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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D6D94 it is the complementary color #B2926B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D6D94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D6D94 shade: #526D8F, #637FA2, #7491B5, #85A3C8 and #96B5DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D6D94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D6D94 shade: #4D6D94, #3C5B81, #2B496E, #1A375B and #092548

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D6D94 shade: #4C6C94, #4C5994, #524C94, #664C94 and #794C94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D6D94 shade: #4C6C94, #4C5994 and #4C4C94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D6D94 shade matches the following richer shades: #4C6C94, #3A6AA6, #2769B8, #1567CA and #0365DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D6D94 shade: #4C6C94, #5E6E81, #70706F, #82725D and #94734B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D6D94 shade: #4C9494, #4C8094, #4C6D94, #4C5A94 and #514C94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D6D94 shade: #30445D, #3E5878, #4C6C94, #5D80AB and #7896B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D6D94 shade: #4D6D94, #804C94 and #8A944C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D6D94 shade: #4D6D94, #944C6D and #6D944C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D6D94 shade: #4D6D94, #804C94, #94724C and #5F944C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D6D94 shade: #4D6D94, #944C91, #94724C and #4C944E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 26 / 0 / 42

HEX #4D6D94

RGB 77 109 148

HSL 212.96, 0.32%, 0.44%

LAB 45.16, -0.33, -24.87

 

Complementary color

CMYK 0 / 18 / 40 / 30

HEX #B2926B

RGB 178 146 107

HSL 32.96, 0.32%, 0.56%

LAB 62.58, 6.55, 25.19

 

CMYK 43 / 24 / 0 / 44

HEX #526D8F

RGB 82 109 143

HSL 213.44, 0.27%, 0.44%

LAB 45.24, -0.5, -21.74

 

CMYK 39 / 22 / 0 / 36

HEX #637FA2

RGB 99 127 162

HSL 213.33, 0.25%, 0.51%

LAB 52.33, -0.87, -21.89

 

CMYK 36 / 20 / 0 / 29

HEX #7491B5

RGB 116 145 181

HSL 213.23, 0.31%, 0.58%

LAB 59.25, -1.17, -22.08

 

CMYK 34 / 19 / 0 / 22

HEX #85A3C8

RGB 133 163 200

HSL 213.13, 0.38%, 0.65%

LAB 66.02, -1.43, -22.3

 

CMYK 32 / 17 / 0 / 14

HEX #96B5DB

RGB 150 181 219

HSL 213.04, 0.49%, 0.72%

LAB 72.66, -1.65, -22.53

 

CMYK 48 / 26 / 0 / 42

HEX #4D6D94

RGB 77 109 148

HSL 212.96, 0.32%, 0.44%

LAB 45.16, -0.33, -24.87

 

CMYK 53 / 29 / 0 / 49

HEX #3C5B81

RGB 60 91 129

HSL 213.04, 0.37%, 0.37%

LAB 37.89, 0.29, -24.8

 

CMYK 61 / 34 / 0 / 57

HEX #2B496E

RGB 43 73 110

HSL 213.13, 0.44%, 0.3%

LAB 30.41, 1.15, -24.77

 

CMYK 71 / 40 / 0 / 64

HEX #1A375B

RGB 26 55 91

HSL 213.23, 0.56%, 0.23%

LAB 22.68, 2.44, -24.79

 

CMYK 88 / 49 / 0 / 72

HEX #092548

RGB 9 37 72

HSL 213.33, 0.78%, 0.16%

LAB 14.67, 4.52, -24.82

 

CMYK 49 / 27 / 0 / 42

HEX #4C6C94

RGB 76 108 148

HSL 213.33, 0.32%, 0.44%

LAB 44.8, 0.01, -25.42

 

CMYK 49 / 40 / 0 / 42

HEX #4C5994

RGB 76 89 148

HSL 229.17, 0.32%, 0.44%

LAB 39.27, 11.87, -34.08

 

CMYK 45 / 49 / 0 / 42

HEX #524C94

RGB 82 76 148

HSL 245, 0.32%, 0.44%

LAB 36.18, 21.74, -38.97

 

CMYK 31 / 49 / 0 / 42

HEX #664C94

RGB 102 76 148

HSL 261.67, 0.32%, 0.44%

LAB 38.08, 27.2, -35.83

 

CMYK 18 / 49 / 0 / 42

HEX #794C94

RGB 121 76 148

HSL 277.5, 0.32%, 0.44%

LAB 40.2, 32.77, -32.34

 

CMYK 49 / 27 / 0 / 42

HEX #4C6C94

RGB 76 108 148

HSL 213.33, 0.32%, 0.44%

LAB 44.8, 0.01, -25.42

 

CMYK 49 / 40 / 0 / 42

HEX #4C5994

RGB 76 89 148

HSL 229.17, 0.32%, 0.44%

LAB 39.27, 11.87, -34.08

 

CMYK 49 / 49 / 0 / 42

HEX #4C4C94

RGB 76 76 148

HSL 240, 0.32%, 0.44%

LAB 35.68, 20.23, -39.79

 

CMYK 49 / 27 / 0 / 42

HEX #4C6C94

RGB 76 108 148

HSL 213.33, 0.32%, 0.44%

LAB 44.8, 0.01, -25.42

 

CMYK 65 / 36 / 0 / 35

HEX #3A6AA6

RGB 58 106 166

HSL 213.33, 0.48%, 0.44%

LAB 44.18, 3.3, -37.11

 

CMYK 79 / 43 / 0 / 28

HEX #2769B8

RGB 39 105 184

HSL 212.69, 0.65%, 0.44%

LAB 44.23, 7.82, -47.61

 

CMYK 90 / 49 / 0 / 21

HEX #1567CA

RGB 21 103 202

HSL 212.82, 0.81%, 0.44%

LAB 44.41, 14.65, -57.75

 

CMYK 99 / 54 / 0 / 14

HEX #0365DC

RGB 3 101 220

HSL 212.9, 0.97%, 0.44%

LAB 44.93, 22.4, -67.21

 

CMYK 49 / 27 / 0 / 42

HEX #4C6C94

RGB 76 108 148

HSL 213.33, 0.32%, 0.44%

LAB 44.8, 0.01, -25.42

 

CMYK 27 / 15 / 0 / 49

HEX #5E6E81

RGB 94 110 129

HSL 212.57, 0.16%, 0.44%

LAB 45.79, -1.32, -12.47

 

CMYK 0 / 0 / 1 / 56

HEX #70706F

RGB 112 112 111

HSL 60, 0%, 0.44%

LAB 47.21, -0.2, 0.55

 

CMYK 0 / 12 / 28 / 49

HEX #82725D

RGB 130 114 93

HSL 34.05, 0.17%, 0.44%

LAB 48.97, 2.76, 13.94

 

CMYK 0 / 22 / 49 / 42

HEX #94734B

RGB 148 115 75

HSL 32.88, 0.33%, 0.44%

LAB 50.76, 7.69, 27.02

 

CMYK 49 / 0 / 0 / 42

HEX #4C9494

RGB 76 148 148

HSL 180, 0.32%, 0.44%

LAB 56.93, -22.45, -6.97

 

CMYK 49 / 14 / 0 / 42

HEX #4C8094

RGB 76 128 148

HSL 196.67, 0.32%, 0.44%

LAB 50.82, -11.68, -16.17

 

CMYK 49 / 26 / 0 / 42

HEX #4C6D94

RGB 76 109 148

HSL 212.5, 0.32%, 0.44%

LAB 45.1, -0.59, -24.96

 

CMYK 49 / 39 / 0 / 42

HEX #4C5A94

RGB 76 90 148

HSL 228.33, 0.32%, 0.44%

LAB 39.56, 11.23, -33.63

 

CMYK 45 / 49 / 0 / 42

HEX #514C94

RGB 81 76 148

HSL 244.17, 0.32%, 0.44%

LAB 36.09, 21.49, -39.11

 

CMYK 48 / 27 / 0 / 64

HEX #30445D

RGB 48 68 93

HSL 213.33, 0.32%, 0.28%

LAB 28.26, -0.19, -17.27

 

CMYK 48 / 27 / 0 / 53

HEX #3E5878

RGB 62 88 120

HSL 213.1, 0.32%, 0.36%

LAB 36.67, -0.25, -21.17

 

CMYK 49 / 27 / 0 / 42

HEX #4C6C94

RGB 76 108 148

HSL 213.33, 0.32%, 0.44%

LAB 44.8, 0.01, -25.42

 

CMYK 46 / 25 / 0 / 33

HEX #5D80AB

RGB 93 128 171

HSL 213.08, 0.32%, 0.52%

LAB 52.63, -0.48, -26.68

 

CMYK 35 / 19 / 0 / 27

HEX #7896B9

RGB 120 150 185

HSL 212.31, 0.32%, 0.6%

LAB 61.05, -1.79, -21.56

 

CMYK 48 / 26 / 0 / 42

HEX #4D6D94

RGB 77 109 148

HSL 212.96, 0.32%, 0.44%

LAB 45.16, -0.33, -24.87

 

CMYK 14 / 49 / 0 / 42

HEX #804C94

RGB 128 76 148

HSL 283.33, 0.32%, 0.44%

LAB 41.05, 34.87, -30.94

 

CMYK 7 / 0 / 49 / 42

HEX #8A944C

RGB 138 148 76

HSL 68.33, 0.32%, 0.44%

LAB 59.07, -14.85, 36.6

 

CMYK 48 / 26 / 0 / 42

HEX #4D6D94

RGB 77 109 148

HSL 212.96, 0.32%, 0.44%

LAB 45.16, -0.33, -24.87

 

CMYK 0 / 49 / 26 / 42

HEX #944C6D

RGB 148 76 109

HSL 332.5, 0.32%, 0.44%

LAB 42.11, 34.3, -5.29

 

CMYK 26 / 0 / 49 / 42

HEX #6D944C

RGB 109 148 76

HSL 92.5, 0.32%, 0.44%

LAB 57.03, -26.58, 33.63

 

CMYK 48 / 26 / 0 / 42

HEX #4D6D94

RGB 77 109 148

HSL 212.96, 0.32%, 0.44%

LAB 45.16, -0.33, -24.87

 

CMYK 14 / 49 / 0 / 42

HEX #804C94

RGB 128 76 148

HSL 283.33, 0.32%, 0.44%

LAB 41.05, 34.87, -30.94

 

CMYK 0 / 23 / 49 / 42

HEX #94724C

RGB 148 114 76

HSL 31.67, 0.32%, 0.44%

LAB 50.51, 8.37, 26.14

 

CMYK 36 / 0 / 49 / 42

HEX #5F944C

RGB 95 148 76

HSL 104.17, 0.32%, 0.44%

LAB 56.22, -31.74, 32.46

 

CMYK 48 / 26 / 0 / 42

HEX #4D6D94

RGB 77 109 148

HSL 212.96, 0.32%, 0.44%

LAB 45.16, -0.33, -24.87

 

CMYK 0 / 49 / 2 / 42

HEX #944C91

RGB 148 76 145

HSL 302.5, 0.32%, 0.44%

LAB 43.52, 40.38, -25.08

 

CMYK 0 / 23 / 49 / 42

HEX #94724C

RGB 148 114 76

HSL 31.67, 0.32%, 0.44%

LAB 50.51, 8.37, 26.14

 

CMYK 49 / 0 / 47 / 42

HEX #4C944E

RGB 76 148 78

HSL 121.67, 0.32%, 0.44%

LAB 55.35, -37.65, 30.11

 

Description

Color code: HEX #4D6D94 | qconv.com Color code: HEX #4D6D94 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 109 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 109 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 26 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 26% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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