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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E5883 it is the complementary color #B1A77C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E5883. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E5883 shade: #53587E, #646A91, #757CA4, #868EB7 and #97A0CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E5883. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E5883 shade: #4E5883, #3D4670, #2C345D, #1B224A and #0A1037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E5883 shade: #4E5882, #524E82, #604E82, #6E4E82 and #7C4E82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E5883 shade: #4E5882 and #4E4E82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E5883 shade matches the following richer shades: #4E5882, #3D4D93, #2C43A4, #1B38B5 and #0A2EC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E5883 shade: #4E5882, #5F6271, #706D60, #81774F and #92823F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E5883 shade: #4E7482, #4E6682, #4E5882, #514E82 and #5F4E82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E5883 shade: #2F354F, #3E4668, #4E5882, #5D699C and #7680AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E5883 shade: #4E5883, #824E82 and #6D824E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E5883 shade: #4E5883, #824E58 and #58824E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E5883 shade: #4E5883, #824E82, #82784E and #4E824E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E5883 shade: #4E5883, #824E73, #82784E and #4E825E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 33 / 0 / 49

HEX #4E5883

RGB 78 88 131

HSL 228.68, 0.25%, 0.41%

LAB 38.27, 7.73, -25.35

 

Complementary color

CMYK 0 / 6 / 30 / 31

HEX #B1A77C

RGB 177 167 124

HSL 48.68, 0.25%, 0.59%

LAB 68.34, -3.17, 23.59

 

CMYK 34 / 30 / 0 / 51

HEX #53587E

RGB 83 88 126

HSL 233.02, 0.21%, 0.41%

LAB 38.42, 7.78, -22.02

 

CMYK 31 / 27 / 0 / 43

HEX #646A91

RGB 100 106 145

HSL 232, 0.18%, 0.48%

LAB 45.72, 7.26, -22.09

 

CMYK 29 / 24 / 0 / 36

HEX #757CA4

RGB 117 124 164

HSL 231.06, 0.21%, 0.55%

LAB 52.82, 6.82, -22.2

 

CMYK 27 / 22 / 0 / 28

HEX #868EB7

RGB 134 142 183

HSL 230.2, 0.25%, 0.62%

LAB 59.74, 6.44, -22.36

 

CMYK 25 / 21 / 0 / 21

HEX #97A0CA

RGB 151 160 202

HSL 229.41, 0.32%, 0.69%

LAB 66.51, 6.1, -22.55

 

CMYK 40 / 33 / 0 / 49

HEX #4E5883

RGB 78 88 131

HSL 228.68, 0.25%, 0.41%

LAB 38.27, 7.73, -25.35

 

CMYK 46 / 38 / 0 / 56

HEX #3D4670

RGB 61 70 112

HSL 229.41, 0.29%, 0.34%

LAB 30.74, 8.5, -25.44

 

CMYK 53 / 44 / 0 / 64

HEX #2C345D

RGB 44 52 93

HSL 230.2, 0.36%, 0.27%

LAB 22.94, 9.53, -25.63

 

CMYK 64 / 54 / 0 / 71

HEX #1B224A

RGB 27 34 74

HSL 231.06, 0.47%, 0.2%

LAB 14.8, 11.03, -25.94

 

CMYK 82 / 71 / 0 / 78

HEX #0A1037

RGB 10 16 55

HSL 232, 0.69%, 0.13%

LAB 6.42, 12.92, -26.12

 

CMYK 40 / 32 / 0 / 49

HEX #4E5882

RGB 78 88 130

HSL 228.46, 0.25%, 0.41%

LAB 38.22, 7.43, -24.81

 

CMYK 37 / 40 / 0 / 49

HEX #524E82

RGB 82 78 130

HSL 244.62, 0.25%, 0.41%

LAB 35.7, 15.01, -28.73

 

CMYK 26 / 40 / 0 / 49

HEX #604E82

RGB 96 78 130

HSL 260.77, 0.25%, 0.41%

LAB 37.02, 19.33, -26.57

 

CMYK 15 / 40 / 0 / 49

HEX #6E4E82

RGB 110 78 130

HSL 276.92, 0.25%, 0.41%

LAB 38.51, 23.88, -24.13

 

CMYK 5 / 40 / 0 / 49

HEX #7C4E82

RGB 124 78 130

HSL 293.08, 0.25%, 0.41%

LAB 40.16, 28.54, -21.45

 

CMYK 40 / 32 / 0 / 49

HEX #4E5882

RGB 78 88 130

HSL 228.46, 0.25%, 0.41%

LAB 38.22, 7.43, -24.81

 

CMYK 40 / 40 / 0 / 49

HEX #4E4E82

RGB 78 78 130

HSL 240, 0.25%, 0.41%

LAB 35.36, 13.83, -29.29

 

CMYK 40 / 32 / 0 / 49

HEX #4E5882

RGB 78 88 130

HSL 228.46, 0.25%, 0.41%

LAB 38.22, 7.43, -24.81

 

CMYK 59 / 48 / 0 / 42

HEX #3D4D93

RGB 61 77 147

HSL 228.84, 0.41%, 0.41%

LAB 34.82, 15.78, -40.63

 

CMYK 73 / 59 / 0 / 36

HEX #2C43A4

RGB 44 67 164

HSL 228.5, 0.58%, 0.41%

LAB 32.33, 25.73, -54.98

 

CMYK 85 / 69 / 0 / 29

HEX #1B38B5

RGB 27 56 181

HSL 228.7, 0.74%, 0.41%

LAB 30.39, 37.68, -68.33

 

CMYK 95 / 77 / 0 / 22

HEX #0A2EC6

RGB 10 46 198

HSL 228.51, 0.9%, 0.41%

LAB 29.65, 49.04, -79.61

 

CMYK 40 / 32 / 0 / 49

HEX #4E5882

RGB 78 88 130

HSL 228.46, 0.25%, 0.41%

LAB 38.22, 7.43, -24.81

 

CMYK 16 / 13 / 0 / 56

HEX #5F6271

RGB 95 98 113

HSL 230, 0.09%, 0.41%

LAB 41.78, 2.24, -8.85

 

CMYK 0 / 3 / 14 / 56

HEX #706D60

RGB 112 109 96

HSL 48.75, 0.08%, 0.41%

LAB 45.94, -1.3, 7.68

 

CMYK 0 / 8 / 39 / 49

HEX #81774F

RGB 129 119 79

HSL 48, 0.24%, 0.41%

LAB 50.01, -2.47, 23.41

 

CMYK 0 / 11 / 57 / 43

HEX #92823F

RGB 146 130 63

HSL 48.43, 0.4%, 0.41%

LAB 54.49, -2.83, 37.97

 

CMYK 40 / 11 / 0 / 49

HEX #4E7482

RGB 78 116 130

HSL 196.15, 0.25%, 0.41%

LAB 46.61, -9.52, -11.93

 

CMYK 40 / 22 / 0 / 49

HEX #4E6682

RGB 78 102 130

HSL 212.31, 0.25%, 0.41%

LAB 42.36, -1.26, -18.4

 

CMYK 40 / 32 / 0 / 49

HEX #4E5882

RGB 78 88 130

HSL 228.46, 0.25%, 0.41%

LAB 38.22, 7.43, -24.81

 

CMYK 38 / 40 / 0 / 49

HEX #514E82

RGB 81 78 130

HSL 243.46, 0.25%, 0.41%

LAB 35.62, 14.71, -28.87

 

CMYK 27 / 40 / 0 / 49

HEX #5F4E82

RGB 95 78 130

HSL 259.62, 0.25%, 0.41%

LAB 36.92, 19.01, -26.74

 

CMYK 41 / 33 / 0 / 69

HEX #2F354F

RGB 47 53 79

HSL 228.75, 0.25%, 0.25%

LAB 22.71, 4.98, -16.72

 

CMYK 40 / 33 / 0 / 59

HEX #3E4668

RGB 62 70 104

HSL 228.57, 0.25%, 0.33%

LAB 30.41, 6.25, -20.88

 

CMYK 40 / 32 / 0 / 49

HEX #4E5882

RGB 78 88 130

HSL 228.46, 0.25%, 0.41%

LAB 38.22, 7.43, -24.81

 

CMYK 40 / 33 / 0 / 39

HEX #5D699C

RGB 93 105 156

HSL 228.57, 0.25%, 0.49%

LAB 45.4, 8.9, -29.15

 

CMYK 32 / 26 / 0 / 32

HEX #7680AD

RGB 118 128 173

HSL 229.09, 0.25%, 0.57%

LAB 54.35, 7.13, -25.03

 

CMYK 40 / 33 / 0 / 49

HEX #4E5883

RGB 78 88 131

HSL 228.68, 0.25%, 0.41%

LAB 38.27, 7.73, -25.35

 

CMYK 0 / 40 / 0 / 49

HEX #824E82

RGB 130 78 130

HSL 300, 0.25%, 0.41%

LAB 40.91, 30.56, -20.23

 

CMYK 16 / 0 / 40 / 49

HEX #6D824E

RGB 109 130 78

HSL 84.23, 0.25%, 0.41%

LAB 51.57, -17.13, 25.68

 

CMYK 40 / 33 / 0 / 49

HEX #4E5883

RGB 78 88 131

HSL 228.68, 0.25%, 0.41%

LAB 38.27, 7.73, -25.35

 

CMYK 0 / 40 / 32 / 49

HEX #824E58

RGB 130 78 88

HSL 348.46, 0.25%, 0.41%

LAB 39.41, 23.27, 3.49

 

CMYK 32 / 0 / 40 / 49

HEX #58824E

RGB 88 130 78

HSL 108.46, 0.25%, 0.41%

LAB 50.2, -25.25, 23.64

 

CMYK 40 / 33 / 0 / 49

HEX #4E5883

RGB 78 88 131

HSL 228.68, 0.25%, 0.41%

LAB 38.27, 7.73, -25.35

 

CMYK 0 / 40 / 0 / 49

HEX #824E82

RGB 130 78 130

HSL 300, 0.25%, 0.41%

LAB 40.91, 30.56, -20.23

 

CMYK 0 / 8 / 40 / 49

HEX #82784E

RGB 130 120 78

HSL 48.46, 0.25%, 0.41%

LAB 50.37, -2.72, 24.46

 

CMYK 40 / 0 / 40 / 49

HEX #4E824E

RGB 78 130 78

HSL 120, 0.25%, 0.41%

LAB 49.66, -28.75, 22.82

 

CMYK 40 / 33 / 0 / 49

HEX #4E5883

RGB 78 88 131

HSL 228.68, 0.25%, 0.41%

LAB 38.27, 7.73, -25.35

 

CMYK 0 / 40 / 12 / 49

HEX #824E73

RGB 130 78 115

HSL 317.31, 0.25%, 0.41%

LAB 40.3, 27.68, -11.95

 

CMYK 0 / 8 / 40 / 49

HEX #82784E

RGB 130 120 78

HSL 48.46, 0.25%, 0.41%

LAB 50.37, -2.72, 24.46

 

CMYK 40 / 0 / 28 / 49

HEX #4E825E

RGB 78 130 94

HSL 138.46, 0.25%, 0.41%

LAB 49.97, -25.78, 14.14

 

Description

Color code: HEX #4E5883 | qconv.com Color code: HEX #4E5883 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 88 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 88 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 33 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 33% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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