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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DA79F it is the complementary color #B25860. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DA79F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DA79F shade: #52A79A, #63B9AD, #74CBC0, #85DDD3 and #96EFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DA79F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DA79F shade: #4DA79F, #3C958C, #2B8379, #1A7166 and #095F53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DA79F shade: #4DA79F, #4DA787, #4DA76E, #4DA756 and #5CA74D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DA79F shade: #4DA79F, #4D97A7, #4D7EA7, #4D66A7 and #4D4EA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DA79F shade matches the following richer shades: #4DA79F, #39BBAF, #25CFC0 and #11E3D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DA79F shade: #4DA79F, #60938F, #74807F, #886C6E and #9C585E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DA79F shade: #4DA76E, #4DA786, #4DA79E, #4D98A7 and #4D80A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DA79F shade: #336F69, #408B84, #4DA79F, #65B8B1 and #81C5BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DA79F shade: #4DA79F, #564DA7 and #A77A4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DA79F shade: #4DA79F, #9E4DA7 and #A79E4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DA79F shade: #4DA79F, #564DA7, #A74D56 and #9EA74D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DA79F shade: #4DA79F, #714DA7, #A74D56 and #83A74D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 5 / 35

HEX #4DA79F

RGB 77 167 159

HSL 174.67, 0.37%, 0.48%

LAB 63.11, -28.79, -4.05

 

Complementary color

CMYK 0 / 51 / 46 / 30

HEX #B25860

RGB 178 88 96

HSL 354.67, 0.37%, 0.52%

LAB 48.62, 37.32, 12.58

 

CMYK 51 / 0 / 8 / 35

HEX #52A79A

RGB 82 167 154

HSL 170.82, 0.34%, 0.49%

LAB 63.15, -28.98, -1.17

 

CMYK 46 / 0 / 6 / 27

HEX #63B9AD

RGB 99 185 173

HSL 171.63, 0.38%, 0.56%

LAB 69.73, -28.95, -1.98

 

CMYK 43 / 0 / 5 / 20

HEX #74CBC0

RGB 116 203 192

HSL 172.41, 0.46%, 0.63%

LAB 76.21, -28.88, -2.73

 

CMYK 40 / 0 / 5 / 13

HEX #85DDD3

RGB 133 221 211

HSL 173.18, 0.56%, 0.69%

LAB 82.59, -28.79, -3.43

 

CMYK 37 / 0 / 4 / 6

HEX #96EFE6

RGB 150 239 230

HSL 173.93, 0.74%, 0.76%

LAB 88.89, -28.68, -4.09

 

CMYK 54 / 0 / 5 / 35

HEX #4DA79F

RGB 77 167 159

HSL 174.67, 0.37%, 0.48%

LAB 63.11, -28.79, -4.05

 

CMYK 60 / 0 / 6 / 42

HEX #3C958C

RGB 60 149 140

HSL 173.93, 0.43%, 0.41%

LAB 56.44, -28.62, -3.19

 

CMYK 67 / 0 / 8 / 49

HEX #2B8379

RGB 43 131 121

HSL 173.18, 0.51%, 0.34%

LAB 49.65, -28.27, -2.23

 

CMYK 77 / 0 / 10 / 56

HEX #1A7166

RGB 26 113 102

HSL 172.41, 0.63%, 0.27%

LAB 42.75, -27.63, -1.12

 

CMYK 91 / 0 / 13 / 63

HEX #095F53

RGB 9 95 83

HSL 171.63, 0.83%, 0.2%

LAB 35.73, -26.5, 0.2

 

CMYK 54 / 0 / 5 / 35

HEX #4DA79F

RGB 77 167 159

HSL 174.67, 0.37%, 0.48%

LAB 63.11, -28.79, -4.05

 

CMYK 54 / 0 / 19 / 35

HEX #4DA787

RGB 77 167 135

HSL 158.67, 0.37%, 0.48%

LAB 62.48, -34.79, 8.46

 

CMYK 54 / 0 / 34 / 35

HEX #4DA76E

RGB 77 167 110

HSL 142, 0.37%, 0.48%

LAB 61.95, -40.11, 21.52

 

CMYK 54 / 0 / 49 / 35

HEX #4DA756

RGB 77 167 86

HSL 126, 0.37%, 0.48%

LAB 61.56, -44.22, 33.76

 

CMYK 45 / 0 / 54 / 35

HEX #5CA74D

RGB 92 167 77

HSL 110, 0.37%, 0.48%

LAB 62.04, -41.12, 39.02

 

CMYK 54 / 0 / 5 / 35

HEX #4DA79F

RGB 77 167 159

HSL 174.67, 0.37%, 0.48%

LAB 63.11, -28.79, -4.05

 

CMYK 54 / 10 / 0 / 35

HEX #4D97A7

RGB 77 151 167

HSL 190.67, 0.37%, 0.48%

LAB 58.51, -18.4, -15.44

 

CMYK 54 / 25 / 0 / 35

HEX #4D7EA7

RGB 77 126 167

HSL 207.33, 0.37%, 0.48%

LAB 51.02, -4.47, -26.91

 

CMYK 54 / 39 / 0 / 35

HEX #4D66A7

RGB 77 102 167

HSL 223.33, 0.37%, 0.48%

LAB 44.05, 10.09, -37.85

 

CMYK 54 / 53 / 0 / 35

HEX #4D4EA7

RGB 77 78 167

HSL 239.33, 0.37%, 0.48%

LAB 37.51, 25.37, -48.28

 

CMYK 54 / 0 / 5 / 35

HEX #4DA79F

RGB 77 167 159

HSL 174.67, 0.37%, 0.48%

LAB 63.11, -28.79, -4.05

 

CMYK 70 / 0 / 6 / 27

HEX #39BBAF

RGB 57 187 175

HSL 174.46, 0.53%, 0.48%

LAB 69.12, -37.4, -4.13

 

CMYK 82 / 0 / 7 / 19

HEX #25CFC0

RGB 37 207 192

HSL 174.71, 0.7%, 0.48%

LAB 75.34, -43.76, -4.24

 

CMYK 93 / 0 / 8 / 11

HEX #11E3D0

RGB 17 227 208

HSL 174.57, 0.86%, 0.48%

LAB 81.63, -48.99, -3.57

 

CMYK 54 / 0 / 5 / 35

HEX #4DA79F

RGB 77 167 159

HSL 174.67, 0.37%, 0.48%

LAB 63.11, -28.79, -4.05

 

CMYK 35 / 0 / 3 / 42

HEX #60938F

RGB 96 147 143

HSL 175.29, 0.21%, 0.48%

LAB 57.4, -17.93, -3.31

 

CMYK 9 / 0 / 1 / 50

HEX #74807F

RGB 116 128 127

HSL 175, 0.05%, 0.48%

LAB 52.6, -4.62, -0.98

 

CMYK 0 / 21 / 19 / 47

HEX #886C6E

RGB 136 108 110

HSL 355.71, 0.11%, 0.48%

LAB 48.37, 11.43, 3.11

 

CMYK 0 / 44 / 40 / 39

HEX #9C585E

RGB 156 88 94

HSL 354.71, 0.28%, 0.48%

LAB 45.44, 28.67, 8.87

 

CMYK 54 / 0 / 34 / 35

HEX #4DA76E

RGB 77 167 110

HSL 142, 0.37%, 0.48%

LAB 61.95, -40.11, 21.52

 

CMYK 54 / 0 / 20 / 35

HEX #4DA786

RGB 77 167 134

HSL 158, 0.37%, 0.48%

LAB 62.45, -35.02, 8.98

 

CMYK 54 / 0 / 5 / 35

HEX #4DA79E

RGB 77 167 158

HSL 174, 0.37%, 0.48%

LAB 63.08, -29.06, -3.53

 

CMYK 54 / 9 / 0 / 35

HEX #4D98A7

RGB 77 152 167

HSL 190, 0.37%, 0.48%

LAB 58.81, -18.93, -14.99

 

CMYK 54 / 23 / 0 / 35

HEX #4D80A7

RGB 77 128 167

HSL 206, 0.37%, 0.48%

LAB 51.62, -5.63, -25.99

 

CMYK 54 / 0 / 5 / 56

HEX #336F69

RGB 51 111 105

HSL 174, 0.37%, 0.32%

LAB 42.9, -21.04, -2.62

 

CMYK 54 / 0 / 5 / 45

HEX #408B84

RGB 64 139 132

HSL 174.4, 0.37%, 0.4%

LAB 53.19, -25, -3.35

 

CMYK 54 / 0 / 5 / 35

HEX #4DA79F

RGB 77 167 159

HSL 174.67, 0.37%, 0.48%

LAB 63.11, -28.79, -4.05

 

CMYK 45 / 0 / 4 / 28

HEX #65B8B1

RGB 101 184 177

HSL 174.94, 0.37%, 0.56%

LAB 69.63, -26.98, -4.32

 

CMYK 35 / 0 / 3 / 23

HEX #81C5BF

RGB 129 197 191

HSL 174.71, 0.37%, 0.64%

LAB 75.05, -22.76, -3.82

 

CMYK 54 / 0 / 5 / 35

HEX #4DA79F

RGB 77 167 159

HSL 174.67, 0.37%, 0.48%

LAB 63.11, -28.79, -4.05

 

CMYK 49 / 54 / 0 / 35

HEX #564DA7

RGB 86 77 167

HSL 246, 0.37%, 0.48%

LAB 37.98, 27.99, -47.49

 

CMYK 0 / 27 / 54 / 35

HEX #A77A4D

RGB 167 122 77

HSL 30, 0.37%, 0.48%

LAB 54.73, 12.18, 31.36

 

CMYK 54 / 0 / 5 / 35

HEX #4DA79F

RGB 77 167 159

HSL 174.67, 0.37%, 0.48%

LAB 63.11, -28.79, -4.05

 

CMYK 5 / 54 / 0 / 35

HEX #9E4DA7

RGB 158 77 167

HSL 294, 0.37%, 0.48%

LAB 46.13, 47.02, -34.02

 

CMYK 0 / 5 / 54 / 35

HEX #A79E4D

RGB 167 158 77

HSL 54, 0.37%, 0.48%

LAB 64.33, -7.69, 42.94

 

CMYK 54 / 0 / 5 / 35

HEX #4DA79F

RGB 77 167 159

HSL 174.67, 0.37%, 0.48%

LAB 63.11, -28.79, -4.05

 

CMYK 49 / 54 / 0 / 35

HEX #564DA7

RGB 86 77 167

HSL 246, 0.37%, 0.48%

LAB 37.98, 27.99, -47.49

 

CMYK 0 / 54 / 49 / 35

HEX #A74D56

RGB 167 77 86

HSL 354, 0.37%, 0.48%

LAB 44.51, 37.9, 12.69

 

CMYK 5 / 0 / 54 / 35

HEX #9EA74D

RGB 158 167 77

HSL 66, 0.37%, 0.48%

LAB 66.09, -16.24, 44.8

 

CMYK 54 / 0 / 5 / 35

HEX #4DA79F

RGB 77 167 159

HSL 174.67, 0.37%, 0.48%

LAB 63.11, -28.79, -4.05

 

CMYK 32 / 54 / 0 / 35

HEX #714DA7

RGB 113 77 167

HSL 264, 0.37%, 0.48%

LAB 40.59, 34.67, -43.17

 

CMYK 0 / 54 / 49 / 35

HEX #A74D56

RGB 167 77 86

HSL 354, 0.37%, 0.48%

LAB 44.51, 37.9, 12.69

 

CMYK 22 / 0 / 54 / 35

HEX #83A74D

RGB 131 167 77

HSL 84, 0.37%, 0.48%

LAB 64.16, -27.23, 42.06

 

Description

Color code: HEX #4DA79F | qconv.com Color code: HEX #4DA79F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 167 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 167 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 5 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 5% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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