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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D7317 it is the complementary color #B28CE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D7317. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D7317 shade: #527312, #638525, #749738, #85A94B and #96BB5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D7317. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D7317 shade: #4D7317, #3C6104, #2B4F00, #1A3D00 and #092B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D7317 shade: #4C7216, #657216, #726716, #724E16 and #723516

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D7317 shade: #4C7216, #337216, #1B7216, #16722B and #167244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D7317 shade matches the following richer shades: #4C7216, #4E7E0B and #508900

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D7317 shade: #4C7216, #4A6721, #485C2D, #475138 and #454643

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D7317 shade: #726616, #667216, #4E7216, #357216 and #1C7216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D7317 shade: #1E2E09, #35500F, #4C7216, #63951D and #7AB724

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D7317 shade: #4D7317, #16724E and #721672

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D7317 shade: #4D7317, #164E72 and #72164E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D7317 shade: #4D7317, #16724E, #3B1672 and #72163B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D7317 shade: #4D7317, #167269, #3B1672 and #72161F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 80 / 55

HEX #4D7317

RGB 77 115 23

HSL 84.78, 0.67%, 0.27%

LAB 44.09, -28.23, 43.19

 

Complementary color

CMYK 23 / 40 / 0 / 9

HEX #B28CE8

RGB 178 140 232

HSL 264.78, 0.67%, 0.73%

LAB 65, 32.62, -41.33

 

CMYK 29 / 0 / 84 / 55

HEX #527312

RGB 82 115 18

HSL 80.41, 0.73%, 0.26%

LAB 44.37, -26.42, 45.19

 

CMYK 26 / 0 / 72 / 48

HEX #638525

RGB 99 133 37

HSL 81.25, 0.56%, 0.33%

LAB 51.34, -27.03, 45.47

 

CMYK 23 / 0 / 63 / 41

HEX #749738

RGB 116 151 56

HSL 82.11, 0.46%, 0.41%

LAB 58.16, -27.4, 44.86

 

CMYK 21 / 0 / 56 / 34

HEX #85A94B

RGB 133 169 75

HSL 82.98, 0.39%, 0.48%

LAB 64.86, -27.62, 43.87

 

CMYK 20 / 0 / 50 / 27

HEX #96BB5E

RGB 150 187 94

HSL 83.87, 0.41%, 0.55%

LAB 71.44, -27.74, 42.75

 

CMYK 33 / 0 / 80 / 55

HEX #4D7317

RGB 77 115 23

HSL 84.78, 0.67%, 0.27%

LAB 44.09, -28.23, 43.19

 

CMYK 38 / 0 / 96 / 62

HEX #3C6104

RGB 60 97 4

HSL 83.87, 0.92%, 0.2%

LAB 36.96, -27.45, 42.05

 

CMYK 46 / 0 / 100 / 69

HEX #2B4F00

RGB 43 79 0

HSL 87.34, 1%, 0.15%

LAB 29.68, -26.03, 37.17

 

CMYK 57 / 0 / 100 / 76

HEX #1A3D00

RGB 26 61 0

HSL 94.43, 1%, 0.12%

LAB 22.15, -24.25, 29.95

 

CMYK 79 / 0 / 100 / 83

HEX #092B00

RGB 9 43 0

HSL 107.44, 1%, 0.08%

LAB 14.32, -21.99, 20.5

 

CMYK 33 / 0 / 81 / 55

HEX #4C7216

RGB 76 114 22

HSL 84.78, 0.68%, 0.27%

LAB 43.7, -28.22, 43.14

 

CMYK 11 / 0 / 81 / 55

HEX #657216

RGB 101 114 22

HSL 68.48, 0.68%, 0.27%

LAB 45.44, -17.32, 45.4

 

CMYK 0 / 10 / 81 / 55

HEX #726716

RGB 114 103 22

HSL 52.83, 0.68%, 0.27%

LAB 43.26, -5.08, 43.83

 

CMYK 0 / 32 / 81 / 55

HEX #724E16

RGB 114 78 22

HSL 36.52, 0.68%, 0.27%

LAB 36.15, 9.76, 37.18

 

CMYK 0 / 54 / 81 / 55

HEX #723516

RGB 114 53 22

HSL 20.22, 0.68%, 0.27%

LAB 29.87, 24.64, 31.01

 

CMYK 33 / 0 / 81 / 55

HEX #4C7216

RGB 76 114 22

HSL 84.78, 0.68%, 0.27%

LAB 43.7, -28.22, 43.14

 

CMYK 55 / 0 / 81 / 55

HEX #337216

RGB 51 114 22

HSL 101.09, 0.68%, 0.27%

LAB 42.45, -37.24, 41.53

 

CMYK 76 / 0 / 81 / 55

HEX #1B7216

RGB 27 114 22

HSL 116.74, 0.68%, 0.27%

LAB 41.73, -43.17, 40.57

 

CMYK 81 / 0 / 62 / 55

HEX #16722B

RGB 22 114 43

HSL 133.7, 0.68%, 0.27%

LAB 41.81, -41.79, 31.48

 

CMYK 81 / 0 / 40 / 55

HEX #167244

RGB 22 114 68

HSL 150, 0.68%, 0.27%

LAB 42.19, -37.39, 18.28

 

CMYK 33 / 0 / 81 / 55

HEX #4C7216

RGB 76 114 22

HSL 84.78, 0.68%, 0.27%

LAB 43.7, -28.22, 43.14

 

CMYK 38 / 0 / 91 / 51

HEX #4E7E0B

RGB 78 126 11

HSL 85.04, 0.84%, 0.27%

LAB 47.71, -33.45, 49.76

 

CMYK 42 / 0 / 100 / 46

HEX #508900

RGB 80 137 0

HSL 84.96, 1%, 0.27%

LAB 51.38, -37.83, 54.86

 

CMYK 33 / 0 / 81 / 55

HEX #4C7216

RGB 76 114 22

HSL 84.78, 0.68%, 0.27%

LAB 43.7, -28.22, 43.14

 

CMYK 28 / 0 / 68 / 60

HEX #4A6721

RGB 74 103 33

HSL 84.86, 0.51%, 0.27%

LAB 40.03, -22.83, 34.91

 

CMYK 22 / 0 / 51 / 64

HEX #485C2D

RGB 72 92 45

HSL 85.53, 0.34%, 0.27%

LAB 36.41, -16.58, 24.46

 

CMYK 12 / 0 / 31 / 68

HEX #475138

RGB 71 81 56

HSL 84, 0.18%, 0.27%

LAB 32.94, -9.09, 13.43

 

CMYK 1 / 0 / 4 / 73

HEX #454643

RGB 69 70 67

HSL 80, 0.02%, 0.27%

LAB 29.54, -1.07, 1.66

 

CMYK 0 / 11 / 81 / 55

HEX #726616

RGB 114 102 22

HSL 52.17, 0.68%, 0.27%

LAB 42.97, -4.5, 43.56

 

CMYK 11 / 0 / 81 / 55

HEX #667216

RGB 102 114 22

HSL 67.83, 0.68%, 0.27%

LAB 45.52, -16.87, 45.5

 

CMYK 32 / 0 / 81 / 55

HEX #4E7216

RGB 78 114 22

HSL 83.48, 0.68%, 0.27%

LAB 43.82, -27.4, 43.3

 

CMYK 54 / 0 / 81 / 55

HEX #357216

RGB 53 114 22

HSL 99.78, 0.68%, 0.27%

LAB 42.54, -36.61, 41.63

 

CMYK 75 / 0 / 81 / 55

HEX #1C7216

RGB 28 114 22

HSL 116.09, 0.68%, 0.27%

LAB 41.75, -42.99, 40.6

 

CMYK 35 / 0 / 80 / 82

HEX #1E2E09

RGB 30 46 9

HSL 85.95, 0.67%, 0.11%

LAB 16.75, -14.04, 20.14

 

CMYK 34 / 0 / 81 / 69

HEX #35500F

RGB 53 80 15

HSL 84.92, 0.68%, 0.19%

LAB 30.71, -21.49, 32.81

 

CMYK 33 / 0 / 81 / 55

HEX #4C7216

RGB 76 114 22

HSL 84.78, 0.68%, 0.27%

LAB 43.7, -28.22, 43.14

 

CMYK 34 / 0 / 81 / 42

HEX #63951D

RGB 99 149 29

HSL 85, 0.67%, 0.35%

LAB 56.32, -35, 53.12

 

CMYK 33 / 0 / 80 / 28

HEX #7AB724

RGB 122 183 36

HSL 84.9, 0.67%, 0.43%

LAB 68.12, -41.03, 62.33

 

CMYK 33 / 0 / 80 / 55

HEX #4D7317

RGB 77 115 23

HSL 84.78, 0.67%, 0.27%

LAB 44.09, -28.23, 43.19

 

CMYK 81 / 0 / 32 / 55

HEX #16724E

RGB 22 114 78

HSL 156.52, 0.68%, 0.27%

LAB 42.39, -35.12, 12.72

 

CMYK 0 / 81 / 0 / 55

HEX #721672

RGB 114 22 114

HSL 300, 0.68%, 0.27%

LAB 27.75, 49.51, -31.01

 

CMYK 33 / 0 / 80 / 55

HEX #4D7317

RGB 77 115 23

HSL 84.78, 0.67%, 0.27%

LAB 44.09, -28.23, 43.19

 

CMYK 81 / 32 / 0 / 55

HEX #164E72

RGB 22 78 114

HSL 203.48, 0.68%, 0.27%

LAB 31.43, -4.32, -25.75

 

CMYK 0 / 81 / 32 / 55

HEX #72164E

RGB 114 22 78

HSL 323.48, 0.68%, 0.27%

LAB 25.87, 44.02, -10.39

 

CMYK 33 / 0 / 80 / 55

HEX #4D7317

RGB 77 115 23

HSL 84.78, 0.67%, 0.27%

LAB 44.09, -28.23, 43.19

 

CMYK 81 / 0 / 32 / 55

HEX #16724E

RGB 22 114 78

HSL 156.52, 0.68%, 0.27%

LAB 42.39, -35.12, 12.72

 

CMYK 48 / 81 / 0 / 55

HEX #3B1672

RGB 59 22 114

HSL 264.13, 0.68%, 0.27%

LAB 18.88, 38.59, -45.78

 

CMYK 0 / 81 / 48 / 55

HEX #72163B

RGB 114 22 59

HSL 335.87, 0.68%, 0.27%

LAB 25.16, 41.86, 1.42

 

CMYK 33 / 0 / 80 / 55

HEX #4D7317

RGB 77 115 23

HSL 84.78, 0.67%, 0.27%

LAB 44.09, -28.23, 43.19

 

CMYK 81 / 0 / 8 / 55

HEX #167269

RGB 22 114 105

HSL 174.13, 0.68%, 0.27%

LAB 43.1, -27.71, -2.42

 

CMYK 48 / 81 / 0 / 55

HEX #3B1672

RGB 59 22 114

HSL 264.13, 0.68%, 0.27%

LAB 18.88, 38.59, -45.78

 

CMYK 0 / 81 / 73 / 55

HEX #72161F

RGB 114 22 31

HSL 354.13, 0.68%, 0.27%

LAB 24.48, 39.72, 19.59

 

Description

Color code: HEX #4D7317 | qconv.com Color code: HEX #4D7317 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 115 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 115 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 80 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 80% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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