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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E511E it is the complementary color #B1AEE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E511E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E511E shade: #535119, #64632C, #75753F, #868752 and #979965

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E511E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E511E shade: #4E511E, #3D3F0B, #2C2D00, #1B1B00 and #0A0900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E511E shade: #4E511E, #51471E, #51391E, #512B1E and #511E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E511E shade: #4E511E, #40511E, #33511E, #25511E and #1E5125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E511E shade matches the following richer shades: #4E511E, #565A15, #5E640C and #666D03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E511E shade: #4E511E, #464827, #3E3F30, #363639 and #2E2D42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E511E shade: #51381E, #51461E, #4F511E, #41511E and #33511E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E511E shade: #141508, #313313, #4E511E, #6B7029 and #888E34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E511E shade: #4E511E, #1E512B and #3F1E51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E511E shade: #4E511E, #1E4F51 and #511E4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E511E shade: #4E511E, #1E512B, #201E51 and #511E45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E511E shade: #4E511E, #1E513A, #201E51 and #511E35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 63 / 68

HEX #4E511E

RGB 78 81 30

HSL 63.53, 0.46%, 0.22%

LAB 33.13, -9.23, 28.93

 

Complementary color

CMYK 21 / 23 / 0 / 12

HEX #B1AEE1

RGB 177 174 225

HSL 243.53, 0.46%, 0.78%

LAB 72.93, 11.68, -25.22

 

CMYK 0 / 2 / 70 / 67

HEX #535119

RGB 83 81 25

HSL 57.93, 0.54%, 0.21%

LAB 33.55, -7.19, 32.04

 

CMYK 0 / 1 / 56 / 61

HEX #64632C

RGB 100 99 44

HSL 58.93, 0.39%, 0.28%

LAB 40.92, -7.96, 30.95

 

CMYK 0 / 0 / 46 / 54

HEX #75753F

RGB 117 117 63

HSL 60, 0.3%, 0.35%

LAB 48.09, -8.49, 29.66

 

CMYK 1 / 0 / 39 / 47

HEX #868752

RGB 134 135 82

HSL 61.13, 0.24%, 0.43%

LAB 55.08, -8.88, 28.37

 

CMYK 1 / 0 / 34 / 40

HEX #979965

RGB 151 153 101

HSL 62.31, 0.2%, 0.5%

LAB 61.91, -9.18, 27.14

 

CMYK 4 / 0 / 63 / 68

HEX #4E511E

RGB 78 81 30

HSL 63.53, 0.46%, 0.22%

LAB 33.13, -9.23, 28.93

 

CMYK 3 / 0 / 83 / 75

HEX #3D3F0B

RGB 61 63 11

HSL 62.31, 0.7%, 0.15%

LAB 25.48, -8.38, 29.62

 

CMYK 2 / 0 / 100 / 82

HEX #2C2D00

RGB 44 45 0

HSL 61.33, 1%, 0.09%

LAB 17.52, -6.96, 25.03

 

CMYK 0 / 0 / 100 / 89

HEX #1B1B00

RGB 27 27 0

HSL 60, 1%, 0.05%

LAB 9.13, -4.79, 13.57

 

CMYK 0 / 10 / 100 / 96

HEX #0A0900

RGB 10 9 0

HSL 54, 1%, 0.02%

LAB 2.35, -0.99, 3.5

 

CMYK 4 / 0 / 63 / 68

HEX #4E511E

RGB 78 81 30

HSL 63.53, 0.46%, 0.22%

LAB 33.13, -9.23, 28.93

 

CMYK 0 / 12 / 63 / 68

HEX #51471E

RGB 81 71 30

HSL 48.24, 0.46%, 0.22%

LAB 30.28, -1.71, 25.78

 

CMYK 0 / 30 / 63 / 68

HEX #51391E

RGB 81 57 30

HSL 31.76, 0.46%, 0.22%

LAB 26.07, 7.15, 20.83

 

CMYK 0 / 47 / 63 / 68

HEX #512B1E

RGB 81 43 30

HSL 15.29, 0.46%, 0.22%

LAB 22.2, 16.12, 16.06

 

CMYK 0 / 63 / 63 / 68

HEX #511E1E

RGB 81 30 30

HSL 0, 0.46%, 0.22%

LAB 19.1, 23.93, 12.08

 

CMYK 4 / 0 / 63 / 68

HEX #4E511E

RGB 78 81 30

HSL 63.53, 0.46%, 0.22%

LAB 33.13, -9.23, 28.93

 

CMYK 21 / 0 / 63 / 68

HEX #40511E

RGB 64 81 30

HSL 80, 0.46%, 0.22%

LAB 31.96, -15.82, 27.3

 

CMYK 37 / 0 / 63 / 68

HEX #33511E

RGB 51 81 30

HSL 95.29, 0.46%, 0.22%

LAB 31.07, -21.46, 26.04

 

CMYK 54 / 0 / 63 / 68

HEX #25511E

RGB 37 81 30

HSL 111.76, 0.46%, 0.22%

LAB 30.33, -26.67, 25

 

CMYK 63 / 0 / 54 / 68

HEX #1E5125

RGB 30 81 37

HSL 128.24, 0.46%, 0.22%

LAB 30.14, -27.75, 20.78

 

CMYK 4 / 0 / 63 / 68

HEX #4E511E

RGB 78 81 30

HSL 63.53, 0.46%, 0.22%

LAB 33.13, -9.23, 28.93

 

CMYK 4 / 0 / 77 / 65

HEX #565A15

RGB 86 90 21

HSL 63.48, 0.62%, 0.22%

LAB 36.64, -11.21, 37.03

 

CMYK 6 / 0 / 88 / 61

HEX #5E640C

RGB 94 100 12

HSL 64.09, 0.79%, 0.22%

LAB 40.44, -13.39, 43.81

 

CMYK 6 / 0 / 97 / 57

HEX #666D03

RGB 102 109 3

HSL 63.96, 0.95%, 0.22%

LAB 43.9, -14.79, 49.08

 

CMYK 4 / 0 / 63 / 68

HEX #4E511E

RGB 78 81 30

HSL 63.53, 0.46%, 0.22%

LAB 33.13, -9.23, 28.93

 

CMYK 3 / 0 / 46 / 72

HEX #464827

RGB 70 72 39

HSL 63.64, 0.3%, 0.22%

LAB 29.62, -6.72, 19.49

 

CMYK 2 / 0 / 24 / 75

HEX #3E3F30

RGB 62 63 48

HSL 64, 0.14%, 0.22%

LAB 26.14, -3.49, 9.09

 

CMYK 5 / 5 / 0 / 78

HEX #363639

RGB 54 54 57

HSL 240, 0.03%, 0.22%

LAB 22.72, 0.71, -1.88

 

CMYK 30 / 32 / 0 / 74

HEX #2E2D42

RGB 46 45 66

HSL 242.86, 0.19%, 0.22%

LAB 19.44, 6.12, -13.03

 

CMYK 0 / 31 / 63 / 68

HEX #51381E

RGB 81 56 30

HSL 30.59, 0.46%, 0.22%

LAB 25.78, 7.79, 20.48

 

CMYK 0 / 14 / 63 / 68

HEX #51461E

RGB 81 70 30

HSL 47.06, 0.46%, 0.22%

LAB 29.97, -1.09, 25.43

 

CMYK 2 / 0 / 63 / 68

HEX #4F511E

RGB 79 81 30

HSL 62.35, 0.46%, 0.22%

LAB 33.22, -8.74, 29.06

 

CMYK 20 / 0 / 63 / 68

HEX #41511E

RGB 65 81 30

HSL 78.82, 0.46%, 0.22%

LAB 32.04, -15.36, 27.4

 

CMYK 37 / 0 / 63 / 68

HEX #33511E

RGB 51 81 30

HSL 95.29, 0.46%, 0.22%

LAB 31.07, -21.46, 26.04

 

CMYK 5 / 0 / 62 / 92

HEX #141508

RGB 20 21 8

HSL 64.62, 0.45%, 0.06%

LAB 6.35, -2.76, 6.17

 

CMYK 4 / 0 / 63 / 80

HEX #313313

RGB 49 51 19

HSL 63.75, 0.46%, 0.14%

LAB 20.31, -6.49, 19.73

 

CMYK 4 / 0 / 63 / 68

HEX #4E511E

RGB 78 81 30

HSL 63.53, 0.46%, 0.22%

LAB 33.13, -9.23, 28.93

 

CMYK 4 / 0 / 63 / 56

HEX #6B7029

RGB 107 112 41

HSL 64.23, 0.46%, 0.3%

LAB 45.46, -12.3, 37.74

 

CMYK 4 / 0 / 63 / 44

HEX #888E34

RGB 136 142 52

HSL 64, 0.46%, 0.38%

LAB 56.91, -14.67, 45.72

 

CMYK 4 / 0 / 63 / 68

HEX #4E511E

RGB 78 81 30

HSL 63.53, 0.46%, 0.22%

LAB 33.13, -9.23, 28.93

 

CMYK 63 / 0 / 47 / 68

HEX #1E512B

RGB 30 81 43

HSL 135.29, 0.46%, 0.22%

LAB 30.24, -26.66, 17.36

 

CMYK 22 / 63 / 0 / 68

HEX #3F1E51

RGB 63 30 81

HSL 278.82, 0.46%, 0.22%

LAB 18.27, 26.18, -24.92

 

CMYK 4 / 0 / 63 / 68

HEX #4E511E

RGB 78 81 30

HSL 63.53, 0.46%, 0.22%

LAB 33.13, -9.23, 28.93

 

CMYK 63 / 2 / 0 / 68

HEX #1E4F51

RGB 30 79 81

HSL 182.35, 0.46%, 0.22%

LAB 30.55, -15.62, -6.14

 

CMYK 0 / 63 / 2 / 68

HEX #511E4F

RGB 81 30 79

HSL 302.35, 0.46%, 0.22%

LAB 20.99, 31.21, -19.09

 

CMYK 4 / 0 / 63 / 68

HEX #4E511E

RGB 78 81 30

HSL 63.53, 0.46%, 0.22%

LAB 33.13, -9.23, 28.93

 

CMYK 63 / 0 / 47 / 68

HEX #1E512B

RGB 30 81 43

HSL 135.29, 0.46%, 0.22%

LAB 30.24, -26.66, 17.36

 

CMYK 60 / 63 / 0 / 68

HEX #201E51

RGB 32 30 81

HSL 242.35, 0.46%, 0.22%

LAB 14.57, 17.83, -31.08

 

CMYK 0 / 63 / 15 / 68

HEX #511E45

RGB 81 30 69

HSL 314.12, 0.46%, 0.22%

LAB 20.47, 29.29, -13.1

 

CMYK 4 / 0 / 63 / 68

HEX #4E511E

RGB 78 81 30

HSL 63.53, 0.46%, 0.22%

LAB 33.13, -9.23, 28.93

 

CMYK 63 / 0 / 28 / 68

HEX #1E513A

RGB 30 81 58

HSL 152.94, 0.46%, 0.22%

LAB 30.56, -23.34, 8.52

 

CMYK 60 / 63 / 0 / 68

HEX #201E51

RGB 32 30 81

HSL 242.35, 0.46%, 0.22%

LAB 14.57, 17.83, -31.08

 

CMYK 0 / 63 / 35 / 68

HEX #511E35

RGB 81 30 53

HSL 332.94, 0.46%, 0.22%

LAB 19.78, 26.65, -3.07

 

Description

Color code: HEX #4E511E | qconv.com Color code: HEX #4E511E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 81 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 81 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 63 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 63% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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