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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DAA21 it is the complementary color #B255DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DAA21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DAA21 shade: #52AA1C, #63BC2F, #74CE42, #85E055 and #96F268

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DAA21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DAA21 shade: #4DAA21, #3C980E, #2B8600, #1A7400 and #096200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DAA21 shade: #4DAA21, #72AA21, #97AA21, #AA9821 and #AA7321

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DAA21 shade: #4DAA21, #28AA21, #21AA3F, #21AA64 and #21AA89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DAA21 shade matches the following richer shades: #4DAA21, #47BA11 and #41CB00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DAA21 shade: #4DAA21, #539932, #598942, #5F7853 and #656863

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DAA21 shade: #98AA21, #73AA21, #4FAA21, #2AAA21 and #21AA3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DAA21 shade: #2E6514, #3D871A, #4DAA21, #5DCC28 and #74DA44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DAA21 shade: #4DAA21, #21AA98 and #AA2185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DAA21 shade: #4DAA21, #214FAA and #AA214F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DAA21 shade: #4DAA21, #21AA98, #7C21AA and #AA2133

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DAA21 shade: #4DAA21, #2193AA, #7C21AA and #AA3821

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 81 / 33

HEX #4DAA21

RGB 77 170 33

HSL 100.73, 0.67%, 0.4%

LAB 62.03, -50.75, 56.85

 

Complementary color

CMYK 20 / 62 / 0 / 13

HEX #B255DE

RGB 178 85 222

HSL 280.73, 0.67%, 0.6%

LAB 53.21, 59.37, -54.41

 

CMYK 52 / 0 / 84 / 33

HEX #52AA1C

RGB 82 170 28

HSL 97.18, 0.72%, 0.39%

LAB 62.19, -49.56, 58.46

 

CMYK 47 / 0 / 75 / 26

HEX #63BC2F

RGB 99 188 47

HSL 97.87, 0.6%, 0.46%

LAB 68.62, -50.31, 58.99

 

CMYK 44 / 0 / 68 / 19

HEX #74CE42

RGB 116 206 66

HSL 98.57, 0.59%, 0.53%

LAB 74.98, -50.76, 58.71

 

CMYK 41 / 0 / 62 / 12

HEX #85E055

RGB 133 224 85

HSL 99.28, 0.69%, 0.61%

LAB 81.27, -51.01, 57.99

 

CMYK 38 / 0 / 57 / 5

HEX #96F268

RGB 150 242 104

HSL 100, 0.84%, 0.68%

LAB 87.48, -51.12, 57.05

 

CMYK 55 / 0 / 81 / 33

HEX #4DAA21

RGB 77 170 33

HSL 100.73, 0.67%, 0.4%

LAB 62.03, -50.75, 56.85

 

CMYK 61 / 0 / 91 / 40

HEX #3C980E

RGB 60 152 14

HSL 100, 0.83%, 0.33%

LAB 55.53, -49.59, 55.5

 

CMYK 68 / 0 / 100 / 47

HEX #2B8600

RGB 43 134 0

HSL 100.75, 1%, 0.26%

LAB 48.96, -47.8, 52.36

 

CMYK 78 / 0 / 100 / 55

HEX #1A7400

RGB 26 116 0

HSL 106.55, 1%, 0.23%

LAB 42.32, -45.14, 46.91

 

CMYK 91 / 0 / 100 / 62

HEX #096200

RGB 9 98 0

HSL 114.49, 1%, 0.19%

LAB 35.58, -41.72, 41.41

 

CMYK 55 / 0 / 81 / 33

HEX #4DAA21

RGB 77 170 33

HSL 100.73, 0.67%, 0.4%

LAB 62.03, -50.75, 56.85

 

CMYK 33 / 0 / 81 / 33

HEX #72AA21

RGB 114 170 33

HSL 84.53, 0.67%, 0.4%

LAB 63.7, -38.47, 59

 

CMYK 11 / 0 / 81 / 33

HEX #97AA21

RGB 151 170 33

HSL 68.32, 0.67%, 0.4%

LAB 66.09, -23.48, 62.05

 

CMYK 0 / 11 / 81 / 33

HEX #AA9821

RGB 170 152 33

HSL 52.12, 0.67%, 0.4%

LAB 62.6, -5.79, 59.57

 

CMYK 0 / 32 / 81 / 33

HEX #AA7321

RGB 170 115 33

HSL 35.91, 0.67%, 0.4%

LAB 52.86, 14.69, 50.8

 

CMYK 55 / 0 / 81 / 33

HEX #4DAA21

RGB 77 170 33

HSL 100.73, 0.67%, 0.4%

LAB 62.03, -50.75, 56.85

 

CMYK 76 / 0 / 81 / 33

HEX #28AA21

RGB 40 170 33

HSL 116.93, 0.67%, 0.4%

LAB 61.05, -58.82, 55.59

 

CMYK 81 / 0 / 63 / 33

HEX #21AA3F

RGB 33 170 63

HSL 133.14, 0.67%, 0.4%

LAB 61.16, -57.09, 44.19

 

CMYK 81 / 0 / 41 / 33

HEX #21AA64

RGB 33 170 100

HSL 149.34, 0.67%, 0.4%

LAB 61.65, -51.32, 26.32

 

CMYK 81 / 0 / 19 / 33

HEX #21AA89

RGB 33 170 137

HSL 165.55, 0.67%, 0.4%

LAB 62.41, -42.97, 7.1

 

CMYK 55 / 0 / 81 / 33

HEX #4DAA21

RGB 77 170 33

HSL 100.73, 0.67%, 0.4%

LAB 62.03, -50.75, 56.85

 

CMYK 62 / 0 / 91 / 27

HEX #47BA11

RGB 71 186 17

HSL 100.83, 0.83%, 0.4%

LAB 66.9, -58.65, 64.73

 

CMYK 68 / 0 / 100 / 20

HEX #41CB00

RGB 65 203 0

HSL 100.79, 1%, 0.4%

LAB 72.12, -65.84, 70.97

 

CMYK 55 / 0 / 81 / 33

HEX #4DAA21

RGB 77 170 33

HSL 100.73, 0.67%, 0.4%

LAB 62.03, -50.75, 56.85

 

CMYK 46 / 0 / 67 / 40

HEX #539932

RGB 83 153 50

HSL 100.78, 0.51%, 0.4%

LAB 56.93, -40.98, 45.64

 

CMYK 35 / 0 / 52 / 46

HEX #598942

RGB 89 137 66

HSL 100.56, 0.35%, 0.4%

LAB 52.3, -30.01, 32.77

 

CMYK 21 / 0 / 31 / 53

HEX #5F7853

RGB 95 120 83

HSL 100.54, 0.18%, 0.4%

LAB 47.61, -16.59, 17.43

 

CMYK 3 / 0 / 5 / 59

HEX #656863

RGB 101 104 99

HSL 96, 0.02%, 0.4%

LAB 43.61, -2.19, 2.4

 

CMYK 11 / 0 / 81 / 33

HEX #98AA21

RGB 152 170 33

HSL 67.88, 0.67%, 0.4%

LAB 66.16, -23.06, 62.14

 

CMYK 32 / 0 / 81 / 33

HEX #73AA21

RGB 115 170 33

HSL 84.09, 0.67%, 0.4%

LAB 63.76, -38.1, 59.08

 

CMYK 54 / 0 / 81 / 33

HEX #4FAA21

RGB 79 170 33

HSL 99.85, 0.67%, 0.4%

LAB 62.1, -50.19, 56.94

 

CMYK 75 / 0 / 81 / 33

HEX #2AAA21

RGB 42 170 33

HSL 116.06, 0.67%, 0.4%

LAB 61.09, -58.51, 55.63

 

CMYK 81 / 0 / 65 / 33

HEX #21AA3C

RGB 33 170 60

HSL 131.82, 0.67%, 0.4%

LAB 61.13, -57.44, 45.49

 

CMYK 54 / 0 / 80 / 60

HEX #2E6514

RGB 46 101 20

HSL 100.74, 0.67%, 0.24%

LAB 37.73, -33.56, 37.61

 

CMYK 55 / 0 / 81 / 47

HEX #3D871A

RGB 61 135 26

HSL 100.73, 0.68%, 0.32%

LAB 49.97, -42.37, 47.48

 

CMYK 55 / 0 / 81 / 33

HEX #4DAA21

RGB 77 170 33

HSL 100.73, 0.67%, 0.4%

LAB 62.03, -50.75, 56.85

 

CMYK 54 / 0 / 80 / 20

HEX #5DCC28

RGB 93 204 40

HSL 100.61, 0.67%, 0.48%

LAB 73.33, -58.43, 65.54

 

CMYK 47 / 0 / 69 / 15

HEX #74DA44

RGB 116 218 68

HSL 100.8, 0.67%, 0.56%

LAB 78.62, -55.3, 61.74

 

CMYK 55 / 0 / 81 / 33

HEX #4DAA21

RGB 77 170 33

HSL 100.73, 0.67%, 0.4%

LAB 62.03, -50.75, 56.85

 

CMYK 81 / 0 / 11 / 33

HEX #21AA98

RGB 33 170 152

HSL 172.12, 0.67%, 0.4%

LAB 62.79, -38.95, -0.72

 

CMYK 0 / 81 / 22 / 33

HEX #AA2185

RGB 170 33 133

HSL 316.2, 0.67%, 0.4%

LAB 40.13, 62.04, -22.77

 

CMYK 55 / 0 / 81 / 33

HEX #4DAA21

RGB 77 170 33

HSL 100.73, 0.67%, 0.4%

LAB 62.03, -50.75, 56.85

 

CMYK 81 / 54 / 0 / 33

HEX #214FAA

RGB 33 79 170

HSL 219.85, 0.67%, 0.4%

LAB 35.63, 18.72, -53.22

 

CMYK 0 / 81 / 54 / 33

HEX #AA214F

RGB 170 33 79

HSL 339.85, 0.67%, 0.4%

LAB 38.2, 56.33, 8.34

 

CMYK 55 / 0 / 81 / 33

HEX #4DAA21

RGB 77 170 33

HSL 100.73, 0.67%, 0.4%

LAB 62.03, -50.75, 56.85

 

CMYK 81 / 0 / 11 / 33

HEX #21AA98

RGB 33 170 152

HSL 172.12, 0.67%, 0.4%

LAB 62.79, -38.95, -0.72

 

CMYK 27 / 81 / 0 / 33

HEX #7C21AA

RGB 124 33 170

HSL 279.85, 0.67%, 0.4%

LAB 34.55, 58.83, -54.61

 

CMYK 0 / 81 / 70 / 33

HEX #AA2133

RGB 170 33 51

HSL 352.12, 0.67%, 0.4%

LAB 37.61, 54.54, 25.38

 

CMYK 55 / 0 / 81 / 33

HEX #4DAA21

RGB 77 170 33

HSL 100.73, 0.67%, 0.4%

LAB 62.03, -50.75, 56.85

 

CMYK 81 / 14 / 0 / 33

HEX #2193AA

RGB 33 147 170

HSL 190.07, 0.67%, 0.4%

LAB 56.18, -22.32, -20.81

 

CMYK 27 / 81 / 0 / 33

HEX #7C21AA

RGB 124 33 170

HSL 279.85, 0.67%, 0.4%

LAB 34.55, 58.83, -54.61

 

CMYK 0 / 67 / 81 / 33

HEX #AA3821

RGB 170 56 33

HSL 10.07, 0.67%, 0.4%

LAB 40.38, 45.5, 38.94

 

Description

Color code: HEX #4DAA21 | qconv.com Color code: HEX #4DAA21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 170 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 170 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 81 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 81% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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