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Color name
HEX #4D9A0D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D9A0D it is the complementary color #B265F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D9A0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D9A0D shade: #529A08, #63AC1B, #74BE2E, #85D041 and #96E254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D9A0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D9A0D shade: #4D9A0D, #3C8800, #2B7600, #1A6400 and #095200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D9A0D shade: #4D9A0D, #739A0D, #999A0D, #9A750D and #9A4F0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D9A0D shade: #4D9A0D, #279A0D, #0D9A19, #0D9A3F and #0D9A65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D9A0D shade matches the following richer shades: #4D9A0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D9A0D shade: #4D9A0D, #4E8D1B, #507F28, #517136 and #526443

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D9A0D shade: #9A9A0D, #759A0D, #4F9A0D, #299A0D and #0D9A16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D9A0D shade: #274E06, #3A740A, #4D9A0D, #60C010 and #73E614

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D9A0D shade: #4D9A0D, #0D9A75 and #9A0D87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D9A0D shade: #4D9A0D, #0D4F9A and #9A0D4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D9A0D shade: #4D9A0D, #0D9A75, #580D9A and #9A0D33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D9A0D shade: #4D9A0D, #0D969A, #580D9A and #9A120D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 92 / 40

HEX #4D9A0D

RGB 77 154 13

HSL 92.77, 0.84%, 0.33%

LAB 56.8, -45.47, 57

 

Complementary color

CMYK 26 / 58 / 0 / 5

HEX #B265F2

RGB 178 101 242

HSL 272.77, 0.84%, 0.67%

LAB 57.25, 55.93, -59.15

 

CMYK 47 / 0 / 95 / 40

HEX #529A08

RGB 82 154 8

HSL 89.59, 0.9%, 0.32%

LAB 57, -43.98, 58.04

 

CMYK 42 / 0 / 84 / 33

HEX #63AC1B

RGB 99 172 27

HSL 90.21, 0.73%, 0.39%

LAB 63.54, -44.97, 60.19

 

CMYK 39 / 0 / 76 / 25

HEX #74BE2E

RGB 116 190 46

HSL 90.83, 0.61%, 0.46%

LAB 69.99, -45.62, 60.91

 

CMYK 36 / 0 / 69 / 18

HEX #85D041

RGB 133 208 65

HSL 91.47, 0.6%, 0.54%

LAB 76.36, -46.05, 60.78

 

CMYK 34 / 0 / 63 / 11

HEX #96E254

RGB 150 226 84

HSL 92.11, 0.71%, 0.61%

LAB 82.66, -46.3, 60.17

 

CMYK 50 / 0 / 92 / 40

HEX #4D9A0D

RGB 77 154 13

HSL 92.77, 0.84%, 0.33%

LAB 56.8, -45.47, 57

 

CMYK 56 / 0 / 100 / 47

HEX #3C8800

RGB 60 136 0

HSL 93.53, 1%, 0.27%

LAB 50.18, -44.07, 53.55

 

CMYK 64 / 0 / 100 / 54

HEX #2B7600

RGB 43 118 0

HSL 98.14, 1%, 0.23%

LAB 43.46, -42.09, 48

 

CMYK 74 / 0 / 100 / 61

HEX #1A6400

RGB 26 100 0

HSL 104.4, 1%, 0.2%

LAB 36.62, -39.67, 42.37

 

CMYK 89 / 0 / 100 / 68

HEX #095200

RGB 9 82 0

HSL 113.41, 1%, 0.16%

LAB 29.65, -36.48, 36.66

 

CMYK 50 / 0 / 92 / 40

HEX #4D9A0D

RGB 77 154 13

HSL 92.77, 0.84%, 0.33%

LAB 56.8, -45.47, 57

 

CMYK 25 / 0 / 92 / 40

HEX #739A0D

RGB 115 154 13

HSL 76.6, 0.84%, 0.33%

LAB 58.77, -31.51, 59.44

 

CMYK 1 / 0 / 92 / 40

HEX #999A0D

RGB 153 154 13

HSL 60.43, 0.84%, 0.33%

LAB 61.58, -15.04, 62.86

 

CMYK 0 / 24 / 92 / 40

HEX #9A750D

RGB 154 117 13

HSL 44.26, 0.84%, 0.33%

LAB 51.41, 5.66, 54.97

 

CMYK 0 / 49 / 92 / 40

HEX #9A4F0D

RGB 154 79 13

HSL 28.09, 0.84%, 0.33%

LAB 41.99, 27.25, 47.76

 

CMYK 50 / 0 / 92 / 40

HEX #4D9A0D

RGB 77 154 13

HSL 92.77, 0.84%, 0.33%

LAB 56.8, -45.47, 57

 

CMYK 75 / 0 / 92 / 40

HEX #279A0D

RGB 39 154 13

HSL 108.94, 0.84%, 0.33%

LAB 55.66, -54.83, 55.58

 

CMYK 92 / 0 / 84 / 40

HEX #0D9A19

RGB 13 154 25

HSL 125.11, 0.84%, 0.33%

LAB 55.35, -57.41, 52.44

 

CMYK 92 / 0 / 59 / 40

HEX #0D9A3F

RGB 13 154 63

HSL 141.28, 0.84%, 0.33%

LAB 55.64, -53.72, 37.76

 

CMYK 92 / 0 / 34 / 40

HEX #0D9A65

RGB 13 154 101

HSL 157.45, 0.84%, 0.33%

LAB 56.22, -46.81, 18.48

 

CMYK 50 / 0 / 92 / 40

HEX #4D9A0D

RGB 77 154 13

HSL 92.77, 0.84%, 0.33%

LAB 56.8, -45.47, 57

 

CMYK 50 / 0 / 92 / 40

HEX #4D9A0D

RGB 77 154 13

HSL 92.77, 0.84%, 0.33%

LAB 56.8, -45.47, 57

 

CMYK 45 / 0 / 81 / 45

HEX #4E8D1B

RGB 78 141 27

HSL 93.16, 0.68%, 0.33%

LAB 52.67, -39.29, 49.96

 

CMYK 37 / 0 / 69 / 50

HEX #507F28

RGB 80 127 40

HSL 92.41, 0.52%, 0.33%

LAB 48.31, -31.47, 40.71

 

CMYK 28 / 0 / 52 / 56

HEX #517136

RGB 81 113 54

HSL 92.54, 0.35%, 0.33%

LAB 43.98, -22.78, 28.89

 

CMYK 18 / 0 / 33 / 61

HEX #526443

RGB 82 100 67

HSL 92.73, 0.2%, 0.33%

LAB 40.1, -13.51, 16.55

 

CMYK 0 / 0 / 92 / 40

HEX #9A9A0D

RGB 154 154 13

HSL 60, 0.84%, 0.33%

LAB 61.66, -14.59, 62.97

 

CMYK 24 / 0 / 92 / 40

HEX #759A0D

RGB 117 154 13

HSL 75.74, 0.84%, 0.33%

LAB 58.9, -30.68, 59.6

 

CMYK 49 / 0 / 92 / 40

HEX #4F9A0D

RGB 79 154 13

HSL 91.91, 0.84%, 0.33%

LAB 56.88, -44.83, 57.1

 

CMYK 73 / 0 / 92 / 40

HEX #299A0D

RGB 41 154 13

HSL 108.09, 0.84%, 0.33%

LAB 55.7, -54.48, 55.63

 

CMYK 92 / 0 / 86 / 40

HEX #0D9A16

RGB 13 154 22

HSL 123.83, 0.84%, 0.33%

LAB 55.33, -57.57, 53.22

 

CMYK 50 / 0 / 92 / 69

HEX #274E06

RGB 39 78 6

HSL 92.5, 0.86%, 0.16%

LAB 29.14, -26.75, 34.33

 

CMYK 50 / 0 / 91 / 55

HEX #3A740A

RGB 58 116 10

HSL 92.83, 0.84%, 0.25%

LAB 43.38, -36.41, 45.9

 

CMYK 50 / 0 / 92 / 40

HEX #4D9A0D

RGB 77 154 13

HSL 92.77, 0.84%, 0.33%

LAB 56.8, -45.47, 57

 

CMYK 50 / 0 / 92 / 25

HEX #60C010

RGB 96 192 16

HSL 92.73, 0.85%, 0.41%

LAB 69.63, -54.08, 67.51

 

CMYK 50 / 0 / 91 / 10

HEX #73E614

RGB 115 230 20

HSL 92.86, 0.84%, 0.49%

LAB 82, -62.33, 77.45

 

CMYK 50 / 0 / 92 / 40

HEX #4D9A0D

RGB 77 154 13

HSL 92.77, 0.84%, 0.33%

LAB 56.8, -45.47, 57

 

CMYK 92 / 0 / 24 / 40

HEX #0D9A75

RGB 13 154 117

HSL 164.26, 0.84%, 0.33%

LAB 56.57, -42.99, 9.99

 

CMYK 0 / 92 / 12 / 40

HEX #9A0D87

RGB 154 13 135

HSL 308.09, 0.84%, 0.33%

LAB 35.8, 63, -30.99

 

CMYK 50 / 0 / 92 / 40

HEX #4D9A0D

RGB 77 154 13

HSL 92.77, 0.84%, 0.33%

LAB 56.8, -45.47, 57

 

CMYK 92 / 49 / 0 / 40

HEX #0D4F9A

RGB 13 79 154

HSL 211.91, 0.84%, 0.33%

LAB 34.01, 10.61, -46.28

 

CMYK 0 / 92 / 49 / 40

HEX #9A0D4F

RGB 154 13 79

HSL 331.91, 0.84%, 0.33%

LAB 33.4, 56.57, 1.04

 

CMYK 50 / 0 / 92 / 40

HEX #4D9A0D

RGB 77 154 13

HSL 92.77, 0.84%, 0.33%

LAB 56.8, -45.47, 57

 

CMYK 92 / 0 / 24 / 40

HEX #0D9A75

RGB 13 154 117

HSL 164.26, 0.84%, 0.33%

LAB 56.57, -42.99, 9.99

 

CMYK 43 / 92 / 0 / 40

HEX #580D9A

RGB 88 13 154

HSL 271.91, 0.84%, 0.33%

LAB 25.85, 55.67, -59.35

 

CMYK 0 / 92 / 67 / 40

HEX #9A0D33

RGB 154 13 51

HSL 343.83, 0.84%, 0.33%

LAB 32.69, 54.6, 18.49

 

CMYK 50 / 0 / 92 / 40

HEX #4D9A0D

RGB 77 154 13

HSL 92.77, 0.84%, 0.33%

LAB 56.8, -45.47, 57

 

CMYK 92 / 3 / 0 / 40

HEX #0D969A

RGB 13 150 154

HSL 181.7, 0.84%, 0.33%

LAB 56.32, -30.53, -11.47

 

CMYK 43 / 92 / 0 / 40

HEX #580D9A

RGB 88 13 154

HSL 271.91, 0.84%, 0.33%

LAB 25.85, 55.67, -59.35

 

CMYK 0 / 88 / 92 / 40

HEX #9A120D

RGB 154 18 13

HSL 2.13, 0.84%, 0.33%

LAB 32.55, 52.35, 40.76

 

Description

Color code: HEX #4D9A0D | qconv.com Color code: HEX #4D9A0D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 154 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 154 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 92 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 92% 40% C M Y K

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Provide designers and agencies with accurate color values.

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