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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DE0AB it is the complementary color #B21F54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DE0AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DE0AB shade: #52E0A6, #63F2B9, #74FFCC, #85FFDF and #96FFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DE0AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DE0AB shade: #4DE0AB, #3CCE98, #2BBC85, #1AAA72 and #09985F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DE0AB shade: #4DDFAA, #4DDF83, #4DDF5B, #66DF4D and #8DDF4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DE0AB shade: #4DDFAA, #4DDFD2, #4DC5DF, #4D9DDF and #4D76DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DE0AB shade matches the following richer shades: #4DDFAA and #3CF0AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DE0AB shade: #4DDFAA, #5ECEA6, #6FBDA1, #80AC9C and #909B97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DE0AB shade: #4DDF5B, #4DDF82, #4DDFA9, #4DDFD0 and #4DC7DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DE0AB shade: #20B982, #2AD99A, #4DDFAA, #70E5BB and #93ECCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DE0AB shade: #4DE0AB, #4D65DF and #DF6F4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DE0AB shade: #4DE0AB, #A94DDF and #DFA94D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DE0AB shade: #4DE0AB, #4D65DF, #DF4D82 and #DFC74D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DE0AB shade: #4DE0AB, #604DDF, #DF4D82 and #CCDF4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 24 / 12

HEX #4DE0AB

RGB 77 224 171

HSL 158.37, 0.7%, 0.59%

LAB 80.64, -51.27, 14.69

 

Complementary color

CMYK 0 / 83 / 53 / 30

HEX #B21F54

RGB 178 31 84

HSL 338.37, 0.7%, 0.41%

LAB 39.72, 59.42, 7.53

 

CMYK 63 / 0 / 26 / 12

HEX #52E0A6

RGB 82 224 166

HSL 155.49, 0.7%, 0.6%

LAB 80.66, -51.5, 17.36

 

CMYK 59 / 0 / 24 / 5

HEX #63F2B9

RGB 99 242 185

HSL 156.08, 0.85%, 0.67%

LAB 86.83, -51.65, 16.16

 

CMYK 55 / 0 / 20 / 0

HEX #74FFCC

RGB 116 255 204

HSL 157.99, 1%, 0.73%

LAB 91.5, -49.61, 13.02

 

CMYK 48 / 0 / 13 / 0

HEX #85FFDF

RGB 133 255 223

HSL 164.26, 1%, 0.76%

LAB 92.5, -41.76, 4.73

 

CMYK 41 / 0 / 5 / 0

HEX #96FFF2

RGB 150 255 242

HSL 172.57, 1%, 0.79%

LAB 93.63, -33.47, -3.36

 

CMYK 66 / 0 / 24 / 12

HEX #4DE0AB

RGB 77 224 171

HSL 158.37, 0.7%, 0.59%

LAB 80.64, -51.27, 14.69

 

CMYK 71 / 0 / 26 / 19

HEX #3CCE98

RGB 60 206 152

HSL 157.81, 0.6%, 0.52%

LAB 74.43, -50.85, 15.98

 

CMYK 77 / 0 / 29 / 26

HEX #2BBC85

RGB 43 188 133

HSL 157.24, 0.63%, 0.45%

LAB 68.15, -50.17, 17.39

 

CMYK 85 / 0 / 33 / 33

HEX #1AAA72

RGB 26 170 114

HSL 156.67, 0.73%, 0.38%

LAB 61.81, -49.13, 18.96

 

CMYK 94 / 0 / 38 / 40

HEX #09985F

RGB 9 152 95

HSL 156.08, 0.89%, 0.32%

LAB 55.42, -47.58, 20.71

 

CMYK 65 / 0 / 24 / 13

HEX #4DDFAA

RGB 77 223 170

HSL 158.22, 0.7%, 0.59%

LAB 80.32, -51.08, 14.77

 

CMYK 65 / 0 / 41 / 13

HEX #4DDF83

RGB 77 223 131

HSL 142.19, 0.7%, 0.59%

LAB 79.61, -58.76, 33.96

 

CMYK 65 / 0 / 59 / 13

HEX #4DDF5B

RGB 77 223 91

HSL 125.75, 0.7%, 0.59%

LAB 79.1, -64.51, 52.44

 

CMYK 54 / 0 / 65 / 13

HEX #66DF4D

RGB 102 223 77

HSL 109.73, 0.7%, 0.59%

LAB 79.69, -60.31, 59.21

 

CMYK 37 / 0 / 65 / 13

HEX #8DDF4D

RGB 141 223 77

HSL 93.7, 0.7%, 0.59%

LAB 81.28, -48.67, 61.39

 

CMYK 65 / 0 / 24 / 13

HEX #4DDFAA

RGB 77 223 170

HSL 158.22, 0.7%, 0.59%

LAB 80.32, -51.08, 14.77

 

CMYK 65 / 0 / 6 / 13

HEX #4DDFD2

RGB 77 223 210

HSL 174.66, 0.7%, 0.59%

LAB 81.3, -41.34, -5.03

 

CMYK 65 / 12 / 0 / 13

HEX #4DC5DF

RGB 77 197 223

HSL 190.68, 0.7%, 0.59%

LAB 74.09, -25.38, -22.82

 

CMYK 65 / 30 / 0 / 13

HEX #4D9DDF

RGB 77 157 223

HSL 207.12, 0.7%, 0.59%

LAB 62.52, -4.05, -40.69

 

CMYK 65 / 47 / 0 / 13

HEX #4D76DF

RGB 77 118 223

HSL 223.15, 0.7%, 0.59%

LAB 51.68, 19.21, -57.91

 

CMYK 65 / 0 / 24 / 13

HEX #4DDFAA

RGB 77 223 170

HSL 158.22, 0.7%, 0.59%

LAB 80.32, -51.08, 14.77

 

CMYK 75 / 0 / 27 / 6

HEX #3CF0AF

RGB 60 240 175

HSL 158.33, 0.86%, 0.59%

LAB 85.19, -59.1, 18.92

 

CMYK 65 / 0 / 24 / 13

HEX #4DDFAA

RGB 77 223 170

HSL 158.22, 0.7%, 0.59%

LAB 80.32, -51.08, 14.77

 

CMYK 54 / 0 / 19 / 19

HEX #5ECEA6

RGB 94 206 166

HSL 158.57, 0.53%, 0.59%

LAB 75.62, -41.49, 10.31

 

CMYK 41 / 0 / 15 / 26

HEX #6FBDA1

RGB 111 189 161

HSL 158.46, 0.37%, 0.59%

LAB 71.11, -30.61, 6.65

 

CMYK 26 / 0 / 9 / 33

HEX #80AC9C

RGB 128 172 156

HSL 158.18, 0.21%, 0.59%

LAB 66.9, -18.19, 3.44

 

CMYK 7 / 0 / 3 / 39

HEX #909B97

RGB 144 155 151

HSL 158.18, 0.05%, 0.59%

LAB 63.02, -4.72, 0.73

 

CMYK 65 / 0 / 59 / 13

HEX #4DDF5B

RGB 77 223 91

HSL 125.75, 0.7%, 0.59%

LAB 79.1, -64.51, 52.44

 

CMYK 65 / 0 / 42 / 13

HEX #4DDF82

RGB 77 223 130

HSL 141.78, 0.7%, 0.59%

LAB 79.59, -58.93, 34.45

 

CMYK 65 / 0 / 24 / 13

HEX #4DDFA9

RGB 77 223 169

HSL 157.81, 0.7%, 0.59%

LAB 80.3, -51.3, 15.26

 

CMYK 65 / 0 / 7 / 13

HEX #4DDFD0

RGB 77 223 208

HSL 173.84, 0.7%, 0.59%

LAB 81.24, -41.86, -4.04

 

CMYK 65 / 11 / 0 / 13

HEX #4DC7DF

RGB 77 199 223

HSL 189.86, 0.7%, 0.59%

LAB 74.67, -26.38, -21.93

 

CMYK 83 / 0 / 30 / 27

HEX #20B982

RGB 32 185 130

HSL 158.43, 0.71%, 0.43%

LAB 66.99, -50.84, 17.39

 

CMYK 81 / 0 / 29 / 15

HEX #2AD99A

RGB 42 217 154

HSL 158.4, 0.7%, 0.51%

LAB 77.55, -56.85, 19.22

 

CMYK 65 / 0 / 24 / 13

HEX #4DDFAA

RGB 77 223 170

HSL 158.22, 0.7%, 0.59%

LAB 80.32, -51.08, 14.77

 

CMYK 51 / 0 / 18 / 10

HEX #70E5BB

RGB 112 229 187

HSL 158.46, 0.69%, 0.67%

LAB 83.48, -42.97, 10.44

 

CMYK 38 / 0 / 14 / 7

HEX #93ECCC

RGB 147 236 204

HSL 158.43, 0.7%, 0.75%

LAB 87.27, -33.76, 7.13

 

CMYK 66 / 0 / 24 / 12

HEX #4DE0AB

RGB 77 224 171

HSL 158.37, 0.7%, 0.59%

LAB 80.64, -51.27, 14.69

 

CMYK 65 / 55 / 0 / 13

HEX #4D65DF

RGB 77 101 223

HSL 230.14, 0.7%, 0.59%

LAB 47.25, 29.79, -65.05

 

CMYK 0 / 50 / 65 / 13

HEX #DF6F4D

RGB 223 111 77

HSL 13.97, 0.7%, 0.59%

LAB 59.52, 41.06, 38.86

 

CMYK 66 / 0 / 24 / 12

HEX #4DE0AB

RGB 77 224 171

HSL 158.37, 0.7%, 0.59%

LAB 80.64, -51.27, 14.69

 

CMYK 24 / 65 / 0 / 13

HEX #A94DDF

RGB 169 77 223

HSL 277.81, 0.7%, 0.59%

LAB 50.77, 61.25, -58.95

 

CMYK 0 / 24 / 65 / 13

HEX #DFA94D

RGB 223 169 77

HSL 37.81, 0.7%, 0.59%

LAB 72.63, 10.43, 53.8

 

CMYK 66 / 0 / 24 / 12

HEX #4DE0AB

RGB 77 224 171

HSL 158.37, 0.7%, 0.59%

LAB 80.64, -51.27, 14.69

 

CMYK 65 / 55 / 0 / 13

HEX #4D65DF

RGB 77 101 223

HSL 230.14, 0.7%, 0.59%

LAB 47.25, 29.79, -65.05

 

CMYK 0 / 65 / 42 / 13

HEX #DF4D82

RGB 223 77 130

HSL 338.22, 0.7%, 0.59%

LAB 54.67, 60.87, 1.82

 

CMYK 0 / 11 / 65 / 13

HEX #DFC74D

RGB 223 199 77

HSL 50.14, 0.7%, 0.59%

LAB 80.22, -5.29, 61.95

 

CMYK 66 / 0 / 24 / 12

HEX #4DE0AB

RGB 77 224 171

HSL 158.37, 0.7%, 0.59%

LAB 80.64, -51.27, 14.69

 

CMYK 57 / 65 / 0 / 13

HEX #604DDF

RGB 96 77 223

HSL 247.81, 0.7%, 0.59%

LAB 42.95, 47.21, -72

 

CMYK 0 / 65 / 42 / 13

HEX #DF4D82

RGB 223 77 130

HSL 338.22, 0.7%, 0.59%

LAB 54.67, 60.87, 1.82

 

CMYK 9 / 0 / 65 / 13

HEX #CCDF4D

RGB 204 223 77

HSL 67.81, 0.7%, 0.59%

LAB 85.07, -25.07, 66.54

 

Description

Color code: HEX #4DE0AB | qconv.com Color code: HEX #4DE0AB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 224 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 224 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 24 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 24% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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