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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DDAF3 it is the complementary color #B2250C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DDAF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DDAF3 shade: #52DAEE, #63ECFF, #74FEFF, #85FFFF and #96FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DDAF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DDAF3 shade: #4DDAF3, #3CC8E0, #2BB6CD, #1AA4BA and #0992A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DDAF3 shade: #4ED9F2, #4EADF2, #4E81F2, #4E55F2 and #744EF2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DDAF3 shade: #4ED9F2, #4EADF2, #4E81F2, #4E55F2 and #4E4EF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DDAF3 shade matches the following richer shades: #4ED9F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DDAF3 shade: #4ED9F2, #5DCFE3, #6DC4D4, #7CBAC4 and #8BAFB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DDAF3 shade: #4EF2B3, #4EF2DF, #4EDAF2, #4EAEF2 and #4E82F2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DDAF3 shade: #0FBFDF, #27D1F0, #4ED9F2, #75E2F5 and #9BEAF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DDAF3 shade: #4DDAF3, #884EF2 and #F2C94E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DDAF3 shade: #4DDAF3, #F24EDA and #DAF24E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DDAF3 shade: #4DDAF3, #884EF2, #F2674E and #B9F24E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DDAF3 shade: #4DDAF3, #B94EF2, #F2674E and #88F24E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 10 / 0 / 5

HEX #4DDAF3

RGB 77 218 243

HSL 189.04, 0.87%, 0.63%

LAB 80.85, -29.74, -23.25

 

Complementary color

CMYK 0 / 79 / 93 / 30

HEX #B2250C

RGB 178 37 12

HSL 9.04, 0.87%, 0.37%

LAB 39.27, 54.59, 48.11

 

CMYK 66 / 8 / 0 / 7

HEX #52DAEE

RGB 82 218 238

HSL 187.69, 0.82%, 0.63%

LAB 80.8, -30.5, -20.65

 

CMYK 61 / 7 / 0 / 0

HEX #63ECFF

RGB 99 236 255

HSL 187.31, 1%, 0.69%

LAB 86.93, -31.63, -20.31

 

CMYK 55 / 0 / 0 / 0

HEX #74FEFF

RGB 116 254 255

HSL 180.43, 1%, 0.73%

LAB 92.49, -37.08, -11.91

 

CMYK 48 / 0 / 0 / 0

HEX #85FFFF

RGB 133 255 255

HSL 180, 1%, 0.76%

LAB 93.33, -34.2, -10.6

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 68 / 10 / 0 / 5

HEX #4DDAF3

RGB 77 218 243

HSL 189.04, 0.87%, 0.63%

LAB 80.85, -29.74, -23.25

 

CMYK 73 / 11 / 0 / 12

HEX #3CC8E0

RGB 60 200 224

HSL 188.78, 0.73%, 0.56%

LAB 74.6, -28.87, -22.6

 

CMYK 79 / 11 / 0 / 20

HEX #2BB6CD

RGB 43 182 205

HSL 188.52, 0.65%, 0.49%

LAB 68.3, -27.74, -21.89

 

CMYK 86 / 12 / 0 / 27

HEX #1AA4BA

RGB 26 164 186

HSL 188.25, 0.75%, 0.42%

LAB 61.93, -26.29, -21.09

 

CMYK 95 / 13 / 0 / 35

HEX #0992A7

RGB 9 146 167

HSL 187.97, 0.9%, 0.35%

LAB 55.49, -24.41, -20.18

 

CMYK 68 / 10 / 0 / 5

HEX #4ED9F2

RGB 78 217 242

HSL 189.15, 0.86%, 0.63%

LAB 80.55, -29.42, -23.17

 

CMYK 68 / 29 / 0 / 5

HEX #4EADF2

RGB 78 173 242

HSL 205.24, 0.86%, 0.63%

LAB 67.96, -6.57, -42.61

 

CMYK 68 / 47 / 0 / 5

HEX #4E81F2

RGB 78 129 242

HSL 221.34, 0.86%, 0.63%

LAB 55.82, 19.2, -61.88

 

CMYK 68 / 65 / 0 / 5

HEX #4E55F2

RGB 78 85 242

HSL 237.44, 0.86%, 0.63%

LAB 44.98, 46.08, -79.47

 

CMYK 52 / 68 / 0 / 5

HEX #744EF2

RGB 116 78 242

HSL 253.9, 0.86%, 0.63%

LAB 46.41, 55.38, -77.02

 

CMYK 68 / 10 / 0 / 5

HEX #4ED9F2

RGB 78 217 242

HSL 189.15, 0.86%, 0.63%

LAB 80.55, -29.42, -23.17

 

CMYK 68 / 29 / 0 / 5

HEX #4EADF2

RGB 78 173 242

HSL 205.24, 0.86%, 0.63%

LAB 67.96, -6.57, -42.61

 

CMYK 68 / 47 / 0 / 5

HEX #4E81F2

RGB 78 129 242

HSL 221.34, 0.86%, 0.63%

LAB 55.82, 19.2, -61.88

 

CMYK 68 / 65 / 0 / 5

HEX #4E55F2

RGB 78 85 242

HSL 237.44, 0.86%, 0.63%

LAB 44.98, 46.08, -79.47

 

CMYK 68 / 68 / 0 / 5

HEX #4E4EF2

RGB 78 78 242

HSL 240, 0.86%, 0.63%

LAB 43.48, 50.13, -81.93

 

CMYK 68 / 10 / 0 / 5

HEX #4ED9F2

RGB 78 217 242

HSL 189.15, 0.86%, 0.63%

LAB 80.55, -29.42, -23.17

 

CMYK 68 / 10 / 0 / 5

HEX #4ED9F2

RGB 78 217 242

HSL 189.15, 0.86%, 0.63%

LAB 80.55, -29.42, -23.17

 

CMYK 59 / 9 / 0 / 11

HEX #5DCFE3

RGB 93 207 227

HSL 188.96, 0.71%, 0.63%

LAB 77.58, -26.51, -19.63

 

CMYK 49 / 8 / 0 / 17

HEX #6DC4D4

RGB 109 196 212

HSL 189.32, 0.54%, 0.63%

LAB 74.5, -21.96, -16.13

 

CMYK 37 / 5 / 0 / 23

HEX #7CBAC4

RGB 124 186 196

HSL 188.33, 0.38%, 0.63%

LAB 71.82, -17.32, -11.38

 

CMYK 23 / 3 / 0 / 29

HEX #8BAFB5

RGB 139 175 181

HSL 188.57, 0.22%, 0.63%

LAB 69.1, -10.78, -7.09

 

CMYK 68 / 0 / 26 / 5

HEX #4EF2B3

RGB 78 242 179

HSL 156.95, 0.86%, 0.63%

LAB 86.2, -56.57, 18.3

 

CMYK 68 / 0 / 8 / 5

HEX #4EF2DF

RGB 78 242 223

HSL 173.05, 0.86%, 0.63%

LAB 87.22, -46.14, -3.16

 

CMYK 68 / 10 / 0 / 5

HEX #4EDAF2

RGB 78 218 242

HSL 188.78, 0.86%, 0.63%

LAB 80.84, -29.9, -22.74

 

CMYK 68 / 28 / 0 / 5

HEX #4EAEF2

RGB 78 174 242

HSL 204.88, 0.86%, 0.63%

LAB 68.24, -7.12, -42.16

 

CMYK 68 / 46 / 0 / 5

HEX #4E82F2

RGB 78 130 242

HSL 220.98, 0.86%, 0.63%

LAB 56.08, 18.59, -61.45

 

CMYK 93 / 14 / 0 / 13

HEX #0FBFDF

RGB 15 191 223

HSL 189.23, 0.87%, 0.47%

LAB 71.34, -28.12, -27.1

 

CMYK 84 / 13 / 0 / 6

HEX #27D1F0

RGB 39 209 240

HSL 189.25, 0.87%, 0.55%

LAB 77.47, -30.2, -26.86

 

CMYK 68 / 10 / 0 / 5

HEX #4ED9F2

RGB 78 217 242

HSL 189.15, 0.86%, 0.63%

LAB 80.55, -29.42, -23.17

 

CMYK 52 / 8 / 0 / 4

HEX #75E2F5

RGB 117 226 245

HSL 188.91, 0.86%, 0.71%

LAB 84.36, -26.26, -18.87

 

CMYK 38 / 6 / 0 / 3

HEX #9BEAF8

RGB 155 234 248

HSL 189.03, 0.87%, 0.79%

LAB 88.25, -20.72, -14.44

 

CMYK 68 / 10 / 0 / 5

HEX #4DDAF3

RGB 77 218 243

HSL 189.04, 0.87%, 0.63%

LAB 80.85, -29.74, -23.25

 

CMYK 44 / 68 / 0 / 5

HEX #884EF2

RGB 136 78 242

HSL 261.22, 0.86%, 0.63%

LAB 48.38, 58.75, -73.72

 

CMYK 0 / 17 / 68 / 5

HEX #F2C94E

RGB 242 201 78

HSL 45, 0.86%, 0.63%

LAB 82.49, 1.72, 64.45

 

CMYK 68 / 10 / 0 / 5

HEX #4DDAF3

RGB 77 218 243

HSL 189.04, 0.87%, 0.63%

LAB 80.85, -29.74, -23.25

 

CMYK 0 / 68 / 10 / 5

HEX #F24EDA

RGB 242 78 218

HSL 308.78, 0.86%, 0.63%

LAB 61.12, 76.51, -39.03

 

CMYK 10 / 0 / 68 / 5

HEX #DAF24E

RGB 218 242 78

HSL 68.78, 0.86%, 0.63%

LAB 91.22, -28.41, 72.74

 

CMYK 68 / 10 / 0 / 5

HEX #4DDAF3

RGB 77 218 243

HSL 189.04, 0.87%, 0.63%

LAB 80.85, -29.74, -23.25

 

CMYK 44 / 68 / 0 / 5

HEX #884EF2

RGB 136 78 242

HSL 261.22, 0.86%, 0.63%

LAB 48.38, 58.75, -73.72

 

CMYK 0 / 57 / 68 / 5

HEX #F2674E

RGB 242 103 78

HSL 9.15, 0.86%, 0.63%

LAB 60.89, 51.93, 40.65

 

CMYK 24 / 0 / 68 / 5

HEX #B9F24E

RGB 185 242 78

HSL 80.85, 0.86%, 0.63%

LAB 89.1, -41.11, 69.91

 

CMYK 68 / 10 / 0 / 5

HEX #4DDAF3

RGB 77 218 243

HSL 189.04, 0.87%, 0.63%

LAB 80.85, -29.74, -23.25

 

CMYK 24 / 68 / 0 / 5

HEX #B94EF2

RGB 185 78 242

HSL 279.15, 0.86%, 0.63%

LAB 54.21, 68.14, -63.99

 

CMYK 0 / 57 / 68 / 5

HEX #F2674E

RGB 242 103 78

HSL 9.15, 0.86%, 0.63%

LAB 60.89, 51.93, 40.65

 

CMYK 44 / 0 / 68 / 5

HEX #88F24E

RGB 136 242 78

HSL 98.78, 0.86%, 0.63%

LAB 86.65, -57.77, 66.6

 

Description

Color code: HEX #4DDAF3 | qconv.com Color code: HEX #4DDAF3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 218 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 218 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 10 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 10% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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