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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DF36A it is the complementary color #B20C95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DF36A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DF36A shade: #52F365, #63FF78, #74FF8B, #85FF9E and #96FFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DF36A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DF36A shade: #4DF36A, #3CE157, #2BCF44, #1ABD31 and #09AB1E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DF36A shade: #4EF26B, #5EF24E, #8AF24E, #B6F24E and #E2F24E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DF36A shade: #4EF26B, #4EF297, #4EF2C3, #4EF2F0 and #4EC9F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DF36A shade matches the following richer shades: #4EF26B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DF36A shade: #4EF26B, #5DE375, #6DD47F, #7CC489 and #8BB592

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DF36A shade: #8AF24E, #5EF24E, #4EF269, #4EF295 and #4EF2C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DF36A shade: #0FDF33, #27F04A, #4EF26B, #75F58B and #9BF8AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DF36A shade: #4DF36A, #4EB6F2 and #F24E74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DF36A shade: #4DF36A, #694EF2 and #F2694E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DF36A shade: #4DF36A, #4EB6F2, #F24ED7 and #F28A4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DF36A shade: #4DF36A, #4E85F2, #F24ED7 and #F2BC4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 56 / 5

HEX #4DF36A

RGB 77 243 106

HSL 130.48, 0.87%, 0.63%

LAB 85.36, -69.49, 53.07

 

Complementary color

CMYK 0 / 93 / 16 / 30

HEX #B20C95

RGB 178 12 149

HSL 310.48, 0.87%, 0.37%

LAB 41.05, 69.74, -31

 

CMYK 66 / 0 / 58 / 5

HEX #52F365

RGB 82 243 101

HSL 127.08, 0.87%, 0.64%

LAB 85.42, -69.2, 55.38

 

CMYK 61 / 0 / 53 / 0

HEX #63FF78

RGB 99 255 120

HSL 128.08, 1%, 0.69%

LAB 89.64, -67.69, 51.98

 

CMYK 55 / 0 / 45 / 0

HEX #74FF8B

RGB 116 255 139

HSL 129.93, 1%, 0.73%

LAB 90.37, -61.35, 44.08

 

CMYK 48 / 0 / 38 / 0

HEX #85FF9E

RGB 133 255 158

HSL 132.3, 1%, 0.76%

LAB 91.22, -54.27, 36.03

 

CMYK 41 / 0 / 31 / 0

HEX #96FFB1

RGB 150 255 177

HSL 135.43, 1%, 0.79%

LAB 92.21, -46.58, 27.97

 

CMYK 68 / 0 / 56 / 5

HEX #4DF36A

RGB 77 243 106

HSL 130.48, 0.87%, 0.63%

LAB 85.36, -69.49, 53.07

 

CMYK 73 / 0 / 61 / 12

HEX #3CE157

RGB 60 225 87

HSL 129.82, 0.73%, 0.56%

LAB 79.33, -68.55, 54.35

 

CMYK 79 / 0 / 67 / 19

HEX #2BCF44

RGB 43 207 68

HSL 129.15, 0.66%, 0.49%

LAB 73.26, -67.16, 55.46

 

CMYK 86 / 0 / 74 / 26

HEX #1ABD31

RGB 26 189 49

HSL 128.47, 0.76%, 0.42%

LAB 67.15, -65.16, 56.23

 

CMYK 95 / 0 / 82 / 33

HEX #09AB1E

RGB 9 171 30

HSL 127.78, 0.9%, 0.35%

LAB 61.03, -62.35, 56.3

 

CMYK 68 / 0 / 56 / 5

HEX #4EF26B

RGB 78 242 107

HSL 130.61, 0.86%, 0.63%

LAB 85.09, -68.86, 52.31

 

CMYK 61 / 0 / 68 / 5

HEX #5EF24E

RGB 94 242 78

HSL 114.15, 0.86%, 0.63%

LAB 85.22, -68.77, 64.66

 

CMYK 43 / 0 / 68 / 5

HEX #8AF24E

RGB 138 242 78

HSL 98.05, 0.86%, 0.63%

LAB 86.73, -57.16, 66.72

 

CMYK 25 / 0 / 68 / 5

HEX #B6F24E

RGB 182 242 78

HSL 81.95, 0.86%, 0.63%

LAB 88.92, -42.22, 69.67

 

CMYK 7 / 0 / 68 / 5

HEX #E2F24E

RGB 226 242 78

HSL 65.85, 0.86%, 0.63%

LAB 91.78, -25.23, 73.5

 

CMYK 68 / 0 / 56 / 5

HEX #4EF26B

RGB 78 242 107

HSL 130.61, 0.86%, 0.63%

LAB 85.09, -68.86, 52.31

 

CMYK 68 / 0 / 38 / 5

HEX #4EF297

RGB 78 242 151

HSL 146.71, 0.86%, 0.63%

LAB 85.68, -62.11, 31.9

 

CMYK 68 / 0 / 19 / 5

HEX #4EF2C3

RGB 78 242 195

HSL 162.8, 0.86%, 0.63%

LAB 86.54, -53.01, 10.48

 

CMYK 68 / 0 / 1 / 5

HEX #4EF2F0

RGB 78 242 240

HSL 179.27, 0.86%, 0.63%

LAB 87.69, -41.63, -11.37

 

CMYK 68 / 17 / 0 / 5

HEX #4EC9F2

RGB 78 201 242

HSL 195, 0.86%, 0.63%

LAB 75.95, -21.46, -30.21

 

CMYK 68 / 0 / 56 / 5

HEX #4EF26B

RGB 78 242 107

HSL 130.61, 0.86%, 0.63%

LAB 85.09, -68.86, 52.31

 

CMYK 68 / 0 / 56 / 5

HEX #4EF26B

RGB 78 242 107

HSL 130.61, 0.86%, 0.63%

LAB 85.09, -68.86, 52.31

 

CMYK 59 / 0 / 48 / 11

HEX #5DE375

RGB 93 227 117

HSL 130.75, 0.71%, 0.63%

LAB 81.04, -59.25, 42.8

 

CMYK 49 / 0 / 40 / 17

HEX #6DD47F

RGB 109 212 127

HSL 130.49, 0.54%, 0.63%

LAB 77.2, -47.92, 33.04

 

CMYK 37 / 0 / 30 / 23

HEX #7CC489

RGB 124 196 137

HSL 130.83, 0.38%, 0.63%

LAB 73.27, -34.89, 22.69

 

CMYK 23 / 0 / 19 / 29

HEX #8BB592

RGB 139 181 146

HSL 130, 0.22%, 0.63%

LAB 69.9, -21.14, 13.32

 

CMYK 43 / 0 / 68 / 5

HEX #8AF24E

RGB 138 242 78

HSL 98.05, 0.86%, 0.63%

LAB 86.73, -57.16, 66.72

 

CMYK 61 / 0 / 68 / 5

HEX #5EF24E

RGB 94 242 78

HSL 114.15, 0.86%, 0.63%

LAB 85.22, -68.77, 64.66

 

CMYK 68 / 0 / 57 / 5

HEX #4EF269

RGB 78 242 105

HSL 129.88, 0.86%, 0.63%

LAB 85.07, -69.11, 53.18

 

CMYK 68 / 0 / 38 / 5

HEX #4EF295

RGB 78 242 149

HSL 145.98, 0.86%, 0.63%

LAB 85.65, -62.47, 32.87

 

CMYK 68 / 0 / 20 / 5

HEX #4EF2C1

RGB 78 242 193

HSL 162.07, 0.86%, 0.63%

LAB 86.49, -53.47, 11.46

 

CMYK 93 / 0 / 77 / 13

HEX #0FDF33

RGB 15 223 51

HSL 130.38, 0.87%, 0.47%

LAB 77.94, -75.51, 66.21

 

CMYK 84 / 0 / 69 / 6

HEX #27F04A

RGB 39 240 74

HSL 130.45, 0.87%, 0.55%

LAB 83.57, -76.94, 64.12

 

CMYK 68 / 0 / 56 / 5

HEX #4EF26B

RGB 78 242 107

HSL 130.61, 0.86%, 0.63%

LAB 85.09, -68.86, 52.31

 

CMYK 52 / 0 / 43 / 4

HEX #75F58B

RGB 117 245 139

HSL 130.31, 0.86%, 0.71%

LAB 87.46, -57.27, 40.38

 

CMYK 38 / 0 / 31 / 3

HEX #9BF8AB

RGB 155 248 171

HSL 130.32, 0.87%, 0.79%

LAB 90.34, -43.14, 28.5

 

CMYK 68 / 0 / 56 / 5

HEX #4DF36A

RGB 77 243 106

HSL 130.48, 0.87%, 0.63%

LAB 85.36, -69.49, 53.07

 

CMYK 68 / 25 / 0 / 5

HEX #4EB6F2

RGB 78 182 242

HSL 201.95, 0.86%, 0.63%

LAB 70.52, -11.49, -38.62

 

CMYK 0 / 68 / 52 / 5

HEX #F24E74

RGB 242 78 116

HSL 346.1, 0.86%, 0.63%

LAB 57.64, 64.9, 14.77

 

CMYK 68 / 0 / 56 / 5

HEX #4DF36A

RGB 77 243 106

HSL 130.48, 0.87%, 0.63%

LAB 85.36, -69.49, 53.07

 

CMYK 57 / 68 / 0 / 5

HEX #694EF2

RGB 105 78 242

HSL 249.88, 0.86%, 0.63%

LAB 45.45, 53.69, -78.63

 

CMYK 0 / 57 / 68 / 5

HEX #F2694E

RGB 242 105 78

HSL 9.88, 0.86%, 0.63%

LAB 61.25, 51.01, 41.07

 

CMYK 68 / 0 / 56 / 5

HEX #4DF36A

RGB 77 243 106

HSL 130.48, 0.87%, 0.63%

LAB 85.36, -69.49, 53.07

 

CMYK 68 / 25 / 0 / 5

HEX #4EB6F2

RGB 78 182 242

HSL 201.95, 0.86%, 0.63%

LAB 70.52, -11.49, -38.62

 

CMYK 0 / 68 / 11 / 5

HEX #F24ED7

RGB 242 78 215

HSL 309.88, 0.86%, 0.63%

LAB 60.99, 76.07, -37.56

 

CMYK 0 / 43 / 68 / 5

HEX #F28A4E

RGB 242 138 78

HSL 21.95, 0.86%, 0.63%

LAB 67.73, 34.72, 48.51

 

CMYK 68 / 0 / 56 / 5

HEX #4DF36A

RGB 77 243 106

HSL 130.48, 0.87%, 0.63%

LAB 85.36, -69.49, 53.07

 

CMYK 68 / 45 / 0 / 5

HEX #4E85F2

RGB 78 133 242

HSL 219.88, 0.86%, 0.63%

LAB 56.89, 16.76, -60.16

 

CMYK 0 / 68 / 11 / 5

HEX #F24ED7

RGB 242 78 215

HSL 309.88, 0.86%, 0.63%

LAB 60.99, 76.07, -37.56

 

CMYK 0 / 22 / 68 / 5

HEX #F2BC4E

RGB 242 188 78

HSL 40.24, 0.86%, 0.63%

LAB 79.27, 8.47, 61.08

 

Description

Color code: HEX #4DF36A | qconv.com Color code: HEX #4DF36A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 243 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 243 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 56 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 56% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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