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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E4566 it is the complementary color #B1BA99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E4566. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E4566 shade: #534561, #645774, #756987, #867B9A and #978DAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E4566. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E4566 shade: #4E4566, #3D3353, #2C2140, #1B0F2D and #0A001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E4566 shade: #4F4667, #584667, #604667, #674664 and #67465B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E4566 shade: #4F4667, #464667 and #464667

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E4566 shade matches the following richer shades: #4F4667, #483875, #422A83, #3C1C91 and #350E9F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E4566 shade: #4F4667, #555459, #5B624B, #62703D and #687E2F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E4566 shade: #464F67, #464667, #4F4667, #574667 and #604667

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E4566 shade: #292436, #3C354E, #4F4667, #62567F and #746798

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E4566 shade: #4E4566, #674657 and #4A6746

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E4566 shade: #4E4566, #674F46 and #46674F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E4566 shade: #4E4566, #674657, #5E6746 and #466755

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E4566 shade: #4E4566, #67464D, #5E6746 and #46675F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 32 / 0 / 60

HEX #4E4566

RGB 78 69 102

HSL 256.36, 0.19%, 0.34%

LAB 31.43, 11.62, -17.92

 

Complementary color

CMYK 5 / 0 / 18 / 27

HEX #B1BA99

RGB 177 186 153

HSL 76.36, 0.19%, 0.66%

LAB 74.04, -8.96, 15.7

 

CMYK 14 / 29 / 0 / 62

HEX #534561

RGB 83 69 97

HSL 270, 0.17%, 0.33%

LAB 31.71, 12.12, -14.26

 

CMYK 14 / 25 / 0 / 55

HEX #645774

RGB 100 87 116

HSL 266.9, 0.14%, 0.4%

LAB 39.22, 11.53, -14.52

 

CMYK 13 / 22 / 0 / 47

HEX #756987

RGB 117 105 135

HSL 264, 0.13%, 0.47%

LAB 46.49, 11.03, -14.82

 

CMYK 13 / 20 / 0 / 40

HEX #867B9A

RGB 134 123 154

HSL 261.29, 0.13%, 0.54%

LAB 53.56, 10.58, -15.13

 

CMYK 13 / 18 / 0 / 32

HEX #978DAD

RGB 151 141 173

HSL 258.75, 0.16%, 0.62%

LAB 60.47, 10.19, -15.45

 

CMYK 24 / 32 / 0 / 60

HEX #4E4566

RGB 78 69 102

HSL 256.36, 0.19%, 0.34%

LAB 31.43, 11.62, -17.92

 

CMYK 27 / 39 / 0 / 67

HEX #3D3353

RGB 61 51 83

HSL 258.75, 0.24%, 0.26%

LAB 23.62, 12.35, -17.85

 

CMYK 31 / 48 / 0 / 75

HEX #2C2140

RGB 44 33 64

HSL 261.29, 0.32%, 0.19%

LAB 15.45, 13.29, -17.88

 

CMYK 40 / 67 / 0 / 82

HEX #1B0F2D

RGB 27 15 45

HSL 264, 0.5%, 0.12%

LAB 6.9, 14.26, -17.9

 

CMYK 62 / 100 / 0 / 90

HEX #0A001A

RGB 10 0 26

HSL 263.08, 1%, 0.05%

LAB 1.26, 7.35, -11.96

 

CMYK 23 / 32 / 0 / 60

HEX #4F4667

RGB 79 70 103

HSL 256.36, 0.19%, 0.34%

LAB 31.86, 11.58, -17.89

 

CMYK 15 / 32 / 0 / 60

HEX #584667

RGB 88 70 103

HSL 272.73, 0.19%, 0.34%

LAB 32.78, 14.77, -16.39

 

CMYK 7 / 32 / 0 / 60

HEX #604667

RGB 96 70 103

HSL 287.27, 0.19%, 0.34%

LAB 33.66, 17.68, -14.96

 

CMYK 0 / 32 / 3 / 60

HEX #674664

RGB 103 70 100

HSL 305.45, 0.19%, 0.34%

LAB 34.36, 19.62, -11.91

 

CMYK 0 / 32 / 12 / 60

HEX #67465B

RGB 103 70 91

HSL 321.82, 0.19%, 0.34%

LAB 34.02, 17.82, -6.72

 

CMYK 23 / 32 / 0 / 60

HEX #4F4667

RGB 79 70 103

HSL 256.36, 0.19%, 0.34%

LAB 31.86, 11.58, -17.89

 

CMYK 32 / 32 / 0 / 60

HEX #464667

RGB 70 70 103

HSL 240, 0.19%, 0.34%

LAB 31.02, 8.52, -19.24

 

CMYK 32 / 32 / 0 / 60

HEX #464667

RGB 70 70 103

HSL 240, 0.19%, 0.34%

LAB 31.02, 8.52, -19.24

 

CMYK 23 / 32 / 0 / 60

HEX #4F4667

RGB 79 70 103

HSL 256.36, 0.19%, 0.34%

LAB 31.86, 11.58, -17.89

 

CMYK 38 / 52 / 0 / 54

HEX #483875

RGB 72 56 117

HSL 255.74, 0.35%, 0.34%

LAB 28.09, 22.47, -32.73

 

CMYK 50 / 68 / 0 / 49

HEX #422A83

RGB 66 42 131

HSL 256.18, 0.51%, 0.34%

LAB 25.12, 34.06, -46.39

 

CMYK 59 / 81 / 0 / 43

HEX #3C1C91

RGB 60 28 145

HSL 256.41, 0.68%, 0.34%

LAB 23.12, 44.78, -58.42

 

CMYK 67 / 91 / 0 / 38

HEX #350E9F

RGB 53 14 159

HSL 256.14, 0.84%, 0.34%

LAB 22.21, 53.35, -68.56

 

CMYK 23 / 32 / 0 / 60

HEX #4F4667

RGB 79 70 103

HSL 256.36, 0.19%, 0.34%

LAB 31.86, 11.58, -17.89

 

CMYK 4 / 6 / 0 / 65

HEX #555459

RGB 85 84 89

HSL 252, 0.03%, 0.34%

LAB 35.97, 1.49, -2.77

 

CMYK 7 / 0 / 23 / 62

HEX #5B624B

RGB 91 98 75

HSL 78.26, 0.13%, 0.34%

LAB 40.36, -7.25, 12.21

 

CMYK 13 / 0 / 46 / 56

HEX #62703D

RGB 98 112 61

HSL 76.47, 0.29%, 0.34%

LAB 44.97, -14.28, 26.55

 

CMYK 17 / 0 / 63 / 51

HEX #687E2F

RGB 104 126 47

HSL 76.71, 0.46%, 0.34%

LAB 49.58, -20.63, 39.34

 

CMYK 32 / 23 / 0 / 60

HEX #464F67

RGB 70 79 103

HSL 223.64, 0.19%, 0.34%

LAB 33.72, 2.7, -15.09

 

CMYK 32 / 32 / 0 / 60

HEX #464667

RGB 70 70 103

HSL 240, 0.19%, 0.34%

LAB 31.02, 8.52, -19.24

 

CMYK 23 / 32 / 0 / 60

HEX #4F4667

RGB 79 70 103

HSL 256.36, 0.19%, 0.34%

LAB 31.86, 11.58, -17.89

 

CMYK 16 / 32 / 0 / 60

HEX #574667

RGB 87 70 103

HSL 270.91, 0.19%, 0.34%

LAB 32.67, 14.41, -16.56

 

CMYK 7 / 32 / 0 / 60

HEX #604667

RGB 96 70 103

HSL 287.27, 0.19%, 0.34%

LAB 33.66, 17.68, -14.96

 

CMYK 24 / 33 / 0 / 79

HEX #292436

RGB 41 36 54

HSL 256.67, 0.2%, 0.18%

LAB 15.48, 7.03, -10.84

 

CMYK 23 / 32 / 0 / 69

HEX #3C354E

RGB 60 53 78

HSL 256.8, 0.19%, 0.26%

LAB 23.86, 9.23, -14.17

 

CMYK 23 / 32 / 0 / 60

HEX #4F4667

RGB 79 70 103

HSL 256.36, 0.19%, 0.34%

LAB 31.86, 11.58, -17.89

 

CMYK 23 / 32 / 0 / 50

HEX #62567F

RGB 98 86 127

HSL 257.56, 0.19%, 0.42%

LAB 39.22, 14.19, -21.3

 

CMYK 24 / 32 / 0 / 40

HEX #746798

RGB 116 103 152

HSL 255.92, 0.19%, 0.5%

LAB 46.55, 16.01, -24.84

 

CMYK 24 / 32 / 0 / 60

HEX #4E4566

RGB 78 69 102

HSL 256.36, 0.19%, 0.34%

LAB 31.43, 11.62, -17.92

 

CMYK 0 / 32 / 16 / 60

HEX #674657

RGB 103 70 87

HSL 329.09, 0.19%, 0.34%

LAB 33.88, 17.06, -4.38

 

CMYK 28 / 0 / 32 / 60

HEX #4A6746

RGB 74 103 70

HSL 112.73, 0.19%, 0.34%

LAB 40.57, -17.82, 15.3

 

CMYK 24 / 32 / 0 / 60

HEX #4E4566

RGB 78 69 102

HSL 256.36, 0.19%, 0.34%

LAB 31.43, 11.62, -17.92

 

CMYK 0 / 23 / 32 / 60

HEX #674F46

RGB 103 79 70

HSL 16.36, 0.19%, 0.34%

LAB 35.83, 8.62, 9.18

 

CMYK 32 / 0 / 23 / 60

HEX #46674F

RGB 70 103 79

HSL 136.36, 0.19%, 0.34%

LAB 40.52, -17.53, 9.79

 

CMYK 24 / 32 / 0 / 60

HEX #4E4566

RGB 78 69 102

HSL 256.36, 0.19%, 0.34%

LAB 31.43, 11.62, -17.92

 

CMYK 0 / 32 / 16 / 60

HEX #674657

RGB 103 70 87

HSL 329.09, 0.19%, 0.34%

LAB 33.88, 17.06, -4.38

 

CMYK 9 / 0 / 32 / 60

HEX #5E6746

RGB 94 103 70

HSL 76.36, 0.19%, 0.34%

LAB 42.03, -9.69, 17.52

 

CMYK 32 / 0 / 17 / 60

HEX #466755

RGB 70 103 85

HSL 147.27, 0.19%, 0.34%

LAB 40.67, -16.23, 6.37

 

CMYK 24 / 32 / 0 / 60

HEX #4E4566

RGB 78 69 102

HSL 256.36, 0.19%, 0.34%

LAB 31.43, 11.62, -17.92

 

CMYK 0 / 32 / 25 / 60

HEX #67464D

RGB 103 70 77

HSL 347.27, 0.19%, 0.34%

LAB 33.56, 15.3, 1.53

 

CMYK 9 / 0 / 32 / 60

HEX #5E6746

RGB 94 103 70

HSL 76.36, 0.19%, 0.34%

LAB 42.03, -9.69, 17.52

 

CMYK 32 / 0 / 8 / 60

HEX #46675F

RGB 70 103 95

HSL 165.45, 0.19%, 0.34%

LAB 40.94, -13.88, 0.68

 

Description

Color code: HEX #4E4566 | qconv.com Color code: HEX #4E4566 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 69 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 69 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 32 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 32% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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