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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E24CC it is the complementary color #B1DB33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E24CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E24CC shade: #5324C7, #6436DA, #7548ED, #865AFF and #976CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E24CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E24CC shade: #4E24CC, #3D12B9, #2C00A6, #1B0093 and #0A0080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E24CC shade: #4D23CB, #7B23CB, #A823CB, #CB23C1 and #CB2394

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E24CC shade: #4D23CB and #2323CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E24CC shade matches the following richer shades: #4D23CB and #4410DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E24CC shade: #4D23CB, #5737B8, #614AA4, #6A5E91 and #74717E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E24CC shade: #2353CB, #2326CB, #4D23CB, #7A23CB and #A723CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E24CC shade: #331785, #401DA8, #4D23CB, #643CDC and #805FE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E24CC shade: #4E24CC, #CB2380 and #3DCB23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E24CC shade: #4E24CC, #CB4D23 and #23CB4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E24CC shade: #4E24CC, #CB2380, #A1CB23 and #23CB6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E24CC shade: #4E24CC, #CB234D, #A1CB23 and #23CBA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 82 / 0 / 20

HEX #4E24CC

RGB 78 36 204

HSL 255, 0.7%, 0.47%

LAB 32.35, 59.81, -78.53

 

Complementary color

CMYK 19 / 0 / 77 / 14

HEX #B1DB33

RGB 177 219 51

HSL 75, 0.7%, 0.53%

LAB 81.97, -35.33, 71.88

 

CMYK 58 / 82 / 0 / 22

HEX #5324C7

RGB 83 36 199

HSL 257.3, 0.69%, 0.46%

LAB 32.31, 58.97, -75.66

 

CMYK 54 / 75 / 0 / 15

HEX #6436DA

RGB 100 54 218

HSL 256.83, 0.69%, 0.53%

LAB 38.57, 58.32, -76.3

 

CMYK 51 / 70 / 0 / 7

HEX #7548ED

RGB 117 72 237

HSL 256.36, 0.82%, 0.61%

LAB 44.99, 57.23, -76.53

 

CMYK 47 / 65 / 0 / 0

HEX #865AFF

RGB 134 90 255

HSL 256, 1%, 0.68%

LAB 51.38, 55.71, -76.09

 

CMYK 41 / 58 / 0 / 0

HEX #976CFF

RGB 151 108 255

HSL 257.55, 1%, 0.71%

LAB 56.61, 49.38, -67.54

 

CMYK 62 / 82 / 0 / 20

HEX #4E24CC

RGB 78 36 204

HSL 255, 0.7%, 0.47%

LAB 32.35, 59.81, -78.53

 

CMYK 67 / 90 / 0 / 27

HEX #3D12B9

RGB 61 18 185

HSL 255.45, 0.82%, 0.4%

LAB 26.53, 59.6, -77.05

 

CMYK 73 / 100 / 0 / 35

HEX #2C00A6

RGB 44 0 166

HSL 255.9, 1%, 0.33%

LAB 21.16, 58.21, -74.59

 

CMYK 82 / 100 / 0 / 42

HEX #1B0093

RGB 27 0 147

HSL 251.02, 1%, 0.29%

LAB 17.18, 52.92, -69.61

 

CMYK 92 / 100 / 0 / 50

HEX #0A0080

RGB 10 0 128

HSL 244.69, 1%, 0.25%

LAB 13.37, 47.63, -64.03

 

CMYK 62 / 83 / 0 / 20

HEX #4D23CB

RGB 77 35 203

HSL 255, 0.71%, 0.47%

LAB 32.01, 59.84, -78.51

 

CMYK 39 / 83 / 0 / 20

HEX #7B23CB

RGB 123 35 203

HSL 271.43, 0.71%, 0.47%

LAB 37.34, 65.21, -69.54

 

CMYK 17 / 83 / 0 / 20

HEX #A823CB

RGB 168 35 203

HSL 287.5, 0.71%, 0.47%

LAB 44, 72.19, -58.42

 

CMYK 0 / 83 / 5 / 20

HEX #CB23C1

RGB 203 35 193

HSL 303.57, 0.71%, 0.47%

LAB 49.19, 76.9, -43.98

 

CMYK 0 / 83 / 27 / 20

HEX #CB2394

RGB 203 35 148

HSL 319.64, 0.71%, 0.47%

LAB 47.02, 70.94, -20.76

 

CMYK 62 / 83 / 0 / 20

HEX #4D23CB

RGB 77 35 203

HSL 255, 0.71%, 0.47%

LAB 32.01, 59.84, -78.51

 

CMYK 83 / 83 / 0 / 20

HEX #2323CB

RGB 35 35 203

HSL 240, 0.71%, 0.47%

LAB 29.09, 57.01, -83.45

 

CMYK 62 / 83 / 0 / 20

HEX #4D23CB

RGB 77 35 203

HSL 255, 0.71%, 0.47%

LAB 32.01, 59.84, -78.51

 

CMYK 70 / 93 / 0 / 13

HEX #4410DF

RGB 68 16 223

HSL 255.07, 0.87%, 0.47%

LAB 31.64, 70.09, -90.73

 

CMYK 62 / 83 / 0 / 20

HEX #4D23CB

RGB 77 35 203

HSL 255, 0.71%, 0.47%

LAB 32.01, 59.84, -78.51

 

CMYK 53 / 70 / 0 / 28

HEX #5737B8

RGB 87 55 184

HSL 254.88, 0.54%, 0.47%

LAB 34.44, 46.34, -63.33

 

CMYK 41 / 55 / 0 / 36

HEX #614AA4

RGB 97 74 164

HSL 255.33, 0.38%, 0.47%

LAB 38.06, 31.56, -45.52

 

CMYK 27 / 35 / 0 / 43

HEX #6A5E91

RGB 106 94 145

HSL 254.12, 0.21%, 0.47%

LAB 42.93, 16.52, -26.36

 

CMYK 8 / 10 / 0 / 51

HEX #74717E

RGB 116 113 126

HSL 253.85, 0.05%, 0.47%

LAB 48.3, 3.87, -6.74

 

CMYK 83 / 59 / 0 / 20

HEX #2353CB

RGB 35 83 203

HSL 222.86, 0.71%, 0.47%

LAB 39.34, 29.05, -66.56

 

CMYK 83 / 81 / 0 / 20

HEX #2326CB

RGB 35 38 203

HSL 238.93, 0.71%, 0.47%

LAB 29.55, 55.64, -82.68

 

CMYK 62 / 83 / 0 / 20

HEX #4D23CB

RGB 77 35 203

HSL 255, 0.71%, 0.47%

LAB 32.01, 59.84, -78.51

 

CMYK 40 / 83 / 0 / 20

HEX #7A23CB

RGB 122 35 203

HSL 271.07, 0.71%, 0.47%

LAB 37.21, 65.07, -69.77

 

CMYK 18 / 83 / 0 / 20

HEX #A723CB

RGB 167 35 203

HSL 287.14, 0.71%, 0.47%

LAB 43.84, 72.02, -58.68

 

CMYK 62 / 83 / 0 / 48

HEX #331785

RGB 51 23 133

HSL 255.27, 0.71%, 0.31%

LAB 20.08, 42.5, -55.96

 

CMYK 62 / 83 / 0 / 34

HEX #401DA8

RGB 64 29 168

HSL 255.11, 0.71%, 0.39%

LAB 26.15, 51.37, -67.48

 

CMYK 62 / 83 / 0 / 20

HEX #4D23CB

RGB 77 35 203

HSL 255, 0.71%, 0.47%

LAB 32.01, 59.84, -78.51

 

CMYK 55 / 73 / 0 / 14

HEX #643CDC

RGB 100 60 220

HSL 255, 0.7%, 0.55%

LAB 39.76, 55.99, -75.49

 

CMYK 43 / 58 / 0 / 11

HEX #805FE2

RGB 128 95 226

HSL 255.11, 0.69%, 0.63%

LAB 49.82, 43.86, -62.42

 

CMYK 62 / 82 / 0 / 20

HEX #4E24CC

RGB 78 36 204

HSL 255, 0.7%, 0.47%

LAB 32.35, 59.81, -78.53

 

CMYK 0 / 83 / 37 / 20

HEX #CB2380

RGB 203 35 128

HSL 326.79, 0.71%, 0.47%

LAB 46.25, 68.76, -9.79

 

CMYK 70 / 0 / 83 / 20

HEX #3DCB23

RGB 61 203 35

HSL 110.71, 0.71%, 0.47%

LAB 72.11, -65.6, 65.42

 

CMYK 62 / 82 / 0 / 20

HEX #4E24CC

RGB 78 36 204

HSL 255, 0.7%, 0.47%

LAB 32.35, 59.81, -78.53

 

CMYK 0 / 62 / 83 / 20

HEX #CB4D23

RGB 203 77 35

HSL 15, 0.71%, 0.47%

LAB 49.65, 48.08, 48.79

 

CMYK 83 / 0 / 62 / 20

HEX #23CB4D

RGB 35 203 77

HSL 135, 0.71%, 0.47%

LAB 71.96, -65.83, 50.23

 

CMYK 62 / 82 / 0 / 20

HEX #4E24CC

RGB 78 36 204

HSL 255, 0.7%, 0.47%

LAB 32.35, 59.81, -78.53

 

CMYK 0 / 83 / 37 / 20

HEX #CB2380

RGB 203 35 128

HSL 326.79, 0.71%, 0.47%

LAB 46.25, 68.76, -9.79

 

CMYK 21 / 0 / 83 / 20

HEX #A1CB23

RGB 161 203 35

HSL 75, 0.71%, 0.47%

LAB 76.32, -34.98, 70.77

 

CMYK 83 / 0 / 45 / 20

HEX #23CB6F

RGB 35 203 111

HSL 147.14, 0.71%, 0.47%

LAB 72.37, -60.91, 34.55

 

CMYK 62 / 82 / 0 / 20

HEX #4E24CC

RGB 78 36 204

HSL 255, 0.7%, 0.47%

LAB 32.35, 59.81, -78.53

 

CMYK 0 / 83 / 62 / 20

HEX #CB234D

RGB 203 35 77

HSL 345, 0.71%, 0.47%

LAB 44.85, 64.64, 19.75

 

CMYK 21 / 0 / 83 / 20

HEX #A1CB23

RGB 161 203 35

HSL 75, 0.71%, 0.47%

LAB 76.32, -34.98, 70.77

 

CMYK 83 / 0 / 21 / 20

HEX #23CBA1

RGB 35 203 161

HSL 165, 0.71%, 0.47%

LAB 73.31, -50.38, 9.53

 

Description

Color code: HEX #4E24CC | qconv.com Color code: HEX #4E24CC | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 36 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 36 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 82 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 82% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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