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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DACE4 it is the complementary color #B2531B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DACE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DACE4 shade: #52ACDF, #63BEF2, #74D0FF, #85E2FF and #96F4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DACE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DACE4 shade: #4DACE4, #3C9AD1, #2B88BE, #1A76AB and #096498

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DACE4 shade: #4DACE4, #4D83E4, #4D5BE4, #684DE4 and #914DE4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DACE4 shade: #4DACE4, #4D83E4, #4D5BE4 and #4D4DE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DACE4 shade matches the following richer shades: #4DACE4 and #3DB0F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DACE4 shade: #4DACE4, #5EA8D3, #6EA3C3, #7F9FB2 and #8F9BA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DACE4 shade: #4DE4CB, #4DD5E4, #4DADE4, #4D84E4 and #4D5CE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DACE4 shade: #1D85C2, #299BDF, #4DACE4, #71BDE9 and #95CDEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DACE4 shade: #4DACE4, #A34DE4 and #E4DF4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DACE4 shade: #4DACE4, #E44DAD and #ADE44D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DACE4 shade: #4DACE4, #A34DE4, #E4844D and #8EE44D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DACE4 shade: #4DACE4, #D04DE4, #E4844D and #61E44D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 25 / 0 / 11

HEX #4DACE4

RGB 77 172 228

HSL 202.25, 0.74%, 0.6%

LAB 67.04, -10.76, -36.39

 

Complementary color

CMYK 0 / 53 / 85 / 30

HEX #B2531B

RGB 178 83 27

HSL 22.25, 0.74%, 0.4%

LAB 46.62, 35.45, 48.02

 

CMYK 63 / 23 / 0 / 13

HEX #52ACDF

RGB 82 172 223

HSL 201.7, 0.69%, 0.6%

LAB 67, -11.54, -33.7

 

CMYK 59 / 21 / 0 / 5

HEX #63BEF2

RGB 99 190 242

HSL 201.82, 0.85%, 0.67%

LAB 73.47, -12.27, -33.97

 

CMYK 55 / 18 / 0 / 0

HEX #74D0FF

RGB 116 208 255

HSL 200.29, 1%, 0.73%

LAB 79.64, -14.6, -31.38

 

CMYK 48 / 11 / 0 / 0

HEX #85E2FF

RGB 133 226 255

HSL 194.26, 1%, 0.76%

LAB 85.3, -20.19, -22.67

 

CMYK 41 / 4 / 0 / 0

HEX #96F4FF

RGB 150 244 255

HSL 186.29, 1%, 0.79%

LAB 90.96, -25.15, -14.06

 

CMYK 66 / 25 / 0 / 11

HEX #4DACE4

RGB 77 172 228

HSL 202.25, 0.74%, 0.6%

LAB 67.04, -10.76, -36.39

 

CMYK 71 / 26 / 0 / 18

HEX #3C9AD1

RGB 60 154 209

HSL 202.15, 0.62%, 0.53%

LAB 60.49, -9.67, -36.12

 

CMYK 77 / 28 / 0 / 25

HEX #2B88BE

RGB 43 136 190

HSL 202.04, 0.63%, 0.46%

LAB 53.86, -8.27, -35.81

 

CMYK 85 / 31 / 0 / 33

HEX #1A76AB

RGB 26 118 171

HSL 201.93, 0.74%, 0.39%

LAB 47.13, -6.45, -35.45

 

CMYK 94 / 34 / 0 / 40

HEX #096498

RGB 9 100 152

HSL 201.82, 0.89%, 0.32%

LAB 40.31, -4.05, -35

 

CMYK 66 / 25 / 0 / 11

HEX #4DACE4

RGB 77 172 228

HSL 202.25, 0.74%, 0.6%

LAB 67.04, -10.76, -36.39

 

CMYK 66 / 43 / 0 / 11

HEX #4D83E4

RGB 77 131 228

HSL 218.54, 0.74%, 0.6%

LAB 55.49, 12.96, -54.6

 

CMYK 66 / 60 / 0 / 11

HEX #4D5BE4

RGB 77 91 228

HSL 234.44, 0.74%, 0.6%

LAB 45.17, 37.68, -71.27

 

CMYK 54 / 66 / 0 / 11

HEX #684DE4

RGB 104 77 228

HSL 250.73, 0.74%, 0.6%

LAB 44.02, 49.98, -73.06

 

CMYK 36 / 66 / 0 / 11

HEX #914DE4

RGB 145 77 228

HSL 267.02, 0.74%, 0.6%

LAB 48.17, 57.42, -66.13

 

CMYK 66 / 25 / 0 / 11

HEX #4DACE4

RGB 77 172 228

HSL 202.25, 0.74%, 0.6%

LAB 67.04, -10.76, -36.39

 

CMYK 66 / 43 / 0 / 11

HEX #4D83E4

RGB 77 131 228

HSL 218.54, 0.74%, 0.6%

LAB 55.49, 12.96, -54.6

 

CMYK 66 / 60 / 0 / 11

HEX #4D5BE4

RGB 77 91 228

HSL 234.44, 0.74%, 0.6%

LAB 45.17, 37.68, -71.27

 

CMYK 66 / 66 / 0 / 11

HEX #4D4DE4

RGB 77 77 228

HSL 240, 0.74%, 0.6%

LAB 41.98, 46.08, -76.48

 

CMYK 66 / 25 / 0 / 11

HEX #4DACE4

RGB 77 172 228

HSL 202.25, 0.74%, 0.6%

LAB 67.04, -10.76, -36.39

 

CMYK 75 / 28 / 0 / 4

HEX #3DB0F4

RGB 61 176 244

HSL 202.3, 0.89%, 0.6%

LAB 68.44, -9.81, -42.97

 

CMYK 66 / 25 / 0 / 11

HEX #4DACE4

RGB 77 172 228

HSL 202.25, 0.74%, 0.6%

LAB 67.04, -10.76, -36.39

 

CMYK 55 / 20 / 0 / 17

HEX #5EA8D3

RGB 94 168 211

HSL 202.05, 0.57%, 0.6%

LAB 65.82, -10.81, -28.88

 

CMYK 44 / 16 / 0 / 24

HEX #6EA3C3

RGB 110 163 195

HSL 202.59, 0.41%, 0.6%

LAB 64.52, -9.02, -21.92

 

CMYK 29 / 11 / 0 / 30

HEX #7F9FB2

RGB 127 159 178

HSL 202.35, 0.25%, 0.6%

LAB 63.77, -6.52, -13.46

 

CMYK 12 / 4 / 0 / 36

HEX #8F9BA2

RGB 143 155 162

HSL 202.11, 0.09%, 0.6%

LAB 63.25, -2.81, -5.13

 

CMYK 66 / 0 / 11 / 11

HEX #4DE4CB

RGB 77 228 203

HSL 170.07, 0.74%, 0.6%

LAB 82.58, -45.34, 0.57

 

CMYK 66 / 7 / 0 / 11

HEX #4DD5E4

RGB 77 213 228

HSL 185.96, 0.74%, 0.6%

LAB 78.91, -31.73, -18.19

 

CMYK 66 / 24 / 0 / 11

HEX #4DADE4

RGB 77 173 228

HSL 201.85, 0.74%, 0.6%

LAB 67.33, -11.3, -35.95

 

CMYK 66 / 42 / 0 / 11

HEX #4D84E4

RGB 77 132 228

HSL 218.15, 0.74%, 0.6%

LAB 55.77, 12.36, -54.17

 

CMYK 66 / 60 / 0 / 11

HEX #4D5CE4

RGB 77 92 228

HSL 234.04, 0.74%, 0.6%

LAB 45.41, 37.07, -70.88

 

CMYK 85 / 31 / 0 / 24

HEX #1D85C2

RGB 29 133 194

HSL 202.18, 0.74%, 0.44%

LAB 52.87, -6.42, -39.66

 

CMYK 82 / 30 / 0 / 13

HEX #299BDF

RGB 41 155 223

HSL 202.42, 0.74%, 0.52%

LAB 60.99, -7.48, -43.16

 

CMYK 66 / 25 / 0 / 11

HEX #4DACE4

RGB 77 172 228

HSL 202.25, 0.74%, 0.6%

LAB 67.04, -10.76, -36.39

 

CMYK 52 / 19 / 0 / 9

HEX #71BDE9

RGB 113 189 233

HSL 202, 0.73%, 0.68%

LAB 73.41, -11.58, -29.16

 

CMYK 38 / 14 / 0 / 6

HEX #95CDEF

RGB 149 205 239

HSL 202.67, 0.74%, 0.76%

LAB 79.78, -9.72, -22.5

 

CMYK 66 / 25 / 0 / 11

HEX #4DACE4

RGB 77 172 228

HSL 202.25, 0.74%, 0.6%

LAB 67.04, -10.76, -36.39

 

CMYK 29 / 66 / 0 / 11

HEX #A34DE4

RGB 163 77 228

HSL 274.17, 0.74%, 0.6%

LAB 50.33, 61.07, -62.53

 

CMYK 0 / 2 / 66 / 11

HEX #E4DF4D

RGB 228 223 77

HSL 58.01, 0.74%, 0.6%

LAB 86.9, -15.28, 68.99

 

CMYK 66 / 25 / 0 / 11

HEX #4DACE4

RGB 77 172 228

HSL 202.25, 0.74%, 0.6%

LAB 67.04, -10.76, -36.39

 

CMYK 0 / 66 / 24 / 11

HEX #E44DAD

RGB 228 77 173

HSL 321.85, 0.74%, 0.6%

LAB 56.9, 67.2, -20.02

 

CMYK 24 / 0 / 66 / 11

HEX #ADE44D

RGB 173 228 77

HSL 81.85, 0.74%, 0.6%

LAB 84.44, -39.45, 65.24

 

CMYK 66 / 25 / 0 / 11

HEX #4DACE4

RGB 77 172 228

HSL 202.25, 0.74%, 0.6%

LAB 67.04, -10.76, -36.39

 

CMYK 29 / 66 / 0 / 11

HEX #A34DE4

RGB 163 77 228

HSL 274.17, 0.74%, 0.6%

LAB 50.33, 61.07, -62.53

 

CMYK 0 / 42 / 66 / 11

HEX #E4844D

RGB 228 132 77

HSL 21.85, 0.74%, 0.6%

LAB 64.59, 32.21, 44.96

 

CMYK 38 / 0 / 66 / 11

HEX #8EE44D

RGB 142 228 77

HSL 94.17, 0.74%, 0.6%

LAB 82.79, -50.39, 63.01

 

CMYK 66 / 25 / 0 / 11

HEX #4DACE4

RGB 77 172 228

HSL 202.25, 0.74%, 0.6%

LAB 67.04, -10.76, -36.39

 

CMYK 9 / 66 / 0 / 11

HEX #D04DE4

RGB 208 77 228

HSL 292.05, 0.74%, 0.6%

LAB 56.41, 70.76, -52.45

 

CMYK 0 / 42 / 66 / 11

HEX #E4844D

RGB 228 132 77

HSL 21.85, 0.74%, 0.6%

LAB 64.59, 32.21, 44.96

 

CMYK 57 / 0 / 66 / 11

HEX #61E44D

RGB 97 228 77

HSL 112.05, 0.74%, 0.6%

LAB 81.05, -63.34, 60.63

 

Description

Color code: HEX #4DACE4 | qconv.com Color code: HEX #4DACE4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 172 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 172 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 25 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 25% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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