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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DACA7 it is the complementary color #B25358. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DACA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DACA7 shade: #52ACA2, #63BEB5, #74D0C8, #85E2DB and #96F4EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DACA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DACA7 shade: #4DACA7, #3C9A94, #2B8881, #1A766E and #09645B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DACA7 shade: #4DACA7, #4DAC8D, #4DAC74, #4DAC5A and #59AC4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DACA7 shade: #4DACA7, #4D97AC, #4D7EAC, #4D64AC and #4D4DAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DACA7 shade matches the following richer shades: #4DACA7, #39C0B9, #25D4CB and #10E9DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DACA7 shade: #4DACA7, #619895, #758383, #8A6F71 and #9E5B5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DACA7 shade: #4DAC73, #4DAC8C, #4DACA6, #4D99AC and #4D80AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DACA7 shade: #337370, #408F8B, #4DACA7, #67BBB6 and #84C7C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DACA7 shade: #4DACA7, #5A4DAC and #AC804D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DACA7 shade: #4DACA7, #A64DAC and #ACA64D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DACA7 shade: #4DACA7, #5A4DAC, #AC4D53 and #9FAC4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DACA7 shade: #4DACA7, #764DAC, #AC4D53 and #83AC4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 3 / 33

HEX #4DACA7

RGB 77 172 167

HSL 176.84, 0.38%, 0.49%

LAB 64.86, -29.09, -5.93

 

Complementary color

CMYK 0 / 53 / 51 / 30

HEX #B25358

RGB 178 83 88

HSL 356.84, 0.38%, 0.51%

LAB 47.44, 39.1, 15.76

 

CMYK 52 / 0 / 6 / 33

HEX #52ACA2

RGB 82 172 162

HSL 173.33, 0.35%, 0.5%

LAB 64.89, -29.36, -3.08

 

CMYK 48 / 0 / 5 / 25

HEX #63BEB5

RGB 99 190 181

HSL 174.07, 0.41%, 0.57%

LAB 71.43, -29.38, -3.87

 

CMYK 44 / 0 / 4 / 18

HEX #74D0C8

RGB 116 208 200

HSL 174.78, 0.49%, 0.64%

LAB 77.87, -29.35, -4.59

 

CMYK 41 / 0 / 3 / 11

HEX #85E2DB

RGB 133 226 219

HSL 175.48, 0.62%, 0.7%

LAB 84.22, -29.29, -5.27

 

CMYK 39 / 0 / 2 / 4

HEX #96F4EE

RGB 150 244 238

HSL 176.17, 0.81%, 0.77%

LAB 90.49, -29.22, -5.92

 

CMYK 55 / 0 / 3 / 33

HEX #4DACA7

RGB 77 172 167

HSL 176.84, 0.38%, 0.49%

LAB 64.86, -29.09, -5.93

 

CMYK 61 / 0 / 4 / 40

HEX #3C9A94

RGB 60 154 148

HSL 176.17, 0.44%, 0.42%

LAB 58.24, -28.84, -5.1

 

CMYK 68 / 0 / 5 / 47

HEX #2B8881

RGB 43 136 129

HSL 175.48, 0.52%, 0.35%

LAB 51.5, -28.41, -4.17

 

CMYK 78 / 0 / 7 / 54

HEX #1A766E

RGB 26 118 110

HSL 174.78, 0.64%, 0.28%

LAB 44.66, -27.67, -3.1

 

CMYK 91 / 0 / 9 / 61

HEX #09645B

RGB 9 100 91

HSL 174.07, 0.83%, 0.21%

LAB 37.71, -26.44, -1.84

 

CMYK 55 / 0 / 3 / 33

HEX #4DACA7

RGB 77 172 167

HSL 176.84, 0.38%, 0.49%

LAB 64.86, -29.09, -5.93

 

CMYK 55 / 0 / 18 / 33

HEX #4DAC8D

RGB 77 172 141

HSL 160.42, 0.38%, 0.49%

LAB 64.17, -35.69, 7.53

 

CMYK 55 / 0 / 33 / 33

HEX #4DAC74

RGB 77 172 116

HSL 144.63, 0.38%, 0.49%

LAB 63.63, -41.11, 20.53

 

CMYK 55 / 0 / 48 / 33

HEX #4DAC5A

RGB 77 172 90

HSL 128.21, 0.38%, 0.49%

LAB 63.19, -45.66, 33.76

 

CMYK 48 / 0 / 55 / 33

HEX #59AC4D

RGB 89 172 77

HSL 112.42, 0.38%, 0.49%

LAB 63.48, -44.14, 40.71

 

CMYK 55 / 0 / 3 / 33

HEX #4DACA7

RGB 77 172 167

HSL 176.84, 0.38%, 0.49%

LAB 64.86, -29.09, -5.93

 

CMYK 55 / 12 / 0 / 33

HEX #4D97AC

RGB 77 151 172

HSL 193.26, 0.38%, 0.49%

LAB 58.69, -16.92, -18.02

 

CMYK 55 / 27 / 0 / 33

HEX #4D7EAC

RGB 77 126 172

HSL 209.05, 0.38%, 0.49%

LAB 51.24, -2.88, -29.47

 

CMYK 55 / 42 / 0 / 33

HEX #4D64AC

RGB 77 100 172

HSL 225.47, 0.38%, 0.49%

LAB 43.76, 13.01, -41.25

 

CMYK 55 / 55 / 0 / 33

HEX #4D4DAC

RGB 77 77 172

HSL 240, 0.38%, 0.49%

LAB 37.6, 27.65, -51.12

 

CMYK 55 / 0 / 3 / 33

HEX #4DACA7

RGB 77 172 167

HSL 176.84, 0.38%, 0.49%

LAB 64.86, -29.09, -5.93

 

CMYK 70 / 0 / 4 / 25

HEX #39C0B9

RGB 57 192 185

HSL 176.89, 0.54%, 0.49%

LAB 70.92, -36.92, -6.94

 

CMYK 83 / 0 / 4 / 17

HEX #25D4CB

RGB 37 212 203

HSL 176.91, 0.7%, 0.49%

LAB 77.16, -42.86, -7.48

 

CMYK 93 / 0 / 5 / 9

HEX #10E9DD

RGB 16 233 221

HSL 176.68, 0.87%, 0.49%

LAB 83.76, -47.95, -7.29

 

CMYK 55 / 0 / 3 / 33

HEX #4DACA7

RGB 77 172 167

HSL 176.84, 0.38%, 0.49%

LAB 64.86, -29.09, -5.93

 

CMYK 36 / 0 / 2 / 40

HEX #619895

RGB 97 152 149

HSL 176.73, 0.22%, 0.49%

LAB 59.13, -18.79, -4.18

 

CMYK 11 / 0 / 0 / 49

HEX #758383

RGB 117 131 131

HSL 180, 0.06%, 0.49%

LAB 53.66, -5.1, -1.75

 

CMYK 0 / 20 / 18 / 46

HEX #8A6F71

RGB 138 111 113

HSL 355.56, 0.11%, 0.49%

LAB 49.45, 10.98, 2.92

 

CMYK 0 / 42 / 40 / 38

HEX #9E5B5F

RGB 158 91 95

HSL 356.42, 0.27%, 0.49%

LAB 46.42, 27.9, 9.68

 

CMYK 55 / 0 / 33 / 33

HEX #4DAC73

RGB 77 172 115

HSL 144, 0.38%, 0.49%

LAB 63.61, -41.31, 21.05

 

CMYK 55 / 0 / 19 / 33

HEX #4DAC8C

RGB 77 172 140

HSL 159.79, 0.38%, 0.49%

LAB 64.14, -35.92, 8.05

 

CMYK 55 / 0 / 3 / 33

HEX #4DACA6

RGB 77 172 166

HSL 176.21, 0.38%, 0.49%

LAB 64.83, -29.36, -5.42

 

CMYK 55 / 11 / 0 / 33

HEX #4D99AC

RGB 77 153 172

HSL 192, 0.38%, 0.49%

LAB 59.29, -17.99, -17.1

 

CMYK 55 / 26 / 0 / 33

HEX #4D80AC

RGB 77 128 172

HSL 207.79, 0.38%, 0.49%

LAB 51.83, -4.05, -28.56

 

CMYK 56 / 0 / 3 / 55

HEX #337370

RGB 51 115 112

HSL 177.19, 0.39%, 0.33%

LAB 44.43, -21.15, -4.57

 

CMYK 55 / 0 / 3 / 44

HEX #408F8B

RGB 64 143 139

HSL 176.96, 0.38%, 0.41%

LAB 54.66, -25.09, -5.23

 

CMYK 55 / 0 / 3 / 33

HEX #4DACA7

RGB 77 172 167

HSL 176.84, 0.38%, 0.49%

LAB 64.86, -29.09, -5.93

 

CMYK 45 / 0 / 3 / 27

HEX #67BBB6

RGB 103 187 182

HSL 176.43, 0.38%, 0.57%

LAB 70.73, -26.72, -5.42

 

CMYK 34 / 0 / 2 / 22

HEX #84C7C4

RGB 132 199 196

HSL 177.31, 0.37%, 0.65%

LAB 75.91, -21.76, -5.25

 

CMYK 55 / 0 / 3 / 33

HEX #4DACA7

RGB 77 172 167

HSL 176.84, 0.38%, 0.49%

LAB 64.86, -29.09, -5.93

 

CMYK 48 / 55 / 0 / 33

HEX #5A4DAC

RGB 90 77 172

HSL 248.21, 0.38%, 0.49%

LAB 38.66, 30.45, -49.36

 

CMYK 0 / 26 / 55 / 33

HEX #AC804D

RGB 172 128 77

HSL 32.21, 0.38%, 0.49%

LAB 56.83, 10.97, 34.07

 

CMYK 55 / 0 / 3 / 33

HEX #4DACA7

RGB 77 172 167

HSL 176.84, 0.38%, 0.49%

LAB 64.86, -29.09, -5.93

 

CMYK 3 / 55 / 0 / 33

HEX #A64DAC

RGB 166 77 172

HSL 296.21, 0.38%, 0.49%

LAB 47.49, 50.2, -34.77

 

CMYK 0 / 3 / 55 / 33

HEX #ACA64D

RGB 172 166 77

HSL 56.21, 0.38%, 0.49%

LAB 66.96, -9.79, 46.1

 

CMYK 55 / 0 / 3 / 33

HEX #4DACA7

RGB 77 172 167

HSL 176.84, 0.38%, 0.49%

LAB 64.86, -29.09, -5.93

 

CMYK 48 / 55 / 0 / 33

HEX #5A4DAC

RGB 90 77 172

HSL 248.21, 0.38%, 0.49%

LAB 38.66, 30.45, -49.36

 

CMYK 0 / 55 / 52 / 33

HEX #AC4D53

RGB 172 77 83

HSL 356.21, 0.38%, 0.49%

LAB 45.22, 39.46, 15.62

 

CMYK 8 / 0 / 55 / 33

HEX #9FAC4D

RGB 159 172 77

HSL 68.21, 0.38%, 0.49%

LAB 67.58, -18.38, 46.55

 

CMYK 55 / 0 / 3 / 33

HEX #4DACA7

RGB 77 172 167

HSL 176.84, 0.38%, 0.49%

LAB 64.86, -29.09, -5.93

 

CMYK 31 / 55 / 0 / 33

HEX #764DAC

RGB 118 77 172

HSL 265.89, 0.38%, 0.49%

LAB 41.43, 37.27, -44.75

 

CMYK 0 / 55 / 52 / 33

HEX #AC4D53

RGB 172 77 83

HSL 356.21, 0.38%, 0.49%

LAB 45.22, 39.46, 15.62

 

CMYK 24 / 0 / 55 / 33

HEX #83AC4D

RGB 131 172 77

HSL 85.89, 0.38%, 0.49%

LAB 65.64, -29.64, 43.8

 

Description

Color code: HEX #4DACA7 | qconv.com Color code: HEX #4DACA7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 172 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 172 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 3 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 3% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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