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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DC302 it is the complementary color #B23CFD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DC302. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DC302 shade: #52C300, #63D510, #74E723, #85F936 and #96FF49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DC302. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DC302 shade: #4DC302, #3CB100, #2B9F00, #1A8D00 and #097B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DC302 shade: #4DC401, #82C401, #B6C401, #C49E01 and #C46901

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DC302 shade: #4DC401, #19C401, #01C41F, #01C453 and #01C488

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DC302 shade matches the following richer shades: #4DC401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DC302 shade: #4DC401, #51B412, #54A422, #589432 and #5C8442

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DC302 shade: #B7C401, #83C401, #4FC401, #1BC401 and #01C41B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DC302 shade: #2D7301, #3D9C01, #4DC401, #5DED02 and #73FC1C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DC302 shade: #4DC302, #01C49D and #C4019D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DC302 shade: #4DC302, #014FC4 and #C4014F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DC302 shade: #4DC302, #01C49D, #7601C4 and #C40128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DC302 shade: #4DC302, #01B1C4, #7601C4 and #C41501

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 99 / 24

HEX #4DC302

RGB 77 195 2

HSL 96.68, 0.98%, 0.39%

LAB 69.9, -60.57, 69.13

 

Complementary color

CMYK 30 / 76 / 0 / 1

HEX #B23CFD

RGB 178 60 253

HSL 276.68, 0.98%, 0.61%

LAB 51.6, 76.02, -74.4

 

CMYK 58 / 0 / 100 / 24

HEX #52C300

RGB 82 195 0

HSL 94.77, 1%, 0.38%

LAB 70.05, -59.36, 69.53

 

CMYK 54 / 0 / 92 / 16

HEX #63D510

RGB 99 213 16

HSL 94.72, 0.86%, 0.45%

LAB 76.24, -60.85, 73.01

 

CMYK 50 / 0 / 85 / 9

HEX #74E723

RGB 116 231 35

HSL 95.2, 0.8%, 0.52%

LAB 82.37, -61.98, 75.18

 

CMYK 47 / 0 / 78 / 2

HEX #85F936

RGB 133 249 54

HSL 95.69, 0.94%, 0.59%

LAB 88.45, -62.8, 76.22

 

CMYK 41 / 0 / 71 / 0

HEX #96FF49

RGB 150 255 73

HSL 94.62, 1%, 0.64%

LAB 91, -58.82, 73.03

 

CMYK 61 / 0 / 99 / 24

HEX #4DC302

RGB 77 195 2

HSL 96.68, 0.98%, 0.39%

LAB 69.9, -60.57, 69.13

 

CMYK 66 / 0 / 100 / 31

HEX #3CB100

RGB 60 177 0

HSL 99.66, 1%, 0.35%

LAB 63.68, -58.52, 64.22

 

CMYK 73 / 0 / 100 / 38

HEX #2B9F00

RGB 43 159 0

HSL 103.77, 1%, 0.31%

LAB 57.38, -56.08, 59.05

 

CMYK 82 / 0 / 100 / 45

HEX #1A8D00

RGB 26 141 0

HSL 108.94, 1%, 0.28%

LAB 51, -53.14, 53.83

 

CMYK 93 / 0 / 100 / 52

HEX #097B00

RGB 9 123 0

HSL 115.61, 1%, 0.24%

LAB 44.55, -49.48, 48.59

 

CMYK 61 / 0 / 99 / 23

HEX #4DC401

RGB 77 196 1

HSL 96.62, 0.99%, 0.39%

LAB 70.22, -60.93, 69.49

 

CMYK 34 / 0 / 99 / 23

HEX #82C401

RGB 130 196 1

HSL 80.31, 0.99%, 0.39%

LAB 72.38, -44.53, 72.11

 

CMYK 7 / 0 / 99 / 23

HEX #B6C401

RGB 182 196 1

HSL 64.31, 0.99%, 0.39%

LAB 75.72, -23.67, 76.1

 

CMYK 0 / 19 / 99 / 23

HEX #C49E01

RGB 196 158 1

HSL 48.31, 0.99%, 0.39%

LAB 66.67, 2.05, 70.11

 

CMYK 0 / 46 / 99 / 23

HEX #C46901

RGB 196 105 1

HSL 32, 0.99%, 0.39%

LAB 53.86, 30.87, 61.57

 

CMYK 61 / 0 / 99 / 23

HEX #4DC401

RGB 77 196 1

HSL 96.62, 0.99%, 0.39%

LAB 70.22, -60.93, 69.49

 

CMYK 87 / 0 / 99 / 23

HEX #19C401

RGB 25 196 1

HSL 112.62, 0.99%, 0.39%

LAB 69.25, -69.33, 68.3

 

CMYK 99 / 0 / 84 / 23

HEX #01C41F

RGB 1 196 31

HSL 129.23, 0.99%, 0.39%

LAB 69.17, -69.73, 63.49

 

CMYK 99 / 0 / 58 / 23

HEX #01C453

RGB 1 196 83

HSL 145.23, 0.99%, 0.39%

LAB 69.55, -64.97, 44.66

 

CMYK 99 / 0 / 31 / 23

HEX #01C488

RGB 1 196 136

HSL 161.54, 0.99%, 0.39%

LAB 70.36, -55.35, 18.78

 

CMYK 61 / 0 / 99 / 23

HEX #4DC401

RGB 77 196 1

HSL 96.62, 0.99%, 0.39%

LAB 70.22, -60.93, 69.49

 

CMYK 61 / 0 / 99 / 23

HEX #4DC401

RGB 77 196 1

HSL 96.62, 0.99%, 0.39%

LAB 70.22, -60.93, 69.49

 

CMYK 55 / 0 / 90 / 29

HEX #51B412

RGB 81 180 18

HSL 96.67, 0.82%, 0.39%

LAB 65.31, -53.94, 63.35

 

CMYK 49 / 0 / 79 / 36

HEX #54A422

RGB 84 164 34

HSL 96.92, 0.66%, 0.39%

LAB 60.38, -46.31, 55.1

 

CMYK 41 / 0 / 66 / 42

HEX #589432

RGB 88 148 50

HSL 96.73, 0.49%, 0.39%

LAB 55.57, -37.15, 44.24

 

CMYK 30 / 0 / 50 / 48

HEX #5C8442

RGB 92 132 66

HSL 96.36, 0.33%, 0.39%

LAB 50.89, -26.48, 31.09

 

CMYK 7 / 0 / 99 / 23

HEX #B7C401

RGB 183 196 1

HSL 64, 0.99%, 0.39%

LAB 75.79, -23.24, 76.19

 

CMYK 33 / 0 / 99 / 23

HEX #83C401

RGB 131 196 1

HSL 80, 0.99%, 0.39%

LAB 72.43, -44.16, 72.17

 

CMYK 60 / 0 / 99 / 23

HEX #4FC401

RGB 79 196 1

HSL 96, 0.99%, 0.39%

LAB 70.28, -60.44, 69.56

 

CMYK 86 / 0 / 99 / 23

HEX #1BC401

RGB 27 196 1

HSL 112, 0.99%, 0.39%

LAB 69.27, -69.16, 68.33

 

CMYK 99 / 0 / 86 / 23

HEX #01C41B

RGB 1 196 27

HSL 128, 0.99%, 0.39%

LAB 69.16, -69.92, 64.4

 

CMYK 61 / 0 / 99 / 55

HEX #2D7301

RGB 45 115 1

HSL 96.84, 0.98%, 0.23%

LAB 42.49, -40.38, 47.02

 

CMYK 61 / 0 / 99 / 39

HEX #3D9C01

RGB 61 156 1

HSL 96.77, 0.99%, 0.31%

LAB 56.85, -51.1, 58.67

 

CMYK 61 / 0 / 99 / 23

HEX #4DC401

RGB 77 196 1

HSL 96.62, 0.99%, 0.39%

LAB 70.22, -60.93, 69.49

 

CMYK 61 / 0 / 99 / 7

HEX #5DED02

RGB 93 237 2

HSL 96.77, 0.98%, 0.47%

LAB 83.39, -70.67, 80.05

 

CMYK 54 / 0 / 89 / 1

HEX #73FC1C

RGB 115 252 28

HSL 96.7, 0.97%, 0.55%

LAB 88.61, -69.81, 81.79

 

CMYK 61 / 0 / 99 / 24

HEX #4DC302

RGB 77 195 2

HSL 96.68, 0.98%, 0.39%

LAB 69.9, -60.57, 69.13

 

CMYK 99 / 0 / 20 / 23

HEX #01C49D

RGB 1 196 157

HSL 168, 0.99%, 0.39%

LAB 70.82, -50.31, 8.1

 

CMYK 0 / 99 / 20 / 23

HEX #C4019D

RGB 196 1 157

HSL 312, 0.99%, 0.39%

LAB 44.51, 75.27, -30.18

 

CMYK 61 / 0 / 99 / 24

HEX #4DC302

RGB 77 195 2

HSL 96.68, 0.98%, 0.39%

LAB 69.9, -60.57, 69.13

 

CMYK 99 / 60 / 0 / 23

HEX #014FC4

RGB 1 79 196

HSL 216, 0.99%, 0.39%

LAB 37.09, 27.29, -66.2

 

CMYK 0 / 99 / 60 / 23

HEX #C4014F

RGB 196 1 79

HSL 336, 0.99%, 0.39%

LAB 41.72, 68.04, 14.04

 

CMYK 61 / 0 / 99 / 24

HEX #4DC302

RGB 77 195 2

HSL 96.68, 0.98%, 0.39%

LAB 69.9, -60.57, 69.13

 

CMYK 99 / 0 / 20 / 23

HEX #01C49D

RGB 1 196 157

HSL 168, 0.99%, 0.39%

LAB 70.82, -50.31, 8.1

 

CMYK 40 / 99 / 0 / 23

HEX #7601C4

RGB 118 1 196

HSL 276, 0.99%, 0.39%

LAB 33.69, 69.99, -71.48

 

CMYK 0 / 99 / 80 / 23

HEX #C40128

RGB 196 1 40

HSL 348, 0.99%, 0.39%

LAB 41.07, 66.29, 37.43

 

CMYK 61 / 0 / 99 / 24

HEX #4DC302

RGB 77 195 2

HSL 96.68, 0.98%, 0.39%

LAB 69.9, -60.57, 69.13

 

CMYK 99 / 10 / 0 / 23

HEX #01B1C4

RGB 1 177 196

HSL 185.85, 0.99%, 0.39%

LAB 66.09, -30.51, -20.33

 

CMYK 40 / 99 / 0 / 23

HEX #7601C4

RGB 118 1 196

HSL 276, 0.99%, 0.39%

LAB 33.69, 69.99, -71.48

 

CMYK 0 / 89 / 99 / 23

HEX #C41501

RGB 196 21 1

HSL 6.15, 0.99%, 0.39%

LAB 41.65, 63.27, 55.09

 

Description

Color code: HEX #4DC302 | qconv.com Color code: HEX #4DC302 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 195 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 195 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 99 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 99% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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