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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DE040 it is the complementary color #B21FBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DE040. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DE040 shade: #52E03B, #63F24E, #74FF61, #85FF74 and #96FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DE040. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DE040 shade: #4DE040, #3CCE2D, #2BBC1A, #1AAA07 and #099800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DE040 shade: #4BDF3E, #76DF3E, #A2DF3E, #CDDF3E and #DFC53E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DE040 shade: #4BDF3E, #3EDF5C, #3EDF88, #3EDFB3 and #3EDFDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DE040 shade matches the following richer shades: #4BDF3E and #3BF12B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DE040 shade: #4BDF3E, #5ACD50, #69BB62, #78A974 and #879686

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DE040 shade: #A1DF3E, #76DF3E, #4BDF3E, #3EDF5B and #3EDF86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DE040 shade: #28AE1C, #30D222, #4BDF3E, #6CE561 and #8DEB84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DE040 shade: #4DE040, #3ECCDF and #DF3E8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DE040 shade: #4DE040, #3E4BDF and #DF3E4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DE040 shade: #4DE040, #3ECCDF, #D23EDF and #DF503E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DE040 shade: #4DE040, #3E9CDF, #D23EDF and #DF813E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 71 / 12

HEX #4DE040

RGB 77 224 64

HSL 115.13, 0.72%, 0.56%

LAB 79.19, -67.46, 63.41

 

Complementary color

CMYK 7 / 84 / 0 / 25

HEX #B21FBF

RGB 178 31 191

HSL 295.13, 0.72%, 0.44%

LAB 44.53, 72.8, -50.5

 

CMYK 63 / 0 / 74 / 12

HEX #52E03B

RGB 82 224 59

HSL 111.64, 0.73%, 0.55%

LAB 79.28, -66.81, 65.28

 

CMYK 59 / 0 / 68 / 5

HEX #63F24E

RGB 99 242 78

HSL 112.32, 0.86%, 0.63%

LAB 85.36, -67.66, 64.85

 

CMYK 55 / 0 / 62 / 0

HEX #74FF61

RGB 116 255 97

HSL 112.78, 1%, 0.69%

LAB 89.9, -66.44, 62.42

 

CMYK 48 / 0 / 55 / 0

HEX #85FF74

RGB 133 255 116

HSL 112.66, 1%, 0.73%

LAB 90.67, -60.02, 55.28

 

CMYK 41 / 0 / 47 / 0

HEX #96FF87

RGB 150 255 135

HSL 112.5, 1%, 0.76%

LAB 91.57, -52.89, 47.77

 

CMYK 66 / 0 / 71 / 12

HEX #4DE040

RGB 77 224 64

HSL 115.13, 0.72%, 0.56%

LAB 79.19, -67.46, 63.41

 

CMYK 71 / 0 / 78 / 19

HEX #3CCE2D

RGB 60 206 45

HSL 114.41, 0.64%, 0.49%

LAB 73.08, -66.17, 63.54

 

CMYK 77 / 0 / 86 / 26

HEX #2BBC1A

RGB 43 188 26

HSL 113.7, 0.76%, 0.42%

LAB 66.94, -64.3, 62.8

 

CMYK 85 / 0 / 96 / 33

HEX #1AAA07

RGB 26 170 7

HSL 113.01, 0.92%, 0.35%

LAB 60.77, -61.66, 60.67

 

CMYK 94 / 0 / 100 / 40

HEX #099800

RGB 9 152 0

HSL 116.45, 1%, 0.3%

LAB 54.57, -58.02, 56.61

 

CMYK 66 / 0 / 72 / 13

HEX #4BDF3E

RGB 75 223 62

HSL 115.16, 0.72%, 0.56%

LAB 78.82, -67.68, 63.73

 

CMYK 47 / 0 / 72 / 13

HEX #76DF3E

RGB 118 223 62

HSL 99.13, 0.72%, 0.56%

LAB 80.17, -57.05, 65.52

 

CMYK 27 / 0 / 72 / 13

HEX #A2DF3E

RGB 162 223 62

HSL 82.73, 0.72%, 0.56%

LAB 82.27, -42.28, 68.32

 

CMYK 8 / 0 / 72 / 13

HEX #CDDF3E

RGB 205 223 62

HSL 66.71, 0.72%, 0.56%

LAB 85.05, -25.48, 71.96

 

CMYK 0 / 12 / 72 / 13

HEX #DFC53E

RGB 223 197 62

HSL 50.31, 0.72%, 0.56%

LAB 79.6, -5.04, 67.21

 

CMYK 66 / 0 / 72 / 13

HEX #4BDF3E

RGB 75 223 62

HSL 115.16, 0.72%, 0.56%

LAB 78.82, -67.68, 63.73

 

CMYK 72 / 0 / 59 / 13

HEX #3EDF5C

RGB 62 223 92

HSL 131.18, 0.72%, 0.56%

LAB 78.79, -67.01, 51.56

 

CMYK 72 / 0 / 39 / 13

HEX #3EDF88

RGB 62 223 136

HSL 147.58, 0.72%, 0.56%

LAB 79.37, -60.31, 31.06

 

CMYK 72 / 0 / 20 / 13

HEX #3EDFB3

RGB 62 223 179

HSL 163.6, 0.72%, 0.56%

LAB 80.21, -51.23, 9.81

 

CMYK 72 / 0 / 0 / 13

HEX #3EDFDF

RGB 62 223 223

HSL 180, 0.72%, 0.56%

LAB 81.36, -39.75, -11.87

 

CMYK 66 / 0 / 72 / 13

HEX #4BDF3E

RGB 75 223 62

HSL 115.16, 0.72%, 0.56%

LAB 78.82, -67.68, 63.73

 

CMYK 76 / 0 / 82 / 5

HEX #3BF12B

RGB 59 241 43

HSL 115.15, 0.88%, 0.56%

LAB 83.97, -77.05, 74.23

 

CMYK 66 / 0 / 72 / 13

HEX #4BDF3E

RGB 75 223 62

HSL 115.16, 0.72%, 0.56%

LAB 78.82, -67.68, 63.73

 

CMYK 56 / 0 / 61 / 20

HEX #5ACD50

RGB 90 205 80

HSL 115.2, 0.56%, 0.56%

LAB 73.81, -56.45, 51.33

 

CMYK 44 / 0 / 48 / 27

HEX #69BB62

RGB 105 187 98

HSL 115.28, 0.4%, 0.56%

LAB 69.06, -42.89, 37.28

 

CMYK 29 / 0 / 31 / 34

HEX #78A974

RGB 120 169 116

HSL 115.47, 0.24%, 0.56%

LAB 64.67, -26.98, 22.27

 

CMYK 10 / 0 / 11 / 41

HEX #879686

RGB 135 150 134

HSL 116.25, 0.07%, 0.56%

LAB 60.5, -8.54, 6.62

 

CMYK 28 / 0 / 72 / 13

HEX #A1DF3E

RGB 161 223 62

HSL 83.11, 0.72%, 0.56%

LAB 82.22, -42.65, 68.24

 

CMYK 47 / 0 / 72 / 13

HEX #76DF3E

RGB 118 223 62

HSL 99.13, 0.72%, 0.56%

LAB 80.17, -57.05, 65.52

 

CMYK 66 / 0 / 72 / 13

HEX #4BDF3E

RGB 75 223 62

HSL 115.16, 0.72%, 0.56%

LAB 78.82, -67.68, 63.73

 

CMYK 72 / 0 / 59 / 13

HEX #3EDF5B

RGB 62 223 91

HSL 130.81, 0.72%, 0.56%

LAB 78.78, -67.13, 51.99

 

CMYK 72 / 0 / 40 / 13

HEX #3EDF86

RGB 62 223 134

HSL 146.83, 0.72%, 0.56%

LAB 79.34, -60.68, 32.04

 

CMYK 77 / 0 / 84 / 32

HEX #28AE1C

RGB 40 174 28

HSL 115.07, 0.72%, 0.4%

LAB 62.34, -60.35, 58.17

 

CMYK 77 / 0 / 84 / 18

HEX #30D222

RGB 48 210 34

HSL 115.23, 0.72%, 0.48%

LAB 74.09, -69.86, 67.37

 

CMYK 66 / 0 / 72 / 13

HEX #4BDF3E

RGB 75 223 62

HSL 115.16, 0.72%, 0.56%

LAB 78.82, -67.68, 63.73

 

CMYK 53 / 0 / 58 / 10

HEX #6CE561

RGB 108 229 97

HSL 115, 0.72%, 0.64%

LAB 81.89, -58.96, 53.23

 

CMYK 40 / 0 / 44 / 8

HEX #8DEB84

RGB 141 235 132

HSL 114.76, 0.72%, 0.72%

LAB 85.38, -47.68, 41.33

 

CMYK 66 / 0 / 71 / 12

HEX #4DE040

RGB 77 224 64

HSL 115.13, 0.72%, 0.56%

LAB 79.19, -67.46, 63.41

 

CMYK 72 / 9 / 0 / 13

HEX #3ECCDF

RGB 62 204 223

HSL 187.08, 0.72%, 0.56%

LAB 75.78, -30.87, -20.27

 

CMYK 0 / 72 / 37 / 13

HEX #DF3E8C

RGB 223 62 140

HSL 330.93, 0.72%, 0.56%

LAB 52.98, 67.39, -6.61

 

CMYK 66 / 0 / 71 / 12

HEX #4DE040

RGB 77 224 64

HSL 115.13, 0.72%, 0.56%

LAB 79.19, -67.46, 63.41

 

CMYK 72 / 66 / 0 / 13

HEX #3E4BDF

RGB 62 75 223

HSL 235.16, 0.72%, 0.56%

LAB 40.22, 43.86, -76.56

 

CMYK 0 / 72 / 66 / 13

HEX #DF3E4B

RGB 223 62 75

HSL 355.16, 0.72%, 0.56%

LAB 51.43, 62.28, 30.16

 

CMYK 66 / 0 / 71 / 12

HEX #4DE040

RGB 77 224 64

HSL 115.13, 0.72%, 0.56%

LAB 79.19, -67.46, 63.41

 

CMYK 72 / 9 / 0 / 13

HEX #3ECCDF

RGB 62 204 223

HSL 187.08, 0.72%, 0.56%

LAB 75.78, -30.87, -20.27

 

CMYK 6 / 72 / 0 / 13

HEX #D23EDF

RGB 210 62 223

HSL 295.16, 0.72%, 0.56%

LAB 54.53, 75.69, -52.61

 

CMYK 0 / 64 / 72 / 13

HEX #DF503E

RGB 223 80 62

HSL 6.71, 0.72%, 0.56%

LAB 53.79, 54.73, 40.36

 

CMYK 66 / 0 / 71 / 12

HEX #4DE040

RGB 77 224 64

HSL 115.13, 0.72%, 0.56%

LAB 79.19, -67.46, 63.41

 

CMYK 72 / 30 / 0 / 13

HEX #3E9CDF

RGB 62 156 223

HSL 204.97, 0.72%, 0.56%

LAB 61.77, -5.72, -41.92

 

CMYK 6 / 72 / 0 / 13

HEX #D23EDF

RGB 210 62 223

HSL 295.16, 0.72%, 0.56%

LAB 54.53, 75.69, -52.61

 

CMYK 0 / 42 / 72 / 13

HEX #DF813E

RGB 223 129 62

HSL 24.97, 0.72%, 0.56%

LAB 63.12, 30.97, 50.54

 

Description

Color code: HEX #4DE040 | qconv.com Color code: HEX #4DE040 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 224 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 224 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 71 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 71% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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