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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DF4C1 it is the complementary color #B20B3E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DF4C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DF4C1 shade: #52F4BC, #63FFCF, #74FFE2, #85FFF5 and #96FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DF4C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DF4C1 shade: #4DF4C1, #3CE2AE, #2BD09B, #1ABE88 and #09AC75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DF4C1 shade: #4DF3C0, #4DF394, #4DF367, #60F34D and #8DF34D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DF4C1 shade: #4DF3C0, #4DF3ED, #4DCCF3, #4DA0F3 and #4D73F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DF4C1 shade matches the following richer shades: #4DF3C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DF4C1 shade: #4DF3C0, #5CE4BB, #6CD5B5, #7BC5AF and #8AB6A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DF4C1 shade: #4DF366, #4DF392, #4DF3BF, #4DF3EB and #4DCFF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DF4C1 shade: #0EE0A0, #26F1B3, #4DF3C0, #74F6CE and #9BF8DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DF4C1 shade: #4DF4C1, #4D60F3 and #F37C4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DF4C1 shade: #4DF4C1, #BF4DF3 and #F3BF4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DF4C1 shade: #4DF4C1, #4D60F3, #F34D82 and #F3E04D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DF4C1 shade: #4DF4C1, #6C4DF3, #F34D82 and #D5F34D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 21 / 4

HEX #4DF4C1

RGB 77 244 193

HSL 161.68, 0.88%, 0.63%

LAB 87.06, -54.42, 12.26

 

Complementary color

CMYK 0 / 94 / 65 / 30

HEX #B20B3E

RGB 178 11 62

HSL 341.68, 0.88%, 0.37%

LAB 37.94, 61.65, 19.16

 

CMYK 66 / 0 / 23 / 4

HEX #52F4BC

RGB 82 244 188

HSL 159.26, 0.88%, 0.64%

LAB 87.06, -54.79, 14.87

 

CMYK 61 / 0 / 19 / 0

HEX #63FFCF

RGB 99 255 207

HSL 161.54, 1%, 0.69%

LAB 91.09, -52.21, 10.82

 

CMYK 55 / 0 / 11 / 0

HEX #74FFE2

RGB 116 255 226

HSL 167.48, 1%, 0.73%

LAB 92.01, -44.67, 2.4

 

CMYK 48 / 0 / 4 / 0

HEX #85FFF5

RGB 133 255 245

HSL 175.08, 1%, 0.76%

LAB 93.06, -36.64, -5.83

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 68 / 0 / 21 / 4

HEX #4DF4C1

RGB 77 244 193

HSL 161.68, 0.88%, 0.63%

LAB 87.06, -54.42, 12.26

 

CMYK 73 / 0 / 23 / 11

HEX #3CE2AE

RGB 60 226 174

HSL 161.2, 0.74%, 0.56%

LAB 80.97, -53.86, 13.52

 

CMYK 79 / 0 / 25 / 18

HEX #2BD09B

RGB 43 208 155

HSL 160.73, 0.66%, 0.49%

LAB 74.82, -53.05, 14.89

 

CMYK 86 / 0 / 28 / 25

HEX #1ABE88

RGB 26 190 136

HSL 160.24, 0.76%, 0.42%

LAB 68.62, -51.9, 16.4

 

CMYK 95 / 0 / 32 / 33

HEX #09AC75

RGB 9 172 117

HSL 159.75, 0.9%, 0.35%

LAB 62.38, -50.3, 18.08

 

CMYK 68 / 0 / 21 / 5

HEX #4DF3C0

RGB 77 243 192

HSL 161.57, 0.87%, 0.63%

LAB 86.74, -54.25, 12.33

 

CMYK 68 / 0 / 39 / 5

HEX #4DF394

RGB 77 243 148

HSL 145.66, 0.87%, 0.63%

LAB 85.91, -63.17, 33.71

 

CMYK 68 / 0 / 58 / 5

HEX #4DF367

RGB 77 243 103

HSL 129.4, 0.87%, 0.63%

LAB 85.33, -69.86, 54.37

 

CMYK 60 / 0 / 68 / 5

HEX #60F34D

RGB 96 243 77

HSL 113.13, 0.87%, 0.63%

LAB 85.57, -68.75, 65.42

 

CMYK 42 / 0 / 68 / 5

HEX #8DF34D

RGB 141 243 77

HSL 96.87, 0.87%, 0.63%

LAB 87.14, -56.7, 67.56

 

CMYK 68 / 0 / 21 / 5

HEX #4DF3C0

RGB 77 243 192

HSL 161.57, 0.87%, 0.63%

LAB 86.74, -54.25, 12.33

 

CMYK 68 / 0 / 2 / 5

HEX #4DF3ED

RGB 77 243 237

HSL 177.83, 0.87%, 0.63%

LAB 87.87, -43.02, -9.53

 

CMYK 68 / 16 / 0 / 5

HEX #4DCCF3

RGB 77 204 243

HSL 194.1, 0.87%, 0.63%

LAB 76.82, -22.82, -29.4

 

CMYK 68 / 34 / 0 / 5

HEX #4DA0F3

RGB 77 160 243

HSL 210, 0.87%, 0.63%

LAB 64.31, 0.96, -48.89

 

CMYK 68 / 53 / 0 / 5

HEX #4D73F3

RGB 77 115 243

HSL 226.27, 0.87%, 0.63%

LAB 52.19, 28.02, -68.29

 

CMYK 68 / 0 / 21 / 5

HEX #4DF3C0

RGB 77 243 192

HSL 161.57, 0.87%, 0.63%

LAB 86.74, -54.25, 12.33

 

CMYK 68 / 0 / 21 / 5

HEX #4DF3C0

RGB 77 243 192

HSL 161.57, 0.87%, 0.63%

LAB 86.74, -54.25, 12.33

 

CMYK 60 / 0 / 18 / 11

HEX #5CE4BB

RGB 92 228 187

HSL 161.91, 0.72%, 0.63%

LAB 82.57, -46.68, 9.05

 

CMYK 49 / 0 / 15 / 16

HEX #6CD5B5

RGB 108 213 181

HSL 161.71, 0.56%, 0.63%

LAB 78.53, -38.08, 6.51

 

CMYK 38 / 0 / 11 / 23

HEX #7BC5AF

RGB 123 197 175

HSL 162.16, 0.39%, 0.63%

LAB 74.34, -28.07, 3.78

 

CMYK 24 / 0 / 7 / 29

HEX #8AB6A9

RGB 138 182 169

HSL 162.27, 0.23%, 0.63%

LAB 70.68, -17.4, 1.83

 

CMYK 68 / 0 / 58 / 5

HEX #4DF366

RGB 77 243 102

HSL 129.04, 0.87%, 0.63%

LAB 85.32, -69.98, 54.8

 

CMYK 68 / 0 / 40 / 5

HEX #4DF392

RGB 77 243 146

HSL 144.94, 0.87%, 0.63%

LAB 85.88, -63.53, 34.67

 

CMYK 68 / 0 / 21 / 5

HEX #4DF3BF

RGB 77 243 191

HSL 161.2, 0.87%, 0.63%

LAB 86.72, -54.47, 12.82

 

CMYK 68 / 0 / 3 / 5

HEX #4DF3EB

RGB 77 243 235

HSL 177.11, 0.87%, 0.63%

LAB 87.81, -43.56, -8.56

 

CMYK 68 / 15 / 0 / 5

HEX #4DCFF3

RGB 77 207 243

HSL 193.01, 0.87%, 0.63%

LAB 77.68, -24.33, -28.08

 

CMYK 94 / 0 / 29 / 12

HEX #0EE0A0

RGB 14 224 160

HSL 161.71, 0.88%, 0.47%

LAB 79.58, -59.92, 18.85

 

CMYK 84 / 0 / 26 / 5

HEX #26F1B3

RGB 38 241 179

HSL 161.67, 0.88%, 0.55%

LAB 85.29, -60.68, 16.95

 

CMYK 68 / 0 / 21 / 5

HEX #4DF3C0

RGB 77 243 192

HSL 161.57, 0.87%, 0.63%

LAB 86.74, -54.25, 12.33

 

CMYK 53 / 0 / 16 / 4

HEX #74F6CE

RGB 116 246 206

HSL 161.54, 0.88%, 0.71%

LAB 88.96, -45.32, 8.36

 

CMYK 38 / 0 / 11 / 3

HEX #9BF8DC

RGB 155 248 220

HSL 161.94, 0.87%, 0.79%

LAB 91.36, -33.82, 4.74

 

CMYK 68 / 0 / 21 / 4

HEX #4DF4C1

RGB 77 244 193

HSL 161.68, 0.88%, 0.63%

LAB 87.06, -54.42, 12.26

 

CMYK 68 / 60 / 0 / 5

HEX #4D60F3

RGB 77 96 243

HSL 233.13, 0.87%, 0.63%

LAB 47.51, 39.7, -75.89

 

CMYK 0 / 49 / 68 / 5

HEX #F37C4D

RGB 243 124 77

HSL 16.99, 0.87%, 0.63%

LAB 64.97, 42.17, 45.93

 

CMYK 68 / 0 / 21 / 4

HEX #4DF4C1

RGB 77 244 193

HSL 161.68, 0.88%, 0.63%

LAB 87.06, -54.42, 12.26

 

CMYK 21 / 68 / 0 / 5

HEX #BF4DF3

RGB 191 77 243

HSL 281.2, 0.87%, 0.63%

LAB 54.92, 69.98, -63.36

 

CMYK 0 / 21 / 68 / 5

HEX #F3BF4D

RGB 243 191 77

HSL 41.2, 0.87%, 0.63%

LAB 80.1, 7.27, 62.4

 

CMYK 68 / 0 / 21 / 4

HEX #4DF4C1

RGB 77 244 193

HSL 161.68, 0.88%, 0.63%

LAB 87.06, -54.42, 12.26

 

CMYK 68 / 60 / 0 / 5

HEX #4D60F3

RGB 77 96 243

HSL 233.13, 0.87%, 0.63%

LAB 47.51, 39.7, -75.89

 

CMYK 0 / 68 / 47 / 5

HEX #F34D82

RGB 243 77 130

HSL 340.84, 0.87%, 0.63%

LAB 58.01, 66.73, 7.08

 

CMYK 0 / 8 / 68 / 5

HEX #F3E04D

RGB 243 224 77

HSL 53.13, 0.87%, 0.63%

LAB 88.4, -9.58, 70.91

 

CMYK 68 / 0 / 21 / 4

HEX #4DF4C1

RGB 77 244 193

HSL 161.68, 0.88%, 0.63%

LAB 87.06, -54.42, 12.26

 

CMYK 56 / 68 / 0 / 5

HEX #6C4DF3

RGB 108 77 243

HSL 251.2, 0.87%, 0.63%

LAB 45.59, 54.96, -78.95

 

CMYK 0 / 68 / 47 / 5

HEX #F34D82

RGB 243 77 130

HSL 340.84, 0.87%, 0.63%

LAB 58.01, 66.73, 7.08

 

CMYK 12 / 0 / 68 / 5

HEX #D5F34D

RGB 213 243 77

HSL 70.84, 0.87%, 0.63%

LAB 91.14, -30.91, 72.91

 

Description

Color code: HEX #4DF4C1 | qconv.com Color code: HEX #4DF4C1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 244 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 244 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 21 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 21% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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