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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E1354 it is the complementary color #B1ECAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E1354. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E1354 shade: #53134F, #642562, #753775, #864988 and #975B9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E1354. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E1354 shade: #4E1354, #3D0141, #2C002E, #1B001B and #0A0008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E1354 shade: #4D1253, #531247, #531236, #531225 and #531213

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E1354 shade: #4D1253, #3B1253, #2A1253, #191253 and #121253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E1354 shade matches the following richer shades: #4D1253, #530A5B and #5A0263

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E1354 shade: #4D1253, #461B4A, #3F2342, #392B3A and #323332

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E1354 shade: #2A1253, #3B1253, #4C1253, #531248 and #531237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E1354 shade: #0E030F, #2D0B31, #4D1253, #6C1A74 and #8B2296

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E1354 shade: #4E1354, #531912 and #125333

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E1354 shade: #4E1354, #534C12 and #12534C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E1354 shade: #4E1354, #531912, #195312 and #124C53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E1354 shade: #4E1354, #532C12, #195312 and #123953

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 77 / 0 / 67

HEX #4E1354

RGB 78 19 84

HSL 294.46, 0.63%, 0.2%

LAB 18.91, 36.56, -25.79

 

Complementary color

CMYK 25 / 0 / 28 / 7

HEX #B1ECAB

RGB 177 236 171

HSL 114.46, 0.63%, 0.8%

LAB 88.1, -30.86, 25.65

 

CMYK 0 / 77 / 5 / 67

HEX #53134F

RGB 83 19 79

HSL 303.75, 0.63%, 0.2%

LAB 19.51, 36.88, -21.39

 

CMYK 0 / 63 / 2 / 61

HEX #642562

RGB 100 37 98

HSL 301.9, 0.46%, 0.27%

LAB 26.49, 37.09, -22.83

 

CMYK 0 / 53 / 0 / 54

HEX #753775

RGB 117 55 117

HSL 300, 0.36%, 0.34%

LAB 33.56, 36.61, -23.72

 

CMYK 1 / 46 / 0 / 47

HEX #864988

RGB 134 73 136

HSL 298.1, 0.3%, 0.41%

LAB 40.59, 35.88, -24.33

 

CMYK 3 / 41 / 0 / 39

HEX #975B9B

RGB 151 91 155

HSL 296.25, 0.26%, 0.48%

LAB 47.53, 35.1, -24.81

 

CMYK 7 / 77 / 0 / 67

HEX #4E1354

RGB 78 19 84

HSL 294.46, 0.63%, 0.2%

LAB 18.91, 36.56, -25.79

 

CMYK 6 / 98 / 0 / 75

HEX #3D0141

RGB 61 1 65

HSL 296.25, 0.97%, 0.13%

LAB 11.93, 35.67, -24.03

 

CMYK 4 / 100 / 0 / 82

HEX #2C002E

RGB 44 0 46

HSL 297.39, 1%, 0.09%

LAB 6.62, 28.8, -18.93

 

CMYK 0 / 100 / 0 / 89

HEX #1B001B

RGB 27 0 27

HSL 300, 1%, 0.05%

LAB 2.82, 14.47, -10.3

 

CMYK 0 / 100 / 20 / 96

HEX #0A0008

RGB 10 0 8

HSL 312, 1%, 0.02%

LAB 0.74, 3.73, -2.11

 

CMYK 7 / 78 / 0 / 67

HEX #4D1253

RGB 77 18 83

HSL 294.46, 0.64%, 0.2%

LAB 18.52, 36.52, -25.75

 

CMYK 0 / 78 / 14 / 67

HEX #531247

RGB 83 18 71

HSL 311.08, 0.64%, 0.2%

LAB 18.91, 35.86, -16.86

 

CMYK 0 / 78 / 35 / 67

HEX #531236

RGB 83 18 54

HSL 326.77, 0.64%, 0.2%

LAB 18.09, 33.26, -6.27

 

CMYK 0 / 78 / 55 / 67

HEX #531225

RGB 83 18 37

HSL 342.46, 0.64%, 0.2%

LAB 17.48, 31.28, 4.98

 

CMYK 0 / 78 / 77 / 67

HEX #531213

RGB 83 18 19

HSL 359.08, 0.64%, 0.2%

LAB 17.08, 29.9, 17.17

 

CMYK 7 / 78 / 0 / 67

HEX #4D1253

RGB 77 18 83

HSL 294.46, 0.64%, 0.2%

LAB 18.52, 36.52, -25.75

 

CMYK 29 / 78 / 0 / 67

HEX #3B1253

RGB 59 18 83

HSL 277.85, 0.64%, 0.2%

LAB 15.42, 32.2, -30.9

 

CMYK 49 / 78 / 0 / 67

HEX #2A1253

RGB 42 18 83

HSL 262.15, 0.64%, 0.2%

LAB 12.92, 28.52, -35.07

 

CMYK 70 / 78 / 0 / 67

HEX #191253

RGB 25 18 83

HSL 246.46, 0.64%, 0.2%

LAB 11.02, 25.56, -38.26

 

CMYK 78 / 78 / 0 / 67

HEX #121253

RGB 18 18 83

HSL 240, 0.64%, 0.2%

LAB 10.45, 24.64, -39.21

 

CMYK 7 / 78 / 0 / 67

HEX #4D1253

RGB 77 18 83

HSL 294.46, 0.64%, 0.2%

LAB 18.52, 36.52, -25.75

 

CMYK 9 / 89 / 0 / 64

HEX #530A5B

RGB 83 10 91

HSL 294.07, 0.8%, 0.2%

LAB 19.27, 42.11, -29.86

 

CMYK 9 / 98 / 0 / 61

HEX #5A0263

RGB 90 2 99

HSL 294.43, 0.96%, 0.2%

LAB 20.51, 47, -33.11

 

CMYK 7 / 78 / 0 / 67

HEX #4D1253

RGB 77 18 83

HSL 294.46, 0.64%, 0.2%

LAB 18.52, 36.52, -25.75

 

CMYK 5 / 64 / 0 / 71

HEX #461B4A

RGB 70 27 74

HSL 294.89, 0.47%, 0.2%

LAB 18.28, 28.37, -20.08

 

CMYK 5 / 47 / 0 / 74

HEX #3F2342

RGB 63 35 66

HSL 294.19, 0.31%, 0.2%

LAB 18.59, 19.34, -14.17

 

CMYK 2 / 26 / 0 / 77

HEX #392B3A

RGB 57 43 58

HSL 296, 0.15%, 0.2%

LAB 19.65, 9.69, -7.1

 

CMYK 2 / 0 / 2 / 80

HEX #323332

RGB 50 51 50

HSL 120, 0.01%, 0.2%

LAB 21.12, -0.67, 0.48

 

CMYK 49 / 78 / 0 / 67

HEX #2A1253

RGB 42 18 83

HSL 262.15, 0.64%, 0.2%

LAB 12.92, 28.52, -35.07

 

CMYK 29 / 78 / 0 / 67

HEX #3B1253

RGB 59 18 83

HSL 277.85, 0.64%, 0.2%

LAB 15.42, 32.2, -30.9

 

CMYK 8 / 78 / 0 / 67

HEX #4C1253

RGB 76 18 83

HSL 293.54, 0.64%, 0.2%

LAB 18.34, 36.27, -26.05

 

CMYK 0 / 78 / 13 / 67

HEX #531248

RGB 83 18 72

HSL 310.15, 0.64%, 0.2%

LAB 18.97, 36.03, -17.47

 

CMYK 0 / 78 / 34 / 67

HEX #531237

RGB 83 18 55

HSL 325.85, 0.64%, 0.2%

LAB 18.13, 33.4, -6.91

 

CMYK 7 / 80 / 0 / 94

HEX #0E030F

RGB 14 3 15

HSL 295, 0.67%, 0.04%

LAB 1.74, 4.77, -3.77

 

CMYK 8 / 78 / 0 / 81

HEX #2D0B31

RGB 45 11 49

HSL 293.68, 0.63%, 0.12%

LAB 9.15, 23.79, -17.11

 

CMYK 7 / 78 / 0 / 67

HEX #4D1253

RGB 77 18 83

HSL 294.46, 0.64%, 0.2%

LAB 18.52, 36.52, -25.75

 

CMYK 7 / 78 / 0 / 55

HEX #6C1A74

RGB 108 26 116

HSL 294.67, 0.63%, 0.28%

LAB 27.26, 47.23, -33.13

 

CMYK 7 / 77 / 0 / 41

HEX #8B2296

RGB 139 34 150

HSL 294.31, 0.63%, 0.36%

LAB 35.66, 57.49, -40.6

 

CMYK 7 / 77 / 0 / 67

HEX #4E1354

RGB 78 19 84

HSL 294.46, 0.63%, 0.2%

LAB 18.91, 36.56, -25.79

 

CMYK 0 / 70 / 78 / 67

HEX #531912

RGB 83 25 18

HSL 6.46, 0.64%, 0.2%

LAB 18.27, 26.56, 19.23

 

CMYK 78 / 0 / 39 / 67

HEX #125333

RGB 18 83 51

HSL 150.46, 0.64%, 0.2%

LAB 30.77, -28.55, 13.12

 

CMYK 7 / 77 / 0 / 67

HEX #4E1354

RGB 78 19 84

HSL 294.46, 0.63%, 0.2%

LAB 18.91, 36.56, -25.79

 

CMYK 0 / 8 / 78 / 67

HEX #534C12

RGB 83 76 18

HSL 53.54, 0.64%, 0.2%

LAB 31.92, -4.64, 33.61

 

CMYK 78 / 0 / 8 / 67

HEX #12534C

RGB 18 83 76

HSL 173.54, 0.64%, 0.2%

LAB 31.43, -21.62, -1.68

 

CMYK 7 / 77 / 0 / 67

HEX #4E1354

RGB 78 19 84

HSL 294.46, 0.63%, 0.2%

LAB 18.91, 36.56, -25.79

 

CMYK 0 / 70 / 78 / 67

HEX #531912

RGB 83 25 18

HSL 6.46, 0.64%, 0.2%

LAB 18.27, 26.56, 19.23

 

CMYK 70 / 0 / 78 / 67

HEX #195312

RGB 25 83 18

HSL 113.54, 0.64%, 0.2%

LAB 30.49, -32.42, 30.91

 

CMYK 78 / 8 / 0 / 67

HEX #124C53

RGB 18 76 83

HSL 186.46, 0.64%, 0.2%

LAB 29.21, -15.42, -9.47

 

CMYK 7 / 77 / 0 / 67

HEX #4E1354

RGB 78 19 84

HSL 294.46, 0.63%, 0.2%

LAB 18.91, 36.56, -25.79

 

CMYK 0 / 47 / 78 / 67

HEX #532C12

RGB 83 44 18

HSL 24, 0.64%, 0.2%

LAB 22.6, 15.54, 24.09

 

CMYK 70 / 0 / 78 / 67

HEX #195312

RGB 25 83 18

HSL 113.54, 0.64%, 0.2%

LAB 30.49, -32.42, 30.91

 

CMYK 78 / 31 / 0 / 67

HEX #123953

RGB 18 57 83

HSL 204, 0.64%, 0.2%

LAB 22.58, -3.62, -19.69

 

Description

Color code: HEX #4E1354 | qconv.com Color code: HEX #4E1354 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 19 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 19 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 77 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 77% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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