / 31 / 0 / 42

HEX #4D6693

RGB 77 102 147

HSL 218.57, 0.31%, 0.44%

LAB 43.04, 3.63, -27.56

 

CMYK 8 / 47 / 0 / 43

HEX #874D92

RGB 135 77 146

HSL 290.43, 0.31%, 0.44%

LAB 42.05, 36.02, -28.1

 

CMYK 0 / 17 / 47 / 43

HEX #92794D

RGB 146 121 77

HSL 38.26, 0.31%, 0.44%

LAB 52.2, 3.59, 27.69

 

CMYK 39 / 0 / 47 / 43

HEX #59924D

RGB 89 146 77

HSL 109.57, 0.31%, 0.44%

LAB 55.3, -32.75, 30.71

 

CMYK 48 / 31 / 0 / 42

HEX #4D6693

RGB 77 102 147

HSL 218.57, 0.31%, 0.44%

LAB 43.04, 3.63, -27.56

 

CMYK 0 / 47 / 6 / 43

HEX #924D89

RGB 146 77 137

HSL 307.83, 0.31%, 0.44%

LAB 43.1, 37.73, -20.92

 

CMYK 0 / 17 / 47 / 43

HEX #92794D

RGB 146 121 77

HSL 38.26, 0.31%, 0.44%

LAB 52.2, 3.59, 27.69

 

CMYK 47 / 0 / 41 / 43

HEX #4D9256

RGB 77 146 86

HSL 127.83, 0.31%, 0.44%

LAB 54.87, -35.17, 25.21

 

Description

Color code: HEX #4D6693 | qconv.com Color code: HEX #4D6693 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 102 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 102 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 31 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 31% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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