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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D6226 it is the complementary color #B29DD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D6226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D6226 shade: #526221, #637434, #748647, #85985A and #96AA6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D6226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D6226 shade: #4D6226, #3C5013, #2B3E00, #1A2C00 and #091A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D6226 shade: #4D6326, #5E6326, #635726, #634726 and #633626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D6226 shade: #4D6326, #3D6326, #2D6326, #266330 and #266340

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D6226 shade matches the following richer shades: #4D6326, #516E1B, #547910 and #578405

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D6226 shade: #4D6326, #4A5831, #474C3C, #434147 and #403653

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D6226 shade: #635826, #5E6326, #4D6326, #3D6326 and #2D6326

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D6226 shade: #1F270F, #36451B, #4D6326, #658032 and #7C9E3D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D6226 shade: #4D6226, #266347 and #602663

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D6226 shade: #4D6226, #264D63 and #63264D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D6226 shade: #4D6226, #266347, #3B2663 and #632641

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D6226 shade: #4D6226, #26635A, #3B2663 and #63262F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 61 / 62

HEX #4D6226

RGB 77 98 38

HSL 81, 0.44%, 0.27%

LAB 38.64, -18.46, 30.98

 

Complementary color

CMYK 18 / 28 / 0 / 15

HEX #B29DD9

RGB 178 157 217

HSL 261, 0.44%, 0.73%

LAB 68.45, 19.64, -27.69

 

CMYK 16 / 0 / 66 / 62

HEX #526221

RGB 82 98 33

HSL 74.77, 0.5%, 0.26%

LAB 38.97, -16.69, 33.93

 

CMYK 15 / 0 / 55 / 55

HEX #637434

RGB 99 116 52

HSL 75.94, 0.38%, 0.33%

LAB 46.17, -17.05, 32.86

 

CMYK 13 / 0 / 47 / 47

HEX #748647

RGB 116 134 71

HSL 77.14, 0.31%, 0.4%

LAB 53.19, -17.26, 31.63

 

CMYK 13 / 0 / 41 / 40

HEX #85985A

RGB 133 152 90

HSL 78.39, 0.26%, 0.47%

LAB 60.05, -17.38, 30.39

 

CMYK 12 / 0 / 36 / 33

HEX #96AA6D

RGB 150 170 109

HSL 79.67, 0.26%, 0.55%

LAB 66.78, -17.46, 29.19

 

CMYK 21 / 0 / 61 / 62

HEX #4D6226

RGB 77 98 38

HSL 81, 0.44%, 0.27%

LAB 38.64, -18.46, 30.98

 

CMYK 25 / 0 / 76 / 69

HEX #3C5013

RGB 60 80 19

HSL 79.67, 0.62%, 0.19%

LAB 31.22, -18.08, 31.8

 

CMYK 31 / 0 / 100 / 76

HEX #2B3E00

RGB 43 62 0

HSL 78.39, 1%, 0.12%

LAB 23.53, -17.49, 31.7

 

CMYK 41 / 0 / 100 / 83

HEX #1A2C00

RGB 26 44 0

HSL 84.55, 1%, 0.09%

LAB 15.6, -15.81, 22.31

 

CMYK 65 / 0 / 100 / 90

HEX #091A00

RGB 9 26 0

HSL 99.23, 1%, 0.05%

LAB 7.2, -11.28, 10.57

 

CMYK 22 / 0 / 62 / 61

HEX #4D6326

RGB 77 99 38

HSL 81.64, 0.45%, 0.27%

LAB 38.97, -18.99, 31.35

 

CMYK 5 / 0 / 62 / 61

HEX #5E6326

RGB 94 99 38

HSL 64.92, 0.45%, 0.27%

LAB 40.32, -11.3, 33.23

 

CMYK 0 / 12 / 62 / 61

HEX #635726

RGB 99 87 38

HSL 48.2, 0.45%, 0.27%

LAB 37.13, -1.93, 29.76

 

CMYK 0 / 28 / 62 / 61

HEX #634726

RGB 99 71 38

HSL 32.46, 0.45%, 0.27%

LAB 32.48, 7.85, 24.31

 

CMYK 0 / 45 / 62 / 61

HEX #633626

RGB 99 54 38

HSL 15.74, 0.45%, 0.27%

LAB 27.93, 18.37, 18.72

 

CMYK 22 / 0 / 62 / 61

HEX #4D6326

RGB 77 99 38

HSL 81.64, 0.45%, 0.27%

LAB 38.97, -18.99, 31.35

 

CMYK 38 / 0 / 62 / 61

HEX #3D6326

RGB 61 99 38

HSL 97.38, 0.45%, 0.27%

LAB 37.94, -25.59, 29.9

 

CMYK 55 / 0 / 62 / 61

HEX #2D6326

RGB 45 99 38

HSL 113.11, 0.45%, 0.27%

LAB 37.15, -31.21, 28.79

 

CMYK 62 / 0 / 52 / 61

HEX #266330

RGB 38 99 48

HSL 129.84, 0.45%, 0.27%

LAB 37.02, -31.75, 23.13

 

CMYK 62 / 0 / 35 / 61

HEX #266340

RGB 38 99 64

HSL 145.57, 0.45%, 0.27%

LAB 37.31, -28.65, 14.16

 

CMYK 22 / 0 / 62 / 61

HEX #4D6326

RGB 77 99 38

HSL 81.64, 0.45%, 0.27%

LAB 38.97, -18.99, 31.35

 

CMYK 26 / 0 / 75 / 57

HEX #516E1B

RGB 81 110 27

HSL 80.96, 0.61%, 0.27%

LAB 42.73, -23.86, 40.46

 

CMYK 31 / 0 / 87 / 53

HEX #547910

RGB 84 121 16

HSL 81.14, 0.77%, 0.27%

LAB 46.44, -28.57, 47.64

 

CMYK 34 / 0 / 96 / 48

HEX #578405

RGB 87 132 5

HSL 81.26, 0.93%, 0.27%

LAB 50.14, -32.82, 53.11

 

CMYK 22 / 0 / 62 / 61

HEX #4D6326

RGB 77 99 38

HSL 81.64, 0.45%, 0.27%

LAB 38.97, -18.99, 31.35

 

CMYK 16 / 0 / 44 / 65

HEX #4A5831

RGB 74 88 49

HSL 81.54, 0.28%, 0.27%

LAB 35.32, -12.93, 20.82

 

CMYK 7 / 0 / 21 / 70

HEX #474C3C

RGB 71 76 60

HSL 78.75, 0.12%, 0.27%

LAB 31.43, -5.36, 8.85

 

CMYK 6 / 8 / 0 / 72

HEX #434147

RGB 67 65 71

HSL 260, 0.04%, 0.27%

LAB 27.92, 2.21, -3.34

 

CMYK 23 / 35 / 0 / 67

HEX #403653

RGB 64 54 83

HSL 260.69, 0.21%, 0.27%

LAB 24.81, 11.4, -15.99

 

CMYK 0 / 11 / 62 / 61

HEX #635826

RGB 99 88 38

HSL 49.18, 0.45%, 0.27%

LAB 37.43, -2.53, 30.1

 

CMYK 5 / 0 / 62 / 61

HEX #5E6326

RGB 94 99 38

HSL 64.92, 0.45%, 0.27%

LAB 40.32, -11.3, 33.23

 

CMYK 22 / 0 / 62 / 61

HEX #4D6326

RGB 77 99 38

HSL 81.64, 0.45%, 0.27%

LAB 38.97, -18.99, 31.35

 

CMYK 38 / 0 / 62 / 61

HEX #3D6326

RGB 61 99 38

HSL 97.38, 0.45%, 0.27%

LAB 37.94, -25.59, 29.9

 

CMYK 55 / 0 / 62 / 61

HEX #2D6326

RGB 45 99 38

HSL 113.11, 0.45%, 0.27%

LAB 37.15, -31.21, 28.79

 

CMYK 21 / 0 / 62 / 85

HEX #1F270F

RGB 31 39 15

HSL 80, 0.44%, 0.11%

LAB 14.27, -8.59, 14.27

 

CMYK 22 / 0 / 61 / 73

HEX #36451B

RGB 54 69 27

HSL 81.43, 0.44%, 0.19%

LAB 27.07, -13.98, 23.11

 

CMYK 22 / 0 / 62 / 61

HEX #4D6326

RGB 77 99 38

HSL 81.64, 0.45%, 0.27%

LAB 38.97, -18.99, 31.35

 

CMYK 21 / 0 / 61 / 50

HEX #658032

RGB 101 128 50

HSL 80.77, 0.44%, 0.35%

LAB 50.02, -22.65, 38.33

 

CMYK 22 / 0 / 61 / 38

HEX #7C9E3D

RGB 124 158 61

HSL 81.03, 0.44%, 0.43%

LAB 60.85, -27.15, 45.7

 

CMYK 21 / 0 / 61 / 62

HEX #4D6226

RGB 77 98 38

HSL 81, 0.44%, 0.27%

LAB 38.64, -18.46, 30.98

 

CMYK 62 / 0 / 28 / 61

HEX #266347

RGB 38 99 71

HSL 152.46, 0.45%, 0.27%

LAB 37.46, -27.05, 10.15

 

CMYK 3 / 62 / 0 / 61

HEX #602663

RGB 96 38 99

HSL 297.05, 0.45%, 0.27%

LAB 26.08, 35.61, -24.17

 

CMYK 21 / 0 / 61 / 62

HEX #4D6226

RGB 77 98 38

HSL 81, 0.44%, 0.27%

LAB 38.64, -18.46, 30.98

 

CMYK 62 / 22 / 0 / 61

HEX #264D63

RGB 38 77 99

HSL 201.64, 0.45%, 0.27%

LAB 30.93, -6.5, -17.02

 

CMYK 0 / 62 / 22 / 61

HEX #63264D

RGB 99 38 77

HSL 321.64, 0.45%, 0.27%

LAB 25.49, 32.52, -10.55

 

CMYK 21 / 0 / 61 / 62

HEX #4D6226

RGB 77 98 38

HSL 81, 0.44%, 0.27%

LAB 38.64, -18.46, 30.98

 

CMYK 62 / 0 / 28 / 61

HEX #266347

RGB 38 99 71

HSL 152.46, 0.45%, 0.27%

LAB 37.46, -27.05, 10.15

 

CMYK 40 / 62 / 0 / 61

HEX #3B2663

RGB 59 38 99

HSL 260.66, 0.45%, 0.27%

LAB 20.89, 25.14, -32.75

 

CMYK 0 / 62 / 34 / 61

HEX #632641

RGB 99 38 65

HSL 333.44, 0.45%, 0.27%

LAB 25.02, 30.7, -3.2

 

CMYK 21 / 0 / 61 / 62

HEX #4D6226

RGB 77 98 38

HSL 81, 0.44%, 0.27%

LAB 38.64, -18.46, 30.98

 

CMYK 62 / 0 / 9 / 61

HEX #26635A

RGB 38 99 90

HSL 171.15, 0.45%, 0.27%

LAB 37.97, -22.01, -0.77

 

CMYK 40 / 62 / 0 / 61

HEX #3B2663

RGB 59 38 99

HSL 260.66, 0.45%, 0.27%

LAB 20.89, 25.14, -32.75

 

CMYK 0 / 62 / 53 / 61

HEX #63262F

RGB 99 38 47

HSL 351.15, 0.45%, 0.27%

LAB 24.46, 28.5, 8.21

 

Description

Color code: HEX #4D6226 | qconv.com Color code: HEX #4D6226 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 98 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 98 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 61 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 61% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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