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Color name
HEX #4D9111

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D9111 it is the complementary color #B26EEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D9111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D9111 shade: #52910C, #63A31F, #74B532, #85C745 and #96D958

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D9111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D9111 shade: #4D9111, #3C7F00, #2B6D00, #1A5B00 and #094900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D9111 shade: #4D9211, #709211, #929111, #926E11 and #924B11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D9111 shade: #4D9211, #2A9211, #11921A, #11923D and #11925F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D9111 shade matches the following richer shades: #4D9211 and #4C9F03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D9111 shade: #4D9211, #4E841E, #4F772B, #506A38 and #505D45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D9111 shade: #928F11, #719211, #4F9211, #2D9211 and #119217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D9111 shade: #264808, #396D0C, #4D9211, #61B615 and #74DB19

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D9111 shade: #4D9111, #11926D and #921183

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D9111 shade: #4D9111, #114F92 and #92114F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D9111 shade: #4D9111, #11926D, #531192 and #921135

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D9111 shade: #4D9111, #118F92, #531192 and #921311

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 88 / 43

HEX #4D9111

RGB 77 145 17

HSL 91.88, 0.79%, 0.32%

LAB 53.89, -41.74, 53.73

 

Complementary color

CMYK 25 / 54 / 0 / 7

HEX #B26EEE

RGB 178 110 238

HSL 271.88, 0.79%, 0.68%

LAB 58.78, 50.39, -54.49

 

CMYK 43 / 0 / 92 / 43

HEX #52910C

RGB 82 145 12

HSL 88.42, 0.85%, 0.31%

LAB 54.1, -40.19, 55.01

 

CMYK 39 / 0 / 81 / 36

HEX #63A31F

RGB 99 163 31

HSL 89.09, 0.68%, 0.38%

LAB 60.73, -41.04, 56.58

 

CMYK 36 / 0 / 72 / 29

HEX #74B532

RGB 116 181 50

HSL 89.77, 0.57%, 0.45%

LAB 67.27, -41.57, 56.85

 

CMYK 33 / 0 / 65 / 22

HEX #85C745

RGB 133 199 69

HSL 90.46, 0.54%, 0.53%

LAB 73.72, -41.9, 56.41

 

CMYK 31 / 0 / 59 / 15

HEX #96D958

RGB 150 217 88

HSL 91.16, 0.63%, 0.6%

LAB 80.08, -42.09, 55.61

 

CMYK 47 / 0 / 88 / 43

HEX #4D9111

RGB 77 145 17

HSL 91.88, 0.79%, 0.32%

LAB 53.89, -41.74, 53.73

 

CMYK 53 / 0 / 100 / 50

HEX #3C7F00

RGB 60 127 0

HSL 91.65, 1%, 0.25%

LAB 47.16, -40.57, 51.17

 

CMYK 61 / 0 / 100 / 57

HEX #2B6D00

RGB 43 109 0

HSL 96.33, 1%, 0.21%

LAB 40.33, -38.7, 45.52

 

CMYK 71 / 0 / 100 / 64

HEX #1A5B00

RGB 26 91 0

HSL 102.86, 1%, 0.18%

LAB 33.35, -36.43, 39.77

 

CMYK 88 / 0 / 100 / 71

HEX #094900

RGB 9 73 0

HSL 112.6, 1%, 0.14%

LAB 26.22, -33.4, 33.78

 

CMYK 47 / 0 / 88 / 43

HEX #4D9211

RGB 77 146 17

HSL 92.09, 0.79%, 0.32%

LAB 54.21, -42.15, 54.01

 

CMYK 23 / 0 / 88 / 43

HEX #709211

RGB 112 146 17

HSL 75.81, 0.79%, 0.32%

LAB 56.13, -28.85, 56.4

 

CMYK 0 / 1 / 88 / 43

HEX #929111

RGB 146 145 17

HSL 59.53, 0.79%, 0.32%

LAB 58.42, -13.39, 59.35

 

CMYK 0 / 25 / 88 / 43

HEX #926E11

RGB 146 110 17

HSL 43.26, 0.79%, 0.32%

LAB 48.64, 6, 51.41

 

CMYK 0 / 49 / 88 / 43

HEX #924B11

RGB 146 75 17

HSL 26.98, 0.79%, 0.32%

LAB 39.89, 26.09, 44.25

 

CMYK 47 / 0 / 88 / 43

HEX #4D9211

RGB 77 146 17

HSL 92.09, 0.79%, 0.32%

LAB 54.21, -42.15, 54.01

 

CMYK 71 / 0 / 88 / 43

HEX #2A9211

RGB 42 146 17

HSL 108.37, 0.79%, 0.32%

LAB 53.05, -51.51, 52.54

 

CMYK 88 / 0 / 82 / 43

HEX #11921A

RGB 17 146 26

HSL 124.19, 0.79%, 0.32%

LAB 52.68, -54.62, 49.68

 

CMYK 88 / 0 / 58 / 43

HEX #11923D

RGB 17 146 61

HSL 140.47, 0.79%, 0.32%

LAB 52.96, -51.02, 35.58

 

CMYK 88 / 0 / 35 / 43

HEX #11925F

RGB 17 146 95

HSL 156.28, 0.79%, 0.32%

LAB 53.5, -44.77, 18.13

 

CMYK 47 / 0 / 88 / 43

HEX #4D9211

RGB 77 146 17

HSL 92.09, 0.79%, 0.32%

LAB 54.21, -42.15, 54.01

 

CMYK 52 / 0 / 98 / 38

HEX #4C9F03

RGB 76 159 3

HSL 91.92, 0.96%, 0.32%

LAB 58.36, -47.95, 59.79

 

CMYK 47 / 0 / 88 / 43

HEX #4D9211

RGB 77 146 17

HSL 92.09, 0.79%, 0.32%

LAB 54.21, -42.15, 54.01

 

CMYK 41 / 0 / 77 / 48

HEX #4E841E

RGB 78 132 30

HSL 91.76, 0.63%, 0.32%

LAB 49.76, -35.23, 46.17

 

CMYK 34 / 0 / 64 / 53

HEX #4F772B

RGB 79 119 43

HSL 91.58, 0.47%, 0.32%

LAB 45.68, -27.79, 36.45

 

CMYK 25 / 0 / 47 / 58

HEX #506A38

RGB 80 106 56

HSL 91.2, 0.31%, 0.32%

LAB 41.69, -19.28, 24.94

 

CMYK 14 / 0 / 26 / 64

HEX #505D45

RGB 80 93 69

HSL 92.5, 0.15%, 0.32%

LAB 37.78, -10, 12.16

 

CMYK 0 / 2 / 88 / 43

HEX #928F11

RGB 146 143 17

HSL 58.6, 0.79%, 0.32%

LAB 57.84, -12.33, 58.88

 

CMYK 23 / 0 / 88 / 43

HEX #719211

RGB 113 146 17

HSL 75.35, 0.79%, 0.32%

LAB 56.2, -28.43, 56.49

 

CMYK 46 / 0 / 88 / 43

HEX #4F9211

RGB 79 146 17

HSL 91.16, 0.79%, 0.32%

LAB 54.3, -41.48, 54.12

 

CMYK 69 / 0 / 88 / 43

HEX #2D9211

RGB 45 146 17

HSL 106.98, 0.79%, 0.32%

LAB 53.12, -50.9, 52.63

 

CMYK 88 / 0 / 84 / 43

HEX #119217

RGB 17 146 23

HSL 122.79, 0.79%, 0.32%

LAB 52.66, -54.8, 50.53

 

CMYK 47 / 0 / 89 / 72

HEX #264808

RGB 38 72 8

HSL 91.88, 0.8%, 0.16%

LAB 26.92, -24.2, 31.55

 

CMYK 48 / 0 / 89 / 57

HEX #396D0C

RGB 57 109 12

HSL 92.16, 0.8%, 0.24%

LAB 40.95, -33.7, 43.3

 

CMYK 47 / 0 / 88 / 43

HEX #4D9211

RGB 77 146 17

HSL 92.09, 0.79%, 0.32%

LAB 54.21, -42.15, 54.01

 

CMYK 47 / 0 / 88 / 29

HEX #61B615

RGB 97 182 21

HSL 91.68, 0.79%, 0.4%

LAB 66.56, -49.83, 64.1

 

CMYK 47 / 0 / 89 / 14

HEX #74DB19

RGB 116 219 25

HSL 91.86, 0.8%, 0.48%

LAB 78.72, -57.89, 73.97

 

CMYK 47 / 0 / 88 / 43

HEX #4D9111

RGB 77 145 17

HSL 91.88, 0.79%, 0.32%

LAB 53.89, -41.74, 53.73

 

CMYK 88 / 0 / 25 / 43

HEX #11926D

RGB 17 146 109

HSL 162.79, 0.79%, 0.32%

LAB 53.79, -41.45, 10.62

 

CMYK 0 / 88 / 10 / 43

HEX #921183

RGB 146 17 131

HSL 306.98, 0.79%, 0.32%

LAB 34.29, 60.16, -30.99

 

CMYK 47 / 0 / 88 / 43

HEX #4D9111

RGB 77 145 17

HSL 91.88, 0.79%, 0.32%

LAB 53.89, -41.74, 53.73

 

CMYK 88 / 46 / 0 / 43

HEX #114F92

RGB 17 79 146

HSL 211.16, 0.79%, 0.32%

LAB 33.53, 7.56, -42.18

 

CMYK 0 / 88 / 46 / 43

HEX #92114F

RGB 146 17 79

HSL 331.16, 0.79%, 0.32%

LAB 31.98, 53.84, -1.23

 

CMYK 47 / 0 / 88 / 43

HEX #4D9111

RGB 77 145 17

HSL 91.88, 0.79%, 0.32%

LAB 53.89, -41.74, 53.73

 

CMYK 88 / 0 / 25 / 43

HEX #11926D

RGB 17 146 109

HSL 162.79, 0.79%, 0.32%

LAB 53.79, -41.45, 10.62

 

CMYK 43 / 88 / 0 / 43

HEX #531192

RGB 83 17 146

HSL 270.7, 0.79%, 0.32%

LAB 24.69, 52.15, -56.36

 

CMYK 0 / 88 / 64 / 43

HEX #921135

RGB 146 17 53

HSL 343.26, 0.79%, 0.32%

LAB 31.27, 51.83, 14.99

 

CMYK 47 / 0 / 88 / 43

HEX #4D9111

RGB 77 145 17

HSL 91.88, 0.79%, 0.32%

LAB 53.89, -41.74, 53.73

 

CMYK 88 / 2 / 0 / 43

HEX #118F92

RGB 17 143 146

HSL 181.4, 0.79%, 0.32%

LAB 53.86, -29.46, -10.57

 

CMYK 43 / 88 / 0 / 43

HEX #531192

RGB 83 17 146

HSL 270.7, 0.79%, 0.32%

LAB 24.69, 52.15, -56.36

 

CMYK 0 / 87 / 88 / 43

HEX #921311

RGB 146 19 17

HSL 0.93, 0.79%, 0.32%

LAB 30.92, 49.9, 36.82

 

Description

Color code: HEX #4D9111 | qconv.com Color code: HEX #4D9111 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 145 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 145 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 88 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 88% 43% C M Y K

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Provide designers and agencies with accurate color values.

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