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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E4999 it is the complementary color #B1B666. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E4999. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E4999 shade: #534994, #645BA7, #756DBA, #867FCD and #9791E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E4999. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E4999 shade: #4E4999, #3D3786, #2C2573, #1B1360 and #0A014D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E4999 shade: #4D4897, #634897, #784897, #8D4897 and #97488C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E4999 shade: #4D4897 and #484897

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E4999 shade matches the following richer shades: #4D4897, #3D36A9, #2E24BB, #1E12CD and #0E00E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E4999 shade: #4D4897, #5D5B85, #6D6D73, #7D7F61 and #8D914E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E4999 shade: #486E97, #485997, #4C4897, #614897 and #764897

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E4999 shade: #312E5F, #3F3B7B, #4D4897, #5F5AAF and #7A75BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E4999 shade: #4E4999, #974883 and #649748

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E4999 shade: #4E4999, #974C48 and #48974C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E4999 shade: #4E4999, #974883, #939748 and #48975C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E4999 shade: #4E4999, #97486C, #939748 and #489774

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 52 / 0 / 40

HEX #4E4999

RGB 78 73 153

HSL 243.75, 0.35%, 0.44%

LAB 35.37, 24.25, -43.31

 

Complementary color

CMYK 3 / 0 / 44 / 29

HEX #B1B666

RGB 177 182 102

HSL 63.75, 0.35%, 0.56%

LAB 72.07, -13.68, 39.98

 

CMYK 44 / 51 / 0 / 42

HEX #534994

RGB 83 73 148

HSL 248, 0.34%, 0.43%

LAB 35.48, 23.91, -40.08

 

CMYK 40 / 46 / 0 / 35

HEX #645BA7

RGB 100 91 167

HSL 247.11, 0.3%, 0.51%

LAB 42.74, 22.74, -39.82

 

CMYK 37 / 41 / 0 / 27

HEX #756DBA

RGB 117 109 186

HSL 246.23, 0.36%, 0.58%

LAB 49.82, 21.76, -39.62

 

CMYK 35 / 38 / 0 / 20

HEX #867FCD

RGB 134 127 205

HSL 245.38, 0.44%, 0.65%

LAB 56.74, 20.9, -39.48

 

CMYK 33 / 35 / 0 / 12

HEX #9791E0

RGB 151 145 224

HSL 244.56, 0.56%, 0.72%

LAB 63.52, 20.16, -39.39

 

CMYK 49 / 52 / 0 / 40

HEX #4E4999

RGB 78 73 153

HSL 243.75, 0.35%, 0.44%

LAB 35.37, 24.25, -43.31

 

CMYK 54 / 59 / 0 / 47

HEX #3D3786

RGB 61 55 134

HSL 244.56, 0.42%, 0.37%

LAB 27.97, 25.83, -43.66

 

CMYK 62 / 68 / 0 / 55

HEX #2C2573

RGB 44 37 115

HSL 245.38, 0.51%, 0.3%

LAB 20.43, 27.74, -43.96

 

CMYK 72 / 80 / 0 / 62

HEX #1B1360

RGB 27 19 96

HSL 246.23, 0.67%, 0.23%

LAB 12.88, 29.87, -43.96

 

CMYK 87 / 99 / 0 / 70

HEX #0A014D

RGB 10 1 77

HSL 247.11, 0.97%, 0.15%

LAB 5.62, 31.55, -43.09

 

CMYK 49 / 52 / 0 / 41

HEX #4D4897

RGB 77 72 151

HSL 243.8, 0.35%, 0.44%

LAB 34.9, 24.01, -42.87

 

CMYK 34 / 52 / 0 / 41

HEX #634897

RGB 99 72 151

HSL 260.51, 0.35%, 0.44%

LAB 36.97, 29.62, -39.43

 

CMYK 21 / 52 / 0 / 41

HEX #784897

RGB 120 72 151

HSL 276.46, 0.35%, 0.44%

LAB 39.35, 35.48, -35.51

 

CMYK 7 / 52 / 0 / 41

HEX #8D4897

RGB 141 72 151

HSL 292.41, 0.35%, 0.44%

LAB 42.05, 41.56, -31.06

 

CMYK 0 / 52 / 7 / 41

HEX #97488C

RGB 151 72 140

HSL 308.35, 0.35%, 0.44%

LAB 42.92, 42.48, -22.96

 

CMYK 49 / 52 / 0 / 41

HEX #4D4897

RGB 77 72 151

HSL 243.8, 0.35%, 0.44%

LAB 34.9, 24.01, -42.87

 

CMYK 52 / 52 / 0 / 41

HEX #484897

RGB 72 72 151

HSL 240, 0.35%, 0.44%

LAB 34.49, 22.85, -43.54

 

CMYK 49 / 52 / 0 / 41

HEX #4D4897

RGB 77 72 151

HSL 243.8, 0.35%, 0.44%

LAB 34.9, 24.01, -42.87

 

CMYK 64 / 68 / 0 / 34

HEX #3D36A9

RGB 61 54 169

HSL 243.65, 0.52%, 0.44%

LAB 30.63, 38.2, -60.71

 

CMYK 75 / 81 / 0 / 27

HEX #2E24BB

RGB 46 36 187

HSL 243.97, 0.68%, 0.44%

LAB 27.93, 52.29, -75.94

 

CMYK 85 / 91 / 0 / 20

HEX #1E12CD

RGB 30 18 205

HSL 243.85, 0.84%, 0.44%

LAB 27.06, 63.61, -87.99

 

CMYK 94 / 100 / 0 / 12

HEX #0E00E0

RGB 14 0 224

HSL 243.75, 1%, 0.44%

LAB 28.05, 71.89, -97.37

 

CMYK 49 / 52 / 0 / 41

HEX #4D4897

RGB 77 72 151

HSL 243.8, 0.35%, 0.44%

LAB 34.9, 24.01, -42.87

 

CMYK 30 / 32 / 0 / 48

HEX #5D5B85

RGB 93 91 133

HSL 242.86, 0.19%, 0.44%

LAB 40.41, 11.03, -23.13

 

CMYK 5 / 5 / 0 / 55

HEX #6D6D73

RGB 109 109 115

HSL 240, 0.03%, 0.44%

LAB 46.21, 1.26, -3.34

 

CMYK 2 / 0 / 24 / 50

HEX #7D7F61

RGB 125 127 97

HSL 64, 0.13%, 0.44%

LAB 52.29, -6.13, 16.11

 

CMYK 3 / 0 / 46 / 43

HEX #8D914E

RGB 141 145 78

HSL 63.58, 0.3%, 0.44%

LAB 58.47, -11.78, 34.89

 

CMYK 52 / 27 / 0 / 41

HEX #486E97

RGB 72 110 151

HSL 211.14, 0.35%, 0.44%

LAB 45.31, -1.25, -26.43

 

CMYK 52 / 41 / 0 / 41

HEX #485997

RGB 72 89 151

HSL 227.09, 0.35%, 0.44%

LAB 39.17, 11.86, -36.07

 

CMYK 50 / 52 / 0 / 41

HEX #4C4897

RGB 76 72 151

HSL 243.04, 0.35%, 0.44%

LAB 34.81, 23.78, -43

 

CMYK 36 / 52 / 0 / 41

HEX #614897

RGB 97 72 151

HSL 258.99, 0.35%, 0.44%

LAB 36.76, 29.08, -39.77

 

CMYK 22 / 52 / 0 / 41

HEX #764897

RGB 118 72 151

HSL 274.94, 0.35%, 0.44%

LAB 39.11, 34.91, -35.9

 

CMYK 48 / 52 / 0 / 63

HEX #312E5F

RGB 49 46 95

HSL 243.67, 0.35%, 0.28%

LAB 21.7, 15.78, -28.88

 

CMYK 49 / 52 / 0 / 52

HEX #3F3B7B

RGB 63 59 123

HSL 243.75, 0.35%, 0.36%

LAB 28.42, 19.99, -36.04

 

CMYK 49 / 52 / 0 / 41

HEX #4D4897

RGB 77 72 151

HSL 243.8, 0.35%, 0.44%

LAB 34.9, 24.01, -42.87

 

CMYK 46 / 49 / 0 / 31

HEX #5F5AAF

RGB 95 90 175

HSL 243.53, 0.35%, 0.52%

LAB 42.52, 24.48, -44.9

 

CMYK 35 / 38 / 0 / 26

HEX #7A75BC

RGB 122 117 188

HSL 244.23, 0.35%, 0.6%

LAB 52.39, 18.89, -36.69

 

CMYK 49 / 52 / 0 / 40

HEX #4E4999

RGB 78 73 153

HSL 243.75, 0.35%, 0.44%

LAB 35.37, 24.25, -43.31

 

CMYK 0 / 52 / 13 / 41

HEX #974883

RGB 151 72 131

HSL 315.19, 0.35%, 0.44%

LAB 42.54, 40.93, -18.08

 

CMYK 34 / 0 / 52 / 41

HEX #649748

RGB 100 151 72

HSL 98.73, 0.35%, 0.44%

LAB 57.38, -31.87, 35.99

 

CMYK 49 / 52 / 0 / 40

HEX #4E4999

RGB 78 73 153

HSL 243.75, 0.35%, 0.44%

LAB 35.37, 24.25, -43.31

 

CMYK 0 / 50 / 52 / 41

HEX #974C48

RGB 151 76 72

HSL 3.04, 0.35%, 0.44%

LAB 41.56, 30.92, 16.82

 

CMYK 52 / 0 / 50 / 41

HEX #48974C

RGB 72 151 76

HSL 123.04, 0.35%, 0.44%

LAB 56.12, -40.4, 32.1

 

CMYK 49 / 52 / 0 / 40

HEX #4E4999

RGB 78 73 153

HSL 243.75, 0.35%, 0.44%

LAB 35.37, 24.25, -43.31

 

CMYK 0 / 52 / 13 / 41

HEX #974883

RGB 151 72 131

HSL 315.19, 0.35%, 0.44%

LAB 42.54, 40.93, -18.08

 

CMYK 3 / 0 / 52 / 41

HEX #939748

RGB 147 151 72

HSL 63.04, 0.35%, 0.44%

LAB 60.61, -13, 40.63

 

CMYK 52 / 0 / 39 / 41

HEX #48975C

RGB 72 151 92

HSL 135.19, 0.35%, 0.44%

LAB 56.37, -37.77, 23.86

 

CMYK 49 / 52 / 0 / 40

HEX #4E4999

RGB 78 73 153

HSL 243.75, 0.35%, 0.44%

LAB 35.37, 24.25, -43.31

 

CMYK 0 / 52 / 28 / 41

HEX #97486C

RGB 151 72 108

HSL 332.66, 0.35%, 0.44%

LAB 41.68, 37.36, -5.25

 

CMYK 3 / 0 / 52 / 41

HEX #939748

RGB 147 151 72

HSL 63.04, 0.35%, 0.44%

LAB 60.61, -13, 40.63

 

CMYK 52 / 0 / 23 / 41

HEX #489774

RGB 72 151 116

HSL 153.42, 0.35%, 0.44%

LAB 56.85, -32.91, 11.14

 

Description

Color code: HEX #4E4999 | qconv.com Color code: HEX #4E4999 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 73 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 73 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 52 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 52% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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