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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DE618 it is the complementary color #B219E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DE618. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DE618 shade: #52E613, #63F826, #74FF39, #85FF4C and #96FF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DE618. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DE618 shade: #4DE618, #3CD405, #2BC200, #1AB000 and #099E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DE618 shade: #4DE618, #85E618, #BCE618, #E6D918 and #E6A118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DE618 shade: #4DE618, #18E61A, #18E652, #18E68A and #18E6C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DE618 shade matches the following richer shades: #4DE618 and #43FB03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DE618 shade: #4DE618, #57D22C, #61BD41, #6BA856 and #75946A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DE618 shade: #BDE618, #86E618, #4FE618, #18E618 and #18E64F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DE618 shade: #349C10, #40C114, #4DE618, #6AEA3D and #86EE62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DE618 shade: #4DE618, #18E6D9 and #E618A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DE618 shade: #4DE618, #184FE6 and #E6184F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DE618 shade: #4DE618, #18E6D9, #AF18E6 and #E61825

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DE618 shade: #4DE618, #18B6E6, #AF18E6 and #E64818

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 90 / 10

HEX #4DE618

RGB 77 230 24

HSL 104.56, 0.81%, 0.5%

LAB 80.87, -71.45, 75.47

 

Complementary color

CMYK 23 / 89 / 0 / 9

HEX #B219E7

RGB 178 25 231

HSL 284.56, 0.81%, 0.5%

LAB 46.88, 80.84, -69.71

 

CMYK 64 / 0 / 92 / 10

HEX #52E613

RGB 82 230 19

HSL 102.09, 0.85%, 0.49%

LAB 80.98, -70.57, 76.33

 

CMYK 60 / 0 / 85 / 3

HEX #63F826

RGB 99 248 38

HSL 102.57, 0.94%, 0.56%

LAB 86.96, -72.05, 78.35

 

CMYK 55 / 0 / 78 / 0

HEX #74FF39

RGB 116 255 57

HSL 102.12, 1%, 0.61%

LAB 89.64, -69.43, 76.28

 

CMYK 48 / 0 / 70 / 0

HEX #85FF4C

RGB 133 255 76

HSL 100.89, 1%, 0.65%

LAB 90.33, -63.69, 71.1

 

CMYK 41 / 0 / 63 / 0

HEX #96FF5F

RGB 150 255 95

HSL 99.38, 1%, 0.69%

LAB 91.16, -57.18, 64.98

 

CMYK 67 / 0 / 90 / 10

HEX #4DE618

RGB 77 230 24

HSL 104.56, 0.81%, 0.5%

LAB 80.87, -71.45, 75.47

 

CMYK 72 / 0 / 98 / 17

HEX #3CD405

RGB 60 212 5

HSL 104.06, 0.95%, 0.43%

LAB 74.86, -69.44, 72.62

 

CMYK 78 / 0 / 100 / 24

HEX #2BC200

RGB 43 194 0

HSL 106.7, 1%, 0.38%

LAB 68.82, -66.79, 68.17

 

CMYK 85 / 0 / 100 / 31

HEX #1AB000

RGB 26 176 0

HSL 111.14, 1%, 0.35%

LAB 62.74, -63.58, 63.21

 

CMYK 94 / 0 / 100 / 38

HEX #099E00

RGB 9 158 0

HSL 116.58, 1%, 0.31%

LAB 56.6, -59.74, 58.24

 

CMYK 67 / 0 / 90 / 10

HEX #4DE618

RGB 77 230 24

HSL 104.56, 0.81%, 0.5%

LAB 80.87, -71.45, 75.47

 

CMYK 42 / 0 / 90 / 10

HEX #85E618

RGB 133 230 24

HSL 88.25, 0.81%, 0.5%

LAB 82.72, -56.76, 77.77

 

CMYK 18 / 0 / 90 / 10

HEX #BCE618

RGB 188 230 24

HSL 72.23, 0.81%, 0.5%

LAB 85.68, -36.81, 81.4

 

CMYK 0 / 6 / 90 / 10

HEX #E6D918

RGB 230 217 24

HSL 56.21, 0.81%, 0.5%

LAB 85.26, -13.31, 82.39

 

CMYK 0 / 30 / 90 / 10

HEX #E6A118

RGB 230 161 24

HSL 39.9, 0.81%, 0.5%

LAB 71.13, 15.69, 71.49

 

CMYK 67 / 0 / 90 / 10

HEX #4DE618

RGB 77 230 24

HSL 104.56, 0.81%, 0.5%

LAB 80.87, -71.45, 75.47

 

CMYK 90 / 0 / 89 / 10

HEX #18E61A

RGB 24 230 26

HSL 120.58, 0.81%, 0.5%

LAB 80.1, -78.17, 74.18

 

CMYK 90 / 0 / 64 / 10

HEX #18E652

RGB 24 230 82

HSL 136.89, 0.81%, 0.5%

LAB 80.4, -74.35, 57.53

 

CMYK 90 / 0 / 40 / 10

HEX #18E68A

RGB 24 230 138

HSL 153.2, 0.81%, 0.5%

LAB 81.08, -66.12, 32.22

 

CMYK 90 / 0 / 16 / 10

HEX #18E6C1

RGB 24 230 193

HSL 169.22, 0.81%, 0.5%

LAB 82.18, -53.9, 5.19

 

CMYK 67 / 0 / 90 / 10

HEX #4DE618

RGB 77 230 24

HSL 104.56, 0.81%, 0.5%

LAB 80.87, -71.45, 75.47

 

CMYK 73 / 0 / 99 / 2

HEX #43FB03

RGB 67 251 3

HSL 104.52, 0.98%, 0.5%

LAB 87.09, -79.85, 82.68

 

CMYK 67 / 0 / 90 / 10

HEX #4DE618

RGB 77 230 24

HSL 104.56, 0.81%, 0.5%

LAB 80.87, -71.45, 75.47

 

CMYK 59 / 0 / 79 / 18

HEX #57D22C

RGB 87 210 44

HSL 104.46, 0.65%, 0.5%

LAB 75.01, -61.88, 65.91

 

CMYK 49 / 0 / 66 / 26

HEX #61BD41

RGB 97 189 65

HSL 104.52, 0.49%, 0.5%

LAB 68.98, -49.91, 52.47

 

CMYK 36 / 0 / 49 / 34

HEX #6BA856

RGB 107 168 86

HSL 104.63, 0.32%, 0.5%

LAB 63.18, -35.48, 36.06

 

CMYK 21 / 0 / 28 / 42

HEX #75946A

RGB 117 148 106

HSL 104.29, 0.17%, 0.5%

LAB 58.04, -19.15, 18.76

 

CMYK 18 / 0 / 90 / 10

HEX #BDE618

RGB 189 230 24

HSL 71.94, 0.81%, 0.5%

LAB 85.74, -36.42, 81.48

 

CMYK 42 / 0 / 90 / 10

HEX #86E618

RGB 134 230 24

HSL 87.96, 0.81%, 0.5%

LAB 82.77, -56.44, 77.82

 

CMYK 66 / 0 / 90 / 10

HEX #4FE618

RGB 79 230 24

HSL 103.98, 0.81%, 0.5%

LAB 80.92, -71.05, 75.53

 

CMYK 90 / 0 / 90 / 10

HEX #18E618

RGB 24 230 24

HSL 120, 0.81%, 0.5%

LAB 80.1, -78.23, 74.5

 

CMYK 90 / 0 / 66 / 10

HEX #18E64F

RGB 24 230 79

HSL 136.02, 0.81%, 0.5%

LAB 80.38, -74.67, 58.72

 

CMYK 67 / 0 / 90 / 39

HEX #349C10

RGB 52 156 16

HSL 104.57, 0.81%, 0.34%

LAB 56.63, -52.84, 55.96

 

CMYK 67 / 0 / 90 / 24

HEX #40C114

RGB 64 193 20

HSL 104.74, 0.81%, 0.42%

LAB 68.95, -62.43, 65.89

 

CMYK 67 / 0 / 90 / 10

HEX #4DE618

RGB 77 230 24

HSL 104.56, 0.81%, 0.5%

LAB 80.87, -71.45, 75.47

 

CMYK 55 / 0 / 74 / 8

HEX #6AEA3D

RGB 106 234 61

HSL 104.39, 0.8%, 0.58%

LAB 83.04, -64.45, 68.58

 

CMYK 44 / 0 / 59 / 7

HEX #86EE62

RGB 134 238 98

HSL 104.57, 0.8%, 0.66%

LAB 85.55, -55.06, 57.27

 

CMYK 67 / 0 / 90 / 10

HEX #4DE618

RGB 77 230 24

HSL 104.56, 0.81%, 0.5%

LAB 80.87, -71.45, 75.47

 

CMYK 90 / 0 / 6 / 10

HEX #18E6D9

RGB 24 230 217

HSL 176.21, 0.81%, 0.5%

LAB 82.81, -47.49, -6.59

 

CMYK 0 / 90 / 30 / 10

HEX #E618A1

RGB 230 24 161

HSL 320.1, 0.81%, 0.5%

LAB 51.89, 80.15, -20.61

 

CMYK 67 / 0 / 90 / 10

HEX #4DE618

RGB 77 230 24

HSL 104.56, 0.81%, 0.5%

LAB 80.87, -71.45, 75.47

 

CMYK 90 / 66 / 0 / 10

HEX #184FE6

RGB 24 79 230

HSL 223.98, 0.81%, 0.5%

LAB 40.41, 41.06, -80.28

 

CMYK 0 / 90 / 66 / 10

HEX #E6184F

RGB 230 24 79

HSL 343.98, 0.81%, 0.5%

LAB 49.55, 73.7, 25.67

 

CMYK 67 / 0 / 90 / 10

HEX #4DE618

RGB 77 230 24

HSL 104.56, 0.81%, 0.5%

LAB 80.87, -71.45, 75.47

 

CMYK 90 / 0 / 6 / 10

HEX #18E6D9

RGB 24 230 217

HSL 176.21, 0.81%, 0.5%

LAB 82.81, -47.49, -6.59

 

CMYK 24 / 90 / 0 / 10

HEX #AF18E6

RGB 175 24 230

HSL 283.98, 0.81%, 0.5%

LAB 46.29, 80.41, -70.14

 

CMYK 0 / 90 / 84 / 10

HEX #E61825

RGB 230 24 37

HSL 356.21, 0.81%, 0.5%

LAB 49.02, 72.2, 49.16

 

CMYK 67 / 0 / 90 / 10

HEX #4DE618

RGB 77 230 24

HSL 104.56, 0.81%, 0.5%

LAB 80.87, -71.45, 75.47

 

CMYK 90 / 21 / 0 / 10

HEX #18B6E6

RGB 24 182 230

HSL 193.98, 0.81%, 0.5%

LAB 69.01, -20.84, -34.5

 

CMYK 24 / 90 / 0 / 10

HEX #AF18E6

RGB 175 24 230

HSL 283.98, 0.81%, 0.5%

LAB 46.29, 80.41, -70.14

 

CMYK 0 / 69 / 90 / 10

HEX #E64818

RGB 230 72 24

HSL 13.98, 0.81%, 0.5%

LAB 53.52, 59.13, 58.35

 

Description

Color code: HEX #4DE618 | qconv.com Color code: HEX #4DE618 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 230 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 230 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 90 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 90% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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