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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DD5D0 it is the complementary color #B22A2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DD5D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DD5D0 shade: #52D5CB, #63E7DE, #74F9F1, #85FFFF and #96FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DD5D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DD5D0 shade: #4DD5D0, #3CC3BD, #2BB1AA, #1A9F97 and #098D84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DD5D0 shade: #4DD5D0, #4DD5AB, #4DD586, #4DD562 and #5DD54D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DD5D0 shade: #4DD5D0, #4DB5D5, #4D91D5, #4D6CD5 and #4D4DD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DD5D0 shade matches the following richer shades: #4DD5D0, #3BE7E0 and #29F8F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DD5D0 shade: #4DD5D0, #5FC3BF, #70B1AF, #82A09F and #948E8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DD5D0 shade: #4DD586, #4DD5AA, #4DD5CE, #4DB7D5 and #4D93D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DD5D0 shade: #27A8A3, #2FCAC4, #4DD5D0, #6EDDD9 and #90E5E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DD5D0 shade: #4DD5D0, #614DD5 and #D5984D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DD5D0 shade: #4DD5D0, #CE4DD5 and #D5CE4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DD5D0 shade: #4DD5D0, #614DD5, #D54D54 and #C0D54D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DD5D0 shade: #4DD5D0, #8A4DD5, #D54D54 and #98D54D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 2 / 16

HEX #4DD5D0

RGB 77 213 208

HSL 177.79, 0.62%, 0.57%

LAB 78.3, -37.34, -8.39

 

Complementary color

CMYK 0 / 76 / 74 / 30

HEX #B22A2F

RGB 178 42 47

HSL 357.79, 0.62%, 0.43%

LAB 40.12, 53.99, 31.2

 

CMYK 62 / 0 / 5 / 16

HEX #52D5CB

RGB 82 213 203

HSL 175.42, 0.61%, 0.58%

LAB 78.28, -37.88, -5.72

 

CMYK 57 / 0 / 4 / 9

HEX #63E7DE

RGB 99 231 222

HSL 175.91, 0.73%, 0.65%

LAB 84.52, -38.17, -6.55

 

CMYK 53 / 0 / 3 / 2

HEX #74F9F1

RGB 116 249 241

HSL 176.39, 0.92%, 0.72%

LAB 90.7, -38.36, -7.31

 

CMYK 48 / 0 / 0 / 0

HEX #85FFFF

RGB 133 255 255

HSL 180, 1%, 0.76%

LAB 93.33, -34.2, -10.6

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 64 / 0 / 2 / 16

HEX #4DD5D0

RGB 77 213 208

HSL 177.79, 0.62%, 0.57%

LAB 78.3, -37.34, -8.39

 

CMYK 69 / 0 / 3 / 24

HEX #3CC3BD

RGB 60 195 189

HSL 177.33, 0.53%, 0.5%

LAB 72, -36.78, -7.51

 

CMYK 76 / 0 / 4 / 31

HEX #2BB1AA

RGB 43 177 170

HSL 176.87, 0.61%, 0.43%

LAB 65.64, -35.98, -6.54

 

CMYK 84 / 0 / 5 / 38

HEX #1A9F97

RGB 26 159 151

HSL 176.39, 0.72%, 0.36%

LAB 59.21, -34.86, -5.44

 

CMYK 94 / 0 / 6 / 45

HEX #098D84

RGB 9 141 132

HSL 175.91, 0.88%, 0.29%

LAB 52.7, -33.31, -4.2

 

CMYK 64 / 0 / 2 / 16

HEX #4DD5D0

RGB 77 213 208

HSL 177.79, 0.62%, 0.57%

LAB 78.3, -37.34, -8.39

 

CMYK 64 / 0 / 20 / 16

HEX #4DD5AB

RGB 77 213 171

HSL 161.47, 0.62%, 0.57%

LAB 77.34, -46.7, 10.02

 

CMYK 64 / 0 / 37 / 16

HEX #4DD586

RGB 77 213 134

HSL 145.15, 0.62%, 0.57%

LAB 76.61, -54.43, 28.48

 

CMYK 64 / 0 / 54 / 16

HEX #4DD562

RGB 77 213 98

HSL 129.26, 0.62%, 0.57%

LAB 76.1, -60.14, 45.7

 

CMYK 56 / 0 / 64 / 16

HEX #5DD54D

RGB 93 213 77

HSL 112.94, 0.62%, 0.57%

LAB 76.35, -58.95, 55.47

 

CMYK 64 / 0 / 2 / 16

HEX #4DD5D0

RGB 77 213 208

HSL 177.79, 0.62%, 0.57%

LAB 78.3, -37.34, -8.39

 

CMYK 64 / 15 / 0 / 16

HEX #4DB5D5

RGB 77 181 213

HSL 194.12, 0.62%, 0.57%

LAB 69.06, -20.28, -25.04

 

CMYK 64 / 32 / 0 / 16

HEX #4D91D5

RGB 77 145 213

HSL 210, 0.62%, 0.57%

LAB 58.63, -0.5, -41.23

 

CMYK 64 / 49 / 0 / 16

HEX #4D6CD5

RGB 77 108 213

HSL 226.32, 0.62%, 0.57%

LAB 48.39, 21.97, -57.53

 

CMYK 64 / 64 / 0 / 16

HEX #4D4DD5

RGB 77 77 213

HSL 240, 0.62%, 0.57%

LAB 40.72, 41.18, -69.98

 

CMYK 64 / 0 / 2 / 16

HEX #4DD5D0

RGB 77 213 208

HSL 177.79, 0.62%, 0.57%

LAB 78.3, -37.34, -8.39

 

CMYK 74 / 0 / 3 / 9

HEX #3BE7E0

RGB 59 231 224

HSL 177.56, 0.78%, 0.57%

LAB 83.69, -43.38, -8.94

 

CMYK 83 / 0 / 3 / 3

HEX #29F8F1

RGB 41 248 241

HSL 177.97, 0.94%, 0.57%

LAB 88.9, -47.57, -10.14

 

CMYK 64 / 0 / 2 / 16

HEX #4DD5D0

RGB 77 213 208

HSL 177.79, 0.62%, 0.57%

LAB 78.3, -37.34, -8.39

 

CMYK 51 / 0 / 2 / 24

HEX #5FC3BF

RGB 95 195 191

HSL 177.6, 0.45%, 0.57%

LAB 73.04, -30.12, -6.96

 

CMYK 37 / 0 / 1 / 31

HEX #70B1AF

RGB 112 177 175

HSL 178.15, 0.29%, 0.57%

LAB 68.01, -21.14, -5.55

 

CMYK 19 / 0 / 1 / 37

HEX #82A09F

RGB 130 160 159

HSL 178, 0.14%, 0.57%

LAB 63.66, -10.55, -2.93

 

CMYK 0 / 4 / 4 / 42

HEX #948E8E

RGB 148 142 142

HSL 0, 0.03%, 0.57%

LAB 59.52, 2.22, 0.78

 

CMYK 64 / 0 / 37 / 16

HEX #4DD586

RGB 77 213 134

HSL 145.15, 0.62%, 0.57%

LAB 76.61, -54.43, 28.48

 

CMYK 64 / 0 / 20 / 16

HEX #4DD5AA

RGB 77 213 170

HSL 161.03, 0.62%, 0.57%

LAB 77.32, -46.93, 10.52

 

CMYK 64 / 0 / 3 / 16

HEX #4DD5CE

RGB 77 213 206

HSL 176.91, 0.62%, 0.57%

LAB 78.24, -37.88, -7.41

 

CMYK 64 / 14 / 0 / 16

HEX #4DB7D5

RGB 77 183 213

HSL 193.24, 0.62%, 0.57%

LAB 69.65, -21.31, -24.15

 

CMYK 64 / 31 / 0 / 16

HEX #4D93D5

RGB 77 147 213

HSL 209.12, 0.62%, 0.57%

LAB 59.2, -1.66, -40.34

 

CMYK 77 / 0 / 3 / 34

HEX #27A8A3

RGB 39 168 163

HSL 177.67, 0.62%, 0.41%

LAB 62.58, -34.27, -7.19

 

CMYK 77 / 0 / 3 / 21

HEX #2FCAC4

RGB 47 202 196

HSL 177.68, 0.62%, 0.49%

LAB 74.08, -39.52, -8.26

 

CMYK 64 / 0 / 2 / 16

HEX #4DD5D0

RGB 77 213 208

HSL 177.79, 0.62%, 0.57%

LAB 78.3, -37.34, -8.39

 

CMYK 50 / 0 / 2 / 13

HEX #6EDDD9

RGB 110 221 217

HSL 177.84, 0.62%, 0.65%

LAB 81.86, -32.65, -7.81

 

CMYK 37 / 0 / 2 / 10

HEX #90E5E1

RGB 144 229 225

HSL 177.18, 0.62%, 0.73%

LAB 85.71, -26.56, -6.19

 

CMYK 64 / 0 / 2 / 16

HEX #4DD5D0

RGB 77 213 208

HSL 177.79, 0.62%, 0.57%

LAB 78.3, -37.34, -8.39

 

CMYK 54 / 64 / 0 / 16

HEX #614DD5

RGB 97 77 213

HSL 248.82, 0.62%, 0.57%

LAB 42.24, 44.35, -67.44

 

CMYK 0 / 29 / 64 / 16

HEX #D5984D

RGB 213 152 77

HSL 33.09, 0.62%, 0.57%

LAB 67.38, 15.32, 47.66

 

CMYK 64 / 0 / 2 / 16

HEX #4DD5D0

RGB 77 213 208

HSL 177.79, 0.62%, 0.57%

LAB 78.3, -37.34, -8.39

 

CMYK 3 / 64 / 0 / 16

HEX #CE4DD5

RGB 206 77 213

HSL 296.91, 0.62%, 0.57%

LAB 55.31, 67.68, -45.73

 

CMYK 0 / 3 / 64 / 16

HEX #D5CE4D

RGB 213 206 77

HSL 56.91, 0.62%, 0.57%

LAB 81.2, -13.04, 62.71

 

CMYK 64 / 0 / 2 / 16

HEX #4DD5D0

RGB 77 213 208

HSL 177.79, 0.62%, 0.57%

LAB 78.3, -37.34, -8.39

 

CMYK 54 / 64 / 0 / 16

HEX #614DD5

RGB 97 77 213

HSL 248.82, 0.62%, 0.57%

LAB 42.24, 44.35, -67.44

 

CMYK 0 / 64 / 61 / 16

HEX #D54D54

RGB 213 77 84

HSL 356.91, 0.62%, 0.57%

LAB 51.94, 53.87, 25.15

 

CMYK 10 / 0 / 64 / 16

HEX #C0D54D

RGB 192 213 77

HSL 69.26, 0.62%, 0.57%

LAB 81.47, -25.11, 62.51

 

CMYK 64 / 0 / 2 / 16

HEX #4DD5D0

RGB 77 213 208

HSL 177.79, 0.62%, 0.57%

LAB 78.3, -37.34, -8.39

 

CMYK 35 / 64 / 0 / 16

HEX #8A4DD5

RGB 138 77 213

HSL 266.91, 0.62%, 0.57%

LAB 46.33, 52.31, -60.6

 

CMYK 0 / 64 / 61 / 16

HEX #D54D54

RGB 213 77 84

HSL 356.91, 0.62%, 0.57%

LAB 51.94, 53.87, 25.15

 

CMYK 29 / 0 / 64 / 16

HEX #98D54D

RGB 152 213 77

HSL 86.91, 0.62%, 0.57%

LAB 78.93, -40.55, 59.03

 

Description

Color code: HEX #4DD5D0 | qconv.com Color code: HEX #4DD5D0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 213 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 213 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 2 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 2% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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