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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E3293 it is the complementary color #B1CD6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E3293. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E3293 shade: #53328E, #6444A1, #7556B4, #8668C7 and #977ADA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E3293. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E3293 shade: #4E3293, #3D2080, #2C0E6D, #1B005A and #0A0047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E3293 shade: #4E3294, #693294, #833294, #94328A and #943270

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E3293 shade: #4E3294, #343294 and #323294

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E3293 shade matches the following richer shades: #4E3294, #4822A4, #4112B4 and #3A02C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E3293 shade: #4E3294, #554284, #5C5273, #636263 and #6A7353

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E3293 shade: #324B94, #343294, #4E3294, #683294 and #823294

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E3293 shade: #2E1D56, #3E2875, #4E3294, #5F3DB2 and #7554C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E3293 shade: #4E3293, #943265 and #3E9432

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E3293 shade: #4E3293, #944E32 and #32944E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E3293 shade: #4E3293, #943265, #789432 and #329461

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E3293 shade: #4E3293, #943247, #789432 and #32947F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 66 / 0 / 42

HEX #4E3293

RGB 78 50 147

HSL 257.32, 0.49%, 0.39%

LAB 29.43, 36.61, -49.25

 

Complementary color

CMYK 14 / 0 / 47 / 20

HEX #B1CD6C

RGB 177 205 108

HSL 77.32, 0.49%, 0.61%

LAB 78.52, -24.54, 44.93

 

CMYK 42 / 65 / 0 / 44

HEX #53328E

RGB 83 50 142

HSL 261.52, 0.48%, 0.38%

LAB 29.6, 36.24, -45.87

 

CMYK 38 / 58 / 0 / 37

HEX #6444A1

RGB 100 68 161

HSL 260.65, 0.41%, 0.45%

LAB 36.77, 35.04, -45.77

 

CMYK 35 / 52 / 0 / 29

HEX #7556B4

RGB 117 86 180

HSL 259.79, 0.39%, 0.52%

LAB 43.85, 33.89, -45.61

 

CMYK 33 / 48 / 0 / 22

HEX #8668C7

RGB 134 104 199

HSL 258.95, 0.46%, 0.59%

LAB 50.8, 32.84, -45.45

 

CMYK 31 / 44 / 0 / 15

HEX #977ADA

RGB 151 122 218

HSL 258.13, 0.56%, 0.67%

LAB 57.62, 31.88, -45.32

 

CMYK 47 / 66 / 0 / 42

HEX #4E3293

RGB 78 50 147

HSL 257.32, 0.49%, 0.39%

LAB 29.43, 36.61, -49.25

 

CMYK 52 / 75 / 0 / 50

HEX #3D2080

RGB 61 32 128

HSL 258.13, 0.6%, 0.31%

LAB 22.24, 37.9, -49.21

 

CMYK 60 / 87 / 0 / 57

HEX #2C0E6D

RGB 44 14 109

HSL 258.95, 0.77%, 0.24%

LAB 15.24, 38.61, -48.59

 

CMYK 70 / 100 / 0 / 65

HEX #1B005A

RGB 27 0 90

HSL 258, 1%, 0.18%

LAB 8.75, 37.89, -46.77

 

CMYK 86 / 100 / 0 / 72

HEX #0A0047

RGB 10 0 71

HSL 248.45, 1%, 0.14%

LAB 4.69, 29.22, -40.41

 

CMYK 47 / 66 / 0 / 42

HEX #4E3294

RGB 78 50 148

HSL 257.14, 0.49%, 0.39%

LAB 29.51, 36.91, -49.73

 

CMYK 29 / 66 / 0 / 42

HEX #693294

RGB 105 50 148

HSL 273.67, 0.49%, 0.39%

LAB 32.75, 42.86, -44.33

 

CMYK 11 / 66 / 0 / 42

HEX #833294

RGB 131 50 148

HSL 289.59, 0.49%, 0.39%

LAB 36.45, 49.11, -38.2

 

CMYK 0 / 66 / 7 / 42

HEX #94328A

RGB 148 50 138

HSL 306.12, 0.49%, 0.39%

LAB 38.57, 51.59, -28.56

 

CMYK 0 / 66 / 24 / 42

HEX #943270

RGB 148 50 112

HSL 322.04, 0.49%, 0.39%

LAB 37.38, 47.56, -14.27

 

CMYK 47 / 66 / 0 / 42

HEX #4E3294

RGB 78 50 148

HSL 257.14, 0.49%, 0.39%

LAB 29.51, 36.91, -49.73

 

CMYK 65 / 66 / 0 / 42

HEX #343294

RGB 52 50 148

HSL 241.22, 0.49%, 0.39%

LAB 27.16, 32.21, -53.67

 

CMYK 66 / 66 / 0 / 42

HEX #323294

RGB 50 50 148

HSL 240, 0.49%, 0.39%

LAB 27.01, 31.9, -53.91

 

CMYK 47 / 66 / 0 / 42

HEX #4E3294

RGB 78 50 148

HSL 257.14, 0.49%, 0.39%

LAB 29.51, 36.91, -49.73

 

CMYK 56 / 79 / 0 / 36

HEX #4822A4

RGB 72 34 164

HSL 257.54, 0.66%, 0.39%

LAB 27.3, 48.96, -63.12

 

CMYK 64 / 90 / 0 / 29

HEX #4112B4

RGB 65 18 180

HSL 257.41, 0.82%, 0.39%

LAB 26.31, 58.57, -74.42

 

CMYK 70 / 99 / 0 / 23

HEX #3A02C4

RGB 58 2 196

HSL 257.32, 0.98%, 0.39%

LAB 26.53, 65.62, -83.56

 

CMYK 47 / 66 / 0 / 42

HEX #4E3294

RGB 78 50 148

HSL 257.14, 0.49%, 0.39%

LAB 29.51, 36.91, -49.73

 

CMYK 36 / 50 / 0 / 48

HEX #554284

RGB 85 66 132

HSL 257.27, 0.33%, 0.39%

LAB 32.91, 24.13, -34.37

 

CMYK 20 / 29 / 0 / 55

HEX #5C5273

RGB 92 82 115

HSL 258.18, 0.17%, 0.39%

LAB 37.02, 11.58, -17.35

 

CMYK 0 / 1 / 0 / 61

HEX #636263

RGB 99 98 99

HSL 300, 0.01%, 0.39%

LAB 41.67, 0.6, -0.43

 

CMYK 8 / 0 / 28 / 55

HEX #6A7353

RGB 106 115 83

HSL 76.88, 0.16%, 0.39%

LAB 46.91, -9.41, 16.62

 

CMYK 66 / 49 / 0 / 42

HEX #324B94

RGB 50 75 148

HSL 224.69, 0.49%, 0.39%

LAB 33.67, 15.31, -43.12

 

CMYK 65 / 66 / 0 / 42

HEX #343294

RGB 52 50 148

HSL 241.22, 0.49%, 0.39%

LAB 27.16, 32.21, -53.67

 

CMYK 47 / 66 / 0 / 42

HEX #4E3294

RGB 78 50 148

HSL 257.14, 0.49%, 0.39%

LAB 29.51, 36.91, -49.73

 

CMYK 30 / 66 / 0 / 42

HEX #683294

RGB 104 50 148

HSL 273.06, 0.49%, 0.39%

LAB 32.62, 42.62, -44.55

 

CMYK 12 / 66 / 0 / 42

HEX #823294

RGB 130 50 148

HSL 288.98, 0.49%, 0.39%

LAB 36.3, 48.86, -38.45

 

CMYK 47 / 66 / 0 / 66

HEX #2E1D56

RGB 46 29 86

HSL 257.89, 0.5%, 0.23%

LAB 16.16, 23.59, -31.81

 

CMYK 47 / 66 / 0 / 54

HEX #3E2875

RGB 62 40 117

HSL 257.14, 0.49%, 0.31%

LAB 23.09, 30.12, -40.84

 

CMYK 47 / 66 / 0 / 42

HEX #4E3294

RGB 78 50 148

HSL 257.14, 0.49%, 0.39%

LAB 29.51, 36.91, -49.73

 

CMYK 47 / 66 / 0 / 30

HEX #5F3DB2

RGB 95 61 178

HSL 257.44, 0.49%, 0.47%

LAB 35.95, 42.75, -57.26

 

CMYK 40 / 57 / 0 / 23

HEX #7554C4

RGB 117 84 196

HSL 257.68, 0.49%, 0.55%

LAB 44.39, 39.42, -54.07

 

CMYK 47 / 66 / 0 / 42

HEX #4E3293

RGB 78 50 147

HSL 257.32, 0.49%, 0.39%

LAB 29.43, 36.61, -49.25

 

CMYK 0 / 66 / 32 / 42

HEX #943265

RGB 148 50 101

HSL 328.78, 0.49%, 0.39%

LAB 36.96, 46.08, -7.98

 

CMYK 58 / 0 / 66 / 42

HEX #3E9432

RGB 62 148 50

HSL 112.65, 0.49%, 0.39%

LAB 54.48, -45.2, 42.74

 

CMYK 47 / 66 / 0 / 42

HEX #4E3293

RGB 78 50 147

HSL 257.32, 0.49%, 0.39%

LAB 29.43, 36.61, -49.25

 

CMYK 0 / 47 / 66 / 42

HEX #944E32

RGB 148 78 50

HSL 17.14, 0.49%, 0.39%

LAB 41.18, 26.8, 29.37

 

CMYK 66 / 0 / 47 / 42

HEX #32944E

RGB 50 148 78

HSL 137.14, 0.49%, 0.39%

LAB 54.46, -44.24, 28.8

 

CMYK 47 / 66 / 0 / 42

HEX #4E3293

RGB 78 50 147

HSL 257.32, 0.49%, 0.39%

LAB 29.43, 36.61, -49.25

 

CMYK 0 / 66 / 32 / 42

HEX #943265

RGB 148 50 101

HSL 328.78, 0.49%, 0.39%

LAB 36.96, 46.08, -7.98

 

CMYK 19 / 0 / 66 / 42

HEX #789432

RGB 120 148 50

HSL 77.14, 0.49%, 0.39%

LAB 57.47, -24.77, 46.84

 

CMYK 66 / 0 / 34 / 42

HEX #329461

RGB 50 148 97

HSL 148.78, 0.49%, 0.39%

LAB 54.78, -40.65, 18.85

 

CMYK 47 / 66 / 0 / 42

HEX #4E3293

RGB 78 50 147

HSL 257.32, 0.49%, 0.39%

LAB 29.43, 36.61, -49.25

 

CMYK 0 / 66 / 52 / 42

HEX #943247

RGB 148 50 71

HSL 347.14, 0.49%, 0.39%

LAB 36.05, 42.77, 9.84

 

CMYK 19 / 0 / 66 / 42

HEX #789432

RGB 120 148 50

HSL 77.14, 0.49%, 0.39%

LAB 57.47, -24.77, 46.84

 

CMYK 66 / 0 / 14 / 42

HEX #32947F

RGB 50 148 127

HSL 167.14, 0.49%, 0.39%

LAB 55.47, -33.52, 2.81

 

Description

Color code: HEX #4E3293 | qconv.com Color code: HEX #4E3293 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 50 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 50 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 66 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 66% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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