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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E4039 it is the complementary color #B1BFC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E4039. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E4039 shade: #534034, #645247, #75645A, #86766D and #978880

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E4039. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E4039 shade: #4E4039, #3D2E26, #2C1C13, #1B0A00 and #0A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E4039 shade: #4C3E37, #4C3937 and #4C3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E4039 shade: #4C3E37, #4C4437, #4C4A37, #494C37 and #444C37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E4039 shade matches the following richer shades: #4C3E37, #573B2C, #623722, #6D3417 and #77300C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E4039 shade: #4C3E37, #424242, #37454D, #2C4957 and #214D62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E4039 shade: #4C373B, #4C3937, #4C3E37, #4C4437 and #4C4A37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E4039 shade: #1D1715, #342B26, #4C3E37, #645249 and #7C655A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E4039 shade: #4E4039, #414C37 and #37394C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E4039 shade: #4E4039, #374C3E and #3E374C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E4039 shade: #4E4039, #414C37, #37454C and #43374C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E4039 shade: #4E4039, #3B4C37, #37454C and #49374C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 27 / 69

HEX #4E4039

RGB 78 64 57

HSL 20, 0.16%, 0.26%

LAB 28.33, 4.78, 6.54

 

Complementary color

CMYK 11 / 4 / 0 / 22

HEX #B1BFC6

RGB 177 191 198

HSL 200, 0.16%, 0.74%

LAB 76.49, -3.39, -5.17

 

CMYK 0 / 23 / 37 / 67

HEX #534034

RGB 83 64 52

HSL 23.23, 0.23%, 0.26%

LAB 28.78, 6.28, 10.49

 

CMYK 0 / 18 / 29 / 61

HEX #645247

RGB 100 82 71

HSL 22.76, 0.17%, 0.34%

LAB 36.36, 5.6, 9.25

 

CMYK 0 / 15 / 23 / 54

HEX #75645A

RGB 117 100 90

HSL 22.22, 0.13%, 0.41%

LAB 43.7, 5.06, 8.18

 

CMYK 0 / 12 / 19 / 47

HEX #86766D

RGB 134 118 109

HSL 21.6, 0.1%, 0.48%

LAB 50.84, 4.62, 7.22

 

CMYK 0 / 10 / 15 / 41

HEX #978880

RGB 151 136 128

HSL 20.87, 0.1%, 0.55%

LAB 57.8, 4.24, 6.34

 

CMYK 0 / 18 / 27 / 69

HEX #4E4039

RGB 78 64 57

HSL 20, 0.16%, 0.26%

LAB 28.33, 4.78, 6.54

 

CMYK 0 / 25 / 38 / 76

HEX #3D2E26

RGB 61 46 38

HSL 20.87, 0.23%, 0.19%

LAB 20.39, 5.48, 7.78

 

CMYK 0 / 36 / 57 / 83

HEX #2C1C13

RGB 44 28 19

HSL 21.6, 0.4%, 0.12%

LAB 12.04, 6.5, 9.24

 

CMYK 0 / 63 / 100 / 89

HEX #1B0A00

RGB 27 10 0

HSL 22.22, 1%, 0.05%

LAB 4.07, 5.44, 6.19

 

CMYK 0 / 100 / 100 / 96

HEX #0A0000

RGB 10 0 0

HSL 0, 1%, 0.02%

LAB 0.58, 2.62, 0.92

 

CMYK 0 / 18 / 28 / 70

HEX #4C3E37

RGB 76 62 55

HSL 20, 0.16%, 0.26%

LAB 27.46, 4.82, 6.58

 

CMYK 0 / 25 / 28 / 70

HEX #4C3937

RGB 76 57 55

HSL 5.71, 0.16%, 0.26%

LAB 25.98, 8.06, 4.49

 

CMYK 0 / 28 / 28 / 70

HEX #4C3737

RGB 76 55 55

HSL 0, 0.16%, 0.26%

LAB 25.4, 9.37, 3.66

 

CMYK 0 / 18 / 28 / 70

HEX #4C3E37

RGB 76 62 55

HSL 20, 0.16%, 0.26%

LAB 27.46, 4.82, 6.58

 

CMYK 0 / 11 / 28 / 70

HEX #4C4437

RGB 76 68 55

HSL 37.14, 0.16%, 0.26%

LAB 29.28, 0.98, 9.12

 

CMYK 0 / 3 / 28 / 70

HEX #4C4A37

RGB 76 74 55

HSL 54.29, 0.16%, 0.26%

LAB 31.14, -2.79, 11.68

 

CMYK 4 / 0 / 28 / 70

HEX #494C37

RGB 73 76 55

HSL 68.57, 0.16%, 0.26%

LAB 31.49, -5.37, 12.11

 

CMYK 11 / 0 / 28 / 70

HEX #444C37

RGB 68 76 55

HSL 82.86, 0.16%, 0.26%

LAB 31.05, -7.58, 11.45

 

CMYK 0 / 18 / 28 / 70

HEX #4C3E37

RGB 76 62 55

HSL 20, 0.16%, 0.26%

LAB 27.46, 4.82, 6.58

 

CMYK 0 / 32 / 49 / 66

HEX #573B2C

RGB 87 59 44

HSL 20.93, 0.33%, 0.26%

LAB 27.67, 10.28, 14.23

 

CMYK 0 / 44 / 65 / 62

HEX #623722

RGB 98 55 34

HSL 19.69, 0.48%, 0.26%

LAB 27.97, 16.96, 21.23

 

CMYK 0 / 52 / 79 / 57

HEX #6D3417

RGB 109 52 23

HSL 20.23, 0.65%, 0.26%

LAB 28.82, 23.05, 29.13

 

CMYK 0 / 60 / 90 / 53

HEX #77300C

RGB 119 48 12

HSL 20.19, 0.82%, 0.26%

LAB 29.57, 29.18, 35.89

 

CMYK 0 / 18 / 28 / 70

HEX #4C3E37

RGB 76 62 55

HSL 20, 0.16%, 0.26%

LAB 27.46, 4.82, 6.58

 

CMYK 0 / 0 / 0 / 74

HEX #424242

RGB 66 66 66

HSL 0, 0%, 0.26%

LAB 27.97, 0, -0

 

CMYK 29 / 10 / 0 / 70

HEX #37454D

RGB 55 69 77

HSL 201.82, 0.17%, 0.26%

LAB 28.39, -3.46, -6.66

 

CMYK 49 / 16 / 0 / 66

HEX #2C4957

RGB 44 73 87

HSL 199.53, 0.33%, 0.26%

LAB 29.38, -6.52, -11.69

 

CMYK 66 / 21 / 0 / 62

HEX #214D62

RGB 33 77 98

HSL 199.38, 0.5%, 0.26%

LAB 30.67, -7.94, -16.8

 

CMYK 0 / 28 / 22 / 70

HEX #4C373B

RGB 76 55 59

HSL 348.57, 0.16%, 0.26%

LAB 25.52, 10.08, 1.17

 

CMYK 0 / 25 / 28 / 70

HEX #4C3937

RGB 76 57 55

HSL 5.71, 0.16%, 0.26%

LAB 25.98, 8.06, 4.49

 

CMYK 0 / 18 / 28 / 70

HEX #4C3E37

RGB 76 62 55

HSL 20, 0.16%, 0.26%

LAB 27.46, 4.82, 6.58

 

CMYK 0 / 11 / 28 / 70

HEX #4C4437

RGB 76 68 55

HSL 37.14, 0.16%, 0.26%

LAB 29.28, 0.98, 9.12

 

CMYK 0 / 3 / 28 / 70

HEX #4C4A37

RGB 76 74 55

HSL 54.29, 0.16%, 0.26%

LAB 31.14, -2.79, 11.68

 

CMYK 0 / 21 / 28 / 89

HEX #1D1715

RGB 29 23 21

HSL 15, 0.16%, 0.1%

LAB 8.38, 2.57, 2.45

 

CMYK 0 / 17 / 27 / 80

HEX #342B26

RGB 52 43 38

HSL 21.43, 0.16%, 0.18%

LAB 18.36, 3.15, 4.79

 

CMYK 0 / 18 / 28 / 70

HEX #4C3E37

RGB 76 62 55

HSL 20, 0.16%, 0.26%

LAB 27.46, 4.82, 6.58

 

CMYK 0 / 18 / 27 / 61

HEX #645249

RGB 100 82 73

HSL 20, 0.16%, 0.34%

LAB 36.41, 5.92, 8.08

 

CMYK 0 / 19 / 27 / 51

HEX #7C655A

RGB 124 101 90

HSL 19.41, 0.16%, 0.42%

LAB 44.7, 7.41, 9.69

 

CMYK 0 / 18 / 27 / 69

HEX #4E4039

RGB 78 64 57

HSL 20, 0.16%, 0.26%

LAB 28.33, 4.78, 6.54

 

CMYK 14 / 0 / 28 / 70

HEX #414C37

RGB 65 76 55

HSL 91.43, 0.16%, 0.26%

LAB 30.8, -8.89, 11.07

 

CMYK 28 / 25 / 0 / 70

HEX #37394C

RGB 55 57 76

HSL 234.29, 0.16%, 0.26%

LAB 24.51, 4.13, -11.88

 

CMYK 0 / 18 / 27 / 69

HEX #4E4039

RGB 78 64 57

HSL 20, 0.16%, 0.26%

LAB 28.33, 4.78, 6.54

 

CMYK 28 / 0 / 18 / 70

HEX #374C3E

RGB 55 76 62

HSL 140, 0.16%, 0.26%

LAB 30.23, -11.54, 5.71

 

CMYK 18 / 28 / 0 / 70

HEX #3E374C

RGB 62 55 76

HSL 260, 0.16%, 0.26%

LAB 24.57, 8.09, -11.73

 

CMYK 0 / 18 / 27 / 69

HEX #4E4039

RGB 78 64 57

HSL 20, 0.16%, 0.26%

LAB 28.33, 4.78, 6.54

 

CMYK 14 / 0 / 28 / 70

HEX #414C37

RGB 65 76 55

HSL 91.43, 0.16%, 0.26%

LAB 30.8, -8.89, 11.07

 

CMYK 28 / 9 / 0 / 70

HEX #37454C

RGB 55 69 76

HSL 200, 0.16%, 0.26%

LAB 28.35, -3.73, -6.06

 

CMYK 12 / 28 / 0 / 70

HEX #43374C

RGB 67 55 76

HSL 274.29, 0.16%, 0.26%

LAB 25.1, 10.02, -10.88

 

CMYK 0 / 18 / 27 / 69

HEX #4E4039

RGB 78 64 57

HSL 20, 0.16%, 0.26%

LAB 28.33, 4.78, 6.54

 

CMYK 22 / 0 / 28 / 70

HEX #3B4C37

RGB 59 76 55

HSL 108.57, 0.16%, 0.26%

LAB 30.34, -11.42, 10.35

 

CMYK 28 / 9 / 0 / 70

HEX #37454C

RGB 55 69 76

HSL 200, 0.16%, 0.26%

LAB 28.35, -3.73, -6.06

 

CMYK 4 / 28 / 0 / 70

HEX #49374C

RGB 73 55 76

HSL 291.43, 0.16%, 0.26%

LAB 25.78, 12.37, -9.79

 

Description

Color code: HEX #4E4039 | qconv.com Color code: HEX #4E4039 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 64 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 64 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 27 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 27% 69% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - SEO India – SEO Comp...
Link: http://www.wildnettechnologies.com

16% - MARC J. PASINI EPICU...
Link: http://www.mjpasini.com

19% - UEFA Champions Leagu...
Link: http://es.uefa.com

19% - www.ford.co.za
Link: http://www.carlsberggroup.com

27% - Startseite - HRK
Link: http://www.hrk.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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