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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DC498 it is the complementary color #B23B67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DC498. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DC498 shade: #52C493, #63D6A6, #74E8B9, #85FACC and #96FFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DC498. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DC498 shade: #4DC498, #3CB285, #2BA072, #1A8E5F and #097C4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DC498 shade: #4FC498, #4FC479, #4FC459, #64C44F and #83C44F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DC498 shade: #4FC498, #4FC4B8, #4FB0C4, #4F90C4 and #4F71C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DC498 shade matches the following richer shades: #4FC498, #3CD79D, #29EAA2 and #16FDA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DC498 shade: #4FC498, #62B194, #759E8F, #878B8A and #9A7885

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DC498 shade: #4FC458, #4FC478, #4FC497, #4FC4B6 and #4FB2C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DC498 shade: #30906D, #3AAF84, #4FC498, #6DCEAA and #8CD8BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DC498 shade: #4DC498, #4F64C4 and #C4684F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DC498 shade: #4DC498, #974FC4 and #C4974F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DC498 shade: #4DC498, #4F64C4, #C44F7C and #C4AE4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DC498 shade: #4DC498, #5C4FC4, #C44F7C and #B6C44F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 22 / 23

HEX #4DC498

RGB 77 196 152

HSL 157.82, 0.5%, 0.54%

LAB 71.77, -43.8, 12.32

 

Complementary color

CMYK 0 / 67 / 42 / 30

HEX #B23B67

RGB 178 59 103

HSL 337.82, 0.5%, 0.46%

LAB 43.61, 51.76, 1.19

 

CMYK 58 / 0 / 25 / 23

HEX #52C493

RGB 82 196 147

HSL 154.21, 0.49%, 0.55%

LAB 71.81, -43.89, 15.08

 

CMYK 54 / 0 / 22 / 16

HEX #63D6A6

RGB 99 214 166

HSL 154.96, 0.58%, 0.61%

LAB 78.17, -43.88, 13.94

 

CMYK 50 / 0 / 20 / 9

HEX #74E8B9

RGB 116 232 185

HSL 155.69, 0.72%, 0.68%

LAB 84.45, -43.8, 12.88

 

CMYK 47 / 0 / 18 / 2

HEX #85FACC

RGB 133 250 204

HSL 156.41, 0.92%, 0.75%

LAB 90.65, -43.66, 11.89

 

CMYK 41 / 0 / 13 / 0

HEX #96FFDF

RGB 150 255 223

HSL 161.71, 1%, 0.79%

LAB 93.16, -37.68, 5.77

 

CMYK 61 / 0 / 22 / 23

HEX #4DC498

RGB 77 196 152

HSL 157.82, 0.5%, 0.54%

LAB 71.77, -43.8, 12.32

 

CMYK 66 / 0 / 25 / 30

HEX #3CB285

RGB 60 178 133

HSL 157.12, 0.5%, 0.47%

LAB 65.35, -43.59, 13.56

 

CMYK 73 / 0 / 29 / 37

HEX #2BA072

RGB 43 160 114

HSL 156.41, 0.58%, 0.4%

LAB 58.85, -43.14, 14.93

 

CMYK 82 / 0 / 33 / 44

HEX #1A8E5F

RGB 26 142 95

HSL 155.69, 0.69%, 0.33%

LAB 52.28, -42.32, 16.48

 

CMYK 93 / 0 / 39 / 51

HEX #097C4C

RGB 9 124 76

HSL 154.96, 0.86%, 0.26%

LAB 45.63, -40.95, 18.25

 

CMYK 60 / 0 / 22 / 23

HEX #4FC498

RGB 79 196 152

HSL 157.44, 0.5%, 0.54%

LAB 71.83, -43.41, 12.4

 

CMYK 60 / 0 / 38 / 23

HEX #4FC479

RGB 79 196 121

HSL 141.54, 0.5%, 0.54%

LAB 71.23, -49.7, 28.08

 

CMYK 60 / 0 / 55 / 23

HEX #4FC459

RGB 79 196 89

HSL 125.13, 0.5%, 0.54%

LAB 70.78, -54.67, 43.58

 

CMYK 49 / 0 / 60 / 23

HEX #64C44F

RGB 100 196 79

HSL 109.23, 0.5%, 0.54%

LAB 71.39, -50.41, 49.11

 

CMYK 33 / 0 / 60 / 23

HEX #83C44F

RGB 131 196 79

HSL 93.33, 0.5%, 0.54%

LAB 72.81, -40.43, 51.1

 

CMYK 60 / 0 / 22 / 23

HEX #4FC498

RGB 79 196 152

HSL 157.44, 0.5%, 0.54%

LAB 71.83, -43.41, 12.4

 

CMYK 60 / 0 / 6 / 23

HEX #4FC4B8

RGB 79 196 184

HSL 173.85, 0.5%, 0.54%

LAB 72.63, -35.59, -3.81

 

CMYK 60 / 10 / 0 / 23

HEX #4FB0C4

RGB 79 176 196

HSL 190.26, 0.5%, 0.54%

LAB 67.05, -22.48, -18.74

 

CMYK 60 / 27 / 0 / 23

HEX #4F90C4

RGB 79 144 196

HSL 206.67, 0.5%, 0.54%

LAB 57.65, -5.15, -33.2

 

CMYK 60 / 42 / 0 / 23

HEX #4F71C4

RGB 79 113 196

HSL 222.56, 0.5%, 0.54%

LAB 48.83, 13.38, -47.1

 

CMYK 60 / 0 / 22 / 23

HEX #4FC498

RGB 79 196 152

HSL 157.44, 0.5%, 0.54%

LAB 71.83, -43.41, 12.4

 

CMYK 72 / 0 / 27 / 16

HEX #3CD79D

RGB 60 215 157

HSL 157.55, 0.66%, 0.54%

LAB 77.28, -53.32, 17.31

 

CMYK 82 / 0 / 31 / 8

HEX #29EAA2

RGB 41 234 162

HSL 157.62, 0.82%, 0.54%

LAB 82.87, -61.56, 22.39

 

CMYK 91 / 0 / 34 / 1

HEX #16FDA7

RGB 22 253 167

HSL 157.66, 0.98%, 0.54%

LAB 88.55, -68.5, 27.56

 

CMYK 60 / 0 / 22 / 23

HEX #4FC498

RGB 79 196 152

HSL 157.44, 0.5%, 0.54%

LAB 71.83, -43.41, 12.4

 

CMYK 45 / 0 / 16 / 31

HEX #62B194

RGB 98 177 148

HSL 157.97, 0.34%, 0.54%

LAB 66.66, -31.27, 7.33

 

CMYK 26 / 0 / 9 / 38

HEX #759E8F

RGB 117 158 143

HSL 158.05, 0.17%, 0.54%

LAB 61.84, -17.23, 3.31

 

CMYK 3 / 0 / 1 / 45

HEX #878B8A

RGB 135 139 138

HSL 165, 0.02%, 0.54%

LAB 57.51, -1.66, 0.01

 

CMYK 0 / 22 / 14 / 40

HEX #9A7885

RGB 154 120 133

HSL 337.06, 0.14%, 0.54%

LAB 54.02, 15.41, -1.99

 

CMYK 60 / 0 / 55 / 23

HEX #4FC458

RGB 79 196 88

HSL 124.62, 0.5%, 0.54%

LAB 70.77, -54.8, 44.04

 

CMYK 60 / 0 / 39 / 23

HEX #4FC478

RGB 79 196 120

HSL 141.03, 0.5%, 0.54%

LAB 71.21, -49.87, 28.58

 

CMYK 60 / 0 / 23 / 23

HEX #4FC497

RGB 79 196 151

HSL 156.92, 0.5%, 0.54%

LAB 71.81, -43.63, 12.91

 

CMYK 60 / 0 / 7 / 23

HEX #4FC4B6

RGB 79 196 182

HSL 172.82, 0.5%, 0.54%

LAB 72.57, -36.11, -2.8

 

CMYK 60 / 9 / 0 / 23

HEX #4FB2C4

RGB 79 178 196

HSL 189.23, 0.5%, 0.54%

LAB 67.64, -23.5, -17.85

 

CMYK 67 / 0 / 24 / 44

HEX #30906D

RGB 48 144 109

HSL 158.13, 0.5%, 0.38%

LAB 53.68, -36.61, 10.55

 

CMYK 67 / 0 / 25 / 31

HEX #3AAF84

RGB 58 175 132

HSL 157.95, 0.5%, 0.46%

LAB 64.34, -42.89, 12.68

 

CMYK 60 / 0 / 22 / 23

HEX #4FC498

RGB 79 196 152

HSL 157.44, 0.5%, 0.54%

LAB 71.83, -43.41, 12.4

 

CMYK 47 / 0 / 17 / 19

HEX #6DCEAA

RGB 109 206 170

HSL 157.73, 0.5%, 0.62%

LAB 76.25, -37.1, 9.13

 

CMYK 35 / 0 / 13 / 15

HEX #8CD8BC

RGB 140 216 188

HSL 157.89, 0.49%, 0.7%

LAB 80.92, -29.64, 6.39

 

CMYK 61 / 0 / 22 / 23

HEX #4DC498

RGB 77 196 152

HSL 157.82, 0.5%, 0.54%

LAB 71.77, -43.8, 12.32

 

CMYK 60 / 49 / 0 / 23

HEX #4F64C4

RGB 79 100 196

HSL 229.23, 0.5%, 0.54%

LAB 45.31, 21.52, -52.74

 

CMYK 0 / 47 / 60 / 23

HEX #C4684F

RGB 196 104 79

HSL 12.82, 0.5%, 0.54%

LAB 54.24, 34.34, 30.43

 

CMYK 61 / 0 / 22 / 23

HEX #4DC498

RGB 77 196 152

HSL 157.82, 0.5%, 0.54%

LAB 71.77, -43.8, 12.32

 

CMYK 23 / 60 / 0 / 23

HEX #974FC4

RGB 151 79 196

HSL 276.92, 0.5%, 0.54%

LAB 47.18, 50.25, -49.38

 

CMYK 0 / 23 / 60 / 23

HEX #C4974F

RGB 196 151 79

HSL 36.92, 0.5%, 0.54%

LAB 65.31, 8.76, 43.8

 

CMYK 61 / 0 / 22 / 23

HEX #4DC498

RGB 77 196 152

HSL 157.82, 0.5%, 0.54%

LAB 71.77, -43.8, 12.32

 

CMYK 60 / 49 / 0 / 23

HEX #4F64C4

RGB 79 100 196

HSL 229.23, 0.5%, 0.54%

LAB 45.31, 21.52, -52.74

 

CMYK 0 / 60 / 37 / 23

HEX #C44F7C

RGB 196 79 124

HSL 336.92, 0.5%, 0.54%

LAB 50.43, 51.03, -1.3

 

CMYK 0 / 11 / 60 / 23

HEX #C4AE4F

RGB 196 174 79

HSL 48.72, 0.5%, 0.54%

LAB 71.26, -3.6, 50.62

 

CMYK 61 / 0 / 22 / 23

HEX #4DC498

RGB 77 196 152

HSL 157.82, 0.5%, 0.54%

LAB 71.77, -43.8, 12.32

 

CMYK 53 / 60 / 0 / 23

HEX #5C4FC4

RGB 92 79 196

HSL 246.67, 0.5%, 0.54%

LAB 40.98, 37.06, -59.68

 

CMYK 0 / 60 / 37 / 23

HEX #C44F7C

RGB 196 79 124

HSL 336.92, 0.5%, 0.54%

LAB 50.43, 51.03, -1.3

 

CMYK 7 / 0 / 60 / 23

HEX #B6C44F

RGB 182 196 79

HSL 67.18, 0.5%, 0.54%

LAB 76.06, -20.75, 55.63

 

Description

Color code: HEX #4DC498 | qconv.com Color code: HEX #4DC498 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 196 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 196 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 22 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 22% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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