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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E0951 it is the complementary color #B1F6AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E0951. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E0951 shade: #53094C, #641B5F, #752D72, #863F85 and #975198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E0951. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E0951 shade: #4E0951, #3D003E, #2C002B, #1B0018 and #0A0005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E0951 shade: #4F0952, #520941, #52092E, #52091A and #520909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E0951 shade: #4F0952, #3B0952, #270952, #140952 and #090952

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E0951 shade matches the following richer shades: #4F0952 and #56015A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E0951 shade: #4F0952, #48104B, #411843, #3B1F3C and #342634

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E0951 shade: #270952, #3B0952, #4E0952, #520942 and #52092F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E0951 shade: #080008, #2B052D, #4F0952, #730D77 and #97119C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E0951 shade: #4E0951, #521409 and #095231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E0951 shade: #4E0951, #524E09 and #09524E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E0951 shade: #4E0951, #521409, #0C5209 and #094752

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E0951 shade: #4E0951, #522A09, #0C5209 and #093152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 89 / 0 / 68

HEX #4E0951

RGB 78 9 81

HSL 297.5, 0.8%, 0.18%

LAB 17.5, 39.44, -26.01

 

Complementary color

CMYK 28 / 0 / 29 / 4

HEX #B1F6AE

RGB 177 246 174

HSL 117.5, 0.8%, 0.82%

LAB 90.92, -35.01, 27.95

 

CMYK 0 / 89 / 8 / 67

HEX #53094C

RGB 83 9 76

HSL 305.68, 0.8%, 0.18%

LAB 18.17, 39.68, -21.47

 

CMYK 0 / 73 / 5 / 61

HEX #641B5F

RGB 100 27 95

HSL 304.11, 0.57%, 0.25%

LAB 24.7, 41.04, -23.69

 

CMYK 0 / 62 / 3 / 54

HEX #752D72

RGB 117 45 114

HSL 302.5, 0.44%, 0.32%

LAB 31.52, 41.13, -25.02

 

CMYK 0 / 53 / 1 / 47

HEX #863F85

RGB 134 63 133

HSL 300.85, 0.36%, 0.39%

LAB 38.41, 40.66, -25.9

 

CMYK 1 / 47 / 0 / 40

HEX #975198

RGB 151 81 152

HSL 299.15, 0.3%, 0.46%

LAB 45.26, 39.98, -26.54

 

CMYK 4 / 89 / 0 / 68

HEX #4E0951

RGB 78 9 81

HSL 297.5, 0.8%, 0.18%

LAB 17.5, 39.44, -26.01

 

CMYK 2 / 100 / 0 / 76

HEX #3D003E

RGB 61 0 62

HSL 299.03, 1%, 0.12%

LAB 11.55, 35.55, -22.5

 

CMYK 0 / 100 / 2 / 83

HEX #2C002B

RGB 44 0 43

HSL 301.36, 1%, 0.09%

LAB 6.41, 28.1, -17

 

CMYK 0 / 100 / 11 / 89

HEX #1B0018

RGB 27 0 24

HSL 306.67, 1%, 0.05%

LAB 2.7, 13.63, -8.06

 

CMYK 0 / 100 / 50 / 96

HEX #0A0005

RGB 10 0 5

HSL 330, 1%, 0.02%

LAB 0.68, 3.31, -0.97

 

CMYK 4 / 89 / 0 / 68

HEX #4F0952

RGB 79 9 82

HSL 297.53, 0.8%, 0.18%

LAB 17.77, 39.84, -26.25

 

CMYK 0 / 89 / 21 / 68

HEX #520941

RGB 82 9 65

HSL 313.97, 0.8%, 0.18%

LAB 17.32, 37.66, -15.2

 

CMYK 0 / 89 / 44 / 68

HEX #52092E

RGB 82 9 46

HSL 329.59, 0.8%, 0.18%

LAB 16.44, 35.12, -3.05

 

CMYK 0 / 89 / 68 / 68

HEX #52091A

RGB 82 9 26

HSL 346.03, 0.8%, 0.18%

LAB 15.82, 33.28, 10.63

 

CMYK 0 / 89 / 89 / 68

HEX #520909

RGB 82 9 9

HSL 0, 0.8%, 0.18%

LAB 15.53, 32.41, 20.27

 

CMYK 4 / 89 / 0 / 68

HEX #4F0952

RGB 79 9 82

HSL 297.53, 0.8%, 0.18%

LAB 17.77, 39.84, -26.25

 

CMYK 28 / 89 / 0 / 68

HEX #3B0952

RGB 59 9 82

HSL 281.1, 0.8%, 0.18%

LAB 14.03, 35.71, -32.47

 

CMYK 52 / 89 / 0 / 68

HEX #270952

RGB 39 9 82

HSL 264.66, 0.8%, 0.18%

LAB 10.82, 32.25, -37.85

 

CMYK 76 / 89 / 0 / 68

HEX #140952

RGB 20 9 82

HSL 249.04, 0.8%, 0.18%

LAB 8.6, 29.9, -41.59

 

CMYK 89 / 89 / 0 / 68

HEX #090952

RGB 9 9 82

HSL 240, 0.8%, 0.18%

LAB 7.79, 29.06, -42.95

 

CMYK 4 / 89 / 0 / 68

HEX #4F0952

RGB 79 9 82

HSL 297.53, 0.8%, 0.18%

LAB 17.77, 39.84, -26.25

 

CMYK 4 / 99 / 0 / 65

HEX #56015A

RGB 86 1 90

HSL 297.3, 0.98%, 0.18%

LAB 18.96, 44.94, -29.65

 

CMYK 4 / 89 / 0 / 68

HEX #4F0952

RGB 79 9 82

HSL 297.53, 0.8%, 0.18%

LAB 17.77, 39.84, -26.25

 

CMYK 4 / 79 / 0 / 71

HEX #48104B

RGB 72 16 75

HSL 296.95, 0.65%, 0.18%

LAB 16.78, 34.46, -23.12

 

CMYK 3 / 64 / 0 / 74

HEX #411843

RGB 65 24 67

HSL 297.21, 0.47%, 0.18%

LAB 16.42, 26.93, -18.25

 

CMYK 2 / 48 / 0 / 76

HEX #3B1F3C

RGB 59 31 60

HSL 297.93, 0.32%, 0.18%

LAB 16.68, 19.05, -13.02

 

CMYK 0 / 27 / 0 / 80

HEX #342634

RGB 52 38 52

HSL 300, 0.16%, 0.18%

LAB 17.29, 9.6, -6.56

 

CMYK 52 / 89 / 0 / 68

HEX #270952

RGB 39 9 82

HSL 264.66, 0.8%, 0.18%

LAB 10.82, 32.25, -37.85

 

CMYK 28 / 89 / 0 / 68

HEX #3B0952

RGB 59 9 82

HSL 281.1, 0.8%, 0.18%

LAB 14.03, 35.71, -32.47

 

CMYK 5 / 89 / 0 / 68

HEX #4E0952

RGB 78 9 82

HSL 296.71, 0.8%, 0.18%

LAB 17.57, 39.62, -26.57

 

CMYK 0 / 89 / 20 / 68

HEX #520942

RGB 82 9 66

HSL 313.15, 0.8%, 0.18%

LAB 17.38, 37.82, -15.81

 

CMYK 0 / 89 / 43 / 68

HEX #52092F

RGB 82 9 47

HSL 328.77, 0.8%, 0.18%

LAB 16.48, 35.23, -3.72

 

CMYK 0 / 100 / 0 / 97

HEX #080008

RGB 8 0 8

HSL 300, 1%, 0.02%

LAB 0.62, 3.2, -2.29

 

CMYK 4 / 89 / 0 / 82

HEX #2B052D

RGB 43 5 45

HSL 297, 0.8%, 0.1%

LAB 7.33, 25.52, -17.06

 

CMYK 4 / 89 / 0 / 68

HEX #4F0952

RGB 79 9 82

HSL 297.53, 0.8%, 0.18%

LAB 17.77, 39.84, -26.25

 

CMYK 3 / 89 / 0 / 53

HEX #730D77

RGB 115 13 119

HSL 297.74, 0.8%, 0.26%

LAB 27.48, 52.85, -34.63

 

CMYK 3 / 89 / 0 / 39

HEX #97119C

RGB 151 17 156

HSL 297.84, 0.8%, 0.34%

LAB 36.71, 64.98, -42.46

 

CMYK 4 / 89 / 0 / 68

HEX #4E0951

RGB 78 9 81

HSL 297.5, 0.8%, 0.18%

LAB 17.5, 39.44, -26.01

 

CMYK 0 / 76 / 89 / 68

HEX #521409

RGB 82 20 9

HSL 9.04, 0.8%, 0.18%

LAB 17.06, 28.18, 22.17

 

CMYK 89 / 0 / 40 / 68

HEX #095231

RGB 9 82 49

HSL 152.88, 0.8%, 0.18%

LAB 30.19, -29.89, 13.54

 

CMYK 4 / 89 / 0 / 68

HEX #4E0951

RGB 78 9 81

HSL 297.5, 0.8%, 0.18%

LAB 17.5, 39.44, -26.01

 

CMYK 0 / 5 / 89 / 68

HEX #524E09

RGB 82 78 9

HSL 56.71, 0.8%, 0.18%

LAB 32.4, -6.76, 37.38

 

CMYK 89 / 0 / 5 / 68

HEX #09524E

RGB 9 82 78

HSL 176.71, 0.8%, 0.18%

LAB 30.98, -21.55, -3.64

 

CMYK 4 / 89 / 0 / 68

HEX #4E0951

RGB 78 9 81

HSL 297.5, 0.8%, 0.18%

LAB 17.5, 39.44, -26.01

 

CMYK 0 / 76 / 89 / 68

HEX #521409

RGB 82 20 9

HSL 9.04, 0.8%, 0.18%

LAB 17.06, 28.18, 22.17

 

CMYK 85 / 0 / 89 / 68

HEX #0C5209

RGB 12 82 9

HSL 117.53, 0.8%, 0.18%

LAB 29.74, -35.42, 33.48

 

CMYK 89 / 13 / 0 / 68

HEX #094752

RGB 9 71 82

HSL 189.04, 0.8%, 0.18%

LAB 27.22, -14.02, -11.87

 

CMYK 4 / 89 / 0 / 68

HEX #4E0951

RGB 78 9 81

HSL 297.5, 0.8%, 0.18%

LAB 17.5, 39.44, -26.01

 

CMYK 0 / 49 / 89 / 68

HEX #522A09

RGB 82 42 9

HSL 27.12, 0.8%, 0.18%

LAB 21.83, 15.87, 27.65

 

CMYK 85 / 0 / 89 / 68

HEX #0C5209

RGB 12 82 9

HSL 117.53, 0.8%, 0.18%

LAB 29.74, -35.42, 33.48

 

CMYK 89 / 40 / 0 / 68

HEX #093152

RGB 9 49 82

HSL 207.12, 0.8%, 0.18%

LAB 19.49, 0.22, -23.92

 

Description

Color code: HEX #4E0951 | qconv.com Color code: HEX #4E0951 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 9 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 9 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 89 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 89% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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