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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DA011 it is the complementary color #B25FEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DA011. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DA011 shade: #52A00C, #63B21F, #74C432, #85D645 and #96E858

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DA011. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DA011 shade: #4DA011, #3C8E00, #2B7C00, #1A6A00 and #095800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DA011 shade: #4DA110, #74A110, #9BA110, #A18010 and #A15910

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DA011 shade: #4DA110, #26A110, #10A122, #10A149 and #10A170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DA011 shade matches the following richer shades: #4DA110 and #4BAF02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DA011 shade: #4DA110, #4F931F, #52842D, #54763C and #56674A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DA011 shade: #9CA110, #76A110, #4FA110, #29A110 and #10A11F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DA011 shade: #295609, #3B7C0D, #4DA110, #5FC614 and #72E71D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DA011 shade: #4DA011, #10A17F and #A11089

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DA011 shade: #4DA011, #104FA1 and #A1104F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DA011 shade: #4DA011, #10A17F, #6210A1 and #A11032

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DA011 shade: #4DA011, #1097A1, #6210A1 and #A11A10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 89 / 37

HEX #4DA011

RGB 77 160 17

HSL 94.83, 0.81%, 0.35%

LAB 58.75, -47.67, 57.91

 

Complementary color

CMYK 25 / 60 / 0 / 7

HEX #B25FEE

RGB 178 95 238

HSL 274.83, 0.81%, 0.65%

LAB 55.91, 58.02, -59.08

 

CMYK 49 / 0 / 93 / 37

HEX #52A00C

RGB 82 160 12

HSL 91.62, 0.86%, 0.34%

LAB 58.94, -46.27, 59.03

 

CMYK 44 / 0 / 83 / 30

HEX #63B21F

RGB 99 178 31

HSL 92.24, 0.7%, 0.41%

LAB 65.43, -47.22, 60.85

 

CMYK 41 / 0 / 74 / 23

HEX #74C432

RGB 116 196 50

HSL 92.88, 0.59%, 0.48%

LAB 71.84, -47.85, 61.37

 

CMYK 38 / 0 / 68 / 16

HEX #85D645

RGB 133 214 69

HSL 93.52, 0.64%, 0.55%

LAB 78.17, -48.25, 61.13

 

CMYK 35 / 0 / 62 / 9

HEX #96E858

RGB 150 232 88

HSL 94.17, 0.76%, 0.63%

LAB 84.43, -48.48, 60.46

 

CMYK 52 / 0 / 89 / 37

HEX #4DA011

RGB 77 160 17

HSL 94.83, 0.81%, 0.35%

LAB 58.75, -47.67, 57.91

 

CMYK 58 / 0 / 100 / 44

HEX #3C8E00

RGB 60 142 0

HSL 94.65, 1%, 0.28%

LAB 52.18, -46.33, 55.13

 

CMYK 65 / 0 / 100 / 51

HEX #2B7C00

RGB 43 124 0

HSL 99.19, 1%, 0.24%

LAB 45.54, -44.28, 49.64

 

CMYK 75 / 0 / 100 / 58

HEX #1A6A00

RGB 26 106 0

HSL 105.28, 1%, 0.21%

LAB 38.77, -41.76, 44.08

 

CMYK 90 / 0 / 100 / 65

HEX #095800

RGB 9 88 0

HSL 113.86, 1%, 0.17%

LAB 31.89, -38.48, 38.46

 

CMYK 52 / 0 / 90 / 37

HEX #4DA110

RGB 77 161 16

HSL 94.76, 0.82%, 0.35%

LAB 59.07, -48.09, 58.37

 

CMYK 28 / 0 / 90 / 37

HEX #74A110

RGB 116 161 16

HSL 78.62, 0.82%, 0.35%

LAB 60.99, -34.27, 60.76

 

CMYK 4 / 0 / 90 / 37

HEX #9BA110

RGB 155 161 16

HSL 62.48, 0.82%, 0.35%

LAB 63.75, -17.7, 64.14

 

CMYK 0 / 20 / 90 / 37

HEX #A18010

RGB 161 128 16

HSL 46.34, 0.82%, 0.35%

LAB 55.13, 2.77, 57.54

 

CMYK 0 / 45 / 90 / 37

HEX #A15910

RGB 161 89 16

HSL 30.21, 0.82%, 0.35%

LAB 45.3, 24.82, 49.84

 

CMYK 52 / 0 / 90 / 37

HEX #4DA110

RGB 77 161 16

HSL 94.76, 0.82%, 0.35%

LAB 59.07, -48.09, 58.37

 

CMYK 76 / 0 / 90 / 37

HEX #26A110

RGB 38 161 16

HSL 110.9, 0.82%, 0.35%

LAB 57.98, -57.12, 57.01

 

CMYK 90 / 0 / 79 / 37

HEX #10A122

RGB 16 161 34

HSL 127.45, 0.82%, 0.35%

LAB 57.77, -58.72, 52.02

 

CMYK 90 / 0 / 55 / 37

HEX #10A149

RGB 16 161 73

HSL 143.59, 0.82%, 0.35%

LAB 58.11, -54.39, 35.8

 

CMYK 90 / 0 / 30 / 37

HEX #10A170

RGB 16 161 112

HSL 159.72, 0.82%, 0.35%

LAB 58.76, -46.84, 15.86

 

CMYK 52 / 0 / 90 / 37

HEX #4DA110

RGB 77 161 16

HSL 94.76, 0.82%, 0.35%

LAB 59.07, -48.09, 58.37

 

CMYK 57 / 0 / 99 / 31

HEX #4BAF02

RGB 75 175 2

HSL 94.68, 0.98%, 0.35%

LAB 63.48, -54.15, 63.99

 

CMYK 52 / 0 / 90 / 37

HEX #4DA110

RGB 77 161 16

HSL 94.76, 0.82%, 0.35%

LAB 59.07, -48.09, 58.37

 

CMYK 46 / 0 / 79 / 42

HEX #4F931F

RGB 79 147 31

HSL 95.17, 0.65%, 0.35%

LAB 54.69, -41.23, 50.59

 

CMYK 38 / 0 / 66 / 48

HEX #52842D

RGB 82 132 45

HSL 94.48, 0.49%, 0.35%

LAB 50.08, -32.58, 40.42

 

CMYK 29 / 0 / 49 / 54

HEX #54763C

RGB 84 118 60

HSL 95.17, 0.33%, 0.35%

LAB 45.86, -23.36, 28

 

CMYK 17 / 0 / 28 / 60

HEX #56674A

RGB 86 103 74

HSL 95.17, 0.16%, 0.35%

LAB 41.49, -12.36, 14.3

 

CMYK 3 / 0 / 90 / 37

HEX #9CA110

RGB 156 161 16

HSL 62.07, 0.82%, 0.35%

LAB 63.83, -17.26, 64.24

 

CMYK 27 / 0 / 90 / 37

HEX #76A110

RGB 118 161 16

HSL 77.79, 0.82%, 0.35%

LAB 61.11, -33.47, 60.91

 

CMYK 51 / 0 / 90 / 37

HEX #4FA110

RGB 79 161 16

HSL 93.93, 0.82%, 0.35%

LAB 59.15, -47.48, 58.47

 

CMYK 75 / 0 / 90 / 37

HEX #29A110

RGB 41 161 16

HSL 109.66, 0.82%, 0.35%

LAB 58.04, -56.62, 57.08

 

CMYK 90 / 0 / 81 / 37

HEX #10A11F

RGB 16 161 31

HSL 126.21, 0.82%, 0.35%

LAB 57.75, -58.92, 52.95

 

CMYK 52 / 0 / 90 / 66

HEX #295609

RGB 41 86 9

HSL 95.06, 0.81%, 0.19%

LAB 32.14, -29.45, 36.01

 

CMYK 52 / 0 / 90 / 51

HEX #3B7C0D

RGB 59 124 13

HSL 95.14, 0.81%, 0.27%

LAB 46.14, -39.25, 47.62

 

CMYK 52 / 0 / 90 / 37

HEX #4DA110

RGB 77 161 16

HSL 94.76, 0.82%, 0.35%

LAB 59.07, -48.09, 58.37

 

CMYK 52 / 0 / 90 / 22

HEX #5FC614

RGB 95 198 20

HSL 94.72, 0.82%, 0.43%

LAB 71.47, -56.49, 68.4

 

CMYK 51 / 0 / 87 / 9

HEX #72E71D

RGB 114 231 29

HSL 94.75, 0.81%, 0.51%

LAB 82.28, -62.74, 76.25

 

CMYK 52 / 0 / 89 / 37

HEX #4DA011

RGB 77 160 17

HSL 94.83, 0.81%, 0.35%

LAB 58.75, -47.67, 57.91

 

CMYK 90 / 0 / 21 / 37

HEX #10A17F

RGB 16 161 127

HSL 165.93, 0.82%, 0.35%

LAB 59.1, -43.15, 7.95

 

CMYK 0 / 90 / 15 / 37

HEX #A11089

RGB 161 16 137

HSL 309.93, 0.82%, 0.35%

LAB 37.4, 64.22, -29.63

 

CMYK 52 / 0 / 89 / 37

HEX #4DA011

RGB 77 160 17

HSL 94.83, 0.81%, 0.35%

LAB 58.75, -47.67, 57.91

 

CMYK 90 / 51 / 0 / 37

HEX #104FA1

RGB 16 79 161

HSL 213.93, 0.82%, 0.35%

LAB 34.55, 13.69, -49.61

 

CMYK 0 / 90 / 51 / 37

HEX #A1104F

RGB 161 16 79

HSL 333.93, 0.82%, 0.35%

LAB 35.03, 57.81, 3.58

 

CMYK 52 / 0 / 89 / 37

HEX #4DA011

RGB 77 160 17

HSL 94.83, 0.81%, 0.35%

LAB 58.75, -47.67, 57.91

 

CMYK 90 / 0 / 21 / 37

HEX #10A17F

RGB 16 161 127

HSL 165.93, 0.82%, 0.35%

LAB 59.1, -43.15, 7.95

 

CMYK 39 / 90 / 0 / 37

HEX #6210A1

RGB 98 16 161

HSL 273.93, 0.82%, 0.35%

LAB 28.22, 57.8, -59.67

 

CMYK 0 / 90 / 69 / 37

HEX #A11032

RGB 161 16 50

HSL 345.93, 0.82%, 0.35%

LAB 34.35, 55.9, 21.56

 

CMYK 52 / 0 / 89 / 37

HEX #4DA011

RGB 77 160 17

HSL 94.83, 0.81%, 0.35%

LAB 58.75, -47.67, 57.91

 

CMYK 90 / 6 / 0 / 37

HEX #1097A1

RGB 16 151 161

HSL 184.14, 0.82%, 0.35%

LAB 56.9, -28.61, -14.6

 

CMYK 39 / 90 / 0 / 37

HEX #6210A1

RGB 98 16 161

HSL 273.93, 0.82%, 0.35%

LAB 28.22, 57.8, -59.67

 

CMYK 0 / 84 / 90 / 37

HEX #A11A10

RGB 161 26 16

HSL 4.14, 0.82%, 0.35%

LAB 34.71, 52.59, 41.68

 

Description

Color code: HEX #4DA011 | qconv.com Color code: HEX #4DA011 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 160 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 160 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 89 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 89% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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