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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DEE64 it is the complementary color #B2119B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DEE64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DEE64 shade: #52EE5F, #63FF72, #74FF85, #85FF98 and #96FFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DEE64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DEE64 shade: #4DEE64, #3CDC51, #2BCA3E, #1AB82B and #09A618

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DEE64 shade: #4DEE64, #62EE4D, #8DEE4D, #B8EE4D and #E4EE4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DEE64 shade: #4DEE64, #4DEE90, #4DEEBB, #4DEEE6 and #4DCAEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DEE64 shade matches the following richer shades: #4DEE64 and #3DFE59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DEE64 shade: #4DEE64, #5DDE6F, #6DCF7B, #7CBF86 and #8CAF91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DEE64 shade: #8EEE4D, #63EE4D, #4DEE63, #4DEE8E and #4DEEB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DEE64 shade: #13D52F, #27EB43, #4DEE64, #73F285 and #99F5A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DEE64 shade: #4DEE64, #4DB8EE and #EE4D78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DEE64 shade: #4DEE64, #634DEE and #EE634D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DEE64 shade: #4DEE64, #4DB8EE, #EE4DD9 and #EE834D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DEE64 shade: #4DEE64, #4D88EE, #EE4DD9 and #EEB34D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 58 / 7

HEX #4DEE64

RGB 77 238 100

HSL 128.57, 0.83%, 0.62%

LAB 83.78, -68.55, 53.89

 

Complementary color

CMYK 0 / 90 / 13 / 30

HEX #B2119B

RGB 178 17 155

HSL 308.57, 0.83%, 0.38%

LAB 41.58, 69.91, -33.8

 

CMYK 66 / 0 / 60 / 7

HEX #52EE5F

RGB 82 238 95

HSL 125, 0.82%, 0.63%

LAB 83.85, -68.2, 56.17

 

CMYK 61 / 0 / 55 / 0

HEX #63FF72

RGB 99 255 114

HSL 125.77, 1%, 0.69%

LAB 89.57, -68.44, 54.61

 

CMYK 55 / 0 / 48 / 0

HEX #74FF85

RGB 116 255 133

HSL 127.34, 1%, 0.73%

LAB 90.29, -62.2, 46.84

 

CMYK 48 / 0 / 40 / 0

HEX #85FF98

RGB 133 255 152

HSL 129.34, 1%, 0.76%

LAB 91.13, -55.21, 38.87

 

CMYK 41 / 0 / 33 / 0

HEX #96FFAB

RGB 150 255 171

HSL 132, 1%, 0.79%

LAB 92.11, -47.59, 30.85

 

CMYK 68 / 0 / 58 / 7

HEX #4DEE64

RGB 77 238 100

HSL 128.57, 0.83%, 0.62%

LAB 83.78, -68.55, 53.89

 

CMYK 73 / 0 / 63 / 14

HEX #3CDC51

RGB 60 220 81

HSL 127.88, 0.7%, 0.55%

LAB 77.72, -67.59, 55.09

 

CMYK 79 / 0 / 69 / 21

HEX #2BCA3E

RGB 43 202 62

HSL 127.17, 0.65%, 0.48%

LAB 71.62, -66.18, 56.09

 

CMYK 86 / 0 / 77 / 28

HEX #1AB82B

RGB 26 184 43

HSL 126.46, 0.75%, 0.41%

LAB 65.49, -64.13, 56.64

 

CMYK 95 / 0 / 86 / 35

HEX #09A618

RGB 9 166 24

HSL 125.73, 0.9%, 0.34%

LAB 59.34, -61.22, 56.33

 

CMYK 68 / 0 / 58 / 7

HEX #4DEE64

RGB 77 238 100

HSL 128.57, 0.83%, 0.62%

LAB 83.78, -68.55, 53.89

 

CMYK 59 / 0 / 68 / 7

HEX #62EE4D

RGB 98 238 77

HSL 112.17, 0.83%, 0.62%

LAB 84.11, -66.6, 63.91

 

CMYK 41 / 0 / 68 / 7

HEX #8DEE4D

RGB 141 238 77

HSL 96.15, 0.83%, 0.62%

LAB 85.68, -54.74, 66.03

 

CMYK 23 / 0 / 68 / 7

HEX #B8EE4D

RGB 184 238 77

HSL 80.12, 0.83%, 0.62%

LAB 87.91, -39.78, 69.04

 

CMYK 4 / 0 / 68 / 7

HEX #E4EE4D

RGB 228 238 77

HSL 63.73, 0.83%, 0.62%

LAB 90.86, -22.57, 72.99

 

CMYK 68 / 0 / 58 / 7

HEX #4DEE64

RGB 77 238 100

HSL 128.57, 0.83%, 0.62%

LAB 83.78, -68.55, 53.89

 

CMYK 68 / 0 / 39 / 7

HEX #4DEE90

RGB 77 238 144

HSL 144.97, 0.83%, 0.62%

LAB 84.35, -62.05, 33.65

 

CMYK 68 / 0 / 21 / 7

HEX #4DEEBB

RGB 77 238 187

HSL 160.99, 0.83%, 0.62%

LAB 85.16, -53.36, 12.69

 

CMYK 68 / 0 / 3 / 7

HEX #4DEEE6

RGB 77 238 230

HSL 177.02, 0.83%, 0.62%

LAB 86.23, -42.68, -8.3

 

CMYK 68 / 15 / 0 / 7

HEX #4DCAEE

RGB 77 202 238

HSL 193.42, 0.83%, 0.62%

LAB 76.06, -23.34, -27.88

 

CMYK 68 / 0 / 58 / 7

HEX #4DEE64

RGB 77 238 100

HSL 128.57, 0.83%, 0.62%

LAB 83.78, -68.55, 53.89

 

CMYK 76 / 0 / 65 / 0

HEX #3DFE59

RGB 61 254 89

HSL 128.7, 0.99%, 0.62%

LAB 88.26, -77.29, 63.47

 

CMYK 68 / 0 / 58 / 7

HEX #4DEE64

RGB 77 238 100

HSL 128.57, 0.83%, 0.62%

LAB 83.78, -68.55, 53.89

 

CMYK 58 / 0 / 50 / 13

HEX #5DDE6F

RGB 93 222 111

HSL 128.37, 0.66%, 0.62%

LAB 79.45, -58.23, 43.71

 

CMYK 47 / 0 / 41 / 19

HEX #6DCF7B

RGB 109 207 123

HSL 128.57, 0.51%, 0.62%

LAB 75.64, -46.47, 33.04

 

CMYK 35 / 0 / 30 / 25

HEX #7CBF86

RGB 124 191 134

HSL 128.96, 0.34%, 0.62%

LAB 71.74, -33.09, 22.21

 

CMYK 20 / 0 / 17 / 31

HEX #8CAF91

RGB 140 175 145

HSL 128.57, 0.18%, 0.62%

LAB 68.23, -17.93, 11.52

 

CMYK 40 / 0 / 68 / 7

HEX #8EEE4D

RGB 142 238 77

HSL 95.78, 0.83%, 0.62%

LAB 85.72, -54.42, 66.09

 

CMYK 58 / 0 / 68 / 7

HEX #63EE4D

RGB 99 238 77

HSL 111.8, 0.83%, 0.62%

LAB 84.14, -66.36, 63.95

 

CMYK 68 / 0 / 58 / 7

HEX #4DEE63

RGB 77 238 99

HSL 128.2, 0.83%, 0.62%

LAB 83.77, -68.66, 54.32

 

CMYK 68 / 0 / 40 / 7

HEX #4DEE8E

RGB 77 238 142

HSL 144.22, 0.83%, 0.62%

LAB 84.32, -62.4, 34.61

 

CMYK 68 / 0 / 23 / 7

HEX #4DEEB8

RGB 77 238 184

HSL 159.88, 0.83%, 0.62%

LAB 85.09, -54.04, 14.16

 

CMYK 91 / 0 / 78 / 16

HEX #13D52F

RGB 19 213 47

HSL 128.66, 0.84%, 0.45%

LAB 74.78, -72.76, 64.38

 

CMYK 83 / 0 / 71 / 8

HEX #27EB43

RGB 39 235 67

HSL 128.57, 0.83%, 0.54%

LAB 81.98, -76.08, 65

 

CMYK 68 / 0 / 58 / 7

HEX #4DEE64

RGB 77 238 100

HSL 128.57, 0.83%, 0.62%

LAB 83.78, -68.55, 53.89

 

CMYK 52 / 0 / 45 / 5

HEX #73F285

RGB 115 242 133

HSL 128.5, 0.83%, 0.7%

LAB 86.43, -57.49, 41.97

 

CMYK 38 / 0 / 32 / 4

HEX #99F5A6

RGB 153 245 166

HSL 128.48, 0.82%, 0.78%

LAB 89.31, -43.24, 29.63

 

CMYK 68 / 0 / 58 / 7

HEX #4DEE64

RGB 77 238 100

HSL 128.57, 0.83%, 0.62%

LAB 83.78, -68.55, 53.89

 

CMYK 68 / 23 / 0 / 7

HEX #4DB8EE

RGB 77 184 238

HSL 200.12, 0.83%, 0.62%

LAB 70.89, -14.01, -35.86

 

CMYK 0 / 68 / 50 / 7

HEX #EE4D78

RGB 238 77 120

HSL 343.98, 0.83%, 0.62%

LAB 56.92, 64.41, 11.31

 

CMYK 68 / 0 / 58 / 7

HEX #4DEE64

RGB 77 238 100

HSL 128.57, 0.83%, 0.62%

LAB 83.78, -68.55, 53.89

 

CMYK 58 / 68 / 0 / 7

HEX #634DEE

RGB 99 77 238

HSL 248.2, 0.83%, 0.62%

LAB 44.42, 52.18, -78.07

 

CMYK 0 / 58 / 68 / 7

HEX #EE634D

RGB 238 99 77

HSL 8.2, 0.83%, 0.62%

LAB 59.56, 52.29, 39.47

 

CMYK 68 / 0 / 58 / 7

HEX #4DEE64

RGB 77 238 100

HSL 128.57, 0.83%, 0.62%

LAB 83.78, -68.55, 53.89

 

CMYK 68 / 23 / 0 / 7

HEX #4DB8EE

RGB 77 184 238

HSL 200.12, 0.83%, 0.62%

LAB 70.89, -14.01, -35.86

 

CMYK 0 / 68 / 9 / 7

HEX #EE4DD9

RGB 238 77 217

HSL 307.83, 0.83%, 0.62%

LAB 60.33, 75.78, -39.75

 

CMYK 0 / 45 / 68 / 7

HEX #EE834D

RGB 238 131 77

HSL 20.12, 0.83%, 0.62%

LAB 65.71, 36.69, 46.58

 

CMYK 68 / 0 / 58 / 7

HEX #4DEE64

RGB 77 238 100

HSL 128.57, 0.83%, 0.62%

LAB 83.78, -68.55, 53.89

 

CMYK 68 / 43 / 0 / 7

HEX #4D88EE

RGB 77 136 238

HSL 218.01, 0.83%, 0.62%

LAB 57.42, 13.4, -57.09

 

CMYK 0 / 68 / 9 / 7

HEX #EE4DD9

RGB 238 77 217

HSL 307.83, 0.83%, 0.62%

LAB 60.33, 75.78, -39.75

 

CMYK 0 / 25 / 68 / 7

HEX #EEB34D

RGB 238 179 77

HSL 38.01, 0.83%, 0.62%

LAB 76.65, 11.46, 58.61

 

Description

Color code: HEX #4DEE64 | qconv.com Color code: HEX #4DEE64 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 238 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 238 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 58 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 58% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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