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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DE0B8 it is the complementary color #B21F47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DE0B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DE0B8 shade: #52E0B3, #63F2C6, #74FFD9, #85FFEC and #96FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DE0B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DE0B8 shade: #4DE0B8, #3CCEA5, #2BBC92, #1AAA7F and #09986C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DE0B8 shade: #4DDFB7, #4DDF90, #4DDF68, #59DF4D and #80DF4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DE0B8 shade: #4DDFB7, #4DDFDF, #4DB8DF, #4D91DF and #4D69DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DE0B8 shade matches the following richer shades: #4DDFB7 and #3CF0BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DE0B8 shade: #4DDFB7, #5ECEB0, #6FBDA8, #80ACA0 and #909B98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DE0B8 shade: #4DDF68, #4DDF8F, #4DDFB6, #4DDFDD and #4DBBDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DE0B8 shade: #20B990, #2AD9A9, #4DDFB7, #70E5C5 and #93ECD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DE0B8 shade: #4DE0B8, #4D59DF and #DF7B4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DE0B8 shade: #4DE0B8, #B64DDF and #DFB64D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DE0B8 shade: #4DE0B8, #4D59DF, #DF4D76 and #DFD34D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DE0B8 shade: #4DE0B8, #6C4DDF, #DF4D76 and #BFDF4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 18 / 12

HEX #4DE0B8

RGB 77 224 184

HSL 163.67, 0.7%, 0.59%

LAB 80.93, -48.29, 8.24

 

Complementary color

CMYK 0 / 83 / 60 / 30

HEX #B21F47

RGB 178 31 71

HSL 343.67, 0.7%, 0.41%

LAB 39.41, 58.49, 15.37

 

CMYK 63 / 0 / 20 / 12

HEX #52E0B3

RGB 82 224 179

HSL 160.99, 0.7%, 0.6%

LAB 80.94, -48.62, 10.91

 

CMYK 59 / 0 / 18 / 5

HEX #63F2C6

RGB 99 242 198

HSL 161.54, 0.85%, 0.67%

LAB 87.11, -48.8, 9.81

 

CMYK 55 / 0 / 15 / 0

HEX #74FFD9

RGB 116 255 217

HSL 163.6, 1%, 0.73%

LAB 91.79, -46.75, 6.74

 

CMYK 48 / 0 / 7 / 0

HEX #85FFEC

RGB 133 255 236

HSL 170.66, 1%, 0.76%

LAB 92.82, -38.78, -1.52

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 66 / 0 / 18 / 12

HEX #4DE0B8

RGB 77 224 184

HSL 163.67, 0.7%, 0.59%

LAB 80.93, -48.29, 8.24

 

CMYK 71 / 0 / 20 / 19

HEX #3CCEA5

RGB 60 206 165

HSL 163.15, 0.6%, 0.52%

LAB 74.71, -47.84, 9.43

 

CMYK 77 / 0 / 22 / 26

HEX #2BBC92

RGB 43 188 146

HSL 162.62, 0.63%, 0.45%

LAB 68.43, -47.15, 10.73

 

CMYK 85 / 0 / 25 / 33

HEX #1AAA7F

RGB 26 170 127

HSL 162.08, 0.73%, 0.38%

LAB 62.08, -46.12, 12.19

 

CMYK 94 / 0 / 29 / 40

HEX #09986C

RGB 9 152 108

HSL 161.54, 0.89%, 0.32%

LAB 55.68, -44.62, 13.82

 

CMYK 65 / 0 / 18 / 13

HEX #4DDFB7

RGB 77 223 183

HSL 163.56, 0.7%, 0.59%

LAB 80.61, -48.1, 8.31

 

CMYK 65 / 0 / 35 / 13

HEX #4DDF90

RGB 77 223 144

HSL 147.53, 0.7%, 0.59%

LAB 79.82, -56.42, 27.62

 

CMYK 65 / 0 / 53 / 13

HEX #4DDF68

RGB 77 223 104

HSL 131.1, 0.7%, 0.59%

LAB 79.24, -62.89, 46.68

 

CMYK 60 / 0 / 65 / 13

HEX #59DF4D

RGB 89 223 77

HSL 115.07, 0.7%, 0.59%

LAB 79.29, -63.46, 58.66

 

CMYK 43 / 0 / 65 / 13

HEX #80DF4D

RGB 128 223 77

HSL 99.04, 0.7%, 0.59%

LAB 80.68, -52.88, 60.57

 

CMYK 65 / 0 / 18 / 13

HEX #4DDFB7

RGB 77 223 183

HSL 163.56, 0.7%, 0.59%

LAB 80.61, -48.1, 8.31

 

CMYK 65 / 0 / 0 / 13

HEX #4DDFDF

RGB 77 223 223

HSL 180, 0.7%, 0.59%

LAB 81.66, -37.82, -11.39

 

CMYK 65 / 17 / 0 / 13

HEX #4DB8DF

RGB 77 184 223

HSL 196.03, 0.7%, 0.59%

LAB 70.31, -18.75, -28.6

 

CMYK 65 / 35 / 0 / 13

HEX #4D91DF

RGB 77 145 223

HSL 212.05, 0.7%, 0.59%

LAB 59.12, 2.88, -46.05

 

CMYK 65 / 53 / 0 / 13

HEX #4D69DF

RGB 77 105 223

HSL 228.49, 0.7%, 0.59%

LAB 48.27, 27.3, -63.4

 

CMYK 65 / 0 / 18 / 13

HEX #4DDFB7

RGB 77 223 183

HSL 163.56, 0.7%, 0.59%

LAB 80.61, -48.1, 8.31

 

CMYK 75 / 0 / 20 / 6

HEX #3CF0BF

RGB 60 240 191

HSL 163.67, 0.86%, 0.59%

LAB 85.53, -55.48, 11.08

 

CMYK 65 / 0 / 18 / 13

HEX #4DDFB7

RGB 77 223 183

HSL 163.56, 0.7%, 0.59%

LAB 80.61, -48.1, 8.31

 

CMYK 54 / 0 / 15 / 19

HEX #5ECEB0

RGB 94 206 176

HSL 163.93, 0.53%, 0.59%

LAB 75.86, -39.19, 5.28

 

CMYK 41 / 0 / 11 / 26

HEX #6FBDA8

RGB 111 189 168

HSL 163.85, 0.37%, 0.59%

LAB 71.28, -29.04, 3.08

 

CMYK 26 / 0 / 7 / 33

HEX #80ACA0

RGB 128 172 160

HSL 163.64, 0.21%, 0.59%

LAB 67, -17.33, 1.38

 

CMYK 7 / 0 / 2 / 39

HEX #909B98

RGB 144 155 152

HSL 163.64, 0.05%, 0.59%

LAB 63.04, -4.52, 0.21

 

CMYK 65 / 0 / 53 / 13

HEX #4DDF68

RGB 77 223 104

HSL 131.1, 0.7%, 0.59%

LAB 79.24, -62.89, 46.68

 

CMYK 65 / 0 / 36 / 13

HEX #4DDF8F

RGB 77 223 143

HSL 147.12, 0.7%, 0.59%

LAB 79.8, -56.61, 28.12

 

CMYK 65 / 0 / 18 / 13

HEX #4DDFB6

RGB 77 223 182

HSL 163.15, 0.7%, 0.59%

LAB 80.59, -48.34, 8.81

 

CMYK 65 / 0 / 1 / 13

HEX #4DDFDD

RGB 77 223 221

HSL 179.18, 0.7%, 0.59%

LAB 81.61, -38.37, -10.41

 

CMYK 65 / 16 / 0 / 13

HEX #4DBBDF

RGB 77 187 223

HSL 194.79, 0.7%, 0.59%

LAB 71.18, -20.31, -27.26

 

CMYK 83 / 0 / 22 / 27

HEX #20B990

RGB 32 185 144

HSL 163.92, 0.71%, 0.43%

LAB 67.29, -47.53, 10.19

 

CMYK 81 / 0 / 22 / 15

HEX #2AD9A9

RGB 42 217 169

HSL 163.54, 0.7%, 0.51%

LAB 77.86, -53.42, 11.74

 

CMYK 65 / 0 / 18 / 13

HEX #4DDFB7

RGB 77 223 183

HSL 163.56, 0.7%, 0.59%

LAB 80.61, -48.1, 8.31

 

CMYK 51 / 0 / 14 / 10

HEX #70E5C5

RGB 112 229 197

HSL 163.59, 0.69%, 0.67%

LAB 83.71, -40.73, 5.51

 

CMYK 38 / 0 / 11 / 7

HEX #93ECD3

RGB 147 236 211

HSL 163.15, 0.7%, 0.75%

LAB 87.43, -32.27, 3.71

 

CMYK 66 / 0 / 18 / 12

HEX #4DE0B8

RGB 77 224 184

HSL 163.67, 0.7%, 0.59%

LAB 80.93, -48.29, 8.24

 

CMYK 65 / 60 / 0 / 13

HEX #4D59DF

RGB 77 89 223

HSL 235.07, 0.7%, 0.59%

LAB 44.3, 37.22, -69.84

 

CMYK 0 / 45 / 65 / 13

HEX #DF7B4D

RGB 223 123 77

HSL 18.9, 0.7%, 0.59%

LAB 61.99, 34.92, 41.77

 

CMYK 66 / 0 / 18 / 12

HEX #4DE0B8

RGB 77 224 184

HSL 163.67, 0.7%, 0.59%

LAB 80.93, -48.29, 8.24

 

CMYK 18 / 65 / 0 / 13

HEX #B64DDF

RGB 182 77 223

HSL 283.15, 0.7%, 0.59%

LAB 52.49, 64.08, -56.1

 

CMYK 0 / 18 / 65 / 13

HEX #DFB64D

RGB 223 182 77

HSL 43.15, 0.7%, 0.59%

LAB 75.87, 3.55, 57.33

 

CMYK 66 / 0 / 18 / 12

HEX #4DE0B8

RGB 77 224 184

HSL 163.67, 0.7%, 0.59%

LAB 80.93, -48.29, 8.24

 

CMYK 65 / 60 / 0 / 13

HEX #4D59DF

RGB 77 89 223

HSL 235.07, 0.7%, 0.59%

LAB 44.3, 37.22, -69.84

 

CMYK 0 / 65 / 47 / 13

HEX #DF4D76

RGB 223 77 118

HSL 343.15, 0.7%, 0.59%

LAB 54.35, 59.73, 8.5

 

CMYK 0 / 5 / 65 / 13

HEX #DFD34D

RGB 223 211 77

HSL 55.07, 0.7%, 0.59%

LAB 83.34, -11.38, 65.21

 

CMYK 66 / 0 / 18 / 12

HEX #4DE0B8

RGB 77 224 184

HSL 163.67, 0.7%, 0.59%

LAB 80.93, -48.29, 8.24

 

CMYK 52 / 65 / 0 / 13

HEX #6C4DDF

RGB 108 77 223

HSL 252.74, 0.7%, 0.59%

LAB 43.98, 49.2, -70.27

 

CMYK 0 / 65 / 47 / 13

HEX #DF4D76

RGB 223 77 118

HSL 343.15, 0.7%, 0.59%

LAB 54.35, 59.73, 8.5

 

CMYK 14 / 0 / 65 / 13

HEX #BFDF4D

RGB 191 223 77

HSL 73.15, 0.7%, 0.59%

LAB 84.17, -30.26, 65.31

 

Description

Color code: HEX #4DE0B8 | qconv.com Color code: HEX #4DE0B8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 224 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 224 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 18 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 18% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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